Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...

{concept}
<<
"No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.

{recording}

Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.

{structure}

John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.

{insight}

While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,

On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
>
> {concept}
> <<
> "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
>
> {recording}
>
> Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
>
> {structure}
>
> John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
>
> {insight}
>
> While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
>
> 'That's a Lion at heart'
>
> Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
>
> HE –
> HAD woken from DEATH!
>
> During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
>
> Christ was only sleeping
>
> The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
>
> DEATH!
>
> There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> >>
>
> *
>
> It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
>
> A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
>
> The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
>
> Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
>
> The first line of X.28 suggests an obvious meaning to Beatle fans -
>
> Second and third who make prime music...
>
> John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
>
> ...Will be sublimated in honor by a King
>
> The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
>
> The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul.. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
>
> The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
>
> The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
>
> So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
>
> John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
>
> 'Divinely - Prophesied,
> {4 notes}...Powerful:
> And His Wrath -
> Will Be Felt -
> Through The
> SCEP-TER'
>
> The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
>
> The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
>
> The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
>
> 'When They Have Instigated
> A Second COUP...
> They'll Deserve -
> To Lose
> ALL
> Their Freedom!'
>
> The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
>
> The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
>
> The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
>
> The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
>
> The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
>
> 'We'll Build A Fire -
> TO Light A Tavern;
>
> We'll Build A Fire -
> To LIGHT A TAVERN -
>
> And The 'Tavern'
> Of NORTH AMERICA -
> Could Do Better -
>
> Than - To...' [etc.]
>
> Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
>
> 'Somewhere -
> Near The Fabled -
> Location -
> For The Books -
> By Grimm -
> The Fabled -
> Location -
> For The Books -
> By Grimm -
> The Fabled Location'
>
> There Paul's scatting happens to sound like,
>
> 'Near the Grimm-Brother Land' -
>
> As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
>
> 'Somewhere Near The
> FOREST OF BLACK,
> They'll Build A Machine Strong Enough To -
> Somewhere Near The
> FOREST OF BLACK,
> They'll Build A Machine Strong Enough To -
>
> Blow - Up
> The Whole...' [etc.]
>
> These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.

On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> >
> > {concept}
> > <<
> > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> >
> > {recording}
> >
> > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> >
> > {structure}
> >
> > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> >
> > {insight}
> >
> > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> >
> > 'That's a Lion at heart'
> >
> > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> >
> > HE –
> > HAD woken from DEATH!
> >
> > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> >
> > Christ was only sleeping
> >
> > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> >
> > DEATH!
> >
> > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault..
> > >>
> >
> > *
> >
> > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> >
> > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> >
> > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> >
> > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> >
> > The first line of X.28 suggests an obvious meaning to Beatle fans -
> >
> > Second and third who make prime music...
> >
> > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> >
> > ...Will be sublimated in honor by a King
> >
> > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> >
> > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> >
> > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> >
> > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> >
> > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> >
> > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> >
> > 'Divinely - Prophesied,
> > {4 notes}...Powerful:
> > And His Wrath -
> > Will Be Felt -
> > Through The
> > SCEP-TER'
> >
> > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> >
> > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> >
> > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> >
> > 'When They Have Instigated
> > A Second COUP...
> > They'll Deserve -
> > To Lose
> > ALL
> > Their Freedom!'
> >
> > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> >
> > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> >
> > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> >
> > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> >
> > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> >
> > 'We'll Build A Fire -
> > TO Light A Tavern;
> >
> > We'll Build A Fire -
> > To LIGHT A TAVERN -
> >
> > And The 'Tavern'
> > Of NORTH AMERICA -
> > Could Do Better -
> >
> > Than - To...' [etc.]
> >
> > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> >
> > 'Somewhere -
> > Near The Fabled -
> > Location -
> > For The Books -
> > By Grimm -
> > The Fabled -
> > Location -
> > For The Books -
> > By Grimm -
> > The Fabled Location'
> >
> > There Paul's scatting happens to sound like,
> >
> > 'Near the Grimm-Brother Land' -
> >
> > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> >
> > 'Somewhere Near The
> > FOREST OF BLACK,
> > They'll Build A Machine Strong Enough To -
> > Somewhere Near The
> > FOREST OF BLACK,
> > They'll Build A Machine Strong Enough To -
> >
> > Blow - Up
> > The Whole...' [etc.]
> >
> > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?

On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > >
> > > {concept}
> > > <<
> > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > >
> > > {recording}
> > >
> > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge.. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > >
> > > {structure}
> > >
> > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > >
> > > {insight}
> > >
> > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > >
> > > 'That's a Lion at heart'
> > >
> > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > >
> > > HE –
> > > HAD woken from DEATH!
> > >
> > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > >
> > > Christ was only sleeping
> > >
> > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > >
> > > DEATH!
> > >
> > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > >>
> > >
> > > *
> > >
> > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > >
> > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > >
> > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > >
> > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > >
> > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > >
> > > Second and third who make prime music...
> > >
> > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > >
> > > ...Will be sublimated in honor by a King
> > >
> > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > >
> > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > >
> > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > >
> > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > >
> > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > >
> > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > >
> > > 'Divinely - Prophesied,
> > > {4 notes}...Powerful:
> > > And His Wrath -
> > > Will Be Felt -
> > > Through The
> > > SCEP-TER'
> > >
> > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > >
> > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > >
> > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > >
> > > 'When They Have Instigated
> > > A Second COUP...
> > > They'll Deserve -
> > > To Lose
> > > ALL
> > > Their Freedom!'
> > >
> > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > >
> > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > >
> > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > >
> > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over..
> > >
> > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > >
> > > 'We'll Build A Fire -
> > > TO Light A Tavern;
> > >
> > > We'll Build A Fire -
> > > To LIGHT A TAVERN -
> > >
> > > And The 'Tavern'
> > > Of NORTH AMERICA -
> > > Could Do Better -
> > >
> > > Than - To...' [etc.]
> > >
> > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > >
> > > 'Somewhere -
> > > Near The Fabled -
> > > Location -
> > > For The Books -
> > > By Grimm -
> > > The Fabled -
> > > Location -
> > > For The Books -
> > > By Grimm -
> > > The Fabled Location'
> > >
> > > There Paul's scatting happens to sound like,
> > >
> > > 'Near the Grimm-Brother Land' -
> > >
> > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > >
> > > 'Somewhere Near The
> > > FOREST OF BLACK,
> > > They'll Build A Machine Strong Enough To -
> > > Somewhere Near The
> > > FOREST OF BLACK,
> > > They'll Build A Machine Strong Enough To -
> > >
> > > Blow - Up
> > > The Whole...' [etc.]
> > >
> > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
>
> In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
>
> The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
>
> *
>
> An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
>
> 'An Exotic Event -
> An Exotic Event -
> An Ex-periment -
>
> An Experiment In
> *FORMER*
> Geneva!'
>
> The final guitar flourish was an edit piece.
>
> The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
>
> The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
>
> Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
>
> Par grands dangers le captif echappe
>
> From great dangers the captive escaped
>
> Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
>
> Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
>
> Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
>
> Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
>
> It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
>
> The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
>
> The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
>
> The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising.. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
>
> The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
>
> The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.

On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > >
> > > > {concept}
> > > > <<
> > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > >
> > > > {recording}
> > > >
> > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > >
> > > > {structure}
> > > >
> > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music.. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > >
> > > > {insight}
> > > >
> > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > >
> > > > 'That's a Lion at heart'
> > > >
> > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > >
> > > > HE –
> > > > HAD woken from DEATH!
> > > >
> > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > >
> > > > Christ was only sleeping
> > > >
> > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > >
> > > > DEATH!
> > > >
> > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune.. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > >>
> > > >
> > > > *
> > > >
> > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > >
> > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > >
> > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > >
> > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > >
> > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > >
> > > > Second and third who make prime music...
> > > >
> > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > >
> > > > ...Will be sublimated in honor by a King
> > > >
> > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > >
> > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > >
> > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > >
> > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > >
> > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > >
> > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > >
> > > > 'Divinely - Prophesied,
> > > > {4 notes}...Powerful:
> > > > And His Wrath -
> > > > Will Be Felt -
> > > > Through The
> > > > SCEP-TER'
> > > >
> > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > >
> > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > >
> > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > >
> > > > 'When They Have Instigated
> > > > A Second COUP...
> > > > They'll Deserve -
> > > > To Lose
> > > > ALL
> > > > Their Freedom!'
> > > >
> > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > >
> > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > >
> > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V..53, which scripture says is possible through the testimony of Jesus.
> > > >
> > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > >
> > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > >
> > > > 'We'll Build A Fire -
> > > > TO Light A Tavern;
> > > >
> > > > We'll Build A Fire -
> > > > To LIGHT A TAVERN -
> > > >
> > > > And The 'Tavern'
> > > > Of NORTH AMERICA -
> > > > Could Do Better -
> > > >
> > > > Than - To...' [etc.]
> > > >
> > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > >
> > > > 'Somewhere -
> > > > Near The Fabled -
> > > > Location -
> > > > For The Books -
> > > > By Grimm -
> > > > The Fabled -
> > > > Location -
> > > > For The Books -
> > > > By Grimm -
> > > > The Fabled Location'
> > > >
> > > > There Paul's scatting happens to sound like,
> > > >
> > > > 'Near the Grimm-Brother Land' -
> > > >
> > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > >
> > > > 'Somewhere Near The
> > > > FOREST OF BLACK,
> > > > They'll Build A Machine Strong Enough To -
> > > > Somewhere Near The
> > > > FOREST OF BLACK,
> > > > They'll Build A Machine Strong Enough To -
> > > >
> > > > Blow - Up
> > > > The Whole...' [etc.]
> > > >
> > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> >
> > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> >
> > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> >
> > *
> >
> > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> >
> > 'An Exotic Event -
> > An Exotic Event -
> > An Ex-periment -
> >
> > An Experiment In
> > *FORMER*
> > Geneva!'
> >
> > The final guitar flourish was an edit piece.
> >
> > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> >
> > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> >
> > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> >
> > Par grands dangers le captif echappe
> >
> > From great dangers the captive escaped
> >
> > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> >
> > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> >
> > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> >
> > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> >
> > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> >
> > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> >
> > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> >
> > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> >
> > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V..16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> >
> > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
>
> The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
>
> There were two observed cases for Fortune jumping instantaneously for II.66.
>
> In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
>
> The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
>
> From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
>
> This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
>
> It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
>
> Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
>
> The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
>
> The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.

On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > >
> > > > > {concept}
> > > > > <<
> > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > >
> > > > > {recording}
> > > > >
> > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > >
> > > > > {structure}
> > > > >
> > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > >
> > > > > {insight}
> > > > >
> > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > >
> > > > > 'That's a Lion at heart'
> > > > >
> > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > >
> > > > > HE –
> > > > > HAD woken from DEATH!
> > > > >
> > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > >
> > > > > Christ was only sleeping
> > > > >
> > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > >
> > > > > DEATH!
> > > > >
> > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > >>
> > > > >
> > > > > *
> > > > >
> > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > >
> > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > >
> > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > >
> > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > >
> > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > >
> > > > > Second and third who make prime music...
> > > > >
> > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > >
> > > > > ...Will be sublimated in honor by a King
> > > > >
> > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > >
> > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > >
> > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > >
> > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > >
> > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > >
> > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > >
> > > > > 'Divinely - Prophesied,
> > > > > {4 notes}...Powerful:
> > > > > And His Wrath -
> > > > > Will Be Felt -
> > > > > Through The
> > > > > SCEP-TER'
> > > > >
> > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects..
> > > > >
> > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > >
> > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > >
> > > > > 'When They Have Instigated
> > > > > A Second COUP...
> > > > > They'll Deserve -
> > > > > To Lose
> > > > > ALL
> > > > > Their Freedom!'
> > > > >
> > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > >
> > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > >
> > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > >
> > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > >
> > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > >
> > > > > 'We'll Build A Fire -
> > > > > TO Light A Tavern;
> > > > >
> > > > > We'll Build A Fire -
> > > > > To LIGHT A TAVERN -
> > > > >
> > > > > And The 'Tavern'
> > > > > Of NORTH AMERICA -
> > > > > Could Do Better -
> > > > >
> > > > > Than - To...' [etc.]
> > > > >
> > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > >
> > > > > 'Somewhere -
> > > > > Near The Fabled -
> > > > > Location -
> > > > > For The Books -
> > > > > By Grimm -
> > > > > The Fabled -
> > > > > Location -
> > > > > For The Books -
> > > > > By Grimm -
> > > > > The Fabled Location'
> > > > >
> > > > > There Paul's scatting happens to sound like,
> > > > >
> > > > > 'Near the Grimm-Brother Land' -
> > > > >
> > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > >
> > > > > 'Somewhere Near The
> > > > > FOREST OF BLACK,
> > > > > They'll Build A Machine Strong Enough To -
> > > > > Somewhere Near The
> > > > > FOREST OF BLACK,
> > > > > They'll Build A Machine Strong Enough To -
> > > > >
> > > > > Blow - Up
> > > > > The Whole...' [etc.]
> > > > >
> > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > >
> > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > >
> > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > >
> > > *
> > >
> > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > >
> > > 'An Exotic Event -
> > > An Exotic Event -
> > > An Ex-periment -
> > >
> > > An Experiment In
> > > *FORMER*
> > > Geneva!'
> > >
> > > The final guitar flourish was an edit piece.
> > >
> > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > >
> > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > >
> > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > >
> > > Par grands dangers le captif echappe
> > >
> > > From great dangers the captive escaped
> > >
> > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > >
> > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > >
> > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > >
> > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > >
> > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > >
> > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > >
> > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > >
> > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > >
> > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > >
> > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> >
> > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> >
> > There were two observed cases for Fortune jumping instantaneously for II.66.
> >
> > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> >
> > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> >
> > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> >
> > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> >
> > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> >
> > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> >
> > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> >
> > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
>
> The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
>
> The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
>
> The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
>
> Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
>
> The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
>
> Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
>
> Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
>
> *
>
> The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
>
> The opening phrase of the solo sounds like,
>
> 'The Last Supper'
>
> [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
>
> 'The Sat-Guru'
>
> That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
>
> '...Born Near The Hopi Nation...
>
> CAME to Power BEYOND...
>
> What Men Before May Call... -'
>
> Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.

On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > >
> > > > > {concept}
> > > > > <<
> > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > >
> > > > > {recording}
> > > > >
> > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > >
> > > > > {structure}
> > > > >
> > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > >
> > > > > {insight}
> > > > >
> > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > >
> > > > > 'That's a Lion at heart'
> > > > >
> > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > >
> > > > > HE –
> > > > > HAD woken from DEATH!
> > > > >
> > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > >
> > > > > Christ was only sleeping
> > > > >
> > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > >
> > > > > DEATH!
> > > > >
> > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > >>
> > > > >
> > > > > *
> > > > >
> > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > >
> > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > >
> > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > >
> > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > >
> > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > >
> > > > > Second and third who make prime music...
> > > > >
> > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > >
> > > > > ...Will be sublimated in honor by a King
> > > > >
> > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > >
> > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > >
> > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > >
> > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > >
> > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > >
> > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > >
> > > > > 'Divinely - Prophesied,
> > > > > {4 notes}...Powerful:
> > > > > And His Wrath -
> > > > > Will Be Felt -
> > > > > Through The
> > > > > SCEP-TER'
> > > > >
> > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects..
> > > > >
> > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > >
> > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > >
> > > > > 'When They Have Instigated
> > > > > A Second COUP...
> > > > > They'll Deserve -
> > > > > To Lose
> > > > > ALL
> > > > > Their Freedom!'
> > > > >
> > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > >
> > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > >
> > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > >
> > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > >
> > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > >
> > > > > 'We'll Build A Fire -
> > > > > TO Light A Tavern;
> > > > >
> > > > > We'll Build A Fire -
> > > > > To LIGHT A TAVERN -
> > > > >
> > > > > And The 'Tavern'
> > > > > Of NORTH AMERICA -
> > > > > Could Do Better -
> > > > >
> > > > > Than - To...' [etc.]
> > > > >
> > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > >
> > > > > 'Somewhere -
> > > > > Near The Fabled -
> > > > > Location -
> > > > > For The Books -
> > > > > By Grimm -
> > > > > The Fabled -
> > > > > Location -
> > > > > For The Books -
> > > > > By Grimm -
> > > > > The Fabled Location'
> > > > >
> > > > > There Paul's scatting happens to sound like,
> > > > >
> > > > > 'Near the Grimm-Brother Land' -
> > > > >
> > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > >
> > > > > 'Somewhere Near The
> > > > > FOREST OF BLACK,
> > > > > They'll Build A Machine Strong Enough To -
> > > > > Somewhere Near The
> > > > > FOREST OF BLACK,
> > > > > They'll Build A Machine Strong Enough To -
> > > > >
> > > > > Blow - Up
> > > > > The Whole...' [etc.]
> > > > >
> > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > >
> > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > >
> > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > >
> > > *
> > >
> > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > >
> > > 'An Exotic Event -
> > > An Exotic Event -
> > > An Ex-periment -
> > >
> > > An Experiment In
> > > *FORMER*
> > > Geneva!'
> > >
> > > The final guitar flourish was an edit piece.
> > >
> > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > >
> > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > >
> > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > >
> > > Par grands dangers le captif echappe
> > >
> > > From great dangers the captive escaped
> > >
> > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > >
> > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > >
> > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > >
> > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > >
> > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > >
> > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > >
> > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > >
> > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > >
> > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > >
> > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> >
> > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> >
> > There were two observed cases for Fortune jumping instantaneously for II.66.
> >
> > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> >
> > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> >
> > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> >
> > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> >
> > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> >
> > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> >
> > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> >
> > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
>
> The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
>
> The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
>
> The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
>
> Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
>
> The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
>
> Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
>
> Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
>
> *
>
> The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
>
> The opening phrase of the solo sounds like,
>
> 'The Last Supper'
>
> [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
>
> 'The Sat-Guru'
>
> That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
>
> '...Born Near The Hopi Nation...
>
> CAME to Power BEYOND...
>
> What Men Before May Call... -'
>
> Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.

On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > >
> > > > > > {concept}
> > > > > > <<
> > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > >
> > > > > > {recording}
> > > > > >
> > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B.. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > >
> > > > > > {structure}
> > > > > >
> > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > >
> > > > > > {insight}
> > > > > >
> > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > >
> > > > > > 'That's a Lion at heart'
> > > > > >
> > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > >
> > > > > > HE –
> > > > > > HAD woken from DEATH!
> > > > > >
> > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > >
> > > > > > Christ was only sleeping
> > > > > >
> > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > >
> > > > > > DEATH!
> > > > > >
> > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > >>
> > > > > >
> > > > > > *
> > > > > >
> > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > >
> > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > >
> > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > >
> > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > >
> > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > >
> > > > > > Second and third who make prime music...
> > > > > >
> > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > >
> > > > > > ...Will be sublimated in honor by a King
> > > > > >
> > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > >
> > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > >
> > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > >
> > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > >
> > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > >
> > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > >
> > > > > > 'Divinely - Prophesied,
> > > > > > {4 notes}...Powerful:
> > > > > > And His Wrath -
> > > > > > Will Be Felt -
> > > > > > Through The
> > > > > > SCEP-TER'
> > > > > >
> > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > >
> > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > >
> > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > >
> > > > > > 'When They Have Instigated
> > > > > > A Second COUP...
> > > > > > They'll Deserve -
> > > > > > To Lose
> > > > > > ALL
> > > > > > Their Freedom!'
> > > > > >
> > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > >
> > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > >
> > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > >
> > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > >
> > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > >
> > > > > > 'We'll Build A Fire -
> > > > > > TO Light A Tavern;
> > > > > >
> > > > > > We'll Build A Fire -
> > > > > > To LIGHT A TAVERN -
> > > > > >
> > > > > > And The 'Tavern'
> > > > > > Of NORTH AMERICA -
> > > > > > Could Do Better -
> > > > > >
> > > > > > Than - To...' [etc.]
> > > > > >
> > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > >
> > > > > > 'Somewhere -
> > > > > > Near The Fabled -
> > > > > > Location -
> > > > > > For The Books -
> > > > > > By Grimm -
> > > > > > The Fabled -
> > > > > > Location -
> > > > > > For The Books -
> > > > > > By Grimm -
> > > > > > The Fabled Location'
> > > > > >
> > > > > > There Paul's scatting happens to sound like,
> > > > > >
> > > > > > 'Near the Grimm-Brother Land' -
> > > > > >
> > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > >
> > > > > > 'Somewhere Near The
> > > > > > FOREST OF BLACK,
> > > > > > They'll Build A Machine Strong Enough To -
> > > > > > Somewhere Near The
> > > > > > FOREST OF BLACK,
> > > > > > They'll Build A Machine Strong Enough To -
> > > > > >
> > > > > > Blow - Up
> > > > > > The Whole...' [etc.]
> > > > > >
> > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > >
> > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > >
> > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > >
> > > > *
> > > >
> > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > >
> > > > 'An Exotic Event -
> > > > An Exotic Event -
> > > > An Ex-periment -
> > > >
> > > > An Experiment In
> > > > *FORMER*
> > > > Geneva!'
> > > >
> > > > The final guitar flourish was an edit piece.
> > > >
> > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > >
> > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > >
> > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > >
> > > > Par grands dangers le captif echappe
> > > >
> > > > From great dangers the captive escaped
> > > >
> > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > >
> > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > >
> > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > >
> > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > >
> > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > >
> > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > >
> > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > >
> > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > >
> > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > >
> > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > >
> > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > >
> > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > >
> > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > >
> > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > >
> > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > >
> > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > >
> > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > >
> > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > >
> > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > >
> > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> >
> > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> >
> > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> >
> > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> >
> > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> >
> > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> >
> > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> >
> > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> >
> > *
> >
> > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> >
> > The opening phrase of the solo sounds like,
> >
> > 'The Last Supper'
> >
> > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> >
> > 'The Sat-Guru'
> >
> > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> >
> > '...Born Near The Hopi Nation...
> >
> > CAME to Power BEYOND...
> >
> > What Men Before May Call... -'
> >
> > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
>
> While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X..79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
>
> Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.

On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > >
> > > > > > {concept}
> > > > > > <<
> > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > >
> > > > > > {recording}
> > > > > >
> > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B.. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > >
> > > > > > {structure}
> > > > > >
> > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > >
> > > > > > {insight}
> > > > > >
> > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > >
> > > > > > 'That's a Lion at heart'
> > > > > >
> > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > >
> > > > > > HE –
> > > > > > HAD woken from DEATH!
> > > > > >
> > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > >
> > > > > > Christ was only sleeping
> > > > > >
> > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > >
> > > > > > DEATH!
> > > > > >
> > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > >>
> > > > > >
> > > > > > *
> > > > > >
> > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > >
> > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > >
> > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > >
> > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > >
> > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > >
> > > > > > Second and third who make prime music...
> > > > > >
> > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > >
> > > > > > ...Will be sublimated in honor by a King
> > > > > >
> > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > >
> > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > >
> > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > >
> > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > >
> > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > >
> > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > >
> > > > > > 'Divinely - Prophesied,
> > > > > > {4 notes}...Powerful:
> > > > > > And His Wrath -
> > > > > > Will Be Felt -
> > > > > > Through The
> > > > > > SCEP-TER'
> > > > > >
> > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > >
> > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > >
> > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > >
> > > > > > 'When They Have Instigated
> > > > > > A Second COUP...
> > > > > > They'll Deserve -
> > > > > > To Lose
> > > > > > ALL
> > > > > > Their Freedom!'
> > > > > >
> > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > >
> > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > >
> > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > >
> > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > >
> > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > >
> > > > > > 'We'll Build A Fire -
> > > > > > TO Light A Tavern;
> > > > > >
> > > > > > We'll Build A Fire -
> > > > > > To LIGHT A TAVERN -
> > > > > >
> > > > > > And The 'Tavern'
> > > > > > Of NORTH AMERICA -
> > > > > > Could Do Better -
> > > > > >
> > > > > > Than - To...' [etc.]
> > > > > >
> > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > >
> > > > > > 'Somewhere -
> > > > > > Near The Fabled -
> > > > > > Location -
> > > > > > For The Books -
> > > > > > By Grimm -
> > > > > > The Fabled -
> > > > > > Location -
> > > > > > For The Books -
> > > > > > By Grimm -
> > > > > > The Fabled Location'
> > > > > >
> > > > > > There Paul's scatting happens to sound like,
> > > > > >
> > > > > > 'Near the Grimm-Brother Land' -
> > > > > >
> > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > >
> > > > > > 'Somewhere Near The
> > > > > > FOREST OF BLACK,
> > > > > > They'll Build A Machine Strong Enough To -
> > > > > > Somewhere Near The
> > > > > > FOREST OF BLACK,
> > > > > > They'll Build A Machine Strong Enough To -
> > > > > >
> > > > > > Blow - Up
> > > > > > The Whole...' [etc.]
> > > > > >
> > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > >
> > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > >
> > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > >
> > > > *
> > > >
> > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > >
> > > > 'An Exotic Event -
> > > > An Exotic Event -
> > > > An Ex-periment -
> > > >
> > > > An Experiment In
> > > > *FORMER*
> > > > Geneva!'
> > > >
> > > > The final guitar flourish was an edit piece.
> > > >
> > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > >
> > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > >
> > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > >
> > > > Par grands dangers le captif echappe
> > > >
> > > > From great dangers the captive escaped
> > > >
> > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > >
> > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > >
> > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > >
> > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > >
> > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > >
> > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > >
> > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > >
> > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > >
> > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > >
> > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > >
> > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > >
> > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > >
> > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > >
> > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > >
> > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > >
> > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > >
> > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > >
> > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > >
> > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > >
> > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> >
> > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> >
> > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> >
> > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> >
> > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> >
> > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> >
> > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> >
> > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> >
> > *
> >
> > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> >
> > The opening phrase of the solo sounds like,
> >
> > 'The Last Supper'
> >
> > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> >
> > 'The Sat-Guru'
> >
> > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> >
> > '...Born Near The Hopi Nation...
> >
> > CAME to Power BEYOND...
> >
> > What Men Before May Call... -'
> >
> > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
>
> While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X..79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
>
> Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.

On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > >
> > > > > > > {concept}
> > > > > > > <<
> > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > >
> > > > > > > {recording}
> > > > > > >
> > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A..B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > >
> > > > > > > {structure}
> > > > > > >
> > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > >
> > > > > > > {insight}
> > > > > > >
> > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > >
> > > > > > > 'That's a Lion at heart'
> > > > > > >
> > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > >
> > > > > > > HE –
> > > > > > > HAD woken from DEATH!
> > > > > > >
> > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > >
> > > > > > > Christ was only sleeping
> > > > > > >
> > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > >
> > > > > > > DEATH!
> > > > > > >
> > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > >>
> > > > > > >
> > > > > > > *
> > > > > > >
> > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > >
> > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > >
> > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I..52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > >
> > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > >
> > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > >
> > > > > > > Second and third who make prime music...
> > > > > > >
> > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > >
> > > > > > > ...Will be sublimated in honor by a King
> > > > > > >
> > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > >
> > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > >
> > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > >
> > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > >
> > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > >
> > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > >
> > > > > > > 'Divinely - Prophesied,
> > > > > > > {4 notes}...Powerful:
> > > > > > > And His Wrath -
> > > > > > > Will Be Felt -
> > > > > > > Through The
> > > > > > > SCEP-TER'
> > > > > > >
> > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > >
> > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > >
> > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > >
> > > > > > > 'When They Have Instigated
> > > > > > > A Second COUP...
> > > > > > > They'll Deserve -
> > > > > > > To Lose
> > > > > > > ALL
> > > > > > > Their Freedom!'
> > > > > > >
> > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > >
> > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > >
> > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > >
> > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > >
> > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > >
> > > > > > > 'We'll Build A Fire -
> > > > > > > TO Light A Tavern;
> > > > > > >
> > > > > > > We'll Build A Fire -
> > > > > > > To LIGHT A TAVERN -
> > > > > > >
> > > > > > > And The 'Tavern'
> > > > > > > Of NORTH AMERICA -
> > > > > > > Could Do Better -
> > > > > > >
> > > > > > > Than - To...' [etc.]
> > > > > > >
> > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > >
> > > > > > > 'Somewhere -
> > > > > > > Near The Fabled -
> > > > > > > Location -
> > > > > > > For The Books -
> > > > > > > By Grimm -
> > > > > > > The Fabled -
> > > > > > > Location -
> > > > > > > For The Books -
> > > > > > > By Grimm -
> > > > > > > The Fabled Location'
> > > > > > >
> > > > > > > There Paul's scatting happens to sound like,
> > > > > > >
> > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > >
> > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > >
> > > > > > > 'Somewhere Near The
> > > > > > > FOREST OF BLACK,
> > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > Somewhere Near The
> > > > > > > FOREST OF BLACK,
> > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > >
> > > > > > > Blow - Up
> > > > > > > The Whole...' [etc.]
> > > > > > >
> > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > >
> > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > >
> > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > >
> > > > > *
> > > > >
> > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > >
> > > > > 'An Exotic Event -
> > > > > An Exotic Event -
> > > > > An Ex-periment -
> > > > >
> > > > > An Experiment In
> > > > > *FORMER*
> > > > > Geneva!'
> > > > >
> > > > > The final guitar flourish was an edit piece.
> > > > >
> > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > >
> > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > >
> > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > >
> > > > > Par grands dangers le captif echappe
> > > > >
> > > > > From great dangers the captive escaped
> > > > >
> > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > >
> > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > >
> > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > >
> > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > >
> > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > >
> > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > >
> > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > >
> > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > >
> > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function..
> > > > >
> > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > >
> > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > >
> > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > >
> > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > >
> > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > >
> > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > >
> > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > >
> > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > >
> > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > >
> > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > >
> > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > >
> > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > >
> > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > >
> > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > >
> > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > >
> > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > >
> > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > >
> > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > >
> > > *
> > >
> > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > >
> > > The opening phrase of the solo sounds like,
> > >
> > > 'The Last Supper'
> > >
> > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > >
> > > 'The Sat-Guru'
> > >
> > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > >
> > > '...Born Near The Hopi Nation...
> > >
> > > CAME to Power BEYOND...
> > >
> > > What Men Before May Call... -'
> > >
> > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> >
> > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> >
> > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
>
> https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
>
> Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
>
> Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
>
> The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
>
> The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
>
> Les noirs du temple du lieu de Negrisilve
> Feront auberge et feu de Lombardie
>
> The villains of the Temple where stood the Black Forest
> Will build a fire for the Tavern, at Lombardy

On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo..com wrote:
> > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > >
> > > > > > > > {concept}
> > > > > > > > <<
> > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > >
> > > > > > > > {recording}
> > > > > > > >
> > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > >
> > > > > > > > {structure}
> > > > > > > >
> > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > >
> > > > > > > > {insight}
> > > > > > > >
> > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > >
> > > > > > > > 'That's a Lion at heart'
> > > > > > > >
> > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > >
> > > > > > > > HE –
> > > > > > > > HAD woken from DEATH!
> > > > > > > >
> > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > >
> > > > > > > > Christ was only sleeping
> > > > > > > >
> > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > >
> > > > > > > > DEATH!
> > > > > > > >
> > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > >>
> > > > > > > >
> > > > > > > > *
> > > > > > > >
> > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > >
> > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > >
> > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > >
> > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > >
> > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > >
> > > > > > > > Second and third who make prime music...
> > > > > > > >
> > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > >
> > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > >
> > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > >
> > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > >
> > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location.. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > >
> > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > >
> > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > >
> > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > >
> > > > > > > > 'Divinely - Prophesied,
> > > > > > > > {4 notes}...Powerful:
> > > > > > > > And His Wrath -
> > > > > > > > Will Be Felt -
> > > > > > > > Through The
> > > > > > > > SCEP-TER'
> > > > > > > >
> > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > >
> > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > >
> > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > >
> > > > > > > > 'When They Have Instigated
> > > > > > > > A Second COUP...
> > > > > > > > They'll Deserve -
> > > > > > > > To Lose
> > > > > > > > ALL
> > > > > > > > Their Freedom!'
> > > > > > > >
> > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > >
> > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > >
> > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > >
> > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > >
> > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > >
> > > > > > > > 'We'll Build A Fire -
> > > > > > > > TO Light A Tavern;
> > > > > > > >
> > > > > > > > We'll Build A Fire -
> > > > > > > > To LIGHT A TAVERN -
> > > > > > > >
> > > > > > > > And The 'Tavern'
> > > > > > > > Of NORTH AMERICA -
> > > > > > > > Could Do Better -
> > > > > > > >
> > > > > > > > Than - To...' [etc.]
> > > > > > > >
> > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > >
> > > > > > > > 'Somewhere -
> > > > > > > > Near The Fabled -
> > > > > > > > Location -
> > > > > > > > For The Books -
> > > > > > > > By Grimm -
> > > > > > > > The Fabled -
> > > > > > > > Location -
> > > > > > > > For The Books -
> > > > > > > > By Grimm -
> > > > > > > > The Fabled Location'
> > > > > > > >
> > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > >
> > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > >
> > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > >
> > > > > > > > 'Somewhere Near The
> > > > > > > > FOREST OF BLACK,
> > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > Somewhere Near The
> > > > > > > > FOREST OF BLACK,
> > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > >
> > > > > > > > Blow - Up
> > > > > > > > The Whole...' [etc.]
> > > > > > > >
> > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > >
> > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > >
> > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > >
> > > > > > *
> > > > > >
> > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > >
> > > > > > 'An Exotic Event -
> > > > > > An Exotic Event -
> > > > > > An Ex-periment -
> > > > > >
> > > > > > An Experiment In
> > > > > > *FORMER*
> > > > > > Geneva!'
> > > > > >
> > > > > > The final guitar flourish was an edit piece.
> > > > > >
> > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > >
> > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > >
> > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > >
> > > > > > Par grands dangers le captif echappe
> > > > > >
> > > > > > From great dangers the captive escaped
> > > > > >
> > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > >
> > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > >
> > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > >
> > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > >
> > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > >
> > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > >
> > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > >
> > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > >
> > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > >
> > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > >
> > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > >
> > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > >
> > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > >
> > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > >
> > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > >
> > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > >
> > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > >
> > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > >
> > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > >
> > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > >
> > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > >
> > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > >
> > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > >
> > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > >
> > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > >
> > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > >
> > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > >
> > > > *
> > > >
> > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > >
> > > > The opening phrase of the solo sounds like,
> > > >
> > > > 'The Last Supper'
> > > >
> > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > >
> > > > 'The Sat-Guru'
> > > >
> > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > >
> > > > '...Born Near The Hopi Nation...
> > > >
> > > > CAME to Power BEYOND...
> > > >
> > > > What Men Before May Call... -'
> > > >
> > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > >
> > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > >
> > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> >
> > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> >
> > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> >
> > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> >
> > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> >
> > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> >
> > Les noirs du temple du lieu de Negrisilve
> > Feront auberge et feu de Lombardie
> >
> > The villains of the Temple where stood the Black Forest
> > Will build a fire for the Tavern, at Lombardy
> I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
>
> The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
>
> By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
>
> The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
>
> Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
>
> For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
>
> On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
>
> Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
>
> Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
>
> Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
>
> This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
>
> Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
>
> So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
>
> Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
>
> Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
>
> Vesta reaches the Apex point at 5:05 pm CET.
>
> And Fortune conjoins Pallas at 5:08 pm CET.
>
> So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
>
> The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
>
> That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
>
> 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
>
> The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
>
> Ceux de Vienne seront trestous haches
>
> Those of Vienne will all be hacked to pieces
>
> Gaule branler, pericliter la barque
>
> Gaul to shake, the Bark to be in jeopardy
>
> [EOM]

On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > >
> > > > > > > > > {concept}
> > > > > > > > > <<
> > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > >
> > > > > > > > > {recording}
> > > > > > > > >
> > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > >
> > > > > > > > > {structure}
> > > > > > > > >
> > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place").. After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine..
> > > > > > > > >
> > > > > > > > > {insight}
> > > > > > > > >
> > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > >
> > > > > > > > > 'That's a Lion at heart'
> > > > > > > > >
> > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > >
> > > > > > > > > HE –
> > > > > > > > > HAD woken from DEATH!
> > > > > > > > >
> > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > >
> > > > > > > > > Christ was only sleeping
> > > > > > > > >
> > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > >
> > > > > > > > > DEATH!
> > > > > > > > >
> > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > >>
> > > > > > > > >
> > > > > > > > > *
> > > > > > > > >
> > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > >
> > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > >
> > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > >
> > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed.. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > >
> > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > >
> > > > > > > > > Second and third who make prime music...
> > > > > > > > >
> > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > >
> > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > >
> > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > >
> > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > >
> > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > >
> > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > >
> > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > >
> > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > >
> > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > And His Wrath -
> > > > > > > > > Will Be Felt -
> > > > > > > > > Through The
> > > > > > > > > SCEP-TER'
> > > > > > > > >
> > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > >
> > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > >
> > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > >
> > > > > > > > > 'When They Have Instigated
> > > > > > > > > A Second COUP...
> > > > > > > > > They'll Deserve -
> > > > > > > > > To Lose
> > > > > > > > > ALL
> > > > > > > > > Their Freedom!'
> > > > > > > > >
> > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > >
> > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > >
> > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > >
> > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > >
> > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > >
> > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > TO Light A Tavern;
> > > > > > > > >
> > > > > > > > > We'll Build A Fire -
> > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > >
> > > > > > > > > And The 'Tavern'
> > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > Could Do Better -
> > > > > > > > >
> > > > > > > > > Than - To...' [etc.]
> > > > > > > > >
> > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > >
> > > > > > > > > 'Somewhere -
> > > > > > > > > Near The Fabled -
> > > > > > > > > Location -
> > > > > > > > > For The Books -
> > > > > > > > > By Grimm -
> > > > > > > > > The Fabled -
> > > > > > > > > Location -
> > > > > > > > > For The Books -
> > > > > > > > > By Grimm -
> > > > > > > > > The Fabled Location'
> > > > > > > > >
> > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > >
> > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > >
> > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > >
> > > > > > > > > 'Somewhere Near The
> > > > > > > > > FOREST OF BLACK,
> > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > Somewhere Near The
> > > > > > > > > FOREST OF BLACK,
> > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > >
> > > > > > > > > Blow - Up
> > > > > > > > > The Whole...' [etc.]
> > > > > > > > >
> > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > >
> > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > >
> > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > >
> > > > > > > *
> > > > > > >
> > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > >
> > > > > > > 'An Exotic Event -
> > > > > > > An Exotic Event -
> > > > > > > An Ex-periment -
> > > > > > >
> > > > > > > An Experiment In
> > > > > > > *FORMER*
> > > > > > > Geneva!'
> > > > > > >
> > > > > > > The final guitar flourish was an edit piece.
> > > > > > >
> > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > >
> > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > >
> > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > >
> > > > > > > Par grands dangers le captif echappe
> > > > > > >
> > > > > > > From great dangers the captive escaped
> > > > > > >
> > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > >
> > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > >
> > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > >
> > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > >
> > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > >
> > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > >
> > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > >
> > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > >
> > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > >
> > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > >
> > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > >
> > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > >
> > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > >
> > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > >
> > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > >
> > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > >
> > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > >
> > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > >
> > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > >
> > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > >
> > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > >
> > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > >
> > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > >
> > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > >
> > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > >
> > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > >
> > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > >
> > > > > *
> > > > >
> > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > >
> > > > > The opening phrase of the solo sounds like,
> > > > >
> > > > > 'The Last Supper'
> > > > >
> > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > >
> > > > > 'The Sat-Guru'
> > > > >
> > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > >
> > > > > '...Born Near The Hopi Nation...
> > > > >
> > > > > CAME to Power BEYOND...
> > > > >
> > > > > What Men Before May Call... -'
> > > > >
> > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take..
> > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > >
> > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > >
> > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > >
> > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > >
> > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > >
> > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > >
> > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > >
> > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > >
> > > Les noirs du temple du lieu de Negrisilve
> > > Feront auberge et feu de Lombardie
> > >
> > > The villains of the Temple where stood the Black Forest
> > > Will build a fire for the Tavern, at Lombardy
> > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> >
> > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> >
> > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> >
> > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> >
> > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> >
> > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> >
> > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> >
> > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> >
> > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> >
> > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> >
> > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> >
> > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> >
> > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> >
> > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> >
> > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> >
> > Vesta reaches the Apex point at 5:05 pm CET.
> >
> > And Fortune conjoins Pallas at 5:08 pm CET.
> >
> > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> >
> > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> >
> > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> >
> > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> >
> > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> >
> > Ceux de Vienne seront trestous haches
> >
> > Those of Vienne will all be hacked to pieces
> >
> > Gaule branler, pericliter la barque
> >
> > Gaul to shake, the Bark to be in jeopardy
> >
> > [EOM]
> Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
>
> Line 3 of VI.70 -
>
> Son bruit et los les cieux surpassera
>
> Its noise and light will surpass the Heavens
>
> The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
>
> Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
>
> The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
>
> Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
>
> The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
>
> This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
>
> This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
>
> La gent Lombarde fera si grand effroi
> A ceux de l'Aigle compris sous la Balance
>
> The Lombard folk will be made so greatly afraid
> By those which Eagal included under the Balance
>
> That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
>
> Back to The Beatles!
>
> The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
>
> 'Flower Child,
> Will You Go
>
> Far Over The
> Cosmic
> Rain-Bow?...'

On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > >
> > > > > > > > > {concept}
> > > > > > > > > <<
> > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > >
> > > > > > > > > {recording}
> > > > > > > > >
> > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > >
> > > > > > > > > {structure}
> > > > > > > > >
> > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place").. After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine..
> > > > > > > > >
> > > > > > > > > {insight}
> > > > > > > > >
> > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > >
> > > > > > > > > 'That's a Lion at heart'
> > > > > > > > >
> > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > >
> > > > > > > > > HE –
> > > > > > > > > HAD woken from DEATH!
> > > > > > > > >
> > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > >
> > > > > > > > > Christ was only sleeping
> > > > > > > > >
> > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > >
> > > > > > > > > DEATH!
> > > > > > > > >
> > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > >>
> > > > > > > > >
> > > > > > > > > *
> > > > > > > > >
> > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > >
> > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > >
> > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > >
> > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed.. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > >
> > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > >
> > > > > > > > > Second and third who make prime music...
> > > > > > > > >
> > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > >
> > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > >
> > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > >
> > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > >
> > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > >
> > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > >
> > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > >
> > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > >
> > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > And His Wrath -
> > > > > > > > > Will Be Felt -
> > > > > > > > > Through The
> > > > > > > > > SCEP-TER'
> > > > > > > > >
> > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > >
> > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > >
> > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > >
> > > > > > > > > 'When They Have Instigated
> > > > > > > > > A Second COUP...
> > > > > > > > > They'll Deserve -
> > > > > > > > > To Lose
> > > > > > > > > ALL
> > > > > > > > > Their Freedom!'
> > > > > > > > >
> > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > >
> > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > >
> > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > >
> > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > >
> > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > >
> > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > TO Light A Tavern;
> > > > > > > > >
> > > > > > > > > We'll Build A Fire -
> > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > >
> > > > > > > > > And The 'Tavern'
> > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > Could Do Better -
> > > > > > > > >
> > > > > > > > > Than - To...' [etc.]
> > > > > > > > >
> > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > >
> > > > > > > > > 'Somewhere -
> > > > > > > > > Near The Fabled -
> > > > > > > > > Location -
> > > > > > > > > For The Books -
> > > > > > > > > By Grimm -
> > > > > > > > > The Fabled -
> > > > > > > > > Location -
> > > > > > > > > For The Books -
> > > > > > > > > By Grimm -
> > > > > > > > > The Fabled Location'
> > > > > > > > >
> > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > >
> > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > >
> > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > >
> > > > > > > > > 'Somewhere Near The
> > > > > > > > > FOREST OF BLACK,
> > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > Somewhere Near The
> > > > > > > > > FOREST OF BLACK,
> > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > >
> > > > > > > > > Blow - Up
> > > > > > > > > The Whole...' [etc.]
> > > > > > > > >
> > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > >
> > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > >
> > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > >
> > > > > > > *
> > > > > > >
> > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > >
> > > > > > > 'An Exotic Event -
> > > > > > > An Exotic Event -
> > > > > > > An Ex-periment -
> > > > > > >
> > > > > > > An Experiment In
> > > > > > > *FORMER*
> > > > > > > Geneva!'
> > > > > > >
> > > > > > > The final guitar flourish was an edit piece.
> > > > > > >
> > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > >
> > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > >
> > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > >
> > > > > > > Par grands dangers le captif echappe
> > > > > > >
> > > > > > > From great dangers the captive escaped
> > > > > > >
> > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > >
> > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > >
> > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > >
> > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > >
> > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > >
> > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > >
> > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > >
> > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > >
> > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > >
> > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > >
> > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > >
> > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > >
> > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > >
> > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > >
> > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > >
> > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > >
> > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > >
> > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > >
> > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > >
> > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > >
> > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > >
> > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > >
> > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > >
> > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > >
> > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > >
> > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > >
> > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > >
> > > > > *
> > > > >
> > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > >
> > > > > The opening phrase of the solo sounds like,
> > > > >
> > > > > 'The Last Supper'
> > > > >
> > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > >
> > > > > 'The Sat-Guru'
> > > > >
> > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > >
> > > > > '...Born Near The Hopi Nation...
> > > > >
> > > > > CAME to Power BEYOND...
> > > > >
> > > > > What Men Before May Call... -'
> > > > >
> > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take..
> > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > >
> > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > >
> > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > >
> > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > >
> > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > >
> > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > >
> > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > >
> > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > >
> > > Les noirs du temple du lieu de Negrisilve
> > > Feront auberge et feu de Lombardie
> > >
> > > The villains of the Temple where stood the Black Forest
> > > Will build a fire for the Tavern, at Lombardy
> > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> >
> > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> >
> > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> >
> > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> >
> > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> >
> > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> >
> > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> >
> > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> >
> > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> >
> > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> >
> > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> >
> > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> >
> > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> >
> > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> >
> > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> >
> > Vesta reaches the Apex point at 5:05 pm CET.
> >
> > And Fortune conjoins Pallas at 5:08 pm CET.
> >
> > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> >
> > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> >
> > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> >
> > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> >
> > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> >
> > Ceux de Vienne seront trestous haches
> >
> > Those of Vienne will all be hacked to pieces
> >
> > Gaule branler, pericliter la barque
> >
> > Gaul to shake, the Bark to be in jeopardy
> >
> > [EOM]
> Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
>
> Line 3 of VI.70 -
>
> Son bruit et los les cieux surpassera
>
> Its noise and light will surpass the Heavens
>
> The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
>
> Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
>
> The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
>
> Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
>
> The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
>
> This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
>
> This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
>
> La gent Lombarde fera si grand effroi
> A ceux de l'Aigle compris sous la Balance
>
> The Lombard folk will be made so greatly afraid
> By those which Eagal included under the Balance
>
> That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
>
> Back to The Beatles!
>
> The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
>
> 'Flower Child,
> Will You Go
>
> Far Over The
> Cosmic
> Rain-Bow?...'

On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali....@gmail.com wrote:
> > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > >
> > > > > > > > > > {concept}
> > > > > > > > > > <<
> > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > >
> > > > > > > > > > {recording}
> > > > > > > > > >
> > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions.. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > >
> > > > > > > > > > {structure}
> > > > > > > > > >
> > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > >
> > > > > > > > > > {insight}
> > > > > > > > > >
> > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > >
> > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > >
> > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > >
> > > > > > > > > > HE –
> > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > >
> > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > >
> > > > > > > > > > Christ was only sleeping
> > > > > > > > > >
> > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > >
> > > > > > > > > > DEATH!
> > > > > > > > > >
> > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > >>
> > > > > > > > > >
> > > > > > > > > > *
> > > > > > > > > >
> > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > >
> > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > >
> > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > >
> > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > >
> > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > >
> > > > > > > > > > Second and third who make prime music...
> > > > > > > > > >
> > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > >
> > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > >
> > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > >
> > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > >
> > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > >
> > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node)..
> > > > > > > > > >
> > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > >
> > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > >
> > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > And His Wrath -
> > > > > > > > > > Will Be Felt -
> > > > > > > > > > Through The
> > > > > > > > > > SCEP-TER'
> > > > > > > > > >
> > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > >
> > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > >
> > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > >
> > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > A Second COUP...
> > > > > > > > > > They'll Deserve -
> > > > > > > > > > To Lose
> > > > > > > > > > ALL
> > > > > > > > > > Their Freedom!'
> > > > > > > > > >
> > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > >
> > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > >
> > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > >
> > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > >
> > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > >
> > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > TO Light A Tavern;
> > > > > > > > > >
> > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > >
> > > > > > > > > > And The 'Tavern'
> > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > Could Do Better -
> > > > > > > > > >
> > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > >
> > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > >
> > > > > > > > > > 'Somewhere -
> > > > > > > > > > Near The Fabled -
> > > > > > > > > > Location -
> > > > > > > > > > For The Books -
> > > > > > > > > > By Grimm -
> > > > > > > > > > The Fabled -
> > > > > > > > > > Location -
> > > > > > > > > > For The Books -
> > > > > > > > > > By Grimm -
> > > > > > > > > > The Fabled Location'
> > > > > > > > > >
> > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > >
> > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > >
> > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > >
> > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > Somewhere Near The
> > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > >
> > > > > > > > > > Blow - Up
> > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > >
> > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture..
> > > > > > > >
> > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > >
> > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > >
> > > > > > > > *
> > > > > > > >
> > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > >
> > > > > > > > 'An Exotic Event -
> > > > > > > > An Exotic Event -
> > > > > > > > An Ex-periment -
> > > > > > > >
> > > > > > > > An Experiment In
> > > > > > > > *FORMER*
> > > > > > > > Geneva!'
> > > > > > > >
> > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > >
> > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > >
> > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > >
> > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > >
> > > > > > > > Par grands dangers le captif echappe
> > > > > > > >
> > > > > > > > From great dangers the captive escaped
> > > > > > > >
> > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > >
> > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > >
> > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > >
> > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > >
> > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > >
> > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > >
> > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > >
> > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > >
> > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > >
> > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > >
> > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out..
> > > > > > >
> > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > >
> > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > >
> > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > >
> > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > >
> > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > >
> > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > >
> > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > >
> > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > >
> > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > >
> > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > >
> > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > >
> > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > >
> > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > >
> > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > > >
> > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas..
> > > > > >
> > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > >
> > > > > > *
> > > > > >
> > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > >
> > > > > > The opening phrase of the solo sounds like,
> > > > > >
> > > > > > 'The Last Supper'
> > > > > >
> > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > >
> > > > > > 'The Sat-Guru'
> > > > > >
> > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > >
> > > > > > '...Born Near The Hopi Nation...
> > > > > >
> > > > > > CAME to Power BEYOND...
> > > > > >
> > > > > > What Men Before May Call... -'
> > > > > >
> > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > >
> > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > >
> > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > >
> > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > >
> > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > >
> > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > >
> > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > >
> > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > >
> > > > Les noirs du temple du lieu de Negrisilve
> > > > Feront auberge et feu de Lombardie
> > > >
> > > > The villains of the Temple where stood the Black Forest
> > > > Will build a fire for the Tavern, at Lombardy
> > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > >
> > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > >
> > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > >
> > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > >
> > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > >
> > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > >
> > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> > >
> > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > >
> > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > >
> > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > >
> > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > >
> > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > >
> > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > >
> > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > >
> > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > >
> > > Vesta reaches the Apex point at 5:05 pm CET.
> > >
> > > And Fortune conjoins Pallas at 5:08 pm CET.
> > >
> > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > >
> > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > >
> > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > >
> > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > >
> > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > >
> > > Ceux de Vienne seront trestous haches
> > >
> > > Those of Vienne will all be hacked to pieces
> > >
> > > Gaule branler, pericliter la barque
> > >
> > > Gaul to shake, the Bark to be in jeopardy
> > >
> > > [EOM]
> > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> >
> > Line 3 of VI.70 -
> >
> > Son bruit et los les cieux surpassera
> >
> > Its noise and light will surpass the Heavens
> >
> > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> >
> > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> >
> > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> >
> > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> >
> > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> >
> > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> >
> > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> >
> > La gent Lombarde fera si grand effroi
> > A ceux de l'Aigle compris sous la Balance
> >
> > The Lombard folk will be made so greatly afraid
> > By those which Eagal included under the Balance
> >
> > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> >
> > Back to The Beatles!
> >
> > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> >
> > 'Flower Child,
> > Will You Go
> >
> > Far Over The
> > Cosmic
> > Rain-Bow?...'
> Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
>
> So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
>
> Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
>
> When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
>
> When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
>
> Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
>
> So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
>
> Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
>
> The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
>
> The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
>
> Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
>
> Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.

On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali....@gmail.com wrote:
> > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > >
> > > > > > > > > > {concept}
> > > > > > > > > > <<
> > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > >
> > > > > > > > > > {recording}
> > > > > > > > > >
> > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions.. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > >
> > > > > > > > > > {structure}
> > > > > > > > > >
> > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > >
> > > > > > > > > > {insight}
> > > > > > > > > >
> > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > >
> > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > >
> > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > >
> > > > > > > > > > HE –
> > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > >
> > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > >
> > > > > > > > > > Christ was only sleeping
> > > > > > > > > >
> > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > >
> > > > > > > > > > DEATH!
> > > > > > > > > >
> > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > >>
> > > > > > > > > >
> > > > > > > > > > *
> > > > > > > > > >
> > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > >
> > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > >
> > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > >
> > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > >
> > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > >
> > > > > > > > > > Second and third who make prime music...
> > > > > > > > > >
> > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > >
> > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > >
> > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > >
> > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > >
> > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > >
> > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node)..
> > > > > > > > > >
> > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > >
> > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > >
> > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > And His Wrath -
> > > > > > > > > > Will Be Felt -
> > > > > > > > > > Through The
> > > > > > > > > > SCEP-TER'
> > > > > > > > > >
> > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > >
> > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > >
> > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > >
> > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > A Second COUP...
> > > > > > > > > > They'll Deserve -
> > > > > > > > > > To Lose
> > > > > > > > > > ALL
> > > > > > > > > > Their Freedom!'
> > > > > > > > > >
> > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > >
> > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > >
> > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > >
> > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > >
> > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > >
> > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > TO Light A Tavern;
> > > > > > > > > >
> > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > >
> > > > > > > > > > And The 'Tavern'
> > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > Could Do Better -
> > > > > > > > > >
> > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > >
> > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > >
> > > > > > > > > > 'Somewhere -
> > > > > > > > > > Near The Fabled -
> > > > > > > > > > Location -
> > > > > > > > > > For The Books -
> > > > > > > > > > By Grimm -
> > > > > > > > > > The Fabled -
> > > > > > > > > > Location -
> > > > > > > > > > For The Books -
> > > > > > > > > > By Grimm -
> > > > > > > > > > The Fabled Location'
> > > > > > > > > >
> > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > >
> > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > >
> > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > >
> > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > Somewhere Near The
> > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > >
> > > > > > > > > > Blow - Up
> > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > >
> > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture..
> > > > > > > >
> > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > >
> > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > >
> > > > > > > > *
> > > > > > > >
> > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > >
> > > > > > > > 'An Exotic Event -
> > > > > > > > An Exotic Event -
> > > > > > > > An Ex-periment -
> > > > > > > >
> > > > > > > > An Experiment In
> > > > > > > > *FORMER*
> > > > > > > > Geneva!'
> > > > > > > >
> > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > >
> > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > >
> > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > >
> > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > >
> > > > > > > > Par grands dangers le captif echappe
> > > > > > > >
> > > > > > > > From great dangers the captive escaped
> > > > > > > >
> > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > >
> > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > >
> > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > >
> > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > >
> > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > >
> > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > >
> > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > >
> > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > >
> > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > >
> > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > >
> > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out..
> > > > > > >
> > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > >
> > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > >
> > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > >
> > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > >
> > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > >
> > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > >
> > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > >
> > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > >
> > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > >
> > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > >
> > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > >
> > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > >
> > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > >
> > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > > >
> > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas..
> > > > > >
> > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > >
> > > > > > *
> > > > > >
> > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > >
> > > > > > The opening phrase of the solo sounds like,
> > > > > >
> > > > > > 'The Last Supper'
> > > > > >
> > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > >
> > > > > > 'The Sat-Guru'
> > > > > >
> > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > >
> > > > > > '...Born Near The Hopi Nation...
> > > > > >
> > > > > > CAME to Power BEYOND...
> > > > > >
> > > > > > What Men Before May Call... -'
> > > > > >
> > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > >
> > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > >
> > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > >
> > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > >
> > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > >
> > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > >
> > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > >
> > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > >
> > > > Les noirs du temple du lieu de Negrisilve
> > > > Feront auberge et feu de Lombardie
> > > >
> > > > The villains of the Temple where stood the Black Forest
> > > > Will build a fire for the Tavern, at Lombardy
> > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > >
> > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > >
> > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > >
> > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > >
> > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > >
> > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > >
> > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> > >
> > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > >
> > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > >
> > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > >
> > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > >
> > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > >
> > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > >
> > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > >
> > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > >
> > > Vesta reaches the Apex point at 5:05 pm CET.
> > >
> > > And Fortune conjoins Pallas at 5:08 pm CET.
> > >
> > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > >
> > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > >
> > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > >
> > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > >
> > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > >
> > > Ceux de Vienne seront trestous haches
> > >
> > > Those of Vienne will all be hacked to pieces
> > >
> > > Gaule branler, pericliter la barque
> > >
> > > Gaul to shake, the Bark to be in jeopardy
> > >
> > > [EOM]
> > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> >
> > Line 3 of VI.70 -
> >
> > Son bruit et los les cieux surpassera
> >
> > Its noise and light will surpass the Heavens
> >
> > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> >
> > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> >
> > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> >
> > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> >
> > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> >
> > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> >
> > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> >
> > La gent Lombarde fera si grand effroi
> > A ceux de l'Aigle compris sous la Balance
> >
> > The Lombard folk will be made so greatly afraid
> > By those which Eagal included under the Balance
> >
> > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> >
> > Back to The Beatles!
> >
> > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> >
> > 'Flower Child,
> > Will You Go
> >
> > Far Over The
> > Cosmic
> > Rain-Bow?...'
> Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
>
> So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
>
> Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
>
> When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
>
> When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
>
> Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
>
> So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
>
> Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
>
> The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
>
> The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
>
> Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
>
> Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.

On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali....@gmail.com wrote:
> > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > >
> > > > > > > > > > {concept}
> > > > > > > > > > <<
> > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > >
> > > > > > > > > > {recording}
> > > > > > > > > >
> > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions.. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > >
> > > > > > > > > > {structure}
> > > > > > > > > >
> > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > >
> > > > > > > > > > {insight}
> > > > > > > > > >
> > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > >
> > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > >
> > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > >
> > > > > > > > > > HE –
> > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > >
> > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > >
> > > > > > > > > > Christ was only sleeping
> > > > > > > > > >
> > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > >
> > > > > > > > > > DEATH!
> > > > > > > > > >
> > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > >>
> > > > > > > > > >
> > > > > > > > > > *
> > > > > > > > > >
> > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > >
> > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > >
> > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > >
> > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > >
> > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > >
> > > > > > > > > > Second and third who make prime music...
> > > > > > > > > >
> > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > >
> > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > >
> > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > >
> > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > >
> > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > >
> > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node)..
> > > > > > > > > >
> > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > >
> > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > >
> > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > And His Wrath -
> > > > > > > > > > Will Be Felt -
> > > > > > > > > > Through The
> > > > > > > > > > SCEP-TER'
> > > > > > > > > >
> > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > >
> > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > >
> > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > >
> > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > A Second COUP...
> > > > > > > > > > They'll Deserve -
> > > > > > > > > > To Lose
> > > > > > > > > > ALL
> > > > > > > > > > Their Freedom!'
> > > > > > > > > >
> > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > >
> > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > >
> > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > >
> > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > >
> > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > >
> > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > TO Light A Tavern;
> > > > > > > > > >
> > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > >
> > > > > > > > > > And The 'Tavern'
> > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > Could Do Better -
> > > > > > > > > >
> > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > >
> > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > >
> > > > > > > > > > 'Somewhere -
> > > > > > > > > > Near The Fabled -
> > > > > > > > > > Location -
> > > > > > > > > > For The Books -
> > > > > > > > > > By Grimm -
> > > > > > > > > > The Fabled -
> > > > > > > > > > Location -
> > > > > > > > > > For The Books -
> > > > > > > > > > By Grimm -
> > > > > > > > > > The Fabled Location'
> > > > > > > > > >
> > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > >
> > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > >
> > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > >
> > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > Somewhere Near The
> > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > >
> > > > > > > > > > Blow - Up
> > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > >
> > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture..
> > > > > > > >
> > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > >
> > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > >
> > > > > > > > *
> > > > > > > >
> > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > >
> > > > > > > > 'An Exotic Event -
> > > > > > > > An Exotic Event -
> > > > > > > > An Ex-periment -
> > > > > > > >
> > > > > > > > An Experiment In
> > > > > > > > *FORMER*
> > > > > > > > Geneva!'
> > > > > > > >
> > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > >
> > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > >
> > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > >
> > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > >
> > > > > > > > Par grands dangers le captif echappe
> > > > > > > >
> > > > > > > > From great dangers the captive escaped
> > > > > > > >
> > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > >
> > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > >
> > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > >
> > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > >
> > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > >
> > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > >
> > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > >
> > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > >
> > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > >
> > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > >
> > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out..
> > > > > > >
> > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > >
> > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > >
> > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > >
> > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > >
> > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > >
> > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > >
> > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > >
> > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > >
> > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > >
> > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > >
> > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > >
> > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > >
> > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > >
> > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > > >
> > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas..
> > > > > >
> > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > >
> > > > > > *
> > > > > >
> > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > >
> > > > > > The opening phrase of the solo sounds like,
> > > > > >
> > > > > > 'The Last Supper'
> > > > > >
> > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > >
> > > > > > 'The Sat-Guru'
> > > > > >
> > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > >
> > > > > > '...Born Near The Hopi Nation...
> > > > > >
> > > > > > CAME to Power BEYOND...
> > > > > >
> > > > > > What Men Before May Call... -'
> > > > > >
> > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > >
> > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > >
> > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > >
> > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > >
> > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > >
> > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > >
> > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > >
> > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > >
> > > > Les noirs du temple du lieu de Negrisilve
> > > > Feront auberge et feu de Lombardie
> > > >
> > > > The villains of the Temple where stood the Black Forest
> > > > Will build a fire for the Tavern, at Lombardy
> > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > >
> > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > >
> > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > >
> > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > >
> > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > >
> > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > >
> > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> > >
> > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > >
> > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > >
> > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > >
> > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > >
> > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > >
> > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > >
> > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > >
> > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > >
> > > Vesta reaches the Apex point at 5:05 pm CET.
> > >
> > > And Fortune conjoins Pallas at 5:08 pm CET.
> > >
> > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > >
> > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > >
> > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > >
> > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > >
> > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > >
> > > Ceux de Vienne seront trestous haches
> > >
> > > Those of Vienne will all be hacked to pieces
> > >
> > > Gaule branler, pericliter la barque
> > >
> > > Gaul to shake, the Bark to be in jeopardy
> > >
> > > [EOM]
> > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> >
> > Line 3 of VI.70 -
> >
> > Son bruit et los les cieux surpassera
> >
> > Its noise and light will surpass the Heavens
> >
> > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> >
> > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> >
> > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> >
> > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> >
> > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> >
> > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> >
> > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> >
> > La gent Lombarde fera si grand effroi
> > A ceux de l'Aigle compris sous la Balance
> >
> > The Lombard folk will be made so greatly afraid
> > By those which Eagal included under the Balance
> >
> > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> >
> > Back to The Beatles!
> >
> > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> >
> > 'Flower Child,
> > Will You Go
> >
> > Far Over The
> > Cosmic
> > Rain-Bow?...'
> Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
>
> So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
>
> Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
>
> When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
>
> When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
>
> Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
>
> So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
>
> Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
>
> The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
>
> The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
>
> Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
>
> Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.

On Saturday, November 19, 2022 at 6:49:51 PM UTC-8, Curtis Eagal wrote:
> On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> > On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali....@gmail.com wrote:
> > > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > > >
> > > > > > > > > > > {concept}
> > > > > > > > > > > <<
> > > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > > >
> > > > > > > > > > > {recording}
> > > > > > > > > > >
> > > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > > >
> > > > > > > > > > > {structure}
> > > > > > > > > > >
> > > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > > >
> > > > > > > > > > > {insight}
> > > > > > > > > > >
> > > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > > >
> > > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > > >
> > > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > > >
> > > > > > > > > > > HE –
> > > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > > >
> > > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > > >
> > > > > > > > > > > Christ was only sleeping
> > > > > > > > > > >
> > > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > > >
> > > > > > > > > > > DEATH!
> > > > > > > > > > >
> > > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > > >>
> > > > > > > > > > >
> > > > > > > > > > > *
> > > > > > > > > > >
> > > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > > >
> > > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > > >
> > > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously.. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > > >
> > > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > > >
> > > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > > >
> > > > > > > > > > > Second and third who make prime music...
> > > > > > > > > > >
> > > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > > >
> > > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > > >
> > > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > > >
> > > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > > >
> > > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > > >
> > > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > > > >
> > > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > > >
> > > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > > >
> > > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > > And His Wrath -
> > > > > > > > > > > Will Be Felt -
> > > > > > > > > > > Through The
> > > > > > > > > > > SCEP-TER'
> > > > > > > > > > >
> > > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > > >
> > > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > > >
> > > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > > >
> > > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > > A Second COUP...
> > > > > > > > > > > They'll Deserve -
> > > > > > > > > > > To Lose
> > > > > > > > > > > ALL
> > > > > > > > > > > Their Freedom!'
> > > > > > > > > > >
> > > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > > >
> > > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > > >
> > > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > > >
> > > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > > >
> > > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > > >
> > > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > > TO Light A Tavern;
> > > > > > > > > > >
> > > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > > >
> > > > > > > > > > > And The 'Tavern'
> > > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > > Could Do Better -
> > > > > > > > > > >
> > > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > > >
> > > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > > >
> > > > > > > > > > > 'Somewhere -
> > > > > > > > > > > Near The Fabled -
> > > > > > > > > > > Location -
> > > > > > > > > > > For The Books -
> > > > > > > > > > > By Grimm -
> > > > > > > > > > > The Fabled -
> > > > > > > > > > > Location -
> > > > > > > > > > > For The Books -
> > > > > > > > > > > By Grimm -
> > > > > > > > > > > The Fabled Location'
> > > > > > > > > > >
> > > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > > >
> > > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > > >
> > > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > > >
> > > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > Somewhere Near The
> > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > >
> > > > > > > > > > > Blow - Up
> > > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > > >
> > > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > > > >
> > > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > > >
> > > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > > >
> > > > > > > > > *
> > > > > > > > >
> > > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > > >
> > > > > > > > > 'An Exotic Event -
> > > > > > > > > An Exotic Event -
> > > > > > > > > An Ex-periment -
> > > > > > > > >
> > > > > > > > > An Experiment In
> > > > > > > > > *FORMER*
> > > > > > > > > Geneva!'
> > > > > > > > >
> > > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > > >
> > > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > > >
> > > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > > >
> > > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > > >
> > > > > > > > > Par grands dangers le captif echappe
> > > > > > > > >
> > > > > > > > > From great dangers the captive escaped
> > > > > > > > >
> > > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > > >
> > > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > > >
> > > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > > >
> > > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > > >
> > > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > > >
> > > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > > >
> > > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > > >
> > > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > > >
> > > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > > >
> > > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > > >
> > > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > > > >
> > > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > > >
> > > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > > >
> > > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > > >
> > > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > > >
> > > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > > >
> > > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > > >
> > > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > > >
> > > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > > >
> > > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > > >
> > > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > > >
> > > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > > >
> > > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > > >
> > > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > > >
> > > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta..
> > > > > > >
> > > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > > > >
> > > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > > >
> > > > > > > *
> > > > > > >
> > > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > > >
> > > > > > > The opening phrase of the solo sounds like,
> > > > > > >
> > > > > > > 'The Last Supper'
> > > > > > >
> > > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > > >
> > > > > > > 'The Sat-Guru'
> > > > > > >
> > > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > > >
> > > > > > > '...Born Near The Hopi Nation...
> > > > > > >
> > > > > > > CAME to Power BEYOND...
> > > > > > >
> > > > > > > What Men Before May Call... -'
> > > > > > >
> > > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > > >
> > > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > > >
> > > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > > >
> > > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > > >
> > > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > > >
> > > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > > >
> > > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > > >
> > > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > > >
> > > > > Les noirs du temple du lieu de Negrisilve
> > > > > Feront auberge et feu de Lombardie
> > > > >
> > > > > The villains of the Temple where stood the Black Forest
> > > > > Will build a fire for the Tavern, at Lombardy
> > > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > > >
> > > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > > >
> > > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > > >
> > > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > > >
> > > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > > >
> > > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > > >
> > > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer)..
> > > >
> > > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > > >
> > > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > > >
> > > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > > >
> > > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > > >
> > > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > > >
> > > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > > >
> > > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > > >
> > > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > > >
> > > > Vesta reaches the Apex point at 5:05 pm CET.
> > > >
> > > > And Fortune conjoins Pallas at 5:08 pm CET.
> > > >
> > > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > > >
> > > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > > >
> > > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > > >
> > > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > > >
> > > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > > >
> > > > Ceux de Vienne seront trestous haches
> > > >
> > > > Those of Vienne will all be hacked to pieces
> > > >
> > > > Gaule branler, pericliter la barque
> > > >
> > > > Gaul to shake, the Bark to be in jeopardy
> > > >
> > > > [EOM]
> > > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> > >
> > > Line 3 of VI.70 -
> > >
> > > Son bruit et los les cieux surpassera
> > >
> > > Its noise and light will surpass the Heavens
> > >
> > > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> > >
> > > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> > >
> > > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> > >
> > > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> > >
> > > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> > >
> > > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune.. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> > >
> > > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> > >
> > > La gent Lombarde fera si grand effroi
> > > A ceux de l'Aigle compris sous la Balance
> > >
> > > The Lombard folk will be made so greatly afraid
> > > By those which Eagal included under the Balance
> > >
> > > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> > >
> > > Back to The Beatles!
> > >
> > > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> > >
> > > 'Flower Child,
> > > Will You Go
> > >
> > > Far Over The
> > > Cosmic
> > > Rain-Bow?...'
> > Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
> >
> > So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
> >
> > Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
> >
> > When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
> >
> > When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
> >
> > Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
> >
> > So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
> >
> > Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
> >
> > The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
> >
> > The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
> >
> > Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
> >
> > Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.
> The lesser Victor of IV.95 on the land of Brittany seems to be Saint Maximus, sharing the 18 November feast day with Saint Mawes, having the Brittany association.
>
> The genuine Victor of VI.70 appears to be Saint Maxentia with the 20 November feast day.
>
> The feminization of Victor as Vitrix appears in V.18 -
>
> De deuil mourra l'infelix proflige
> Celebrera son Vitrix l'Hecatombe
>
> He would die overcome, forlorn with grief:
> His Conqueress will celebrate the Sacrifice instead
>
> The word 'infelix,' as again with Felix of Nantes being suggested for the 7 July 2005 London train attack (Ringo Starr's birthday - he has wished people to hope for Peace at Noon on this day since), alerts to the feast day for a saint named Felix, in this case Felix of Valois, also for 20 November..
>
> Felix of Valois was an ascetic living in Cerfroid, Soissons, France; around age 70 a disciple of his named John of Matha suggested he found the Trinitarians to free slaves held in Muslim captivity. At his advanced age, Felix did so in France and Italy, before returning to Maison de la Trinite in Cerfroid. After his death in 1212, his order attested he had been canonized in 1262, but there was some dispute and his cult was officially recognized in 1666. He did not actually die from grief, the line only makes sense as a conditional given the circumstances.
>
> So knowing the association of Saint Felix of Valois to the Trinity is a hint towards the Grand Trines appearing in the associated prophecy regarding a massively lethal cataclysm. Felix would be unhappy ('infelix') that the symbol for the Trinity is appearing as a sudden Sign at an incredible Slaughter ('Hecatombe' invokes the ritual slaughter of a herd of cattle).
>
> Yet his co-honored Lady ('honored through force of terror' in I.94), Saint Maxentia does not have the same inherent reverence for the triangular form of the Trinity concept.
>
> It is an elaborate prediction whimsically comparing how saints sharing a certain feast day would react to a specific catastrophic incident, using gallows humor.
>
> And the seer made a subtle commentary about his own prophecy critically involving Grand Trines through judicial astrology.

On Saturday, November 19, 2022 at 6:49:51 PM UTC-8, Curtis Eagal wrote:
> On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> > On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali....@gmail.com wrote:
> > > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > > >
> > > > > > > > > > > {concept}
> > > > > > > > > > > <<
> > > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > > >
> > > > > > > > > > > {recording}
> > > > > > > > > > >
> > > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > > >
> > > > > > > > > > > {structure}
> > > > > > > > > > >
> > > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > > >
> > > > > > > > > > > {insight}
> > > > > > > > > > >
> > > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > > >
> > > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > > >
> > > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > > >
> > > > > > > > > > > HE –
> > > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > > >
> > > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > > >
> > > > > > > > > > > Christ was only sleeping
> > > > > > > > > > >
> > > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > > >
> > > > > > > > > > > DEATH!
> > > > > > > > > > >
> > > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > > >>
> > > > > > > > > > >
> > > > > > > > > > > *
> > > > > > > > > > >
> > > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > > >
> > > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > > >
> > > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously.. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > > >
> > > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > > >
> > > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > > >
> > > > > > > > > > > Second and third who make prime music...
> > > > > > > > > > >
> > > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > > >
> > > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > > >
> > > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > > >
> > > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > > >
> > > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > > >
> > > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > > > >
> > > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > > >
> > > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > > >
> > > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > > And His Wrath -
> > > > > > > > > > > Will Be Felt -
> > > > > > > > > > > Through The
> > > > > > > > > > > SCEP-TER'
> > > > > > > > > > >
> > > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > > >
> > > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > > >
> > > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > > >
> > > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > > A Second COUP...
> > > > > > > > > > > They'll Deserve -
> > > > > > > > > > > To Lose
> > > > > > > > > > > ALL
> > > > > > > > > > > Their Freedom!'
> > > > > > > > > > >
> > > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > > >
> > > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > > >
> > > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > > >
> > > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > > >
> > > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > > >
> > > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > > TO Light A Tavern;
> > > > > > > > > > >
> > > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > > >
> > > > > > > > > > > And The 'Tavern'
> > > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > > Could Do Better -
> > > > > > > > > > >
> > > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > > >
> > > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > > >
> > > > > > > > > > > 'Somewhere -
> > > > > > > > > > > Near The Fabled -
> > > > > > > > > > > Location -
> > > > > > > > > > > For The Books -
> > > > > > > > > > > By Grimm -
> > > > > > > > > > > The Fabled -
> > > > > > > > > > > Location -
> > > > > > > > > > > For The Books -
> > > > > > > > > > > By Grimm -
> > > > > > > > > > > The Fabled Location'
> > > > > > > > > > >
> > > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > > >
> > > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > > >
> > > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > > >
> > > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > Somewhere Near The
> > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > >
> > > > > > > > > > > Blow - Up
> > > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > > >
> > > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > > > >
> > > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > > >
> > > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > > >
> > > > > > > > > *
> > > > > > > > >
> > > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > > >
> > > > > > > > > 'An Exotic Event -
> > > > > > > > > An Exotic Event -
> > > > > > > > > An Ex-periment -
> > > > > > > > >
> > > > > > > > > An Experiment In
> > > > > > > > > *FORMER*
> > > > > > > > > Geneva!'
> > > > > > > > >
> > > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > > >
> > > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > > >
> > > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > > >
> > > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > > >
> > > > > > > > > Par grands dangers le captif echappe
> > > > > > > > >
> > > > > > > > > From great dangers the captive escaped
> > > > > > > > >
> > > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > > >
> > > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > > >
> > > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > > >
> > > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > > >
> > > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > > >
> > > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > > >
> > > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > > >
> > > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > > >
> > > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > > >
> > > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > > >
> > > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > > > >
> > > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > > >
> > > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > > >
> > > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > > >
> > > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > > >
> > > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > > >
> > > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > > >
> > > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > > >
> > > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > > >
> > > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > > >
> > > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > > >
> > > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > > >
> > > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > > >
> > > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > > >
> > > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta..
> > > > > > >
> > > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > > > >
> > > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > > >
> > > > > > > *
> > > > > > >
> > > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > > >
> > > > > > > The opening phrase of the solo sounds like,
> > > > > > >
> > > > > > > 'The Last Supper'
> > > > > > >
> > > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > > >
> > > > > > > 'The Sat-Guru'
> > > > > > >
> > > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > > >
> > > > > > > '...Born Near The Hopi Nation...
> > > > > > >
> > > > > > > CAME to Power BEYOND...
> > > > > > >
> > > > > > > What Men Before May Call... -'
> > > > > > >
> > > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > > >
> > > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > > >
> > > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > > >
> > > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > > >
> > > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > > >
> > > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > > >
> > > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > > >
> > > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > > >
> > > > > Les noirs du temple du lieu de Negrisilve
> > > > > Feront auberge et feu de Lombardie
> > > > >
> > > > > The villains of the Temple where stood the Black Forest
> > > > > Will build a fire for the Tavern, at Lombardy
> > > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > > >
> > > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > > >
> > > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > > >
> > > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > > >
> > > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > > >
> > > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > > >
> > > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer)..
> > > >
> > > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > > >
> > > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > > >
> > > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > > >
> > > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > > >
> > > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > > >
> > > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > > >
> > > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > > >
> > > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > > >
> > > > Vesta reaches the Apex point at 5:05 pm CET.
> > > >
> > > > And Fortune conjoins Pallas at 5:08 pm CET.
> > > >
> > > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > > >
> > > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > > >
> > > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > > >
> > > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > > >
> > > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > > >
> > > > Ceux de Vienne seront trestous haches
> > > >
> > > > Those of Vienne will all be hacked to pieces
> > > >
> > > > Gaule branler, pericliter la barque
> > > >
> > > > Gaul to shake, the Bark to be in jeopardy
> > > >
> > > > [EOM]
> > > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> > >
> > > Line 3 of VI.70 -
> > >
> > > Son bruit et los les cieux surpassera
> > >
> > > Its noise and light will surpass the Heavens
> > >
> > > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> > >
> > > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> > >
> > > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> > >
> > > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> > >
> > > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> > >
> > > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune.. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> > >
> > > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> > >
> > > La gent Lombarde fera si grand effroi
> > > A ceux de l'Aigle compris sous la Balance
> > >
> > > The Lombard folk will be made so greatly afraid
> > > By those which Eagal included under the Balance
> > >
> > > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> > >
> > > Back to The Beatles!
> > >
> > > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> > >
> > > 'Flower Child,
> > > Will You Go
> > >
> > > Far Over The
> > > Cosmic
> > > Rain-Bow?...'
> > Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
> >
> > So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
> >
> > Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
> >
> > When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
> >
> > When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
> >
> > Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
> >
> > So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
> >
> > Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
> >
> > The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
> >
> > The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
> >
> > Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
> >
> > Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.
> The lesser Victor of IV.95 on the land of Brittany seems to be Saint Maximus, sharing the 18 November feast day with Saint Mawes, having the Brittany association.
>
> The genuine Victor of VI.70 appears to be Saint Maxentia with the 20 November feast day.
>
> The feminization of Victor as Vitrix appears in V.18 -
>
> De deuil mourra l'infelix proflige
> Celebrera son Vitrix l'Hecatombe
>
> He would die overcome, forlorn with grief:
> His Conqueress will celebrate the Sacrifice instead
>
> The word 'infelix,' as again with Felix of Nantes being suggested for the 7 July 2005 London train attack (Ringo Starr's birthday - he has wished people to hope for Peace at Noon on this day since), alerts to the feast day for a saint named Felix, in this case Felix of Valois, also for 20 November..
>
> Felix of Valois was an ascetic living in Cerfroid, Soissons, France; around age 70 a disciple of his named John of Matha suggested he found the Trinitarians to free slaves held in Muslim captivity. At his advanced age, Felix did so in France and Italy, before returning to Maison de la Trinite in Cerfroid. After his death in 1212, his order attested he had been canonized in 1262, but there was some dispute and his cult was officially recognized in 1666. He did not actually die from grief, the line only makes sense as a conditional given the circumstances.
>
> So knowing the association of Saint Felix of Valois to the Trinity is a hint towards the Grand Trines appearing in the associated prophecy regarding a massively lethal cataclysm. Felix would be unhappy ('infelix') that the symbol for the Trinity is appearing as a sudden Sign at an incredible Slaughter ('Hecatombe' invokes the ritual slaughter of a herd of cattle).
>
> Yet his co-honored Lady ('honored through force of terror' in I.94), Saint Maxentia does not have the same inherent reverence for the triangular form of the Trinity concept.
>
> It is an elaborate prediction whimsically comparing how saints sharing a certain feast day would react to a specific catastrophic incident, using gallows humor.
>
> And the seer made a subtle commentary about his own prophecy critically involving Grand Trines through judicial astrology.

On Sunday, November 20, 2022 at 9:47:37 AM UTC-8, Curtis Eagal wrote:
> On Saturday, November 19, 2022 at 6:49:51 PM UTC-8, Curtis Eagal wrote:
> > On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> > > On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > > > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe....@yahoo.com wrote:
> > > > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > > > >
> > > > > > > > > > > > {concept}
> > > > > > > > > > > > <<
> > > > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > > > >
> > > > > > > > > > > > {recording}
> > > > > > > > > > > >
> > > > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > > > >
> > > > > > > > > > > > {structure}
> > > > > > > > > > > >
> > > > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > > > >
> > > > > > > > > > > > {insight}
> > > > > > > > > > > >
> > > > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single.. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > > > >
> > > > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > > > >
> > > > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > > > >
> > > > > > > > > > > > HE –
> > > > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > > > >
> > > > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > > > >
> > > > > > > > > > > > Christ was only sleeping
> > > > > > > > > > > >
> > > > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > > > >
> > > > > > > > > > > > DEATH!
> > > > > > > > > > > >
> > > > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > > > >>
> > > > > > > > > > > >
> > > > > > > > > > > > *
> > > > > > > > > > > >
> > > > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > > > >
> > > > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > > > >
> > > > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > > > >
> > > > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > > > >
> > > > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > > > >
> > > > > > > > > > > > Second and third who make prime music...
> > > > > > > > > > > >
> > > > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > > > >
> > > > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > > > >
> > > > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > > > >
> > > > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > > > >
> > > > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > > > >
> > > > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > > > > >
> > > > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > > > >
> > > > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > > > >
> > > > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > > > And His Wrath -
> > > > > > > > > > > > Will Be Felt -
> > > > > > > > > > > > Through The
> > > > > > > > > > > > SCEP-TER'
> > > > > > > > > > > >
> > > > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life.." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > > > >
> > > > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > > > >
> > > > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > > > >
> > > > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > > > A Second COUP...
> > > > > > > > > > > > They'll Deserve -
> > > > > > > > > > > > To Lose
> > > > > > > > > > > > ALL
> > > > > > > > > > > > Their Freedom!'
> > > > > > > > > > > >
> > > > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > > > >
> > > > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > > > >
> > > > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > > > >
> > > > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > > > >
> > > > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > > > >
> > > > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > > > TO Light A Tavern;
> > > > > > > > > > > >
> > > > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > > > >
> > > > > > > > > > > > And The 'Tavern'
> > > > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > > > Could Do Better -
> > > > > > > > > > > >
> > > > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > > > >
> > > > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > > > >
> > > > > > > > > > > > 'Somewhere -
> > > > > > > > > > > > Near The Fabled -
> > > > > > > > > > > > Location -
> > > > > > > > > > > > For The Books -
> > > > > > > > > > > > By Grimm -
> > > > > > > > > > > > The Fabled -
> > > > > > > > > > > > Location -
> > > > > > > > > > > > For The Books -
> > > > > > > > > > > > By Grimm -
> > > > > > > > > > > > The Fabled Location'
> > > > > > > > > > > >
> > > > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > > > >
> > > > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > > > >
> > > > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > > > >
> > > > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > > Somewhere Near The
> > > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > >
> > > > > > > > > > > > Blow - Up
> > > > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > > > >
> > > > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > > > > >
> > > > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > > > >
> > > > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > > > >
> > > > > > > > > > *
> > > > > > > > > >
> > > > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > > > >
> > > > > > > > > > 'An Exotic Event -
> > > > > > > > > > An Exotic Event -
> > > > > > > > > > An Ex-periment -
> > > > > > > > > >
> > > > > > > > > > An Experiment In
> > > > > > > > > > *FORMER*
> > > > > > > > > > Geneva!'
> > > > > > > > > >
> > > > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > > > >
> > > > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > > > >
> > > > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > > > >
> > > > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > > > >
> > > > > > > > > > Par grands dangers le captif echappe
> > > > > > > > > >
> > > > > > > > > > From great dangers the captive escaped
> > > > > > > > > >
> > > > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > > > >
> > > > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > > > >
> > > > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > > > >
> > > > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > > > >
> > > > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > > > >
> > > > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > > > >
> > > > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > > > >
> > > > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > > > >
> > > > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > > > >
> > > > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > > > >
> > > > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > > > > >
> > > > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > > > >
> > > > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > > > >
> > > > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > > > >
> > > > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > > > >
> > > > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > > > >
> > > > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > > > >
> > > > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > > > >
> > > > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > > > >
> > > > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > > > >
> > > > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > > > >
> > > > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > > > >
> > > > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > > > >
> > > > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > > > >
> > > > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic.. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > > > > >
> > > > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > > > > >
> > > > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > > > >
> > > > > > > > *
> > > > > > > >
> > > > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > > > >
> > > > > > > > The opening phrase of the solo sounds like,
> > > > > > > >
> > > > > > > > 'The Last Supper'
> > > > > > > >
> > > > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > > > >
> > > > > > > > 'The Sat-Guru'
> > > > > > > >
> > > > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > > > >
> > > > > > > > '...Born Near The Hopi Nation...
> > > > > > > >
> > > > > > > > CAME to Power BEYOND...
> > > > > > > >
> > > > > > > > What Men Before May Call... -'
> > > > > > > >
> > > > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > > > >
> > > > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > > > >
> > > > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > > > >
> > > > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > > > >
> > > > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > > > >
> > > > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > > > >
> > > > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > > > >
> > > > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > > > >
> > > > > > Les noirs du temple du lieu de Negrisilve
> > > > > > Feront auberge et feu de Lombardie
> > > > > >
> > > > > > The villains of the Temple where stood the Black Forest
> > > > > > Will build a fire for the Tavern, at Lombardy
> > > > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > > > >
> > > > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > > > >
> > > > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > > > >
> > > > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > > > >
> > > > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > > > >
> > > > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > > > >
> > > > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> > > > >
> > > > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > > > >
> > > > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > > > >
> > > > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > > > >
> > > > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > > > >
> > > > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > > > >
> > > > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > > > >
> > > > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > > > >
> > > > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > > > >
> > > > > Vesta reaches the Apex point at 5:05 pm CET.
> > > > >
> > > > > And Fortune conjoins Pallas at 5:08 pm CET.
> > > > >
> > > > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > > > >
> > > > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > > > >
> > > > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > > > >
> > > > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > > > >
> > > > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > > > >
> > > > > Ceux de Vienne seront trestous haches
> > > > >
> > > > > Those of Vienne will all be hacked to pieces
> > > > >
> > > > > Gaule branler, pericliter la barque
> > > > >
> > > > > Gaul to shake, the Bark to be in jeopardy
> > > > >
> > > > > [EOM]
> > > > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> > > >
> > > > Line 3 of VI.70 -
> > > >
> > > > Son bruit et los les cieux surpassera
> > > >
> > > > Its noise and light will surpass the Heavens
> > > >
> > > > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> > > >
> > > > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> > > >
> > > > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> > > >
> > > > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> > > >
> > > > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> > > >
> > > > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> > > >
> > > > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> > > >
> > > > La gent Lombarde fera si grand effroi
> > > > A ceux de l'Aigle compris sous la Balance
> > > >
> > > > The Lombard folk will be made so greatly afraid
> > > > By those which Eagal included under the Balance
> > > >
> > > > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> > > >
> > > > Back to The Beatles!
> > > >
> > > > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> > > >
> > > > 'Flower Child,
> > > > Will You Go
> > > >
> > > > Far Over The
> > > > Cosmic
> > > > Rain-Bow?...'
> > > Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
> > >
> > > So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
> > >
> > > Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
> > >
> > > When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
> > >
> > > When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
> > >
> > > Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
> > >
> > > So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
> > >
> > > Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
> > >
> > > The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
> > >
> > > The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
> > >
> > > Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
> > >
> > > Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.
> > The lesser Victor of IV.95 on the land of Brittany seems to be Saint Maximus, sharing the 18 November feast day with Saint Mawes, having the Brittany association.
> >
> > The genuine Victor of VI.70 appears to be Saint Maxentia with the 20 November feast day.
> >
> > The feminization of Victor as Vitrix appears in V.18 -
> >
> > De deuil mourra l'infelix proflige
> > Celebrera son Vitrix l'Hecatombe
> >
> > He would die overcome, forlorn with grief:
> > His Conqueress will celebrate the Sacrifice instead
> >
> > The word 'infelix,' as again with Felix of Nantes being suggested for the 7 July 2005 London train attack (Ringo Starr's birthday - he has wished people to hope for Peace at Noon on this day since), alerts to the feast day for a saint named Felix, in this case Felix of Valois, also for 20 November.
> >
> > Felix of Valois was an ascetic living in Cerfroid, Soissons, France; around age 70 a disciple of his named John of Matha suggested he found the Trinitarians to free slaves held in Muslim captivity. At his advanced age, Felix did so in France and Italy, before returning to Maison de la Trinite in Cerfroid. After his death in 1212, his order attested he had been canonized in 1262, but there was some dispute and his cult was officially recognized in 1666. He did not actually die from grief, the line only makes sense as a conditional given the circumstances.
> >
> > So knowing the association of Saint Felix of Valois to the Trinity is a hint towards the Grand Trines appearing in the associated prophecy regarding a massively lethal cataclysm. Felix would be unhappy ('infelix') that the symbol for the Trinity is appearing as a sudden Sign at an incredible Slaughter ('Hecatombe' invokes the ritual slaughter of a herd of cattle).
> >
> > Yet his co-honored Lady ('honored through force of terror' in I.94), Saint Maxentia does not have the same inherent reverence for the triangular form of the Trinity concept.
> >
> > It is an elaborate prediction whimsically comparing how saints sharing a certain feast day would react to a specific catastrophic incident, using gallows humor.
> >
> > And the seer made a subtle commentary about his own prophecy critically involving Grand Trines through judicial astrology.
> The shooting incident overnight around midnight at Colorado Springs was attended by a transitory Grand Trine where Fortune was in Libra, passing between the positions of Saturn (19+ degrees Aquarius) and Mars (22.5 degrees Gemini): by midnight the Part of Fortune was in trine with Mars.
>
> For the Geneva event, activation at Sunset with the sudden Grand Trine involving Fortune is an ominous sign (when applying II.66), yet not necessarily the critical time being predicted: since the Lombardy date has arrived, and the reign of Great Mercury is ending, what was actually foreseen may become clearer, rather than relying on previous presumptions being correct.
>
> The 'Under The Balance" stipulation of V.42 suggests the Lilith-Neptune trine line appearing horizontal, which occurs between settings of Saturn and Vesta, just before Ouranos reaches the Midheaven point (a Double-Heaven aspect).
>
> At 10:18 pm CET Vesta enters Pisces, ending the reign of Great Mercury (X..79) - however fire goddess Vesta is associated with a sepulchral fire in X..6.
>
> Saturn sets for Geneva 10:58 pm CET.
>
> Then at 11:18 pm CET, the Moon has a trine with Saturn: this coincides with the Nodes aligning with the Prime Vertical; a near Grand Trine will exist between the Moon, Saturn, and Mars (about 3 degrees off the perfect lunar trine).
>
> This should be the critical time that could yet make everything written about cataclysmic onset accurate:
>
> 20 November 2022 11:18 pm CET [5:18 pm EST / 2:18 pm PST].
>
> The 'Balancing line' in the chart seems Level around 11:23 pm CET, but the Saturn trine is ominous considering IX.44 and V.24.
>
> Ouranos reaches the Midheaven point at 11:32 pm CET [reinstating the VI.70 theory regarding 'The Heavens' being surpassed].
>
> Finally, Vesta sets for Geneva at 11:56 pm CET.
>
> These circumstances presents two new ways that Saturn and Vesta are engaged: Saturn in a lunar trine; and Vesta reigning. Unlike the risings and settings, which are local phenomena, these are more universally applicable conditions.

On Monday, November 21, 2022 at 8:21:57 AM UTC-8, Curtis Eagal wrote:
> On Sunday, November 20, 2022 at 9:47:37 AM UTC-8, Curtis Eagal wrote:
> > On Saturday, November 19, 2022 at 6:49:51 PM UTC-8, Curtis Eagal wrote:
> > > On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> > > > On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > > > > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > > > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > > > > >
> > > > > > > > > > > > > {concept}
> > > > > > > > > > > > > <<
> > > > > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > > > > >
> > > > > > > > > > > > > {recording}
> > > > > > > > > > > > >
> > > > > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > > > > >
> > > > > > > > > > > > > {structure}
> > > > > > > > > > > > >
> > > > > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face").. In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > > > > >
> > > > > > > > > > > > > {insight}
> > > > > > > > > > > > >
> > > > > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > > > > >
> > > > > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > > > > >
> > > > > > > > > > > > > HE –
> > > > > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > > > > >
> > > > > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > > > > >
> > > > > > > > > > > > > Christ was only sleeping
> > > > > > > > > > > > >
> > > > > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > > > > >
> > > > > > > > > > > > > DEATH!
> > > > > > > > > > > > >
> > > > > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > > > > >>
> > > > > > > > > > > > >
> > > > > > > > > > > > > *
> > > > > > > > > > > > >
> > > > > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > > > > >
> > > > > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > > > > >
> > > > > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > > > > >
> > > > > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > > > > >
> > > > > > > > > > > > > Second and third who make prime music...
> > > > > > > > > > > > >
> > > > > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > > > > >
> > > > > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > > > > >
> > > > > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > > > > >
> > > > > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > > > > > >
> > > > > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > > > > >
> > > > > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > > > > And His Wrath -
> > > > > > > > > > > > > Will Be Felt -
> > > > > > > > > > > > > Through The
> > > > > > > > > > > > > SCEP-TER'
> > > > > > > > > > > > >
> > > > > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > > > > A Second COUP...
> > > > > > > > > > > > > They'll Deserve -
> > > > > > > > > > > > > To Lose
> > > > > > > > > > > > > ALL
> > > > > > > > > > > > > Their Freedom!'
> > > > > > > > > > > > >
> > > > > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > > > > >
> > > > > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > > > > TO Light A Tavern;
> > > > > > > > > > > > >
> > > > > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > > > > >
> > > > > > > > > > > > > And The 'Tavern'
> > > > > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > > > > Could Do Better -
> > > > > > > > > > > > >
> > > > > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > > > > >
> > > > > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'Somewhere -
> > > > > > > > > > > > > Near The Fabled -
> > > > > > > > > > > > > Location -
> > > > > > > > > > > > > For The Books -
> > > > > > > > > > > > > By Grimm -
> > > > > > > > > > > > > The Fabled -
> > > > > > > > > > > > > Location -
> > > > > > > > > > > > > For The Books -
> > > > > > > > > > > > > By Grimm -
> > > > > > > > > > > > > The Fabled Location'
> > > > > > > > > > > > >
> > > > > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > > > > >
> > > > > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > > > > >
> > > > > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > > > Somewhere Near The
> > > > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > > >
> > > > > > > > > > > > > Blow - Up
> > > > > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > > > > >
> > > > > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > > > > > >
> > > > > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > > > > >
> > > > > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > > > > >
> > > > > > > > > > > *
> > > > > > > > > > >
> > > > > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > > > > >
> > > > > > > > > > > 'An Exotic Event -
> > > > > > > > > > > An Exotic Event -
> > > > > > > > > > > An Ex-periment -
> > > > > > > > > > >
> > > > > > > > > > > An Experiment In
> > > > > > > > > > > *FORMER*
> > > > > > > > > > > Geneva!'
> > > > > > > > > > >
> > > > > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > > > > >
> > > > > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > > > > >
> > > > > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > > > > >
> > > > > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > > > > >
> > > > > > > > > > > Par grands dangers le captif echappe
> > > > > > > > > > >
> > > > > > > > > > > From great dangers the captive escaped
> > > > > > > > > > >
> > > > > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > > > > >
> > > > > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > > > > >
> > > > > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > > > > >
> > > > > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > > > > >
> > > > > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > > > > >
> > > > > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > > > > >
> > > > > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > > > > >
> > > > > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > > > > >
> > > > > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > > > > >
> > > > > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > > > > >
> > > > > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > > > > > >
> > > > > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > > > > >
> > > > > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > > > > >
> > > > > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > > > > >
> > > > > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > > > > >
> > > > > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > > > > >
> > > > > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > > > > >
> > > > > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > > > > >
> > > > > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > > > > >
> > > > > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > > > > >
> > > > > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > > > > >
> > > > > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > > > > >
> > > > > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > > > > >
> > > > > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > > > > >
> > > > > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > > > > > >
> > > > > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > > > > > >
> > > > > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > > > > >
> > > > > > > > > *
> > > > > > > > >
> > > > > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > > > > >
> > > > > > > > > The opening phrase of the solo sounds like,
> > > > > > > > >
> > > > > > > > > 'The Last Supper'
> > > > > > > > >
> > > > > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > > > > >
> > > > > > > > > 'The Sat-Guru'
> > > > > > > > >
> > > > > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > > > > >
> > > > > > > > > '...Born Near The Hopi Nation...
> > > > > > > > >
> > > > > > > > > CAME to Power BEYOND...
> > > > > > > > >
> > > > > > > > > What Men Before May Call... -'
> > > > > > > > >
> > > > > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > > > > >
> > > > > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > > > > >
> > > > > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > > > > >
> > > > > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > > > > >
> > > > > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > > > > >
> > > > > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > > > > >
> > > > > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > > > > >
> > > > > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > > > > >
> > > > > > > Les noirs du temple du lieu de Negrisilve
> > > > > > > Feront auberge et feu de Lombardie
> > > > > > >
> > > > > > > The villains of the Temple where stood the Black Forest
> > > > > > > Will build a fire for the Tavern, at Lombardy
> > > > > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > > > > >
> > > > > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > > > > >
> > > > > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > > > > >
> > > > > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > > > > >
> > > > > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > > > > >
> > > > > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > > > > >
> > > > > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> > > > > >
> > > > > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > > > > >
> > > > > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > > > > >
> > > > > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > > > > >
> > > > > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > > > > >
> > > > > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > > > > >
> > > > > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > > > > >
> > > > > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > > > > >
> > > > > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > > > > >
> > > > > > Vesta reaches the Apex point at 5:05 pm CET.
> > > > > >
> > > > > > And Fortune conjoins Pallas at 5:08 pm CET.
> > > > > >
> > > > > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > > > > >
> > > > > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > > > > >
> > > > > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > > > > >
> > > > > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > > > > >
> > > > > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > > > > >
> > > > > > Ceux de Vienne seront trestous haches
> > > > > >
> > > > > > Those of Vienne will all be hacked to pieces
> > > > > >
> > > > > > Gaule branler, pericliter la barque
> > > > > >
> > > > > > Gaul to shake, the Bark to be in jeopardy
> > > > > >
> > > > > > [EOM]
> > > > > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> > > > >
> > > > > Line 3 of VI.70 -
> > > > >
> > > > > Son bruit et los les cieux surpassera
> > > > >
> > > > > Its noise and light will surpass the Heavens
> > > > >
> > > > > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> > > > >
> > > > > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> > > > >
> > > > > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> > > > >
> > > > > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> > > > >
> > > > > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then.
> > > > >
> > > > > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> > > > >
> > > > > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> > > > >
> > > > > La gent Lombarde fera si grand effroi
> > > > > A ceux de l'Aigle compris sous la Balance
> > > > >
> > > > > The Lombard folk will be made so greatly afraid
> > > > > By those which Eagal included under the Balance
> > > > >
> > > > > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> > > > >
> > > > > Back to The Beatles!
> > > > >
> > > > > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> > > > >
> > > > > 'Flower Child,
> > > > > Will You Go
> > > > >
> > > > > Far Over The
> > > > > Cosmic
> > > > > Rain-Bow?...'
> > > > Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
> > > >
> > > > So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
> > > >
> > > > Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
> > > >
> > > > When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex).. The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
> > > >
> > > > When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
> > > >
> > > > Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
> > > >
> > > > So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
> > > >
> > > > Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
> > > >
> > > > The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
> > > >
> > > > The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
> > > >
> > > > Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
> > > >
> > > > Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.
> > > The lesser Victor of IV.95 on the land of Brittany seems to be Saint Maximus, sharing the 18 November feast day with Saint Mawes, having the Brittany association.
> > >
> > > The genuine Victor of VI.70 appears to be Saint Maxentia with the 20 November feast day.
> > >
> > > The feminization of Victor as Vitrix appears in V.18 -
> > >
> > > De deuil mourra l'infelix proflige
> > > Celebrera son Vitrix l'Hecatombe
> > >
> > > He would die overcome, forlorn with grief:
> > > His Conqueress will celebrate the Sacrifice instead
> > >
> > > The word 'infelix,' as again with Felix of Nantes being suggested for the 7 July 2005 London train attack (Ringo Starr's birthday - he has wished people to hope for Peace at Noon on this day since), alerts to the feast day for a saint named Felix, in this case Felix of Valois, also for 20 November.
> > >
> > > Felix of Valois was an ascetic living in Cerfroid, Soissons, France; around age 70 a disciple of his named John of Matha suggested he found the Trinitarians to free slaves held in Muslim captivity. At his advanced age, Felix did so in France and Italy, before returning to Maison de la Trinite in Cerfroid. After his death in 1212, his order attested he had been canonized in 1262, but there was some dispute and his cult was officially recognized in 1666. He did not actually die from grief, the line only makes sense as a conditional given the circumstances.
> > >
> > > So knowing the association of Saint Felix of Valois to the Trinity is a hint towards the Grand Trines appearing in the associated prophecy regarding a massively lethal cataclysm. Felix would be unhappy ('infelix') that the symbol for the Trinity is appearing as a sudden Sign at an incredible Slaughter ('Hecatombe' invokes the ritual slaughter of a herd of cattle).
> > >
> > > Yet his co-honored Lady ('honored through force of terror' in I.94), Saint Maxentia does not have the same inherent reverence for the triangular form of the Trinity concept.
> > >
> > > It is an elaborate prediction whimsically comparing how saints sharing a certain feast day would react to a specific catastrophic incident, using gallows humor.
> > >
> > > And the seer made a subtle commentary about his own prophecy critically involving Grand Trines through judicial astrology.
> > The shooting incident overnight around midnight at Colorado Springs was attended by a transitory Grand Trine where Fortune was in Libra, passing between the positions of Saturn (19+ degrees Aquarius) and Mars (22.5 degrees Gemini): by midnight the Part of Fortune was in trine with Mars.
> >
> > For the Geneva event, activation at Sunset with the sudden Grand Trine involving Fortune is an ominous sign (when applying II.66), yet not necessarily the critical time being predicted: since the Lombardy date has arrived, and the reign of Great Mercury is ending, what was actually foreseen may become clearer, rather than relying on previous presumptions being correct.
> >
> > The 'Under The Balance" stipulation of V.42 suggests the Lilith-Neptune trine line appearing horizontal, which occurs between settings of Saturn and Vesta, just before Ouranos reaches the Midheaven point (a Double-Heaven aspect).
> >
> > At 10:18 pm CET Vesta enters Pisces, ending the reign of Great Mercury (X.79) - however fire goddess Vesta is associated with a sepulchral fire in X.6.
> >
> > Saturn sets for Geneva 10:58 pm CET.
> >
> > Then at 11:18 pm CET, the Moon has a trine with Saturn: this coincides with the Nodes aligning with the Prime Vertical; a near Grand Trine will exist between the Moon, Saturn, and Mars (about 3 degrees off the perfect lunar trine).
> >
> > This should be the critical time that could yet make everything written about cataclysmic onset accurate:
> >
> > 20 November 2022 11:18 pm CET [5:18 pm EST / 2:18 pm PST].
> >
> > The 'Balancing line' in the chart seems Level around 11:23 pm CET, but the Saturn trine is ominous considering IX.44 and V.24.
> >
> > Ouranos reaches the Midheaven point at 11:32 pm CET [reinstating the VI..70 theory regarding 'The Heavens' being surpassed].
> >
> > Finally, Vesta sets for Geneva at 11:56 pm CET.
> >
> > These circumstances presents two new ways that Saturn and Vesta are engaged: Saturn in a lunar trine; and Vesta reigning. Unlike the risings and settings, which are local phenomena, these are more universally applicable conditions.
> The ominous conditions for cataclysmic onset appear to coalesce in Geneva charts around the time Venus and Mercury officially conjoin 21 November 2022 10:37 pm CET [4:37 pm EST / 1:37 pm PST], as Conchita of Garabandal said The Warning "will be like two stars colliding" -
>
> It involves the East Point, which has never been demonstrated to have any significance heretofore: from around 10:30 pm CET to 10:50 pm CET, the East Point will be around 29 degrees Cancer, with Jupiter at 28 degrees 48 minutes Pisces, and the Sun at 29 degrees 32 minutes Scorpio.
>
> This is like a refined resurgence of the major Grand Trine of the Sun with Neptune-Jupiter: now that Lilith-Pallas is not progressed enough for the Sun and Jupiter (Neptune also not far enough), the East Point is very briefly taking the role, at the precise time of the Venus-Mercury conjunct.
>
> And the top line of the Balance is now tipping the other (to way (towards the Left) than it had at the Venus Nadir debasement 17 November 2022 12:47 am CET: the left side is now closer to the Ecliptic, with Venus-Mercury again 'Under the Balance' alongside the Sun-Fulcrum. The Moon will be at the Nadir; Fortune roughly opposing Juno - so this is a Lunar Debasement chart for Geneva.
>
> Should all that at 10:37 pm CET not be the activation case (beyond the Sunset Vestal Grand Trine), Saturn reaches the Descendant 10:55 pm CET; then when Ouranos reaches Midheaven 21 November 2022 11:28 pm CET yet another Grand Trine is formed.
>
> This is not an exact Grand Trine, consisting of Ceres-Fortune around 22 degrees Virgo; the Vertex around 19 degrees Capricorn; and Ouranos itself around 16 degrees Taurus.
>
> Vesta reaches the Descendant at 11:54 pm CET.
>
> The Sunset Vestal Grand Trine with the Fortune jump at 4:54 pm CET was unlikely to be the triggering feature;
>
> Since the transitory East Point Grand Trine at the 10:37 pm CET merging of Venus and Mercury, involving the Sun and Jupiter, appears the critical time.
>
> The jump of Fortune to Pallas for II.66 was at Sunset on 19 November 2022, aligning with Lilith, then conjoining Pallas.
>
> The judicial astrology concept would favor studying the moment of the actual Venus-Mercury union, and the discovery of the East Point participating to make a refined Balance-Tipping Grand Trine with the Sun and Jupiter is more intellectually compelling than a sudden upright Vestal Grand Trine at Sunset.
>
> It is difficult to believe their merging Under The Briefly-Renewed Balance with the Moon at the Nadir would be upstaged by the simple Fortune-Jump Vestal Sunset Grand Trine.
>
> So the Venus-Mercury conjunct has sufficient ominous attending features to be the true cataclysmic trigger,
>
> On 21 November 2022 at 10:37 pm CET [4:37 pm EST / 1:37 pm PST].
>
> The 'Saturnins' term could then mean Geneva having the descent of Saturn imminent.
>
> After Fortune's jump to Pallas at Dusk on 19 November 2022 for Geneva, the subsequent Dusk recurrences went into Grand Trines.
>
> On the 20th at Dusk Fortune leapt into a Grand Trine with the South Node and Juno.
>
> The Fortune leap on the evening of the 21st to conceptually form a Grand Trine with Vesta at the Apex, and the Moon with the Vertex is a more dramatic instance.
>
> On the 22nd at Dusk, Fortune jumps from the Node, opposing the Moon at the South Node, to the proximity of Mars.
>
> The Apex concept is not as tangibly concrete as the Horizon line represented by the Ecliptic: therefore the case where Saturn is approaching the solid ground, going out of view for Geneva, is far more likely to be indicated by the 'Saturnin' term.
>
> Vesta does not have to follow Saturn to satisfy X.6, since her reign is indicated until the Sun enters Sagittarius on 22 November 2022 at 9:21 am CET.
>
> As for the Lorraine deluge of X.50, for a combined 'fire and flood' problem, the patron saint of Lorraine is Nicholas, with his feast day on 6 December, apparently also for 2022, following the fire.
>
> << St. Nicholas of Bari, also known as Saint Nicholas of Myra, St. Nicholas of Lorraine, St. Nicholas the Great, St. Niccolò and St. Nicolò (Patara in Lycia, about 270 - Myra, December 6, 343) is venerated as a saint by the Catholic Church, the Orthodox Church and several other Christian denominations. He is well known even outside the Christian world because his figure gave rise to the myth of Santa Claus >>
>
> https://www.italyheritage.com/traditions/calendar/december/saint-nicholas-santaclaus.htm

On Monday, November 21, 2022 at 6:50:51 PM UTC-8, Curtis Eagal wrote:
> On Monday, November 21, 2022 at 8:21:57 AM UTC-8, Curtis Eagal wrote:
> > On Sunday, November 20, 2022 at 9:47:37 AM UTC-8, Curtis Eagal wrote:
> > > On Saturday, November 19, 2022 at 6:49:51 PM UTC-8, Curtis Eagal wrote:
> > > > On Saturday, November 19, 2022 at 5:14:30 PM UTC-8, Curtis Eagal wrote:
> > > > > On Saturday, November 19, 2022 at 8:38:21 AM UTC-8, Curtis Eagal wrote:
> > > > > > On Friday, November 18, 2022 at 6:40:20 PM UTC-8, Curtis Eagal wrote:
> > > > > > > On Friday, November 18, 2022 at 5:07:57 AM UTC-8, Curtis Eagal wrote:
> > > > > > > > On Thursday, November 17, 2022 at 5:52:33 AM UTC-8, Curtis Eagal wrote:
> > > > > > > > > On Thursday, November 17, 2022 at 3:03:25 AM UTC-8, Curtis Eagal wrote:
> > > > > > > > > > On Wednesday, November 16, 2022 at 7:42:14 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > > > On Tuesday, November 15, 2022 at 12:12:25 PM UTC-8, Curtis Eagal wrote:
> > > > > > > > > > > > On Tuesday, November 8, 2022 at 1:01:02 PM UTC-8, RJKe...@yahoo.com wrote:
> > > > > > > > > > > > > On Sunday, November 6, 2022 at 3:10:35 PM UTC-5, eagali...@gmail.com wrote:
> > > > > > > > > > > > > > Since the portions of song analysis in my books are typically too far into the text to be read in the online sample, the unembellished portion about the lead track from the last featured album, "Beatle For Sale," in "The Quality Of Mersey" is below. After that, some extremely important time-sensitive updates, continuing the themes from my previous thread ("Getting To The Riff Stage") and beyond...
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > {concept}
> > > > > > > > > > > > > > <<
> > > > > > > > > > > > > > "No Reply" is Side One's opening track, thought to have been conceived by Lennon during a Tahiti vacation in May 1964, first emerging in the studio on 3 June. John offered it to Tommy Quickly, who was in Brian Epstein's stable of recording artists, taping a demo in a hotel room to be sent to him: according to Colin Manley, who would play guitar on Quickly's (unreleased) version, there was no bridge, and the demo concluded with the sound of a flushing toilet as an expression of the composer's negative assessment. Lennon apparently required input from McCartney to realize the song's potential: "We wrote 'No Reply' together but from a strong original idea of his," Paul recalled modestly," I think he pretty much had that one, but as usual, if he didn't have the third verse and the middle eight, then he'd play it to me pretty much formed, then we would shove a bit in the middle or I'd throw in an idea." John's basic theme was inspired by another song: "It was sort of my version of 'Silhouettes' [by New York R&B quartet The Rays from 1957] ...I had that image of walking down the street and seeing her silhouetted in the window and not answering the phone, although I never called a girl on the phone in my life! Because phones weren't part of the English child's life." Once it was completed, the track was nearly selected as single material, until "I Feel Fine" was done.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > {recording}
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Due to Ringo's tonsillitis, the 3 June session at EMI Studio Two planned for the fourteenth track on "A Hard Day's Night" (which would have filled their EMI quota, probably with Ringo as lead vocalist) became instead when replacement drummers were being auditioned on the verge of their world tour, selecting Jimmy Nichol who performed on six songs between 3 and 4 pm; that settled, new songs were considered, one of which was a demo for Harrison's "You Know What To Do" (a self-composed follow-up to "Don't Bother Me," which the band never released) along with a basic run-through of Lennon's "No Reply" (with a drummer who could have been a Beatle), which from the first take included the bridge John's demo had lacked. The lyrics seemed complete, although sung incorrectly at certain points; the tune was shelved for several months. The last day of September, after completing "Every Little Thing" and further work on "What You're Doing," around 8:30 pm the band (with Ringo) developed their final version of "No Reply," which took about two hours. The basic track consisted of Lennon and Harrison both playing Gibson J160E rhythm guitars, Paul playing with subdued restraint on his Hofner bass, and Ringo on drums. On take five, they experimented with repeating the bridge and final verse, extending the duration beyond three minutes, thereafter reverting to concluding after the third verse without a second bridge. The eighth take was chosen for overdubbing, starting with John's lead vocal along with Paul singing harmony: because Lennon's voice was strained, he could not sing the higher harmony part, as intended for the lead melody line, so McCartney had to assume that role in the duet portions. Further overdubs included John double-tracking his lead vocal, George Martin playing piano, and all four band members supplying handclaps. The track was mono mixed on 16 October by George Martin, with engineers Norman Smith and A.B. Lincoln; the stereo mix was done on 4 November, Martin being assisted by second engineer Mike Stone.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > {structure}
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > John disclosed years later receiving back-handed praise from their music publisher: "I remember Dick James coming up to me after we did this one, and saying, 'You're getting much better now - this is a complete story.' Apparently before that, he thought my songs tended to sort of wander off." Engineer Norman Smith declared this tune one of his favorites among their originals. The tune keyed in C major starts with John's double-tracked lead vocal commencing before the first downbeat of the first measure, as was done on their second album opening track, "It Won't Be Long," but instead of an aggressively rocking onset, the first eight measures of each of the three sixteen-measure verses have a bossa nova beat, unfamiliar in their music. Those first eight measures begin by repeating the same melody, facilitating a rhyme, modified by a closing variation (the first ending in a modulation [on the title in the first instance], the second more simply resolved), as John lyrically sets up the thematic context in his huskily subdued voice; the next four measures explode with emotion, as the percussion powerfully syncopates with cymbal crashes, Paul joining John in a repeated distraught harmony; in the closing four measures of the verses the melodic pattern of the second four-measure part returns, with the simpler resolution. The first verse outlines the singer's realization his visits are being intentionally ignored ("This happened once before,/ When I came to your door, No Reply"), with family members palpably aiding in his being deceived ("They said it wasn't you,/ But I saw you peep through – your window"); the repeated emphatically shouted harmonically dual declaration, "I saw the light," puns on the parted curtain exposing interior lamplight, as well as the truth dawning on him he is no longer wanted; the last portion reveals denial would insult his intelligence, since they made eye contact ("I know that you saw me,/ 'Cause I looked up to see – your face"). In the second verse he adds his attempt to call was also rebuffed ("I tried to telephone,/ They said you were not home – that's a lie"), and insinuates something akin to admittedly stalking ("'Cause I know where you've been,/ I saw you walk in – your door"); then the repeated shout becomes the lamentation, "I nearly died," again alternated with the crashing syncopated percussion; and finally an overt admission of witnessing his betrayal ("'Cause you walked hand in hand/ With another man – in my place"). After the second verse, a sixteen-measure bridge ensues, with handclaps and insistent piano carrying the more standard rhythm, as John and Paul vocally again merge harmonically, desperately attempting to bargain for a reconciliation by reminding of his extreme devotion – "If I were you, I'd realize that I – love you more than any other guy"; the dramatic tension builds as he sweetens the deal with unconditional absolution for the disloyalty – "And I'll forgive the lies [modulating the word] that I heard before, when you gave me No Reply." Rather than repeating the first verse (as would be typical), the second returns, with his stunning confession he has known what was happening all along; a singular cymbal crash ushers in a hasty four-measure coda, invoking the song title in a variation of the explosive third section of the verse, giving the conclusive effect of indignation over being avoided. Without an instrumental break or solo, they had delivered a song where the emotional impact appeared palpably genuine.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > {insight}
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > While Martin preferred to open their albums with a rousing, up-tempo "potboiler," their original compositions in this phase trended towards a slower, mid-tempo style, outside of the accompanying single. Interestingly, their last song on their previous album, "I'll Be Back," spoke of returning if his heart were broken, making this situation a suitable follow-up. The lyrics are also close to a Lennon-McCartney original the band gave to Billy J. Kramer and The Dakotas, "From A Window," released that July: "I saw a light shine from a window/ And when I looked again your face came into sight." Yet there the theme was simply being enthralled by beauty - "I couldn't walk on until you'd gone from your window"; however, "I'd live my life for you," and "I knew you were the one" could go beyond sexual attraction, potentially inferring religious devotion. While the overt meaning "No Reply" is clear and effective as a romantic drama, the subliminal intention asserts itself as an expression of tested faith: in a somewhat twisted version of the discovery of the Resurrection, with the open Tomb and attending angels, the subject seems a fictionalized full witness as by Mary Magdalene. The Sepulcher was sealed by a heavy stone, representing the shut door, which for a brief time would deceptively yield no response; reports of Christ having risen from death could be met with disbelief ("They said it wasn't You"); His being seen at the open Tomb would correspond with peeping through the "window"; the angelic associates unknown to the Apostles could constitute walking "hand in hand with another man in my place." The dazzling appearance of the angels and Risen Christ suggest seeing "the light," as Jesus referred to Himself (along with "The Way" and "The Truth"). His face was recognized, conversing with Mary Magdalene, walking about His open "door" with the stone removed; the unanswered phone call could symbolize prayers for His return coming to naught temporarily, with the attending soldiers mistakenly certain He was lifeless within ("They said You were not home"). Thus the shock conveyed by "I nearly died" could be meant ironically, Jesus having amazingly overcome death, the force rolling the stone stunning the guarding Roman soldiers into fainting. The bridge suggests Lennon's own offer of faith, declaring the greatness of his devotion ('I – love you more – than any other God'), and dismissing any prior instance when it falsely appeared that his prayers were not being answered – it seems a submission to a greater Plan that could fail to manifest proof immediately upon request. The prominent musical features cement this otherworldly interpretation. The modulation of the last syllable of the title in the first verse seems merely stylistic, but when the same melodic element recurs in the second verse on the lyric, "That's a lie," rendering the last word as if it contained four syllables suggests,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'That's a Lion at heart'
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Jesus is mystically identified as the Lion of Judah in Revelations. The percussive accent with cymbal crashing appearing twice in the third section of each verse suggests,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > HE –
> > > > > > > > > > > > > > HAD woken from DEATH!
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > During the second verse (and not in its subsequent repetition), after the lyric "your door," the relatively quiet guitar work subtly implies,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Christ was only sleeping
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The sole cymbal crash leading into the coda appears to dismissively reinvoke the word
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > DEATH!
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > There it seems a mocking addition, as something Christ had the power to overcome. In the final repetition of the syncopated percussion closing the coda, the last cymbal crash seems more sustained as it closes the tune. The down-trodden nature of the singer's plight becomes even more explicit in the following track, while taking responsibility it is due to his own fault.
> > > > > > > > > > > > > > >>
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > *
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > It was known the rhythm track for "Rain" was played ultra-fast, with the tape also speeded up, to give a languid sound at normal playback: but having heard this from the newly-released recordings, it is amazing the entire song was done this way (including the over-the-top drumming), with bass overdubbed at high-speed, then vocals applied to the slowed music - and the result seems incredibly carefully articulated, rather than raced through in another pitch.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > A version of "Got To Get You Into My Life" was also previewed with a distorted electric guitar performing the horn part, with the cadence in both reminiscent of how 'marijuana' is vocalized, a whiff of the subliminal tangent McCartney implied when calling it 'an Ode to pot.'
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The recent hammer attack on Paul Pelosi has recalled the 30 December 1999 knife attack on George Harrison: while the 1999 incident fit I.52 line 1 for a sinister conjunction of Pluto and Chiron, the 25 October 2022 partial solar eclipse was described in the latter half (Northern Europe having a more intense view than low-level for Europe), which shortly preceded the Pelosi attack on the 28th. The 2022 event also fit the final line of X.35, 'Going to be injured through an unknown one of Mainz," for the 28 October feast day of Saint Ferrutius. A more complete version of the Harrison attack is in II.98, but I.52 line 2 - 'The Grand Seignior injured in his abode' alternately fit both, honoring Harrison like a Turkish Sultan, and referring to Paul Pelosi as a renowned senior citizen simultaneously. The French verb used for assault in both quatrains is the same, 'meurtri.'
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Another incident that has been predicted has occurred since the 25 October eclipse, which was the Seoul, South Korea, Halloween crowd crush on 29 October. A massive crowd of about 100,000, mostly young girls, attended, many without telling their parents; the tragedy ensued from narrow alleyways trapping people, slipping back into the compression of bodies, being lifted off their feet and losing their shoes - over 150 were killed. This seems fulfillment of line 3 from X.28: 'By fat and thin (bodies), nearly half (of the crowd) emaciated' - the thinning was not gradual by starvation, but immediate by lethal compression.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The first line of X.28 suggests an obvious meaning to Beatle fans -
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Second and third who make prime music...
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > John Lennon as leader would be first, Ringo Starr is usually ranked fourth: so the impression is Paul McCartney and George Harrison are the subjects, continuing,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > ...Will be sublimated in honor by a King
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The astronomical 'Kings' are solar eclipses, so this is predicting that both McCartney and Harrison would have their respective major honors around the time of a solar eclipse. The 9 March 1997 total solar eclipse preceded by two days McCartney receiving Knighthood on 11 March 1997!
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The story emerged in December 2013 that Harrison had been offered an upgrade of his MBE to an OBE for the New Year Honour List, but he had declined, apparently feeling insulted by having the monarchy rank him below Sir Paul. He commented that while the US president seemed like a heavy character, the Queen maintained popularity mainly by simply smiling and waving, which he considered could be even worse. But the seer was not in error, since Harrison had been the first recipient of the Billboard Music Century Award on 9 December 1992 - and about two weeks later the 24 December 1992 partial solar eclipse proved Nostradamus correct.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The final line of X.28 is for 2 November 2022, yet deals with the esoteric field of judicial astrology, focused on the Geneva location. A complex set of precursor clues, some acting in a dual fashion as pre-precursors, is reaching ultimate culmination with the two eclipses currently happening, finishing with the lunar one of 8 November, coinciding with the conjunction of the Sun and Mercury. In 2020 that was the first day Joe Biden was US president-elect, feast day for Four Crowned Martyrs of Pannonia: VIII.15 links the eclipses and Pannonia for an event reinforcing life and death.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The Neptune lunar conjunct on 4 November 2022 was a Lombardy day, for Saint Charles Borromeo of Milan: clues about Corinth and Ephesus regarded conditions for Piscean Neptune's two lunar adjacencies - the 'swimming in two seas' condition on 2 November showed Venus at the Ascendant for Geneva, slightly into Scorpio and therefore under the Balance of the Libra constellation. The Friday 9 September 2022 condition was also ominous with the Saturn-Ceres opposition in a fateful brief dual aspect with Fortune (when Juno was overhead in a Grand Trine with Lilith and the South Node).
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > So X.28 depicts the 2 November 2022 'false rapport with Venus' that leads to the rendering of debasement. The 8 November 2022 5:12 pm CET (11:12 am EST) critical time has Venus falling at the Descendant after Sunset, and Saturn directly overhead. [The benign 6 November other Neptune adjacency, with the Moon in Aries, showed Geneva at Sunset, with the already-risen Moon in opposition with Fortune.]
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > John Lennon claimed "Nowhere Man" emerged from mere boredom, yet the line "The World Is At Your Command" appears pro-Messianic Reign; the trebly guitar solo there seems to declare (with a minor omission),
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'Divinely - Prophesied,
> > > > > > > > > > > > > > {4 notes}...Powerful:
> > > > > > > > > > > > > > And His Wrath -
> > > > > > > > > > > > > > Will Be Felt -
> > > > > > > > > > > > > > Through The
> > > > > > > > > > > > > > SCEP-TER'
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The 8 April 2024 solar eclipse will be joined precisely by Chiron, in an alignment excluding other minor asteroids, a prime candidate for the esoteric 'Rod Of Iron' through which the Second Coming Christ will take command: this would be clearer with the riff transcription, and has a subliminal parallel with the middle section from "A Day In The Life." Other recent alignments have surfaced in the French seer's texts. The correct positions of the Moon and Mercury during the Winter Solstice 2020 Jupiter-Saturn conjunction were given, while alluding to a cataclysm; events have coalesced such that the Capitol violence of 6 January 2021 constituted a transgression during the long cycle for Saturn reigning as lead planet in lunar aspects.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The disturbance of 6 January is featured in I.62, warning that fire and flood will be the divine retribution, more for 'ignoramuses with scepters' than to prevent the long cycle being repeated. In I.54 the seer pre-attests that a second revolt with Saturn will occur, which is verified elsewhere for March 2023, yet the intervening cataclysm will somehow counter this, identified by Libra as the movable token.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The piano work in the middle of "Good Day Sunshine" appears to inadvertently foretell by subliminal tangent crossover,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'When They Have Instigated
> > > > > > > > > > > > > > A Second COUP...
> > > > > > > > > > > > > > They'll Deserve -
> > > > > > > > > > > > > > To Lose
> > > > > > > > > > > > > > ALL
> > > > > > > > > > > > > > Their Freedom!'
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The flood is linked with Lorraine in X.50, presumably for Saint Vitonus of 9 November, with a Benedictine Abbey in Lorraine dedictated to him.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The scenario is clear in V.83, where an unparalleled realm has a three-night event to warn of subversion, when the greatest at the table will be reading the Bible, perhaps for Saint Pope Leo the Great of 10 November, who was declared a Doctor of the Church.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The first half of V.24 gives the judicial astrology featuring Venus for the day the "Help!" album was released, 9 August 1965; the concept of the spirit of prophecy being appropriated in association with Venus is in V.53, which scripture says is possible through the testimony of Jesus.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The second half of VI.16 combines several esoteric concepts: 'the villains of the Temple,' meaning the Crucifixion stage with Stations of The Cross; 'where stood the Black Forest' - the Austrian Alps, the location for some scenes, is the obvious meaning; 'will make a tavern and fire from Lombardy - this is where the complex appropriation of prophecy effect takes over.
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > The seer has referred to subliminal aspects of two songs from the "Help!" sessions, which are a subset of tunes that have alternate auditory allusions to the cataclysmic event. A change in global rotation, daylight being blown out like a candle, an experiment gone awry, disturbing things consistent with Isaiah 24. First, it is not exactly 'a tavern and fire,' but from the electric guitar middle solo of "I'm Down," which was likely intended to concern the suicide of Judas Iscariot -
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'We'll Build A Fire -
> > > > > > > > > > > > > > TO Light A Tavern;
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > We'll Build A Fire -
> > > > > > > > > > > > > > To LIGHT A TAVERN -
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > And The 'Tavern'
> > > > > > > > > > > > > > Of NORTH AMERICA -
> > > > > > > > > > > > > > Could Do Better -
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Than - To...' [etc.]
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Second, the location of the Black Forest appears in the instrumentation for "I've Just Seen A Face," whose intro sounds like,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'Somewhere -
> > > > > > > > > > > > > > Near The Fabled -
> > > > > > > > > > > > > > Location -
> > > > > > > > > > > > > > For The Books -
> > > > > > > > > > > > > > By Grimm -
> > > > > > > > > > > > > > The Fabled -
> > > > > > > > > > > > > > Location -
> > > > > > > > > > > > > > For The Books -
> > > > > > > > > > > > > > By Grimm -
> > > > > > > > > > > > > > The Fabled Location'
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > There Paul's scatting happens to sound like,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'Near the Grimm-Brother Land' -
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > As well as a phrase about the Lamb of God having to die, since it correponds to the Station where Jesus dies. The acoustic middle section could be heard as commencing,
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > 'Somewhere Near The
> > > > > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > > > > Somewhere Near The
> > > > > > > > > > > > > > FOREST OF BLACK,
> > > > > > > > > > > > > > They'll Build A Machine Strong Enough To -
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > Blow - Up
> > > > > > > > > > > > > > The Whole...' [etc.]
> > > > > > > > > > > > > >
> > > > > > > > > > > > > > These should be included as sound-parallels for the Christian transcriptions - some second-meanings on other topics have been found that were entirely unexpected. And while the "Rubber Soul" album was considered their take on Christ's Agony in the Garden of Gethsemane, layered with an insightful exploration of the Zodiac signs, mentally releasing that and approaching it for some other direct message revealed it as something like the concept from the film "Contact." In that film a distant signal from space was found to have taken an early broadcast from Earth and returned it as the carrier wave for their own message, which contained the plans to build some incredible device. Some of the songs on "Rubber Soul" appear to do this for the Apocalyptic proverbial 'New Song,' which only the firstfruits of the divine Soul-Harvest will be able to learn. Finding disparate elements for something like a song does not provide the spark of inspiration needed to bring that endeavor to proper fruition, however it could be a foundation for its eventual arrival by serendipity.
> > > > > > > > > > > > > Re: 'Rain' and it's use of tape speed changes, when did this capability become available, and were the Beatles the first pop band to use it? If not, who did it before them?
> > > > > > > > > > > > George Martin had produced comedy recordings with various altered sound effects before working with The Beatles: in one documentary an old clip of him was shown suggesting hearing a cymbal sound backwards, which would later become part of the "Strawberry Fields Forever" sound texture.
> > > > > > > > > > > >
> > > > > > > > > > > > In a James Bond scene ("Doctor No" launched the franchise 5 October 1962, same day the first Beatles single was issued) it is recommended to use British slang for headphones to listen to their music - even early on, one never knew what to expect from the recording process. Many things were attempted that went unused. Twin-track mono was very effectively used at the outset, then "I Want To Hold Your Hand" went to four-track, which by Sgt Pepper they were using two machines (even linking them together) to essentially obtain a nine-track effect, without benefit of digital means to correct distortion.
> > > > > > > > > > > >
> > > > > > > > > > > > The question is whether the reproduction of actual performance speed was attained, since this would require knowing the actual rate of increased speed during the recording, and reproduce that for playback. It was a more complex technique than double-speed. For some songs the vocal tracks were done to sound slightly faster, so they would sound even more youthful than they actually were.
> > > > > > > > > > > >
> > > > > > > > > > > > *
> > > > > > > > > > > >
> > > > > > > > > > > > An update on the prophesied cataclysmic event - an example from the coda of "Another Girl" where the guitar work implies,
> > > > > > > > > > > >
> > > > > > > > > > > > 'An Exotic Event -
> > > > > > > > > > > > An Exotic Event -
> > > > > > > > > > > > An Ex-periment -
> > > > > > > > > > > >
> > > > > > > > > > > > An Experiment In
> > > > > > > > > > > > *FORMER*
> > > > > > > > > > > > Geneva!'
> > > > > > > > > > > >
> > > > > > > > > > > > The final guitar flourish was an edit piece.
> > > > > > > > > > > >
> > > > > > > > > > > > The power-upgraded third run of the Large Hadron Collider made the Swiss town the focal point for the vigil of judicial astrology, notably after the Super Full Moon of 13 July 2022, after a complicated double-precedent in July 2021 (the Haitian president being killed was foretold). The false Midheaven Apex at the Eleventh House cusp had notable upright Grand Trines with celestial points; the Friday 9 September 2022 configuration after a Venus lunar opposition appeared a litigation related to 10 August 1945 (after the nuclear attack on two Japanese cities), when a Bucket shape matched the Gourd of Ashes Hopi prophecy - Saturn and Ceres marking the extension returned in an opposition as the wings of maid Babylon, being clipped by a mutual aspect with Fortune (as Juno reached the Apex point, in an upright Grand Trine with Lilith and the South Node).
> > > > > > > > > > > >
> > > > > > > > > > > > The quatrains hold complex prophecies revealed in stages, fragmented puzzle pieces with references to saintly town associations for calendric dates of feasts: and for this event instead of lunar conjuncts and simple aspects alone, the precise timing of bodies at the Geneva Apex in critical phases was foretold, synchronized accurately with future current events. Each 4-lined poem has its own message that could concern certain features of a large event mentioned elsewhere in other ways, or depict an event sequence by identifying factors.
> > > > > > > > > > > >
> > > > > > > > > > > > Summarizing the relevant findings from extensive research, the 28 October 2022 attack on Paul Pelosi corresponded with line 1 of II.66 -
> > > > > > > > > > > >
> > > > > > > > > > > > Par grands dangers le captif echappe
> > > > > > > > > > > >
> > > > > > > > > > > > From great dangers the captive escaped
> > > > > > > > > > > >
> > > > > > > > > > > > Like the knife attack on George Harrison, Pelosi's injuries from the wielded hammer were severe but survivable, sustained while being held captive in his own home.
> > > > > > > > > > > >
> > > > > > > > > > > > Line 3 has Fortune changing greatly in a short time, which is what happens between being with Saturn at the Apex 16 November 2022 4:41 pm CET (10:41 am EST), then around 5 pm CET Fortune jumps across the Zodiac instantly, so that when Vesta is at the Apex it will be opposed by Fortune!
> > > > > > > > > > > >
> > > > > > > > > > > > Then 'From the Palace (Pallas pun) the people become trapped,' meaning the lunar aspect with Pallas during this episode. It concludes, 'By a good omen the city is besieged.'
> > > > > > > > > > > >
> > > > > > > > > > > > Hours before will be the Saturn lunar opposition; Venus enters a new sign, reigning as Queen to be debased, which takes place a little past half a degree progressed. The first lunar aspect during the Ill-Fated Reign Of Venus-Babylon will be a 150-degree quincunx with Neptune, the condition of 'Corinth and Ephesus in perplexity,' arriving with a plethora of ominous signs to show the 2 November 'false rapport' will soon be exposed as deceptive.
> > > > > > > > > > > >
> > > > > > > > > > > > It is before Noon for Geneva: the Nodes aligned with the skewed Prime Vertical; the Moon joined by the Vertex in opposition with Saturn; Fortune at the false Apex Ninth House cusp in opposition with Chiron at a false Nadir.
> > > > > > > > > > > >
> > > > > > > > > > > > The debasement of Queen Babylon Venus arrives when she is Evening Star, just before Sunset, falling at the Descendant, when Saturn is at the Apex, and Ouranos at the Ascendant (meaning 'Heavens' in Greek, fulfills VI.70 where the Heavens are surpassed).
> > > > > > > > > > > >
> > > > > > > > > > > > The hagiology also supports 16 November 2022 through Saint Gertrude The Great, Patroness of the West Indies; Saint Gratia, related to Ile de Graye; and Lyon via Saint Eucherius.
> > > > > > > > > > > >
> > > > > > > > > > > > The US political scenario is intertwined, with a new election preceding sustained great trembling in VI.21: the first portion was already fulfilled through a solar eclipse in August 2008 at the time of the Georgian Uprising. The timing appears to bolster the Democrats in I.34, as striking when the Republicans could claim some victory (perhaps House majority).
> > > > > > > > > > > >
> > > > > > > > > > > > The casualties are predicted as approximately seven million, from flooding and scorching; the smoke incessantly rising is compared to incense in V.16. The terror of the cataclysm provides the Garabandal Warning (Purification and Preparation are other terms used, even in the French quatrains), wherein each person considers their own sins while no machines function.
> > > > > > > > > > > >
> > > > > > > > > > > > The Miracle would then become visible, having been placed Ascension Thursday 13 May 2021, with all stipulations met by Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local for Garabandal. The seer used Rhodes as a codeword for when this Lasting Phantom or Stupendous Marvel would be perceived - Rhodes is a Greek Island of the Sun, Helios in Greek, this suggested 21 November for Saint Heliodorus.
> > > > > > > > > > > The reporting of the US House or Representatives going to a Republican majority was perfectly synchronized with Venus being debased at the Nadir in the Geneva chart: 17 November 2022 CET 12:47 am, equivalent to 16 November 2022 6:47 pm EST.
> > > > > > > > > > >
> > > > > > > > > > > The terms in the quatrains 'Under the Balance' and 'the Movable Sign' did not refer to the Libra constellation, but a current Grand Trine of the Sun, Neptune and Lilith in water signs around 23 degrees: as time progresses, this Sign rotates into different orientations. It gives the impression of a Cup for the Vessel of Wrath, whose contents will be poured out.
> > > > > > > > > > >
> > > > > > > > > > > There were two observed cases for Fortune jumping instantaneously for II.66.
> > > > > > > > > > >
> > > > > > > > > > > In Case 1 (16 Nov 4:59 pm CET) Fortune was with Saturn, jumped down to the opposing Moon, later notably opposing Vesta; the Pallas lunar adjacency was at 5:06 pm CET.
> > > > > > > > > > >
> > > > > > > > > > > The Lilith-Neptune side of the Grand Trine appears level-horizontal above the grouping of South Node, Sun, Mercury, Venus and Fortune 16 Nov 11:35 pm CET - that was the 'Under the Balance' circumstance.
> > > > > > > > > > >
> > > > > > > > > > > From that time, the Inverted Grand Trine appears to be tipping, Neptune reaching the Descendant, then 17 Nov 7:44 am CET (Dawn for Geneva, Sun at Ascendant) it seems fully emptied, the side that had been the horizontal top then vertical on the right side. That is where Case 2 of the Fortune jump occurs - this time avoiding imminent union with Saturn altogether, and zapping to the Moon's position, which roughly opposes Vesta.
> > > > > > > > > > >
> > > > > > > > > > > This could solve the riddle of Saturn enduring the worst (initial explosive blast), with the resultant sepulchral fire being named for Vesta (immediately afterwards).
> > > > > > > > > > >
> > > > > > > > > > > It is an illumination of Revelation's Vessel of Wrath being poured, for the Ill-Fated Reign of Venus as Mystery Babylon.
> > > > > > > > > > >
> > > > > > > > > > > Marian apparitions warned the Cup of Divine Wrath was overflowing, and would be poured.
> > > > > > > > > > >
> > > > > > > > > > > The entry of Mercury into Sagittarius 17 Nov 9:41 am CET (3:41 am EST) ends the brief interval of Venusian supremacy.
> > > > > > > > > > >
> > > > > > > > > > > The second case of Fortune leaping when the Vessel seems fully poured seems critical {17 November 2022 7:44 am CET, 1:44 am EST / 16 November 2022 10:44 pm PST}, especially since the party setting agenda for the US legislative chamber has been decided precisely coinciding with the applied meaning of Venus being debased at the Geneva location.
> > > > > > > > > > Thoughts on the reverse guitar solo in "Tomorrow Never Knows," after this update on the Black Forest cataclysmic event prediction.
> > > > > > > > > >
> > > > > > > > > > The current Grand Trine of the Sun, Neptune and Lilith appeared inverted and tipping from 16 November 2022 11:35 pm CET, with the Sun, Mercury and Venus then grouped 'Under the Balance' as in V.42. The Grand Trine is a celestial Sign, which rotates within the charts over time: so it could be the Movable Sign of I.54, representing the Cup of Divine Wrath itself esoterically.
> > > > > > > > > >
> > > > > > > > > > The debasement of Venus at the Nadir for Geneva 17 November 2022 12:47 am CET coincided perfectly with the announcement of the US House of Representatives going to Republican majority. This was during a brief Venusian Reign (16 November 2022 7:09 am CET to 17 November 2022 9:45 am CET), fulfilling the Revelation passage where Babylon sits as Queen.
> > > > > > > > > >
> > > > > > > > > > The subsequent Mercury Reign could be the Great Mercury of X.79, rather than the recent Mercury-Sun conjunct at the lunar eclipse. This Mercury interval lasts until Vesta enters Pisces 20 November 2022 10:18 pm CET
> > > > > > > > > >
> > > > > > > > > > Line 1 of II.66 suggests the 28 October 2022 home invasion hammer attack on Paul Pelosi.
> > > > > > > > > >
> > > > > > > > > > The second line, requiring Fortune to change greatly in a short time, indicates a pivotal situation where the Sun crosses the Ecliptic. That could be the 17 November 2022 7:44 am CET Geneva Dawn case where the 'Cup' appears completely poured, the Lilith-Neptune side which had appeared level horizontal about eight hours earlier turned vertical to the right side of the Grand Trine. Fortune jumped from Saturn to the Moon opposing Vesta.
> > > > > > > > > >
> > > > > > > > > > Line 3 brings in Pallas with the Palace pun, which becomes significant 17 November 2022 12:15 pm CET, when Pallas reaching the Descendant is the prelude to Saturn then Vesta rising at the Ascendant (at 1:20 pm and 1:45 pm CET, respectively), marking Pluto rising in opposition with Pallas.
> > > > > > > > > >
> > > > > > > > > > Since the Sun moves faster then either Neptune or Lilith, the Grand Trine is rapidly degrading: yet between the risings of Saturn and Vesta, it again assumes an upright orientation, 17 November 2022 1:35 pm CET [7:35 am EST, 4:35 am PST]. This upright Grand Trine does not have its apex on a House cusp - this could be the 'Good Omen' of the final line in II.66, that marks a city being besieged.
> > > > > > > > > >
> > > > > > > > > > *
> > > > > > > > > >
> > > > > > > > > > The reversed guitar solo in "Tomorrow Never Knows" was done by reversing an original performance, hearing what that sounded like and reproducing it, then reversing that second performance to obtain the original articulation in a different sound texture.
> > > > > > > > > >
> > > > > > > > > > The opening phrase of the solo sounds like,
> > > > > > > > > >
> > > > > > > > > > 'The Last Supper'
> > > > > > > > > >
> > > > > > > > > > [In the American mono mix this is followed by a 'seagull' sound seeming to echo '-Supper!-'] but allowing another tangent to emerge the opening phrase resembled instead,
> > > > > > > > > >
> > > > > > > > > > 'The Sat-Guru'
> > > > > > > > > >
> > > > > > > > > > That is a term meaning 'World Teacher' - and the next instrumental phrases seemed to continue,
> > > > > > > > > >
> > > > > > > > > > '...Born Near The Hopi Nation...
> > > > > > > > > >
> > > > > > > > > > CAME to Power BEYOND...
> > > > > > > > > >
> > > > > > > > > > What Men Before May Call... -'
> > > > > > > > > >
> > > > > > > > > > Some versions of the track do not even include the final reversed guitar phrase for the solo, as the original release used an alternate take.
> > > > > > > > > There was a 5.4 magnitude quake in western Texas 16 November 2022 3:32 pm CST; the same area had a similar quake in March 2020, oil drilling practices have been blamed. At that time Geneva, seven hours ahead at 10:32 pm CST, was about an hour away from the 'Under the Balance' situation as the Sun-Neptune-Lilith Grand Trine appeared inverted with the horizontal top line leveling at 11:35 pm CET. For Texas, the quake arrived when the Moon in opposition with Vesta aligned with the Sixth and Twelfth House cusps.
> > > > > > > > >
> > > > > > > > > While the Grand Trine may be considered a 'Good Omen' with some irony, the critical condition is when it is inverted (so there are celestial characters under its 'Balancing' top), rather than upright. The Great Mercury in X.79 could easily mean its own reign, with the' Under the Balance' condition recurring 17 November 2022 11:38 pm CET (5:38 pm EST; 2:38 pm PST), before the Sun progresses so far the Grand Trine degrades.
> > > > > > > > >
> > > > > > > > > Saturn reaches the Descendant 17 November 2022 11:09 pm CET; Vesta follows about three minutes after midnight on the 18th. This is consistent with clues linking Saturn to the initial onset, and Vesta with a resulting fire: so the leveling of the Balance line topping the inverted Grand Trine seems to be the triggering condition.
> > > > > > > > I conjectured very recently how the given prophetic elements converge, link below to post explaining critical time for major cataclysmic event (consistent with the Garabandal Warning) should be 7:56 am PST / 10:56 am EST 18 November 2022 (4:56 pm CET for Geneva) -
> > > > > > > >
> > > > > > > > https://groups.google.com/g/alt.prophecies.nostradamus/c/_5T7mucn40Q/m/H97KPXG1AAAJ
> > > > > > > >
> > > > > > > > Under the Balance in V.42 meant the tipping top of an inverted Grand Trine when Venus was at the debasing Nadir for Geneva, paralleling the Moon-Vesta opposition angle: this was 17 November 12:47 am CET - a timing perfectly synchronized with the announcement of US House chamber majority being decided for the Republican party (6:47 pm EST).
> > > > > > > >
> > > > > > > > Feast day for Blessed Grimoaldo of The Purification is 18 November; and a combined recurrence of two post-springtime precursors from July 2021, with a Ceres lunar conjunct in opposition with Neptune (which technically happens 5.25 hours later). The timing is just after local Sunset, with Saturn overhead.
> > > > > > > >
> > > > > > > > The Lombardy connection for V.42 and VI.16 (which involved The Beatles "Help!" musical tangent) emerges 20 November via Saint Benignus (d. 477), archbishop of Milan, Lombardy, during an era of oppressive occupation.
> > > > > > > >
> > > > > > > > The Garabandal Miracle had all stipulations met for its placement Ascension Thursday 13 May 2021, with the story of Blessed Imelda and a Mercury lunar conjunct at 8:30 pm local time. In V.16 Nostradamus revealed a Lasting Phantom would be witnessed after a horrifically lethal incendiary event (VIII.34 puts casualties around seven million, with fire and flood), encoded by the Island of the Sun Rhodes, implying Saint Heliodorus by Greek transliteration, for his 21 November feast day.
> > > > > > > >
> > > > > > > > Les noirs du temple du lieu de Negrisilve
> > > > > > > > Feront auberge et feu de Lombardie
> > > > > > > >
> > > > > > > > The villains of the Temple where stood the Black Forest
> > > > > > > > Will build a fire for the Tavern, at Lombardy
> > > > > > > I did not expect to have a conclusive final update, however looking further this was found, a very timely conjecture:--
> > > > > > >
> > > > > > > The esotericism of the seer's prophecies regarding the imminent cataclysm is extreme, with acknowledgment of the Sun-Neptune-Lilith Grand Trine appearing to Balance on the Sun-Fulcrum at the 17 November 2022 12:47 am CET debasement of Venus at the Nadir (which coincided with US House majority determination).
> > > > > > >
> > > > > > > By following the seer's guidelines diligently, his logic appears excellent and perhaps there can be some clarity regarding the stages after the 18 November 2022 10:11 pm CET Neptune lunar opposition.
> > > > > > >
> > > > > > > The Fortune jumps when the Sun reached the Ecliptic over the period 16 to 20 November 2022 explains II.66 where the Pallas instance traps people (hence the capitalizations).
> > > > > > >
> > > > > > > Starting with 16 November: Dawn, Fortune jumped from near Vesta to the Moon (opposing Saturn); Dusk, the leap was from Saturn to the Moon (still opposing Saturn).
> > > > > > >
> > > > > > > For 17 November: Dawn, Fortune leapt from near Saturn to the Moon (opposing Vesta); Dusk, it jumped from 5 degrees Pisces (opposing the Moon) to 14 degrees Leo (in a trine with Chiron).
> > > > > > >
> > > > > > > On November 18: Dawn, Fortune jumped from 5 degrees Aquarius to the Moon (opposing Juno); Dusk, the leap was from Neptune's vicinity (opposing Ceres) to 4 degrees Leo (near PALLAS, which is close to 26 degrees Cancer).
> > > > > > >
> > > > > > > Then 19 November: Dawn, Fortune started from very close to Pluto's position (in direct opposition with PALLAS), instantly moving to the Moon (joining its Jupiter opposition); Dusk, Fortune starts near Jupiter around 2 degrees Aries -
> > > > > > >
> > > > > > > Then jumps to 23 degrees 31 minutes Cancer, alongside Lilith, so with PALLAS they line up as three equidistant points.
> > > > > > >
> > > > > > > Immediately Fortune moves to cross Lilith, then join PALLAS at 5:08 pm CET.
> > > > > > >
> > > > > > > This is the case which the seer has implied is critical, Fortune leaping near PALLAS then conjoining it.
> > > > > > >
> > > > > > > Continuing with the 20th: Dawn, Fortune starts around 14.5 degrees Capricorn, and leaps to the Moon (opposing Chiron); Dusk, Fortune begins with Chiron (opposing the Moon), and leaps to the Moon (opposing Chiron).
> > > > > > >
> > > > > > > So the evening of 19 November 2022 is critical for Geneva, and this timing confirms the Saturn-At-Apex theory:
> > > > > > >
> > > > > > > Saturn is at the vertical Eleventh House cusp Apex 19 November 2022 4:30 pm CET, in its upright Grand Trine (suggesting the divine righteousness of the Trinity) with the base formed by Mars and the Vertex. Yet in this instance, the Lilith-Pallas pairing is aligned with the Prime Vertical at the Nadir, opposing Pluto at the skewed true Midheaven.
> > > > > > >
> > > > > > > Sunset at 4:56 pm CET causes Fortune to leap from 2 degrees 37 minutes Aries to alongside Lilith-Pallas.
> > > > > > >
> > > > > > > Vesta reaches the Apex point at 5:05 pm CET.
> > > > > > >
> > > > > > > And Fortune conjoins Pallas at 5:08 pm CET.
> > > > > > >
> > > > > > > So Sunset occurs during the Saturnin interval, about nine minutes before it ends with Vesta taking the top spot.
> > > > > > >
> > > > > > > The subsequent Pallas-Fortune union occurring only three minutes into the Vesta interval is the likely meaning of II.66 line 3 with the trapping from the 'Pallas.'
> > > > > > >
> > > > > > > That makes the critical time for the cataclysmic onset Geneva Twilight itself, with the leap of Fortune to Pallas' proximity,
> > > > > > >
> > > > > > > 19 November 2022 4:56 pm CET [10:56 am EST / 7:56 am EST].
> > > > > > >
> > > > > > > The three martyrs from 170 honored as saints 19 November are associated with Vienne (IX.70), Gaul (X.58).
> > > > > > >
> > > > > > > Ceux de Vienne seront trestous haches
> > > > > > >
> > > > > > > Those of Vienne will all be hacked to pieces
> > > > > > >
> > > > > > > Gaule branler, pericliter la barque
> > > > > > >
> > > > > > > Gaul to shake, the Bark to be in jeopardy
> > > > > > >
> > > > > > > [EOM]
> > > > > > Final sequence for this cataclysmic timing now seems to be in VI.70, now that II.66 has allowed 19 November 2022 to be pinpointed by the Dusk leap of Fortune to Pallas for Geneva.
> > > > > >
> > > > > > Line 3 of VI.70 -
> > > > > >
> > > > > > Son bruit et los les cieux surpassera
> > > > > >
> > > > > > Its noise and light will surpass the Heavens
> > > > > >
> > > > > > The Greek name Ouranos means a personification of the Sky of Heavens; and the above-Ecliptic part of the Prime Vertical is called the Midheaven point.
> > > > > >
> > > > > > Ouranos will be at the Midheaven point for Geneva 19 November 2022 11:36 pm CET.
> > > > > >
> > > > > > The Saturn-onset, Vesta-sepulchral fire sequence shifts to their setting at the Descendant for this final stage.
> > > > > >
> > > > > > Saturn falls below the Ecliptic at 11:02 pm CET; and Vesta reaches the Descendant 20 November 2022 12:04 am CET.
> > > > > >
> > > > > > The Grand Trine will then again be Inverted with the Sun at the Fulcrum position, and the horizontal top appearing perfectly Balanced then..
> > > > > >
> > > > > > This Grand Trine involving the Sun has been sustained through a bizarre quirk: Lilith and Neptune have maintained their trine by being slow-moving; Pallas near Lilith is progressed enough to have a connection with the Sun; and the Sun for its new trine is connecting with Jupiter beyond Neptune. So the celestial bodies have been staged to keep the Grand Trine imagery extended through this period.
> > > > > >
> > > > > > This brings the incident into the 20 November feast day for Saint Benignus (d. 477), archbishop of Milan, Lombardy.
> > > > > >
> > > > > > La gent Lombarde fera si grand effroi
> > > > > > A ceux de l'Aigle compris sous la Balance
> > > > > >
> > > > > > The Lombard folk will be made so greatly afraid
> > > > > > By those which Eagal included under the Balance
> > > > > >
> > > > > > That's the second half of V.42: the first half is a 1495 history lesson about Charles VIII driving the Savoyards from France, speaking of Mars being elevated to the midpoint of a sign as its 'highest belfry.' This hints at a date in our near future when Mars will be at fifteen degrees while another Grand Trine is occurring - the implication could be that the Garabandal Miracle appearing shortly after the world trembles (circa 21 November 2022) will not remain a stationary oddity. In Henoch's dream of entire future world history this Lasting Phantom phenomenon corresponds with a Spectral Sword, that will eventually drive the wicked into the opened Abyss.
> > > > > >
> > > > > > Back to The Beatles!
> > > > > >
> > > > > > The electric guitar solo in "Fixing A Hole" was found to have a subliminal tangent about Astral Projection, articulating in its first part,
> > > > > >
> > > > > > 'Flower Child,
> > > > > > Will You Go
> > > > > >
> > > > > > Far Over The
> > > > > > Cosmic
> > > > > > Rain-Bow?...'
> > > > > Something simple like Ouranos reaching Midheaven does not seem to be in the seer's complex theme, which is featuring Grand Trines: and I overlooked that after the Dusk jump of Fortune to Pallas 19 November 2022 for Geneva, in the following instance of the Sun crossing the Ecliptic at Dawn Fortune was in its own Grand Trine at 15 degrees Capricorn, with Midheaven in Virgo and Ouranos in Taurus - then Fortune jumps to the Moon (in opposition with Chiron).
> > > > >
> > > > > So after the Pallas Dusk on the 19th, there is a Dawn where Fortune is in a Midheaven Grand Trine with Ouranos: that seems to be 'Heavens' condition of VI.70 that will be surpassed, now trapped beyond the Pallas circumstance (for II.66).
> > > > >
> > > > > Relevant timing has shifted from Sun at the Ecliptic to observe the Fortune jumps, to Saturn then Vesta at the Eleventh House cusp false Midheaven Vertical Apex for presumed activation near Sunset in Geneva. The transitory Fortune Grand Trine is not the trigger, since Saturn must be engaged.
> > > > >
> > > > > When Saturn reaches the Eleventh House cusp Apex 20 November 4:26 pm CET, the Moon will be near where the Vertex is stationed to form the currently daily transitory upright Grand Trine (of Saturn, Mars and the Vertex). The Lilith-Pallas pairing will be at the Nadir of the Prime Vertical, in opposition with Pluto at Midheaven. The triggering aspect should be evident before Vesta gets to the Apex line.
> > > > >
> > > > > When the Sun sets at the Descendant 4:54 pm CET, Fortune will be in opposition with the Moon - and the leap will bring Fortune to 11 degrees 7 minutes Cancer, in another Grand Trine with the South Node (12 degrees 23 minutes Scorpio) and Juno (10 degrees 53 minutes Pisces).
> > > > >
> > > > > Then Vesta reaches the Apex point at 5:02 pm CET, as the fast-moving Part of Fortune slips past its Grand Trine position.
> > > > >
> > > > > So the transitory Grand Trine of Fortune - South Node - Juno, between Saturn then Vesta reaching the Apex, after Sunset for Geneva, seems to be the critical condition.
> > > > >
> > > > > Venus and Mercury less than half a degree apart will descend with the appearance of a fused Double Evening Star: these are the celestial characters that had appeared 'under the Balance' with the Sun-Fulcrum of the major Sun-Neptune-Lilith Grand Trine in the Venus debasement chart of 17 November 2022 12:47 am CET.
> > > > >
> > > > > The Fortune-Juno-Dragon's Tail Grand Trine forms 20 November 2022 4:55 pm CET [10:55am EST, 7:55 am PST].
> > > > >
> > > > > The 20 November date is clearly indicated by the Lombardy encoding, for the feast day of Saint Benignus, archbishop of Milan.
> > > > >
> > > > > Also with that feast day, perhaps Saint Maxentia of Beauvais (with a story similar to that of Saint Eurosia) is both the Lady honored through force of terror for I.94, and the Victor of VI.70 (going from name connotation, possibly feminized in V.18); Saint Adventor has a name meaning the patron of a tavern, potentially playing into the theme of VI.16.
> > > > >
> > > > > Vesta enters Pisces 20 November 2022 10:18 pm CET, ending the Mercury Reign that X.79 promises will be planetary ruler during the trembling of land, sea and country - after the Hercules superpower has exhibited its flowering of lies.
> > > > The lesser Victor of IV.95 on the land of Brittany seems to be Saint Maximus, sharing the 18 November feast day with Saint Mawes, having the Brittany association.
> > > >
> > > > The genuine Victor of VI.70 appears to be Saint Maxentia with the 20 November feast day.
> > > >
> > > > The feminization of Victor as Vitrix appears in V.18 -
> > > >
> > > > De deuil mourra l'infelix proflige
> > > > Celebrera son Vitrix l'Hecatombe
> > > >
> > > > He would die overcome, forlorn with grief:
> > > > His Conqueress will celebrate the Sacrifice instead
> > > >
> > > > The word 'infelix,' as again with Felix of Nantes being suggested for the 7 July 2005 London train attack (Ringo Starr's birthday - he has wished people to hope for Peace at Noon on this day since), alerts to the feast day for a saint named Felix, in this case Felix of Valois, also for 20 November.
> > > >
> > > > Felix of Valois was an ascetic living in Cerfroid, Soissons, France; around age 70 a disciple of his named John of Matha suggested he found the Trinitarians to free slaves held in Muslim captivity. At his advanced age, Felix did so in France and Italy, before returning to Maison de la Trinite in Cerfroid. After his death in 1212, his order attested he had been canonized in 1262, but there was some dispute and his cult was officially recognized in 1666. He did not actually die from grief, the line only makes sense as a conditional given the circumstances.
> > > >
> > > > So knowing the association of Saint Felix of Valois to the Trinity is a hint towards the Grand Trines appearing in the associated prophecy regarding a massively lethal cataclysm. Felix would be unhappy ('infelix') that the symbol for the Trinity is appearing as a sudden Sign at an incredible Slaughter ('Hecatombe' invokes the ritual slaughter of a herd of cattle).
> > > >
> > > > Yet his co-honored Lady ('honored through force of terror' in I.94), Saint Maxentia does not have the same inherent reverence for the triangular form of the Trinity concept.
> > > >
> > > > It is an elaborate prediction whimsically comparing how saints sharing a certain feast day would react to a specific catastrophic incident, using gallows humor.
> > > >
> > > > And the seer made a subtle commentary about his own prophecy critically involving Grand Trines through judicial astrology.
> > > The shooting incident overnight around midnight at Colorado Springs was attended by a transitory Grand Trine where Fortune was in Libra, passing between the positions of Saturn (19+ degrees Aquarius) and Mars (22.5 degrees Gemini): by midnight the Part of Fortune was in trine with Mars.
> > >
> > > For the Geneva event, activation at Sunset with the sudden Grand Trine involving Fortune is an ominous sign (when applying II.66), yet not necessarily the critical time being predicted: since the Lombardy date has arrived, and the reign of Great Mercury is ending, what was actually foreseen may become clearer, rather than relying on previous presumptions being correct.
> > >
> > > The 'Under The Balance" stipulation of V.42 suggests the Lilith-Neptune trine line appearing horizontal, which occurs between settings of Saturn and Vesta, just before Ouranos reaches the Midheaven point (a Double-Heaven aspect).
> > >
> > > At 10:18 pm CET Vesta enters Pisces, ending the reign of Great Mercury (X.79) - however fire goddess Vesta is associated with a sepulchral fire in X.6.
> > >
> > > Saturn sets for Geneva 10:58 pm CET.
> > >
> > > Then at 11:18 pm CET, the Moon has a trine with Saturn: this coincides with the Nodes aligning with the Prime Vertical; a near Grand Trine will exist between the Moon, Saturn, and Mars (about 3 degrees off the perfect lunar trine).
> > >
> > > This should be the critical time that could yet make everything written about cataclysmic onset accurate:
> > >
> > > 20 November 2022 11:18 pm CET [5:18 pm EST / 2:18 pm PST].
> > >
> > > The 'Balancing line' in the chart seems Level around 11:23 pm CET, but the Saturn trine is ominous considering IX.44 and V.24.
> > >
> > > Ouranos reaches the Midheaven point at 11:32 pm CET [reinstating the VI.70 theory regarding 'The Heavens' being surpassed].
> > >
> > > Finally, Vesta sets for Geneva at 11:56 pm CET.
> > >
> > > These circumstances presents two new ways that Saturn and Vesta are engaged: Saturn in a lunar trine; and Vesta reigning. Unlike the risings and settings, which are local phenomena, these are more universally applicable conditions.
> > The ominous conditions for cataclysmic onset appear to coalesce in Geneva charts around the time Venus and Mercury officially conjoin 21 November 2022 10:37 pm CET [4:37 pm EST / 1:37 pm PST], as Conchita of Garabandal said The Warning "will be like two stars colliding" -
> >
> > It involves the East Point, which has never been demonstrated to have any significance heretofore: from around 10:30 pm CET to 10:50 pm CET, the East Point will be around 29 degrees Cancer, with Jupiter at 28 degrees 48 minutes Pisces, and the Sun at 29 degrees 32 minutes Scorpio.
> >
> > This is like a refined resurgence of the major Grand Trine of the Sun with Neptune-Jupiter: now that Lilith-Pallas is not progressed enough for the Sun and Jupiter (Neptune also not far enough), the East Point is very briefly taking the role, at the precise time of the Venus-Mercury conjunct.
> >
> > And the top line of the Balance is now tipping the other (to way (towards the Left) than it had at the Venus Nadir debasement 17 November 2022 12:47 am CET: the left side is now closer to the Ecliptic, with Venus-Mercury again 'Under the Balance' alongside the Sun-Fulcrum. The Moon will be at the Nadir; Fortune roughly opposing Juno - so this is a Lunar Debasement chart for Geneva.
> >
> > Should all that at 10:37 pm CET not be the activation case (beyond the Sunset Vestal Grand Trine), Saturn reaches the Descendant 10:55 pm CET; then when Ouranos reaches Midheaven 21 November 2022 11:28 pm CET yet another Grand Trine is formed.
> >
> > This is not an exact Grand Trine, consisting of Ceres-Fortune around 22 degrees Virgo; the Vertex around 19 degrees Capricorn; and Ouranos itself around 16 degrees Taurus.
> >
> > Vesta reaches the Descendant at 11:54 pm CET.
> >
> > The Sunset Vestal Grand Trine with the Fortune jump at 4:54 pm CET was unlikely to be the triggering feature;
> >
> > Since the transitory East Point Grand Trine at the 10:37 pm CET merging of Venus and Mercury, involving the Sun and Jupiter, appears the critical time.
> >
> > The jump of Fortune to Pallas for II.66 was at Sunset on 19 November 2022, aligning with Lilith, then conjoining Pallas.
> >
> > The judicial astrology concept would favor studying the moment of the actual Venus-Mercury union, and the discovery of the East Point participating to make a refined Balance-Tipping Grand Trine with the Sun and Jupiter is more intellectually compelling than a sudden upright Vestal Grand Trine at Sunset.
> >
> > It is difficult to believe their merging Under The Briefly-Renewed Balance with the Moon at the Nadir would be upstaged by the simple Fortune-Jump Vestal Sunset Grand Trine.
> >
> > So the Venus-Mercury conjunct has sufficient ominous attending features to be the true cataclysmic trigger,
> >
> > On 21 November 2022 at 10:37 pm CET [4:37 pm EST / 1:37 pm PST].
> >
> > The 'Saturnins' term could then mean Geneva having the descent of Saturn imminent.
> >
> > After Fortune's jump to Pallas at Dusk on 19 November 2022 for Geneva, the subsequent Dusk recurrences went into Grand Trines.
> >
> > On the 20th at Dusk Fortune leapt into a Grand Trine with the South Node and Juno.
> >
> > The Fortune leap on the evening of the 21st to conceptually form a Grand Trine with Vesta at the Apex, and the Moon with the Vertex is a more dramatic instance.
> >
> > On the 22nd at Dusk, Fortune jumps from the Node, opposing the Moon at the South Node, to the proximity of Mars.
> >
> > The Apex concept is not as tangibly concrete as the Horizon line represented by the Ecliptic: therefore the case where Saturn is approaching the solid ground, going out of view for Geneva, is far more likely to be indicated by the 'Saturnin' term.
> >
> > Vesta does not have to follow Saturn to satisfy X.6, since her reign is indicated until the Sun enters Sagittarius on 22 November 2022 at 9:21 am CET.
> >
> > As for the Lorraine deluge of X.50, for a combined 'fire and flood' problem, the patron saint of Lorraine is Nicholas, with his feast day on 6 December, apparently also for 2022, following the fire.
> >
> > << St. Nicholas of Bari, also known as Saint Nicholas of Myra, St. Nicholas of Lorraine, St. Nicholas the Great, St. Niccolò and St. Nicolò (Patara in Lycia, about 270 - Myra, December 6, 343) is venerated as a saint by the Catholic Church, the Orthodox Church and several other Christian denominations. He is well known even outside the Christian world because his figure gave rise to the myth of Santa Claus >>
> >
> > https://www.italyheritage.com/traditions/calendar/december/saint-nicholas-santaclaus.htm
> The solution was more complicated than expected, looking at the wrong block of time, because of an undefined term: with a single word an interval was designated that would include the double divine punishments of fire and flood - the Grand Trine theme is the Cup of Wrath being offered when oriented properly for the chart symbolism.
>
> The enigmatic term 'Saturnin' had its meaning revealed observing the second phase of the current Vestal Reign, after the Sun has taken the lead role, then progressed beyond.
>
> The Sun quickly progresses past Vesta's position to have a Renewed Vestal Reign 22 November 2022 10:48 pm CET: the moment the Sun goes a minute of a degree farther for Geneva, Saturn is at the Descendant - that is a suitable interpretation for Saturnin, a reprise of the Vestal Reign identified by its initial descent of Saturn at the IX.44 location.
>
> When the Ecliptic line is halfway between Saturn and Vesta subsequently, it is Renewed Vesta's Lunar Debasement 22 November 2022 11:26 pm CET [5:26 pm EST / 2:36 pm PST], the Moon at the Nadir in opposition with Ouranos at the Midheaven point. This could be VI.70's 'surpassing the Heavens' condition - and also likely time for the implicit cataclysmic onset.
>
> While it has degraded substantially, the major Jupiter-Sun-Pallas Grand Trine (no longer assisted by the East Point) is still discernible, perfectly Balanced Level on the Sun-Fulcrum, with the featured stars Venus and Mercury. The protracted conjoining of the two inner planets seemed to present the cryptic hint Conchita of Garabandal had about The Warning - "It will be like two stars colliding.'
>
> While the Prime Vertical is slightly askew, the Sun is sitting squarely at the bottom of the chart.
>
> The Pluto opposition with the Lilith-Pallas pairing is aligned with the 6th and 12th House cusps.
>
> Again Ouranos seems to be at the top of its own Grand Trine, with Ceres and the Vertex.
>
> Fortune is opposing Juno.
>
> Going to the later time when Vesta reaches the Descendant (22 November 2022 11:51 pm CET) the picture changes somewhat.--
>
> The Upright Grand Trine with the Midheaven Point (beyond Ouranos) strengthens as the Vertex point meets Pluto, with Ceres still engaged on the other side of the base.
>
> Since a Saturnin-Vestal Reign was the apparent hidden subtext, the period being indicated extends until Mercury enters Capricorn 11:09 pm CET Tuesday 6 December 2022.
>
> This confirms the 6 December date for the Lorraine flood via Saint Nicholas.
>
> The Saturnin recurrence of the Vesta Reign will temporally encompass both the fire and flood divine punishments whose command was reflected in I.62.
>
> Feu, grand deluge plus par ignares sceptres
> Que de long siecle ne se verra refait
>
> La Mobile Signe, a son endroit si ingere
> Aux deux egaux et d'inclination
>
> Translation of I.54 and I.62 in combination: the fire and flood will be more for ignorant leaders than that the Saturn long cycle of reigning influence behind the events of 6 January 2021 would not be repeated; indeed another revolt will recur in March 2023 under similar Saturn circumstances (7 to 16 March 2023) towards the same goal; however an intervening incident whose prophecy involves a Grand Trine as a rotational symbol would demonstrate the Higher Powers being completely infuriated.
>
> And the manifestation of this Wrath would be through Fire, timed with the Grand Trine Mobile Sign, during the Saturnin-Vestal Reign, culminating in the Lorraine Deluge of X.50 circa 6 December 2022 for the feast of Saint Nicholas. Examining what happens after the Sun relinquishes its brief reign to Vesta provided some clarity.
>
> Par Saturnins endurera le pire [V.24]
>
> The worst will be endured by the Saturnins
>
> Les Saturnins brules par les meuniers [VI.17]
>
> The Saturnins burned by the 'millers'
>
> Migrez, migrez de Geneue trestous
> Saturne d'or en fer se changera
>
> Leave, leave Geneva, every last one:
> Saturn will change itself from gold to sword!
>
> The planetary configuration on the 6 August 1965 date the "Help!" album was released was the meaning of the first half of V.24 -
>
> Le regne et loi sous Venus eleve
> Saturne aura sus Iupiter empire
>
> The rule and law elevated under Venus
> Saturn will have dominion over Jupiter
>
> That day Venus was closely clustered with Ouranos and Pluto, the 13 to 15-degree grouping in Virgo opposing Saturn near 16 degrees Pisces.
>
> Jupiter was lower on the planetary ladder than Saturn then, a little past 23.5 degrees Gemini.