Zod wrote:
> Will Dockery wrote:
> > Michael Pendragon wrote:
> > > Will Dockery wrote:
>
> > > > I wrote a poem which was my version of a montage, you don't accept that, which is your right.
> > > >
> > >
> > > You can't have a personal version of an established literary device, Will.
> >
> > Okay, that said, I'm ready to agree with you, can you give me a good link on the established style of "poetry montage"?
> >
> > I'm checking out Langston Hughes, who does seem to have a personal version of montage in poetry:
> >
> > https://www.litcharts.com/poetry/langston-hughes/harlem
> >
> > "Langston Hughes wrote “Harlem” in 1951 as part of a book-length sequence, Montage of a Dream Deferred. Inspired by blues and jazz music, Montage, which Hughes intended to be read as a single long poem, explores the lives and consciousness of the black community in Harlem, and the continuous experience of racial injustice within this community. “Harlem” considers the harm that is caused when the dream of racial equality is continuously delayed. Ultimately, the poem suggests, society will have to reckon with this dream, as the dreamers claim what is rightfully their own..."
> Good point, Doc.....

Hello again Zod, thanks for the read.

Will Dockery wrote:

> Zod wrote:
>> Will Dockery wrote:
>> > Michael Pendragon wrote:
>> > > Will Dockery wrote:
>>
>> > > > I wrote a poem which was my version of a montage, you don't accept that, which is your right.
>> > > >
>> > >
>> > > You can't have a personal version of an established literary device, Will.
>> >
>> > Okay, that said, I'm ready to agree with you, can you give me a good link on the established style of "poetry montage"?
>> >
>> > I'm checking out Langston Hughes, who does seem to have a personal version of montage in poetry:
>> >
>> > https://www.litcharts.com/poetry/langston-hughes/harlem
>> >
>> > "Langston Hughes wrote “Harlem” in 1951 as part of a book-length sequence, Montage of a Dream Deferred. Inspired by blues and jazz music, Montage, which Hughes intended to be read as a single long poem, explores the lives and consciousness of the black community in Harlem, and the continuous experience of racial injustice within this community. “Harlem” considers the harm that is caused when the dream of racial equality is continuously delayed. Ultimately, the poem suggests, society will have to reckon with this dream, as the dreamers claim what is rightfully their own..."
>> Good point, Doc.....

> Hello again Zod, thanks for the read.

Cool day to you, sir...

General-Zod wrote:

> Will Dockery wrote:

>> Zod wrote:
>>> Will Dockery wrote:
>>> > Michael Pendragon wrote:
>>> > > Will Dockery wrote:
>>>
>>> > > > I wrote a poem which was my version of a montage, you don't accept that, which is your right.
>>> > > >
>>> > >
>>> > > You can't have a personal version of an established literary device, Will.
>>> >
>>> > Okay, that said, I'm ready to agree with you, can you give me a good link on the established style of "poetry montage"?
>>> >
>>> > I'm checking out Langston Hughes, who does seem to have a personal version of montage in poetry:
>>> >
>>> > https://www.litcharts.com/poetry/langston-hughes/harlem
>>> >
>>> > "Langston Hughes wrote “Harlem” in 1951 as part of a book-length sequence, Montage of a Dream Deferred. Inspired by blues and jazz music, Montage, which Hughes intended to be read as a single long poem, explores the lives and consciousness of the black community in Harlem, and the continuous experience of racial injustice within this community. “Harlem” considers the harm that is caused when the dream of racial equality is continuously delayed. Ultimately, the poem suggests, society will have to reckon with this dream, as the dreamers claim what is rightfully their own..."
>>> Good point, Doc.....

>> Hello again Zod, thanks for the read.

> Cool day to you, sir...

Likewise.

🙂