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arts / rec.arts.movies.current-films / Re: EMILY THE CRIMINAL (no spoilers)

SubjectAuthor
* EMILY THE CRIMINAL (no spoilers)moviePig
`* Re: EMILY THE CRIMINAL (no spoilers)william ahearn
 `* Re: EMILY THE CRIMINAL (no spoilers)moviePig
  `* Re: EMILY THE CRIMINAL (no spoilers)william ahearn
   `* Re: EMILY THE CRIMINAL (no spoilers)moviePig
    `- Re: EMILY THE CRIMINAL (no spoilers)william ahearn

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EMILY THE CRIMINAL (no spoilers)

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From: pwall...@moviepig.com (moviePig)
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 by: moviePig - Sun, 4 Dec 2022 17:23 UTC

Beset with student loans and a checkered past that impedes her
employment, a principled young woman turns pragmatic. EMILY THE
CRIMINAL is a thriller drama that succeeds with the simple virtues of
being brisk and engaging. Solidly recommended.

Re: EMILY THE CRIMINAL (no spoilers)

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Subject: Re: EMILY THE CRIMINAL (no spoilers)
From: wlahe...@gmail.com (william ahearn)
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 by: william ahearn - Sun, 4 Dec 2022 21:03 UTC

On Sunday, December 4, 2022 at 12:23:25 PM UTC-5, pwal...@moviepig.com wrote:
> Beset with student loans and a checkered past that impedes her
> employment, a principled young woman turns pragmatic. EMILY THE
> CRIMINAL is a thriller drama that succeeds with the simple virtues of
> being brisk and engaging. Solidly recommended.

I liked the movie for the fluff it is. It's kinda funny that numerous crime films with a social bent of the 1930s used a similar plot.

Re: EMILY THE CRIMINAL (no spoilers)

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 by: moviePig - Sun, 4 Dec 2022 22:08 UTC

On 12/4/2022 4:03 PM, william ahearn wrote:
> On Sunday, December 4, 2022 at 12:23:25 PM UTC-5, pwal...@moviepig.com wrote:
>> Beset with student loans and a checkered past that impedes her
>> employment, a principled young woman turns pragmatic. EMILY THE
>> CRIMINAL is a thriller drama that succeeds with the simple virtues of
>> being brisk and engaging. Solidly recommended.
>
> I liked the movie for the fluff it is. It's kinda funny that numerous crime films with a social bent of the 1930s used a similar plot.

Iirc, those 30s/40s films labored under a moral stricture that, e.g.,
this one doesn't. Well, it's a lighter one, anyway...

Re: EMILY THE CRIMINAL (no spoilers)

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Subject: Re: EMILY THE CRIMINAL (no spoilers)
From: wlahe...@gmail.com (william ahearn)
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 by: william ahearn - Sun, 4 Dec 2022 23:33 UTC

On Sunday, December 4, 2022 at 5:08:41 PM UTC-5, pwal...@moviepig.com wrote:

> Iirc, those 30s/40s films labored under a moral stricture that, e.g.,
> this one doesn't. Well, it's a lighter one, anyway...

Actually, not. The gist of Emily is close to Fritz Lang's You Only Live Once or Busby Berkeley's They Made Me a Criminal. There are others. And do you really think the above "e.g." necessary?

Re: EMILY THE CRIMINAL (no spoilers)

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 by: moviePig - Sun, 4 Dec 2022 23:56 UTC

On 12/4/2022 6:33 PM, william ahearn wrote:
> On Sunday, December 4, 2022 at 5:08:41 PM UTC-5, pwal...@moviepig.com wrote:
>
>> Iirc, those 30s/40s films labored under a moral stricture that, e.g.,
>> this one doesn't. Well, it's a lighter one, anyway...
>
> Actually, not. The gist of Emily is close to Fritz Lang's You Only Live Once or Busby Berkeley's They Made Me a Criminal. There are others. And do you really think the above "e.g." necessary?

At least deliberate, in that it meant to convey a thought: most (though
not all) modern movies are allowed to portray crime as paying. E.g., I
looked up the wiki-plot of YOU ONLY LIVE ONCE (which, like EMILY, sounds
like a comedy), and find that Eddie suffers God's wrath in the end.

Re: EMILY THE CRIMINAL (no spoilers)

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Subject: Re: EMILY THE CRIMINAL (no spoilers)
From: wlahe...@gmail.com (william ahearn)
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 by: william ahearn - Mon, 5 Dec 2022 00:32 UTC

On Sunday, December 4, 2022 at 6:56:58 PM UTC-5, pwal...@moviepig.com wrote:
> At least deliberate, in that it meant to convey a thought: most (though
> not all) modern movies are allowed to portray crime as paying. E.g., I
> looked up the wiki-plot of YOU ONLY LIVE ONCE (which, like EMILY, sounds
> like a comedy), and find that Eddie suffers God's wrath in the end.

It isn't whether crime pays. It's about how the character got to the crime. Very different ideas.

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