Will Dockery wrote:
>
> Harry Kemp (American poet)

> Poems
> "[http://www.daypoems.net/poems/1326.html Blind]"
> *[http://www.poemhunter.com/harry-kemp/ Harry Kemp] at [[PoemHunter]] (36
> poems)
> *[http://allpoetry.com/Harry-Kemp Harry Kemp] at AllPoetry (38 poems)

> Books
> * {{Gutenberg author |id=Kemp,+Harry | name=Harry Kemp}}

> About
> *[http://www.eoneill.com/library/newsletter/iv_1-2/iv-1-2f.htm Harry Kemp:
> Lest we forget], ''The Eugene O'Neill newsletter''
> *[http://www.jstor.org/stable/20570273?seq=1#page_scan_tab_contents review
> of ''The Cry of Youth]'' in ''[[Poetry (magazine)|Poetry]]''

> Wiki Biography:
> http://pennyspoetry.wikia.com/wiki/Harry_Kemp

> This article is about the 20th-century American poet. For the 20th-century
> English poet & teacher, see Harry Kemp (UK poet).

> Harry Hibbard Kemp (December 15, 1883 - August 5, 1960) was an American poet
> and prose writer of the twentieth century. He was known as (and promoted
> himself as) the "Vagabond Poet", the "Villon of America", the "Hobo Poet",
> or the "Tramp Poet", and was a well-known popular literary figure of his
> era.

> Kemp was born in Youngstown, Ohio, the only son of a candymaker. He was
> raised by his grandmother, in a house by the local train yards.

> At the age of 17 he left home to become a common seaman. After returning to
> the United States he traveled across the country by riding the rails as a
> hobo, carrying copies of Shakespeare, Shelley, and other poets in his
> rucksack.

> He later attended the University of Kansas, and while a student he began
> publishing verse in newspapers and magazines.

> Tramp poet
> Kemp had a knack for self-promotion, what he called "the Art of
> Spectacularism," and early learned to collaborate with and manipulate
> journalists to attract attention to his work. He spent time in Paris in the
> early 1920s, along with the more famous members of the Lost Generation.
> Among those influenced by, and working on the same path as Kemp were, in his
> autobiographical novel of Hobohemianism, W.H. Davies' The Autobiography of a
> Super-Tramp (1908), and the grim yet poetic realism of Maxim Gorky.

> Kemp spent much of his maturity traveling; he stayed in a number of planned
> communities for varying lengths of time, then wrote autobiographical novels
> about his experiences. When not traveling he was a regular denizen of
> Greenwich Village in New York City and Provincetown on Cape Cod in
> Massachusetts, where he was associated with the Provincetown Players.

> Kemp was also known as the "poet of the dunes." He lived on and off in a
> shack in the dunes of Provincetown, Cape Cod, Massachusetts, for a period of
> about 40 years, and he died there in 1960. A 1934 Kemp poem, "The Last
> Return," was written for the Coast Guard men who steadfastly worked to save
> the lives of those shipwrecked on Cape Cod's coast.

> Kemp's Tramping on Life: An autobiographical narrative (1922) was one of the
> best selling "tramp autobiographies" of the 1900–1939 period.

> Kemp knew many of the bohemian and progressive literary and cultural figures
> of his generation, including Elbert Hubbard, Upton Sinclair, Ida Tarbell,
> Bernarr MacFadden, Sinclair Lewis, Max Eastman, Eugene O'Neill, Edmund
> Wilson, John Dos Passos, E.E. Cummings, and many others. Kemp played a role
> in the first stage production of O'Neill's earliest play, Bound East for
> Cardiff. Kemp was physically imposing, "Tall, broad-shouldered, and robust,"
> Wetzsteon, p. 334. and gained a reputation as a lover, sometimes of other
> men's wives; he was involved in various scandals throughout his career. His
> part in Upton Sinclair's divorce was especially notorious in its day.

> As a means of kidding Harry Kemp, George Nathan and I pretended to a vast
> interest in Greenwich Village, and one day asked him to take us there and
> show us the sights. He accepted eagerly, and we walked all the way from 331
> Fourth Avenue. Whenever he pointed out a celebrity... we would stop short,
> stare fixedly, and make a show of being tremendously impressed. Finally,
> almost with bated breath, Kemp indicated a second-story window in a
> ramshackle house, and said: "When Oscar Wilde was in New York his girl lived
> there." "His girl?" demanded Nathan. "What in hell, Mr. Kemp, was Mr. Wilde
> doing with a *girl*?" For some reason unknown, this greatly upset Kemp, and
> he spent half an hour trying to convince Nathan and me that, in addition to
> his homosexual practice, Wilde also indulged in more normal sin. We
> professed to regard it as a slander upon his principles, and denounced Kemp
> for spreading such stories about a dead and defenseless man. He then got
> into a considerable lather and proposed to produce the woman, but we begged
> him to say no more about a painful subject.

> Later Years
> In addition to his original books, Kemp translated a play by Tirso de Molina
> as The Love-Rogue (1923), and edited The Bronze Treasury (1927), "an
> anthology of 81 obscure English poets." Kemp's views turned somewhat more
> conservative with age; he rejected leftist and anarchist sympathies and
> wrote approvingly of Jesus Christ as the "divine hobo" and the "Super
> Tramp."

> The hobo poet Harry Kemp hailed Jesus Christ as the "super-tramp" and
> "divine hobo" for the man Jesus preached a social gospel, and consorted with
> outcasts and criminals. It wasn't Jesus' fault if the chuches that claimed
> him had grown repressive and corrupt. He had stood for voluntary poverty,
> not self-satisfied greed. He had stood for justice and identified with the
> downtrodden, saying that what you do the least of God's creatures, you do to
> me.

> Writing
> According to Louis Untermeyer (editor of Modern American Poetry), Kemp's
> early collections (The Cry of Youth and The Passing God) are "full of every
> kind of poetry except the kind one might imagine Kemp would write. Instead
> of crude and boisterous verse, here is precise and over-polished poetry."
> Untermeyer's opinion was that Chanteys and Ballads is "riper," with "the
> sense of personality more pronounced."<ref?Louis Untermeyer, ed., Modern
> American Poetry, Fourth Revised Edition, New York, Harcourt, Brace and Co.,
> 1930; p. 376. Print.</ref>

> Recognition
> Kemp's reputation had declined into obscurity by the time of his death in
> 1960; but his role in the history of modern American literature and the
> American Left has brought renewed interest and further publication of his
> work.

> There is a street named for him, Harry Kemp Way, in Provincetown.

> In 1995, the Provincetown Chamber of Commerce made plans to create a First
> Landing Park to commemorate the Pilgrims' voyage in 1620. Ms. Ruth Hiebert
> made a donation in the name of her late father, Dr. Daniel Hieber, who,
> along with Harry Kemp, the celebrated "Tramp Poet" of the 1920s literary
> world who abandoned Greenwich Village for life in a Provincetown dune shack,
> would reenact the first landing every year, complete with dubious costumes
> Kemp imagined the intrepid voyagers might have worn."It was all somewhat
> silly, but it did keep the true history alive," Ms. Hiebert told the Globe.

> Publications
> The Cry of Youth. New York: Kennerley, 1914.
> The Thresher's Wife. New York: A. & C. Boni, 1914.
> The Passing God: Songs for lovers (with introduction by Richard Le
> Gallienne). New York: Brentano's, 1919; London: Brentano's, 1922.
> Chanteys and Ballads: Sea-chanteys, tramp-ballads, and other ballads and
> poems. New York: Brentano's, 1920.
> The Sea and the Dunes, and other poems. New York: Brentano's, 1926.
> Don Juan's Note-Book. New York: privately published; printed by Alex L.
> Hillman, 1929.
> Where Now Green Gardens? Harry answers Omar. Provincetown, MA: Provincetown
> Publishers, 1945.
> The Poet's Life of Christ: Songs of the living Lord. Provincetown, MA:
> Provincetown Publishers, 1946.
> Provincetown Tideways (1948)
> Poet of the Dunes: Songs of the dunes and the outer shore, with others in
> varying modes and moods. Provincetown, MA: Provincetown Publishers, 1952;
> Provincetown, MA: Cape Cod Pilgrim Memorial Association, 1988.
> Rhyme of Provincetown Nicknames. Providence, MA: Providence Publishers,
> 1954.

> ------------------------------------------------------------

> Found in Drafts file.

Again... Kemp is quite fantastic....!

General-Zod wrote:

> Will Dockery wrote:
>>
>> Harry Kemp (American poet)

>> Poems
>> "[http://www.daypoems.net/poems/1326.html Blind]"
>> *[http://www.poemhunter.com/harry-kemp/ Harry Kemp] at [[PoemHunter]] (36
>> poems)
>> *[http://allpoetry.com/Harry-Kemp Harry Kemp] at AllPoetry (38 poems)

>> Books
>> * {{Gutenberg author |id=Kemp,+Harry | name=Harry Kemp}}

>> About
>> *[http://www.eoneill.com/library/newsletter/iv_1-2/iv-1-2f.htm Harry Kemp:
>> Lest we forget], ''The Eugene O'Neill newsletter''
>> *[http://www.jstor.org/stable/20570273?seq=1#page_scan_tab_contents review
>> of ''The Cry of Youth]'' in ''[[Poetry (magazine)|Poetry]]''

>> Wiki Biography:
>> http://pennyspoetry.wikia.com/wiki/Harry_Kemp

>> This article is about the 20th-century American poet. For the 20th-century
>> English poet & teacher, see Harry Kemp (UK poet).

>> Harry Hibbard Kemp (December 15, 1883 - August 5, 1960) was an American poet
>> and prose writer of the twentieth century. He was known as (and promoted
>> himself as) the "Vagabond Poet", the "Villon of America", the "Hobo Poet",
>> or the "Tramp Poet", and was a well-known popular literary figure of his
>> era.

>> Kemp was born in Youngstown, Ohio, the only son of a candymaker. He was
>> raised by his grandmother, in a house by the local train yards.

>> At the age of 17 he left home to become a common seaman. After returning to
>> the United States he traveled across the country by riding the rails as a
>> hobo, carrying copies of Shakespeare, Shelley, and other poets in his
>> rucksack.

>> He later attended the University of Kansas, and while a student he began
>> publishing verse in newspapers and magazines.

>> Tramp poet
>> Kemp had a knack for self-promotion, what he called "the Art of
>> Spectacularism," and early learned to collaborate with and manipulate
>> journalists to attract attention to his work. He spent time in Paris in the
>> early 1920s, along with the more famous members of the Lost Generation.
>> Among those influenced by, and working on the same path as Kemp were, in his
>> autobiographical novel of Hobohemianism, W.H. Davies' The Autobiography of a
>> Super-Tramp (1908), and the grim yet poetic realism of Maxim Gorky.

>> Kemp spent much of his maturity traveling; he stayed in a number of planned
>> communities for varying lengths of time, then wrote autobiographical novels
>> about his experiences. When not traveling he was a regular denizen of
>> Greenwich Village in New York City and Provincetown on Cape Cod in
>> Massachusetts, where he was associated with the Provincetown Players.

>> Kemp was also known as the "poet of the dunes." He lived on and off in a
>> shack in the dunes of Provincetown, Cape Cod, Massachusetts, for a period of
>> about 40 years, and he died there in 1960. A 1934 Kemp poem, "The Last
>> Return," was written for the Coast Guard men who steadfastly worked to save
>> the lives of those shipwrecked on Cape Cod's coast.

>> Kemp's Tramping on Life: An autobiographical narrative (1922) was one of the
>> best selling "tramp autobiographies" of the 1900–1939 period.

>> Kemp knew many of the bohemian and progressive literary and cultural figures
>> of his generation, including Elbert Hubbard, Upton Sinclair, Ida Tarbell,
>> Bernarr MacFadden, Sinclair Lewis, Max Eastman, Eugene O'Neill, Edmund
>> Wilson, John Dos Passos, E.E. Cummings, and many others. Kemp played a role
>> in the first stage production of O'Neill's earliest play, Bound East for
>> Cardiff. Kemp was physically imposing, "Tall, broad-shouldered, and robust,"
>> Wetzsteon, p. 334. and gained a reputation as a lover, sometimes of other
>> men's wives; he was involved in various scandals throughout his career. His
>> part in Upton Sinclair's divorce was especially notorious in its day.

>> As a means of kidding Harry Kemp, George Nathan and I pretended to a vast
>> interest in Greenwich Village, and one day asked him to take us there and
>> show us the sights. He accepted eagerly, and we walked all the way from 331
>> Fourth Avenue. Whenever he pointed out a celebrity... we would stop short,
>> stare fixedly, and make a show of being tremendously impressed. Finally,
>> almost with bated breath, Kemp indicated a second-story window in a
>> ramshackle house, and said: "When Oscar Wilde was in New York his girl lived
>> there." "His girl?" demanded Nathan. "What in hell, Mr. Kemp, was Mr. Wilde
>> doing with a *girl*?" For some reason unknown, this greatly upset Kemp, and
>> he spent half an hour trying to convince Nathan and me that, in addition to
>> his homosexual practice, Wilde also indulged in more normal sin. We
>> professed to regard it as a slander upon his principles, and denounced Kemp
>> for spreading such stories about a dead and defenseless man. He then got
>> into a considerable lather and proposed to produce the woman, but we begged
>> him to say no more about a painful subject.

>> Later Years
>> In addition to his original books, Kemp translated a play by Tirso de Molina
>> as The Love-Rogue (1923), and edited The Bronze Treasury (1927), "an
>> anthology of 81 obscure English poets." Kemp's views turned somewhat more
>> conservative with age; he rejected leftist and anarchist sympathies and
>> wrote approvingly of Jesus Christ as the "divine hobo" and the "Super
>> Tramp."

>> The hobo poet Harry Kemp hailed Jesus Christ as the "super-tramp" and
>> "divine hobo" for the man Jesus preached a social gospel, and consorted with
>> outcasts and criminals. It wasn't Jesus' fault if the chuches that claimed
>> him had grown repressive and corrupt. He had stood for voluntary poverty,
>> not self-satisfied greed. He had stood for justice and identified with the
>> downtrodden, saying that what you do the least of God's creatures, you do to
>> me.

>> Writing
>> According to Louis Untermeyer (editor of Modern American Poetry), Kemp's
>> early collections (The Cry of Youth and The Passing God) are "full of every
>> kind of poetry except the kind one might imagine Kemp would write. Instead
>> of crude and boisterous verse, here is precise and over-polished poetry."
>> Untermeyer's opinion was that Chanteys and Ballads is "riper," with "the
>> sense of personality more pronounced."<ref?Louis Untermeyer, ed., Modern
>> American Poetry, Fourth Revised Edition, New York, Harcourt, Brace and Co.,
>> 1930; p. 376. Print.</ref>

>> Recognition
>> Kemp's reputation had declined into obscurity by the time of his death in
>> 1960; but his role in the history of modern American literature and the
>> American Left has brought renewed interest and further publication of his
>> work.

>> There is a street named for him, Harry Kemp Way, in Provincetown.

>> In 1995, the Provincetown Chamber of Commerce made plans to create a First
>> Landing Park to commemorate the Pilgrims' voyage in 1620. Ms. Ruth Hiebert
>> made a donation in the name of her late father, Dr. Daniel Hieber, who,
>> along with Harry Kemp, the celebrated "Tramp Poet" of the 1920s literary
>> world who abandoned Greenwich Village for life in a Provincetown dune shack,
>> would reenact the first landing every year, complete with dubious costumes
>> Kemp imagined the intrepid voyagers might have worn."It was all somewhat
>> silly, but it did keep the true history alive," Ms. Hiebert told the Globe.

>> Publications
>> The Cry of Youth. New York: Kennerley, 1914.
>> The Thresher's Wife. New York: A. & C. Boni, 1914.
>> The Passing God: Songs for lovers (with introduction by Richard Le
>> Gallienne). New York: Brentano's, 1919; London: Brentano's, 1922.
>> Chanteys and Ballads: Sea-chanteys, tramp-ballads, and other ballads and
>> poems. New York: Brentano's, 1920.
>> The Sea and the Dunes, and other poems. New York: Brentano's, 1926.
>> Don Juan's Note-Book. New York: privately published; printed by Alex L.
>> Hillman, 1929.
>> Where Now Green Gardens? Harry answers Omar. Provincetown, MA: Provincetown
>> Publishers, 1945.
>> The Poet's Life of Christ: Songs of the living Lord. Provincetown, MA:
>> Provincetown Publishers, 1946.
>> Provincetown Tideways (1948)
>> Poet of the Dunes: Songs of the dunes and the outer shore, with others in
>> varying modes and moods. Provincetown, MA: Provincetown Publishers, 1952;
>> Provincetown, MA: Cape Cod Pilgrim Memorial Association, 1988.
>> Rhyme of Provincetown Nicknames. Providence, MA: Providence Publishers,
>> 1954.

Will Dockery wrote:

> General-Zod wrote:

>> Will Dockery wrote:
>>>
>>> Harry Kemp (American poet)

>>> Poems
>>> "[http://www.daypoems.net/poems/1326.html Blind]"
>>> *[http://www.poemhunter.com/harry-kemp/ Harry Kemp] at [[PoemHunter]] (36
>>> poems)
>>> *[http://allpoetry.com/Harry-Kemp Harry Kemp] at AllPoetry (38 poems)

>>> Books
>>> * {{Gutenberg author |id=Kemp,+Harry | name=Harry Kemp}}

>>> About
>>> *[http://www.eoneill.com/library/newsletter/iv_1-2/iv-1-2f.htm Harry Kemp:
>>> Lest we forget], ''The Eugene O'Neill newsletter''
>>> *[http://www.jstor.org/stable/20570273?seq=1#page_scan_tab_contents review
>>> of ''The Cry of Youth]'' in ''[[Poetry (magazine)|Poetry]]''

>>> Wiki Biography:
>>> http://pennyspoetry.wikia.com/wiki/Harry_Kemp

>>> This article is about the 20th-century American poet. For the 20th-century
>>> English poet & teacher, see Harry Kemp (UK poet).

>>> Harry Hibbard Kemp (December 15, 1883 - August 5, 1960) was an American poet
>>> and prose writer of the twentieth century. He was known as (and promoted
>>> himself as) the "Vagabond Poet", the "Villon of America", the "Hobo Poet",
>>> or the "Tramp Poet", and was a well-known popular literary figure of his
>>> era.

>>> Kemp was born in Youngstown, Ohio, the only son of a candymaker. He was
>>> raised by his grandmother, in a house by the local train yards.

>>> At the age of 17 he left home to become a common seaman. After returning to
>>> the United States he traveled across the country by riding the rails as a
>>> hobo, carrying copies of Shakespeare, Shelley, and other poets in his
>>> rucksack.

>>> He later attended the University of Kansas, and while a student he began
>>> publishing verse in newspapers and magazines.

>>> Tramp poet
>>> Kemp had a knack for self-promotion, what he called "the Art of
>>> Spectacularism," and early learned to collaborate with and manipulate
>>> journalists to attract attention to his work. He spent time in Paris in the
>>> early 1920s, along with the more famous members of the Lost Generation.
>>> Among those influenced by, and working on the same path as Kemp were, in his
>>> autobiographical novel of Hobohemianism, W.H. Davies' The Autobiography of a
>>> Super-Tramp (1908), and the grim yet poetic realism of Maxim Gorky.

>>> Kemp spent much of his maturity traveling; he stayed in a number of planned
>>> communities for varying lengths of time, then wrote autobiographical novels
>>> about his experiences. When not traveling he was a regular denizen of
>>> Greenwich Village in New York City and Provincetown on Cape Cod in
>>> Massachusetts, where he was associated with the Provincetown Players.

>>> Kemp was also known as the "poet of the dunes." He lived on and off in a
>>> shack in the dunes of Provincetown, Cape Cod, Massachusetts, for a period of
>>> about 40 years, and he died there in 1960. A 1934 Kemp poem, "The Last
>>> Return," was written for the Coast Guard men who steadfastly worked to save
>>> the lives of those shipwrecked on Cape Cod's coast.

>>> Kemp's Tramping on Life: An autobiographical narrative (1922) was one of the
>>> best selling "tramp autobiographies" of the 1900–1939 period.

>>> Kemp knew many of the bohemian and progressive literary and cultural figures
>>> of his generation, including Elbert Hubbard, Upton Sinclair, Ida Tarbell,
>>> Bernarr MacFadden, Sinclair Lewis, Max Eastman, Eugene O'Neill, Edmund
>>> Wilson, John Dos Passos, E.E. Cummings, and many others. Kemp played a role
>>> in the first stage production of O'Neill's earliest play, Bound East for
>>> Cardiff. Kemp was physically imposing, "Tall, broad-shouldered, and robust,"
>>> Wetzsteon, p. 334. and gained a reputation as a lover, sometimes of other
>>> men's wives; he was involved in various scandals throughout his career. His
>>> part in Upton Sinclair's divorce was especially notorious in its day.

>>> As a means of kidding Harry Kemp, George Nathan and I pretended to a vast
>>> interest in Greenwich Village, and one day asked him to take us there and
>>> show us the sights. He accepted eagerly, and we walked all the way from 331
>>> Fourth Avenue. Whenever he pointed out a celebrity... we would stop short,
>>> stare fixedly, and make a show of being tremendously impressed. Finally,
>>> almost with bated breath, Kemp indicated a second-story window in a
>>> ramshackle house, and said: "When Oscar Wilde was in New York his girl lived
>>> there." "His girl?" demanded Nathan. "What in hell, Mr. Kemp, was Mr. Wilde
>>> doing with a *girl*?" For some reason unknown, this greatly upset Kemp, and
>>> he spent half an hour trying to convince Nathan and me that, in addition to
>>> his homosexual practice, Wilde also indulged in more normal sin. We
>>> professed to regard it as a slander upon his principles, and denounced Kemp
>>> for spreading such stories about a dead and defenseless man. He then got
>>> into a considerable lather and proposed to produce the woman, but we begged
>>> him to say no more about a painful subject.

>>> Later Years
>>> In addition to his original books, Kemp translated a play by Tirso de Molina
>>> as The Love-Rogue (1923), and edited The Bronze Treasury (1927), "an
>>> anthology of 81 obscure English poets." Kemp's views turned somewhat more
>>> conservative with age; he rejected leftist and anarchist sympathies and
>>> wrote approvingly of Jesus Christ as the "divine hobo" and the "Super
>>> Tramp."

>>> The hobo poet Harry Kemp hailed Jesus Christ as the "super-tramp" and
>>> "divine hobo" for the man Jesus preached a social gospel, and consorted with
>>> outcasts and criminals. It wasn't Jesus' fault if the chuches that claimed
>>> him had grown repressive and corrupt. He had stood for voluntary poverty,
>>> not self-satisfied greed. He had stood for justice and identified with the
>>> downtrodden, saying that what you do the least of God's creatures, you do to
>>> me.

>>> Writing
>>> According to Louis Untermeyer (editor of Modern American Poetry), Kemp's
>>> early collections (The Cry of Youth and The Passing God) are "full of every
>>> kind of poetry except the kind one might imagine Kemp would write. Instead
>>> of crude and boisterous verse, here is precise and over-polished poetry."
>>> Untermeyer's opinion was that Chanteys and Ballads is "riper," with "the
>>> sense of personality more pronounced."<ref?Louis Untermeyer, ed., Modern
>>> American Poetry, Fourth Revised Edition, New York, Harcourt, Brace and Co.,
>>> 1930; p. 376. Print.</ref>

>>> Recognition
>>> Kemp's reputation had declined into obscurity by the time of his death in
>>> 1960; but his role in the history of modern American literature and the
>>> American Left has brought renewed interest and further publication of his
>>> work.

>>> There is a street named for him, Harry Kemp Way, in Provincetown.

>>> In 1995, the Provincetown Chamber of Commerce made plans to create a First
>>> Landing Park to commemorate the Pilgrims' voyage in 1620. Ms. Ruth Hiebert
>>> made a donation in the name of her late father, Dr. Daniel Hieber, who,
>>> along with Harry Kemp, the celebrated "Tramp Poet" of the 1920s literary
>>> world who abandoned Greenwich Village for life in a Provincetown dune shack,
>>> would reenact the first landing every year, complete with dubious costumes
>>> Kemp imagined the intrepid voyagers might have worn."It was all somewhat
>>> silly, but it did keep the true history alive," Ms. Hiebert told the Globe.

>>> Publications
>>> The Cry of Youth. New York: Kennerley, 1914.
>>> The Thresher's Wife. New York: A. & C. Boni, 1914.
>>> The Passing God: Songs for lovers (with introduction by Richard Le
>>> Gallienne). New York: Brentano's, 1919; London: Brentano's, 1922.
>>> Chanteys and Ballads: Sea-chanteys, tramp-ballads, and other ballads and
>>> poems. New York: Brentano's, 1920.
>>> The Sea and the Dunes, and other poems. New York: Brentano's, 1926.
>>> Don Juan's Note-Book. New York: privately published; printed by Alex L.
>>> Hillman, 1929.
>>> Where Now Green Gardens? Harry answers Omar. Provincetown, MA: Provincetown
>>> Publishers, 1945.
>>> The Poet's Life of Christ: Songs of the living Lord. Provincetown, MA:
>>> Provincetown Publishers, 1946.
>>> Provincetown Tideways (1948)
>>> Poet of the Dunes: Songs of the dunes and the outer shore, with others in
>>> varying modes and moods. Provincetown, MA: Provincetown Publishers, 1952;
>>> Provincetown, MA: Cape Cod Pilgrim Memorial Association, 1988.
>>> Rhyme of Provincetown Nicknames. Providence, MA: Providence Publishers,
>>> 1954.

General-Zod wrote:
> Will Dockery wrote:
>
>> Harry Kemp (American poet)

>>
>> Poems
>>>> "[http://www.daypoems.net/poems/1326.html Blind]"
>>>> *[http://www.poemhunter.com/harry-kemp/ Harry Kemp] at [[PoemHunter]] (36
>>>> poems)
>>>> *[http://allpoetry.com/Harry-Kemp Harry Kemp] at AllPoetry (38 poems)

>>>> Books
>>>> * {{Gutenberg author |id=Kemp,+Harry | name=Harry Kemp}}

>>>> About
>>>> *[http://www.eoneill.com/library/newsletter/iv_1-2/iv-1-2f.htm Harry Kemp:
>>>> Lest we forget], ''The Eugene O'Neill newsletter''
>>>> *[http://www.jstor.org/stable/20570273?seq=1#page_scan_tab_contents review
>>>> of ''The Cry of Youth]'' in ''[[Poetry (magazine)|Poetry]]''

>>>> Wiki Biography:
>>>> http://pennyspoetry.wikia.com/wiki/Harry_Kemp

>>>> This article is about the 20th-century American poet. For the 20th-century
>>>> English poet & teacher, see Harry Kemp (UK poet).

>>>> Harry Hibbard Kemp (December 15, 1883 - August 5, 1960) was an American poet
>>>> and prose writer of the twentieth century. He was known as (and promoted
>>>> himself as) the "Vagabond Poet", the "Villon of America", the "Hobo Poet",
>>>> or the "Tramp Poet", and was a well-known popular literary figure of his
>>>> era.

>>>> Kemp was born in Youngstown, Ohio, the only son of a candymaker. He was
>>>> raised by his grandmother, in a house by the local train yards.

>>>> At the age of 17 he left home to become a common seaman. After returning to
>>>> the United States he traveled across the country by riding the rails as a
>>>> hobo, carrying copies of Shakespeare, Shelley, and other poets in his
>>>> rucksack.

>>>> He later attended the University of Kansas, and while a student he began
>>>> publishing verse in newspapers and magazines.

>>>> Tramp poet
>>>> Kemp had a knack for self-promotion, what he called "the Art of
>>>> Spectacularism," and early learned to collaborate with and manipulate
>>>> journalists to attract attention to his work. He spent time in Paris in the
>>>> early 1920s, along with the more famous members of the Lost Generation.
>>>> Among those influenced by, and working on the same path as Kemp were, in his
>>>> autobiographical novel of Hobohemianism, W.H. Davies' The Autobiography of a
>>>> Super-Tramp (1908), and the grim yet poetic realism of Maxim Gorky.

>>>> Kemp spent much of his maturity traveling; he stayed in a number of planned
>>>> communities for varying lengths of time, then wrote autobiographical novels
>>>> about his experiences. When not traveling he was a regular denizen of
>>>> Greenwich Village in New York City and Provincetown on Cape Cod in
>>>> Massachusetts, where he was associated with the Provincetown Players.

>>>> Kemp was also known as the "poet of the dunes." He lived on and off in a
>>>> shack in the dunes of Provincetown, Cape Cod, Massachusetts, for a period of
>>>> about 40 years, and he died there in 1960. A 1934 Kemp poem, "The Last
>>>> Return," was written for the Coast Guard men who steadfastly worked to save
>>>> the lives of those shipwrecked on Cape Cod's coast.

>>>> Kemp's Tramping on Life: An autobiographical narrative (1922) was one of the
>>>> best selling "tramp autobiographies" of the 1900–1939 period.

>>>> Kemp knew many of the bohemian and progressive literary and cultural figures
>>>> of his generation, including Elbert Hubbard, Upton Sinclair, Ida Tarbell,
>>
>> Bernarr MacFadden, Sinclair Lewis, Max Eastman, Eugene O'Neill, Edmund
>>>> Wilson, John Dos Passos, E.E. Cummings, and many others. Kemp played a role
>>>> in the first stage production of O'Neill's earliest play, Bound East for
>>
>> Cardiff. Kemp was physically imposing, "Tall, broad-shouldered, and robust,"
>>>> Wetzsteon, p. 334. and gained a reputation as a lover, sometimes of other
>>>> men's wives; he was involved in various scandals throughout his career. His
>>>> part in Upton Sinclair's divorce was especially notorious in its day.

>>>> As a means of kidding Harry Kemp, George Nathan and I pretended to a vast
>>>> interest in Greenwich Village, and one day asked him to take us there and
>>>> show us the sights. He accepted eagerly, and we walked all the way from 331
>>>> Fourth Avenue. Whenever he pointed out a celebrity... we would stop short,
>>>> stare fixedly, and make a show of being tremendously impressed. Finally,
>>>> almost with bated breath, Kemp indicated a second-story window in a
>>>> ramshackle house, and said: "When Oscar Wilde was in New York his girl lived
>>>> there." "His girl?" demanded Nathan. "What in hell, Mr. Kemp, was Mr. Wilde
>>>> doing with a *girl*?" For some reason unknown, this greatly upset Kemp, and
>>>> he spent half an hour trying to convince Nathan and me that, in addition to
>>>> his homosexual practice, Wilde also indulged in more normal sin. We
>>>> professed to regard it as a slander upon his principles, and denounced Kemp
>>>> for spreading such stories about a dead and defenseless man. He then got
>>
>> into a considerable lather and proposed to produce the woman, but we begged
>>>> him to say no more about a painful subject.

>>
>> Later Years
>>
>> In addition to his original books, Kemp translated a play by Tirso de Molina
>>
>> as The Love-Rogue (1923), and edited The Bronze Treasury (1927), "an
>>>> anthology of 81 obscure English poets." Kemp's views turned somewhat more
>>
>> conservative with age; he rejected leftist and anarchist sympathies and
>>
>> wrote approvingly of Jesus Christ as the "divine hobo" and the "Super Tramp."

>>
>> The hobo poet Harry Kemp hailed Jesus Christ as the "super-tramp" and
>>
>> "divine hobo" for the man Jesus preached a social gospel, and consorted with
>>
>> outcasts and criminals. It wasn't Jesus' fault if the chuches that claimed
>>
>> him had grown repressive and corrupt. He had stood for voluntary poverty,
>>
>> not self-satisfied greed. He had stood for justice and identified with the
>>
>> downtrodden, saying that what you do the least of God's creatures, you do to me.

>>
>> Writing
>>
>> According to Louis Untermeyer (editor of Modern American Poetry), Kemp's
>>
>> early collections (The Cry of Youth and The Passing God) are "full of every
>>
>> kind of poetry except the kind one might imagine Kemp would write. Instead
>>
>> of crude and boisterous verse, here is precise and over-polished poetry."
>>
>> Untermeyer's opinion was that Chanteys and Ballads is "riper," with "the sense of personality more pronounced." -Louis Untermeyer, ed., Modern
>>
>> American Poetry, Fourth Revised Edition, New York, Harcourt, Brace and Co. 1930; p. 376. Print.</ref>

>>
>> Recognition
>>
>> Kemp's reputation had declined into obscurity by the time of his death in
>>
>> 1960; but his role in the history of modern American literature and the
>>
>> American Left has brought renewed interest and further publication of his
>>>> work.

>>
>> There is a street named for him, Harry Kemp Way, in Provincetown.

>>
>> In 1995, the Provincetown Chamber of Commerce made plans to create a First
>>>> Landing Park to commemorate the Pilgrims' voyage in 1620. Ms. Ruth Hiebert
>>>> made a donation in the name of her late father, Dr. Daniel Hieber, who,
>>>> along with Harry Kemp, the celebrated "Tramp Poet" of the 1920s literary
>>>> world who abandoned Greenwich Village for life in a Provincetown dune shack,
>>
>> would reenact the first landing every year, complete with dubious costumes
>>
>> Kemp imagined the intrepid voyagers might have worn."It was all somewhat
>>
>> silly, but it did keep the true history alive," Ms. Hiebert told the Globe.

>>
>> Publications
>>
>> The Cry of Youth. New York: Kennerley, 1914.
>>>> The Thresher's Wife. New York: A. & C. Boni, 1914.
>>>> The Passing God: Songs for lovers (with introduction by Richard Le
>>>> Gallienne). New York: Brentano's, 1919; London: Brentano's, 1922.
>>>> Chanteys and Ballads: Sea-chanteys, tramp-ballads, and other ballads and
>>>> poems. New York: Brentano's, 1920.
>>>> The Sea and the Dunes, and other poems. New York: Brentano's, 1926.
>>>> Don Juan's Note-Book. New York: privately published; printed by Alex L.
>>>> Hillman, 1929.
>>>> Where Now Green Gardens? Harry answers Omar. Provincetown, MA: Provincetown
>>>> Publishers, 1945.
>>>> The Poet's Life of Christ: Songs of the living Lord. Provincetown, MA:
>>>> Provincetown Publishers, 1946.
>>>> Provincetown Tideways (1948)
>>>> Poet of the Dunes: Songs of the dunes and the outer shore, with others in
>>
>> varying modes and moods. Provincetown, MA: Provincetown Publishers, 1952;
>>
>> Provincetown, MA: Cape Cod Pilgrim Memorial Association, 1988.
>>
>> Rhyme of Provincetown Nicknames. Providence, MA: Providence Publishers, 1954.
>
> Again... Kemp is quite fantastic....! GOOD DAY to you....!

General-Zod wrote:
> Will Dockery wrote:
>
>> Harry Kemp (American poet)

>>
>> Poems
>>>> "[http://www.daypoems.net/poems/1326.html Blind]"
>>>> *[http://www.poemhunter.com/harry-kemp/ Harry Kemp] at [[PoemHunter]] (36
>>>> poems)
>>>> *[http://allpoetry.com/Harry-Kemp Harry Kemp] at AllPoetry (38 poems)

>>>> Books
>>>> * {{Gutenberg author |id=Kemp,+Harry | name=Harry Kemp}}

>>>> About
>>>> *[http://www.eoneill.com/library/newsletter/iv_1-2/iv-1-2f.htm Harry Kemp:
>>>> Lest we forget], ''The Eugene O'Neill newsletter''
>>>> *[http://www.jstor.org/stable/20570273?seq=1#page_scan_tab_contents review
>>>> of ''The Cry of Youth]'' in ''[[Poetry (magazine)|Poetry]]''

>>>> Wiki Biography:
>>>> http://pennyspoetry.wikia.com/wiki/Harry_Kemp

>>>> This article is about the 20th-century American poet. For the 20th-century
>>>> English poet & teacher, see Harry Kemp (UK poet).

>>>> Harry Hibbard Kemp (December 15, 1883 - August 5, 1960) was an American poet
>>>> and prose writer of the twentieth century. He was known as (and promoted
>>>> himself as) the "Vagabond Poet", the "Villon of America", the "Hobo Poet",
>>>> or the "Tramp Poet", and was a well-known popular literary figure of his
>>>> era.

>>>> Kemp was born in Youngstown, Ohio, the only son of a candymaker. He was
>>>> raised by his grandmother, in a house by the local train yards.

>>>> At the age of 17 he left home to become a common seaman. After returning to
>>>> the United States he traveled across the country by riding the rails as a
>>>> hobo, carrying copies of Shakespeare, Shelley, and other poets in his
>>>> rucksack.

>>>> He later attended the University of Kansas, and while a student he began
>>>> publishing verse in newspapers and magazines.

>>>> Tramp poet
>>>> Kemp had a knack for self-promotion, what he called "the Art of
>>>> Spectacularism," and early learned to collaborate with and manipulate
>>>> journalists to attract attention to his work. He spent time in Paris in the
>>>> early 1920s, along with the more famous members of the Lost Generation.
>>>> Among those influenced by, and working on the same path as Kemp were, in his
>>>> autobiographical novel of Hobohemianism, W.H. Davies' The Autobiography of a
>>>> Super-Tramp (1908), and the grim yet poetic realism of Maxim Gorky.

>>>> Kemp spent much of his maturity traveling; he stayed in a number of planned
>>>> communities for varying lengths of time, then wrote autobiographical novels
>>>> about his experiences. When not traveling he was a regular denizen of
>>>> Greenwich Village in New York City and Provincetown on Cape Cod in
>>>> Massachusetts, where he was associated with the Provincetown Players.

>>>> Kemp was also known as the "poet of the dunes." He lived on and off in a
>>>> shack in the dunes of Provincetown, Cape Cod, Massachusetts, for a period of
>>>> about 40 years, and he died there in 1960. A 1934 Kemp poem, "The Last
>>>> Return," was written for the Coast Guard men who steadfastly worked to save
>>>> the lives of those shipwrecked on Cape Cod's coast.

>>>> Kemp's Tramping on Life: An autobiographical narrative (1922) was one of the
>>>> best selling "tramp autobiographies" of the 1900–1939 period.

>>>> Kemp knew many of the bohemian and progressive literary and cultural figures
>>>> of his generation, including Elbert Hubbard, Upton Sinclair, Ida Tarbell,
>>
>> Bernarr MacFadden, Sinclair Lewis, Max Eastman, Eugene O'Neill, Edmund
>>>> Wilson, John Dos Passos, E.E. Cummings, and many others. Kemp played a role
>>>> in the first stage production of O'Neill's earliest play, Bound East for
>>
>> Cardiff. Kemp was physically imposing, "Tall, broad-shouldered, and robust,"
>>>> Wetzsteon, p. 334. and gained a reputation as a lover, sometimes of other
>>>> men's wives; he was involved in various scandals throughout his career. His
>>>> part in Upton Sinclair's divorce was especially notorious in its day.

>>>> As a means of kidding Harry Kemp, George Nathan and I pretended to a vast
>>>> interest in Greenwich Village, and one day asked him to take us there and
>>>> show us the sights. He accepted eagerly, and we walked all the way from 331
>>>> Fourth Avenue. Whenever he pointed out a celebrity... we would stop short,
>>>> stare fixedly, and make a show of being tremendously impressed. Finally,
>>>> almost with bated breath, Kemp indicated a second-story window in a
>>>> ramshackle house, and said: "When Oscar Wilde was in New York his girl lived
>>>> there." "His girl?" demanded Nathan. "What in hell, Mr. Kemp, was Mr. Wilde
>>>> doing with a *girl*?" For some reason unknown, this greatly upset Kemp, and
>>>> he spent half an hour trying to convince Nathan and me that, in addition to
>>>> his homosexual practice, Wilde also indulged in more normal sin. We
>>>> professed to regard it as a slander upon his principles, and denounced Kemp
>>>> for spreading such stories about a dead and defenseless man. He then got
>>
>> into a considerable lather and proposed to produce the woman, but we begged
>>>> him to say no more about a painful subject.

>>
>> Later Years
>>
>> In addition to his original books, Kemp translated a play by Tirso de Molina
>>
>> as The Love-Rogue (1923), and edited The Bronze Treasury (1927), "an
>>>> anthology of 81 obscure English poets." Kemp's views turned somewhat more
>>
>> conservative with age; he rejected leftist and anarchist sympathies and
>>
>> wrote approvingly of Jesus Christ as the "divine hobo" and the "Super Tramp."

>>
>> The hobo poet Harry Kemp hailed Jesus Christ as the "super-tramp" and
>>
>> "divine hobo" for the man Jesus preached a social gospel, and consorted with
>>
>> outcasts and criminals. It wasn't Jesus' fault if the chuches that claimed
>>
>> him had grown repressive and corrupt. He had stood for voluntary poverty,
>>
>> not self-satisfied greed. He had stood for justice and identified with the
>>
>> downtrodden, saying that what you do the least of God's creatures, you do to me.

>>
>> Writing
>>
>> According to Louis Untermeyer (editor of Modern American Poetry), Kemp's
>>
>> early collections (The Cry of Youth and The Passing God) are "full of every
>>
>> kind of poetry except the kind one might imagine Kemp would write. Instead
>>
>> of crude and boisterous verse, here is precise and over-polished poetry."
>>
>> Untermeyer's opinion was that Chanteys and Ballads is "riper," with "the sense of personality more pronounced." -Louis Untermeyer, ed., Modern
>>
>> American Poetry, Fourth Revised Edition, New York, Harcourt, Brace and Co. 1930; p. 376. Print.</ref>

>>
>> Recognition
>>
>> Kemp's reputation had declined into obscurity by the time of his death in
>>
>> 1960; but his role in the history of modern American literature and the
>>
>> American Left has brought renewed interest and further publication of his
>>>> work.

>>
>> There is a street named for him, Harry Kemp Way, in Provincetown.

>>
>> In 1995, the Provincetown Chamber of Commerce made plans to create a First
>>>> Landing Park to commemorate the Pilgrims' voyage in 1620. Ms. Ruth Hiebert
>>>> made a donation in the name of her late father, Dr. Daniel Hieber, who,
>>>> along with Harry Kemp, the celebrated "Tramp Poet" of the 1920s literary
>>>> world who abandoned Greenwich Village for life in a Provincetown dune shack,
>>
>> would reenact the first landing every year, complete with dubious costumes
>>
>> Kemp imagined the intrepid voyagers might have worn."It was all somewhat
>>
>> silly, but it did keep the true history alive," Ms. Hiebert told the Globe.

>>
>> Publications
>>
>> The Cry of Youth. New York: Kennerley, 1914.
>>>> The Thresher's Wife. New York: A. & C. Boni, 1914.
>>>> The Passing God: Songs for lovers (with introduction by Richard Le
>>>> Gallienne). New York: Brentano's, 1919; London: Brentano's, 1922.
>>>> Chanteys and Ballads: Sea-chanteys, tramp-ballads, and other ballads and
>>>> poems. New York: Brentano's, 1920.
>>>> The Sea and the Dunes, and other poems. New York: Brentano's, 1926.
>>>> Don Juan's Note-Book. New York: privately published; printed by Alex L.
>>>> Hillman, 1929.
>>>> Where Now Green Gardens? Harry answers Omar. Provincetown, MA: Provincetown
>>>> Publishers, 1945.
>>>> The Poet's Life of Christ: Songs of the living Lord. Provincetown, MA:
>>>> Provincetown Publishers, 1946.
>>>> Provincetown Tideways (1948)
>>>> Poet of the Dunes: Songs of the dunes and the outer shore, with others in
>>
>> varying modes and moods. Provincetown, MA: Provincetown Publishers, 1952;
>>
>> Provincetown, MA: Cape Cod Pilgrim Memorial Association, 1988.
>>
>> Rhyme of Provincetown Nicknames. Providence, MA: Providence Publishers, 1954.
>
> Again... Kemp is quite fantastic....! GOOD DAY to you....!