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arts / rec.music.classical.recordings / BRAHMS...

SubjectAuthor
* BRAHMS...MELMOTH
`* Re: BRAHMS...AB
 `* Re: BRAHMS...MELMOTH
  `* Re: BRAHMS...AB
   `- Re: BRAHMS...MELMOTH

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BRAHMS...

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Subject: BRAHMS...
From: theom...@free.fr (MELMOTH)
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 by: MELMOTH - Fri, 15 Oct 2021 16:37 UTC

https://www.youtube.com/watch?v=8s48-ZsCHIU

For me the greatest version of Brahms' violin cocerto...And probably
one of the most extraordinary concerts recorded...
Monteux recorded it 5 times (Milstein x2, Szering, Stern and
Kogan)...All superb...But Kogan is simply UNFORGETTABLE...

Re: BRAHMS...

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Subject: Re: BRAHMS...
From: abachra...@verizon.net (AB)
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 by: AB - Fri, 15 Oct 2021 19:52 UTC

On Friday, October 15, 2021 at 12:37:09 PM UTC-4, MELMOTH wrote:
> https://www.youtube.com/watch?v=8s48-ZsCHIU
>
> For me the greatest version of Brahms' violin cocerto...And probably
> one of the most extraordinary concerts recorded...
> Monteux recorded it 5 times (Milstein x2, Szering, Stern and
> Kogan)...All superb...But Kogan is simply UNFORGETTABLE...

heard the 1st movt ( enuf for me)! Yes, very intense playing, when appropriate, is very impressive. and even exciting However, in the more lyrical passages the playing is too 'hyper' and in general there is a lack of beauty and elegance. Quite a few inaccuracies.. for example, in the cadenza, which seems to be a mixture of Joachim and perhaps Kogan, he misses a high note, and very cleverly covers it up by changing a few following notes!
A better mixture of intensity and at even at times elegance either of the Heifetz studio recordings are a more enjoyable choice.
BTW- FWIW, my friend, a Russian in the 1st violin section of the NY PHIL knew both Oistrakh and Kogan, said O. was a very nice person Kogan, 'a nasty man'!!

AB

Re: BRAHMS...

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Subject: Re: BRAHMS...
From: theom...@free.fr (MELMOTH)
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 by: MELMOTH - Fri, 15 Oct 2021 22:28 UTC

AB a écrit :
> heard the 1st movt ( enuf for me)! Yes, very intense playing, when
> appropriate, is very impressive. and even exciting However, in the more
> lyrical passages the playing is too 'hyper' and in general there is a lack of
> beauty and elegance. Quite a few inaccuracies.. for example, in the cadenza,
> which seems to be a mixture of Joachim and perhaps Kogan, he misses a high
> note, and very cleverly covers it up by changing a few following notes!

Des coups et des douleurs...

Re: BRAHMS...

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Subject: Re: BRAHMS...
From: abachra...@verizon.net (AB)
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 by: AB - Fri, 15 Oct 2021 23:25 UTC

On Friday, October 15, 2021 at 6:28:21 PM UTC-4, MELMOTH wrote:
> AB a écrit :
> > heard the 1st movt ( enuf for me)! Yes, very intense playing, when
> > appropriate, is very impressive. and even exciting However, in the more
> > lyrical passages the playing is too 'hyper' and in general there is a lack of
> > beauty and elegance. Quite a few inaccuracies.. for example, in the cadenza,
> > which seems to be a mixture of Joachim and perhaps Kogan, he misses a high
> > note, and very cleverly covers it up by changing a few following notes!
> Des coups et des douleurs...

please translate above!

AB

Re: BRAHMS...

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Subject: Re: BRAHMS...
From: theom...@free.fr (MELMOTH)
References: <6169ae31$0$1329$426a74cc@news.free.fr> <61272166-8318-4122-8b65-dd70e9e74152n@googlegroups.com> <616a0082$0$3697$426a74cc@news.free.fr> <a61eb162-1604-49c2-b5a4-61b4c0db41cen@googlegroups.com>
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 by: MELMOTH - Sat, 16 Oct 2021 00:08 UTC

AB avait prétendu :
>> Des coups et des douleurs...
>
> please translate above!

Tastes and colors / blows and pains...
Word game understandable only in the French language!...

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