On Wednesday, May 4, 2022 at 12:11:08 PM UTC-7, curtis...@gmail.com wrote:
> On Wednesday, May 4, 2022 at 12:44:56 PM UTC-4, eagali...@gmail.com wrote:
> > On Friday, April 29, 2022 at 4:27:02 AM UTC-7, Norbert K wrote:
> > > On Thursday, April 28, 2022 at 5:29:12 PM UTC-4, geoff wrote:
> > > > On 28/04/2022 11:10 pm, Norbert K wrote:
> > > > > On Wednesday, April 27, 2022 at 6:56:31 PM UTC-4, geoff wrote:
> > > > >> On 28/04/2022 4:03 am, Norbert K wrote:
> > > > >>> On Tuesday, April 26, 2022 at 5:30:15 PM UTC-4, eagali...@gmail..com wrote:
> > > > >>>> On Tuesday, April 26, 2022 at 4:08:26 AM UTC-7, Norbert K wrote:
> > > > >>>>> On Monday, April 25, 2022 at 3:12:36 PM UTC-4, eagali...@gmail.com wrote:
> > > > >>>>>>
> > > > >>>>>> The song "Imagine" resulted from discussing a book about prayer with Dick Gregory - I have a family member who insists the line about "no religion" proves he was promoting heathenism, while my opinion is the theme follows the "Our Father" prayer: the best way for God's Will to be done on Earth as it is in Heaven is to stop arguing about prejudices and possessions, manifest a rational society in the here and now. The full Maureen Cleave article from 1966 noted that two of John's favorite possessions were a Bible and a Crucifix; but wife Cynthia's gift of mechanized caged singing bird struck him as offensively bourgeois and partially inspired "And Your Bird Can Sing" - "when your prized possessions start to bring you down" is a similar anti-materialistic theme as "Can't Buy Me Love."
> > > > >>>>> Your family member has a point; Lennon did occasionally purport to be a "born-again pagan." He had Christian phases, too -- one of which Yoko squelched because she feared it would prevent her from controlling him through the occult. Which brings up the point that he went along with Ono's occultism. And we know that John also had a soft spot for gurus. Like I said before, he was all over the map; he did not subscribe to any one belief system for too long.
> > > > >>>>>
> > > > >>>>> Didn't Lennon explain somewhere that by "Imagine no religion" what he meant to say is that there should be no "one religion" that excluded others?
> > > > >>>>>
> > > > >>>>> I expect we'd agree Lennon did not wish for an *absence* of religion any more than he wished for an absence of possessions.
> > > > >>>>>
> > > > >>>>> Did anyone ever discover the title of the book gifted to Lennon by Dick Gregory?
> > > > >>>> John called his period circa 1969 "Christian Communist," recognizing it as a phase. We think of him pushing people's buttons on controversial issues, but in my book on the "Beatles For Sale" era ("The Quality Of Mersey") the whole group is being interviewed together, and they projected a unified religious perspective ("more agnostic than atheistic" was Lennon's assessment), with Paul and Ringo making some provocative remarks. Paul said, "We probably seem antireligious because none of us believe in God"; Harrison declared, "John's our official religious spokesman." John said that's how most people really feel, with Ringo agreeing, "It's better to admit it than be a hypocrite." Lennon saw hypocrisy in the clergy lamenting the conditions of the poor without being charitable to them. McCartney mentioned the cost of a single bronze door in the Vatican.
> > > > >>>>
> > > > >>>> Paul made it clear none of that discussion involved the actual teachings of Jesus: "Believe it or, we're not anti-Christ." Then Ringo qualified that with, "Just anti-pope and anti-Christian." So there was agnosticism, leaning pro-Christ - but righteously anti-Christian, shared by the entire group.
> > > > >>>>
> > > > >>>> So the song "God" uses the title word to address the typical cultural perception, the concept that placates pain and suffering with the dubious promise of eternal happiness once everything is over. It could not be about Lennon's own personal conclusion that God does not exist, since he described in a 1968 interview that through drugs, diet and meditation he had sensed a Higher Power. What is being disbelieved in "God" is resorting to the victim mindset that effectively allows the oppressor minimal resistance. The idea is the more pain you have, the more God you need psychologically as a coping mechanism, usually for something that shouldn't be happening in the first place. Think of the 'Negro Spiritual' songs borne of suffering in slavery. Pie in the sky when you die by and by.
> > > > >>>>
> > > > >>>> At the time John was completing primal therapy with Arthur Janov, who considered religion madness, and Lennon later admitted the attempt to purge it from his psyche failed. He called himself "a most religious fellow." Even in childhood, John would point upwards and say "Somebody's watching" when he detected mischief; once he walked in announcing he had just seen God. John spoke of other religious figures who were advanced spiritually like Jesus, with admiration for their simple rational philosophies that few seem to grasp. An interviewer brought up the rumor he proclaimed he WAS God, receiving the reply he had not meant he was "A God or THE God," but shared a fragment of divinity: "We have all things within us," the option of being evil or righteous through exercise of free will. He said the recurrent dichotomy of moral extremes was summed up in the Christ-versus-Hitler contrast.
> > > > >>>
> > > > >>> I remember an interview with Lennon in which he pronounced vaguely that "God is an energy, a power source," but that "I never believed it was any one thing."
> > > > >>>
> > > > >>> Under Janov's influence, Lennon asserted that "God is a concept by which we measure our pain."
> > > > >>>
> > > > >>> Then there were his televangelist phases, during which he presumably accepted the god of Christianity.
> > > > >>>
> > > > >>> And the "born-again pagan" identification came in 1979, IIRC.
> > > > >>>
> > > > >>> Again, I see a guy whose beliefs fluctuated wildly depending on what drugs he was on, what TV he was watching, and who he was hanging out with.
> > > > >> More than that, comments not intended to indicate any genuine belief,
> > > > >> but merely an off-the-cuff comments intended to rankle the other party,
> > > > >> or to engender controversy for controversy’s sake.
> > > > >>
> > > > >> An approach which certainly seems to have worked extremely well with
> > > > >> some fanatics !
> > > > >>
> > > > >> geoff
> > > > >
> > > > > Good point, he did plenty of that. How about Lennon's denunciation of Darwin as "absolute garbage" because "monkeys aren't changing into people now"? Is that what it looks like -- i.e., Donald Trump-level ignorance and stupidity -- or was Lennon courting controversy? (Sometimes audio of this [Playboy] interview can be found online, but one has to dig to find the particular passage.)
> > > > >
> > > > >
> > > > Deliberately 'winding up' people who are stupid enough to think along
> > > > those lines. Imagine the things he would be saying in this era to mock
> > > > the conspiracy/trump/etc rabble !
> > > >
> > > > geoff
> > > I wish I could agree with you. However, if one looks at Lennon's existence at that time, there is no escaping the fact that he was confused. He was giving control over Double Fantasy to Ono -- who was by her own admission guided by pychics and astrologers (and who was conducting not one but two extramarital affairs at the time). Lennon's Playboy interview if full of paranoia and delusion -- for example Lennon's claim that McCartney had "subconsciously sabotaged" Lennon's best work. Lennon's best retort to people who thought he was being manipulated by Ono was "Fuck you brother and sister.." Lennon had recently emerged from a phase of following televangelist Pat Robertson. And then if you listen to the audio of the Playboy interview, there is real anger in his voice towards this idea (evolution) he had no understanding of.
> > >
> > > John wasn't thinking straight.
> > I did hear the interview, and I think your tendency is to presume when JL spoke with intensity it was more like insanity, without even addressing his actual words and the ideas they reflect, which could explain the emotion. In religious texts evolution has to be inferred from the 'Days of Creation' being figurative and protracted.
> >
> > However I noted when Yoko drifted in herself, she said something very strange about her husband's former band:
> >
> > "They were like mediums.
> > They weren't conscious of all they were saying,
> > But it was coming through them."
> >
> > This implies John had told her about something meant to be heard one way that inadvertently had a parallel audio transcription manifest, perhaps several instances. When an interviewer asked John if he was upset about people reading things into his work that were not there he replied,
> >
> > "It IS there.
> > It's like abstract art, really."
> >
> > In 1967 Paul McCartney told David Frost,
> >
> > "Everything has a message -
> > But you can't just pick out one little thing and say,
> > 'Is THAT their message?'
> > Everything we do is never intended to have a great deep message -
> > But it HAS."
> >
> > It was PM who made a distinction about the passage of time affecting perception of JL's controversial Cleave interview.
> >
> > "Was it a mistake?
> > I don't know.
> > In the SHORT term, yes.
> > Maybe not in the LONG term."
> >
> > Harrison thought Christians feeling they had a franchise on Jesus could be false representatives, indoctrinating him from an early age; but the view in India was to withhold belief from ANYTHING unless you have direct perception. So George embraced the notion of discovering esoteric truth for himself through books and mystics.
> >
> > The messages and sequencing from the second side of the "A Hard Day's Night" album demonstrate that Lennon was acutely aware of the intricacies of Mary Magdalene's encounter with the Risen Christ at the tomb, where when she attempted to touch Him, Jesus basically responded, "You Can't Do That"! John in the middle plays guitar in the style of Wilson Pickett, subliminally elaborating that Ascension to the Father was required before He could be physically touched. And there is the vocal line, "If they'd seen you talking that way they'd laugh in my face," that transmutes the ending into "...they'd laugh at my Faith."
> >
> > The vocalists in some tunes have lyrics that allow for role-playing, sometimes as inanimate objects - the next stage in my book series covers the "Help!" phase, and "Another Girl" seems to be from the point of view of The Cross itself, temporarily carried by Simon of Cyrene, yet with a destiny linked to the Lord. Cyrene is known for ruins very similar to those used for the song scene in the Bahamas portion of the film.
> >
> > Lennon was extremely lucid regarding his group's collective accomplishments.
> >
> > "With The Beatles, the records are the point,
> > NOT The Beatles as individuals.
> > You don't need the package,
> > Just as you don't need the Christian package or the Marxist package to get the message.
> > People always got the image I was an anti-Christ or anti-religion.
> > I'm NOT.
> > I'm a MOST religious fellow.
> > I was brought up a Christian and I only NOW understand SOME of the things that Christ was saying in those parables...
> > The people who are hung up on The Beatles and the 'Sixties dream MISSED the whole point when The Beatles and the 'Sixties dream BECAME the point."
> >
> > The best evidence that Paul McCartney wants people to reach that enlightened level is the subliminal content of "Old Siam Sir" from the "Back To The Egg" (the last for Wings). The manic opening suggests a repetition of,
> >
> > 'Broke up, Broke up!'
> >
> > As that is going a single note intrudes, implying,
> >
> > '...But -'
> >
> > Then the drums seem to finish that thought -
> >
> > 'BUT NOT -
> > SETTLED!'
> >
> > Then a vaguely Oriental theme chimes in, yet the tonal melody suggests,
> >
> > 'When The Beatles Are Consummated,
> > They'll Be Known As
> > "A Band Subliminal"'
> >
> > This follows the vocal line melody and repeats frequently.
> > A powerful guitar riff quasi-vocalizes,
> >
> > 'REAP What's Sown By "The Legend"!'
> >
> > This repeats until undergoing a variation -
> >
> > 'REAP What's Sown By The -
> > Sown By "The Myth"!'
> >
> > The drum sequence also has a variation in the middle when the opening bit repeats, to imply instead,
> >
> > 'BUT NOT -
> > CON-SUMMATED!'
> >
> > The mood cools in a few quietly played guitar chords, suggesting,
> >
> > 'One Step Away...'
> >
> > And the guitar flourish afterwards seems to append,
> >
> > '...From Consummating'
> >
> > This appears deliberate, a belief that the "long term" enlightened perspective would emerge eventually, because The Beatles' collection of songs already efficiently planted something to be discerned later.
> Is it fair to say George was a mystic?

I posted about the opening lyrics of "Blue Jay Way" later eerily applying to the circumstances of Kobe Bryant's death in a helicopter crash. The drawing of a face with eyes looking upwards in the Sgt Pepper tableau crowd was a depiction of Babujee, a mystic so powerful he would put a curse on the film to prevent photographs from being taken (Paul McCartney explained to Alan Aldrich); it was George Harrison's idea to include gurus when Peter Blake tried to apply his 'list of heroes' approach to the project (Blake's other work had the figures placed differently).

Despite writing a series of prophecies, Nostradamus did not want to be called a prophet.

I think what the Foursome collectively achieved during that precise period in that exact way, particularly with the timing of Jerusalem being returned to Israeli control from Jordan as a result of the Six-Day War mid-1967, if all resources are utilized, plays into a conglomeration of prophecies that do not require the protagonists to do anything as mundane as mystic channeling. These are end-times inferences regarding the confirmation of a divine covenant where Daniel's Seventy Weeks prophecy dovetails with Revelation 11 for the final week, a seven-year period broken into two nearly equal parts.

The transcription I gave for the synthesizer part in "Maxwell's Silver Hammer" that seemed to challenge with martyrdom does not seem to have been a conscious message, but inexplicably co-existing as audio-parallel with what they were intentionally trying to get across. A true testimony to Jesus would assimilate the spirit of prophecy. Nostradamus obviously picked up their future influence in I.14, the assassination of John in I.57, the knife attack on George in I.52 and II.98; but there are even more subtle references, like VI.20 where a 'make-believe union' lamentably only has a short duration, inducing limited personal change yet a broader sense of cultural reform. Remember, The Beatles refused to play to segregated audiences, there was the ongoing civil rights movement.

I should mention this recent total lunar eclipse (15 May 2022) could be immediate precursor for something unprecedented: the 21 May Mercury solar conjunct will precede by 12 hours a lunar adjacency with Neptune, then conjunction with Saturn five minutes later. The scenario of a Great Shaking has these elements associated separately, like disjointed puzzle pieces. The Third Secret of Fatima outlined a papal ambush consistent with V.22, whose enumeration matches 22 May, feast day for Saint John of Parma (mentioned as a location) - the 'two reds making cheer together' could be Mars with Jupiter (and its Giant Red Spot) on 29 May.

The I.16 quatrain I deduced to predict military killing of civilians from 28 January 2022 (in August 2006) has a last line that parallels Revelation 18:8, where God has commanded three punishments - a plague that causes mourning, famine shortages, and death, illuminated in I.16 to mean 'by military hand.' There was a further order for a double cataclysm, while being 'remembered before God.'

It is only those who learn a New Song (probably a collaboration between 'Moses and The Lamb') on an esoteric level who will comprise the first group of 144,000 to inherit the divine orders lost by the dark forces. As McCartney said, "Music is very mystical."

Although far from that stage in my series, I can say not all of the "Let It Be" period songs concerned the Nativity subliminally. Harrison's approach seemed very close to Lennon-McCartney until the Eastern instrumentation allowed his theological knowledge to explode into extremely sophisticated concepts that were far advanced from the more basic idea-representations that were the typical format. Neither of his songs then were focused on the pregnancy of Mary, and the lyrics only obliquely relate to the musically constructed messages (Lennon does this with slide guitar in "For You Blue"). But if one were to get a parallel message that had a genuine prophetic meaning, that could be a cosmic consequence.

The descending guitar part from "I've Got A Feeling" that got special attention is where Harrison got the spotlight for the Nativity element, played with an ending like,

'...The Virgin Maid!'

The project had them all contributing to a unified audio performance to get these ideas across, George was struggling to remain a relevant participant in providing his unique skills. Any acknowledgment of prophetic fulfillment would have been of limited use towards completing the multitude of steps the overall task required. George offers the opinion whatever they do would work out, trusting in serendipity to make things right, as it seemed to before.