On Tuesday, December 27, 2022 at 6:18:09 PM UTC-8, Curtis Eagal wrote:
> On Tuesday, December 27, 2022 at 9:44:42 AM UTC-8, Curtis Eagal wrote:
> > On Sunday, December 25, 2022 at 11:04:03 AM UTC-8, Curtis Eagal wrote:
> > > In my book on the debut album by The Beatles, "The Comedy Of Eros," after the section for "Love Me Do," the B-Side "P.S. I Love You" had its analysis, covering the contrasting commitment factor, appending a postscript statement further justifying the lyrical command of the A-Side.
> > >
> > > John Lennon said Paul McCartney was attempting to write a song in a mode like "Soldier Boy," by The Shirelles. McCartney refuted rumors: "It's not based in reality, nor did I write it to my girlfriend from Hamburg, which some people think."
> > >
> > > There is no bargaining for a relationship here, one already exists threatened by the physical separation of distance - "Keep all my love forever" from "I'll always be true"; there is a reunion promised at a mutual Home.
> > >
> > > In a sort of brisk calypso Latin-Rock style, they used a cha-cha beat, with session drummer Andy White providing subtle percussion while Ringo Starr rattled a maraca.
> > >
> > > << ...The bridge is more traditional in structure and chord choices than the verse, but the tune relies on unexpected tonalities, mixing familiar chords with ones more appropriate to jazz...
> > >
> > > The backing vocals by Lennon and Harrison highlight certain syllables in the lyrical phrases of the verse, starting with first syllable, concluding with the final two syllables.
> > >
> > > The tune derives some drama from variations in these backing vocals: in the intro and first appearance of the bridge, they seem to be in unison with the lead vocal - but when the bridge returns, the backing vocalists have taken over the lead role, and Paul scats around them for an exhilarating twist; and in the final, fourth instance of the verse, the backing vocals come in slightly sooner than the lead, and the syllabic emphasis diminishes, so it sounds more like the unison singing in the first bridge.
> > >
> > > After a triple repeat of the "You, you, you" line, there is some rhythmic strumming, a final invocation of "I love you," and the tune simply halts with a cessation of the rhythm.
> > >
> > > The title nearly intones,
> > >
> > > "P-X,
> > > I love you,"
> > >
> > > which could be a subtly hidden reference to the Christian symbol for Jesus consisting of an elongated letter "P" with an "X" crossing its shaft, representing the Greek letters Chi and Rho respectively, since that is how they began to spell the word "Christ" - this notion was probably conscious, because it seems pivotally hinted by the first line,
> > >
> > > "As I write this
> > > *Letter*"
> > >
> > > ...the protracted scat-crooning of "you, you, you" in the lead vocal resembles,
> > >
> > > 'You -
> > > Re-
> > > New!'
> > > >>
> > >
> > > The band joked in a Christmas message recorded for fans about their early hit "From Me To You" having become a standard; they would look back on their early phases as a sort of rut, full of personal pronouns to engage listeners, yearning for some exotic chords or rhythms to avoid any impression of monotony, despite the pop song-crafting inherently utilizing repetition.
> > >
> > > There is no substitute to actually hearing the music for getting intended deeper messages, since they would not be apparent in the overt lyrical content, but how it is treated, and not in the instrumental notation, but in how those performances were meant to strike the ear.
> > >
> > > John Lennon would later explain The Beatles as a unified group was about forging ahead and getting the collective task accomplished, while being aware it might take well into the next century for people to process what was produced. George Harrison wrote The Beatles had thrown boulders into the collective consciousness with the ripples yet to manifest.
> > >
> > > Lennon commented on the unconscious Christ-transference, earning him the so-called apology interview, where he responded to aggressive journalists with thoughtful contemplations of how Jesus of the gospels would perceive what they were experiencing at their concerts. The seeds of that conflict between Faith-Based-Art and Faith-Lacking-Base were evident even in the B-Side of their first vinyl release from 5 October 1962.
> > >
> > > https://www.amazon.com/Comedy-Eros-Beating-Time/dp/1549657755
> > Venus At Its Saturnin Nadir
> > With Relics Exuding Myrrh
> >
> > Reviewing the hagiology, 16 November 2022 for Saint Gratia (for the Isle de Graye hint) could hold because of the US House chamber partisan majority announcement with Venus at the Geneva Nadir: the quatrain was V.16, whose numeration matches the date.
> >
> > The theme of smoke as from Frankincense due to burning human flesh in V..16 presents one of the Magi gifts as an aspect of cataclysmic horror; the 'Fire color of Gold' in II.92 presents another.
> >
> > As for the third Magi Gift of Myrrh, this is associated with Smyrna, and there is a near anagram through Syrmium, Pannonia, for Saint Artaxus, martyr in a group circa 3rd or 4th century, with a 2 January feast.
> >
> > A more likely possibility is the 28 December date being inferred by omission through Saint Simon of Athos, whose relics purportedly exude myrrh.
> >
> > https://www.oca.org/saints/lives/2022/12/28/103680-venerable-simon-the-myrrh-gusher-of-mount-athos
> >
> > << Saint Simon the Myrrh-Gusher lived an ascetical life on Mt Athos, and was glorified by many miracles. He was the founder of the New Bethlehem monastery, now known as Simonopetra. One night, he saw a star of such brightness that he thought it must be the Star of Bethlehem. Seeing the star remain motionless for several nights, he thought at first that it was a demonic temptation. On the eve of the Lord’s Nativity the star stood over a high rock, and Saint Simon heard a voice say, “Here, O Simon, you must lay the foundations of your monastery for the salvation of souls.” He built the monastery and called it New Bethlehem.
> >
> > He reposed in the year 1287, and his holy relics exude myrrh. >>
> >
> > The Second of January has a Lombardy connection, through Saint Martinian (aka Maternian), bishop of Milan; consecrated in 423, Martinian attended the Council of Ephesus, and opposed the heresy of Nestorianism denying Mary the title 'Mother of God.'
> >
> > Also for 2 January, Saint Basil the Great (d. 379) is a very likely candidate for the Bible-reading person of renown in V.83: a learned and eloquent orator, Basil was bishop of Caesaria, opposing simony and Arianism; called Great in life, and declared a Doctor of the Church in death, Basil appears to simultaneously be the character from VI.78 line 4 whose feast perhaps marks the initial cultural stirrings towards spiritual Redemption.
> >
> > Puis par eux-memes Basil grand reclame
> >
> > Translating Basil as Lord and presuming the Second Coming Christ is being reclaimed goes too far.
> >
> > Then through Great Basil themselves reclaimed
> >
> > It is a simple matter of rearranging the poetic syntax into something esoterically plausible.
> >
> > The Lady honored through force of terror (I.94) could indicate the feast for Blessed Virgin Mary on January First.
> >
> > There is a Saint Rhodes with a 3 January feast, which V.16 line 4 could make the 2023 date for the first sighting of the Garabandal Miracle for its 'Lasting Phantom.' Garabandal is in the same time zone as Geneva, using CET, with a shift of coordinates. Venus will commence a new reign entering Aquarius 3 January 2023 3:10 am CET; this Venusian reign ends about 31 hours later when Venus exceeds the relative location of Jupiter 4 January 2023 10:09 am CET.
> >
> > The Miracle stipulations were met 13 May 2021, the foretold 8:30 pm CEST local Garabandal time was synchronized with a Mercury lunar conjunction (Fortune was opposing Venus about ten minutes later): this was an Ascension Thursday; and the story of concurrently-honored Blessed Imelda matches as an unusual martyr of the Eucharist, dying from her first Communion, after a spectral Host appearing over her persuaded the priest to let her receive the Sacrament earlier than planned.
> >
> > On 3 January 2022, there will be a Mars lunar conjunct also in the evening, at 8:47 pm CET; Fortune conjoins Neptune two minutes later. The vision of the Miracle was shared by a young priest (story retold in "A Temple Of Many Mansions") who was ecstatic, yet died hours later (the young girl visionaries said he would be found incorrupt, but he was later exhumed and this was not the case). The coincidence of these two dates having major planetary lunar conjunctions in the evening for Garabandal may be significant, so it can be presumed the Miracle would be first visible in this scenario shortly before 3 January 2022 9 pm CET. Garabandal is directly below Liverpool, with the apparitions beginning on 18 June 1961 (Paul McCartney's nineteenth birthday); Hamburg is directly east of Liverpool.
> >
> > As the world was mystified by the unexplained phenomenon at Garabandal, The Beatles were honing their craft at Hamburg nightclubs, and evolving into their collective long-haired personas. Returning to Liverpool, the band found new success when being promoted as 'Direct From Hamburg,' causing the British audience to presume they were an unfamiliar foreign act.
> >
> > https://www.amazon.com/Temple-Many-Mansions-Standard-Exploits/dp/1549656449
> >
> > The text explains how the Israelis regaining Jerusalem in June 1967 was a key factor in both the prophecy of Daniel and the Revelation vision, occurring within a seven-year period whose significance was not widely comprehended.
> >
> > The Miracle as Henoch's Sword would not be a static Metaphysical Monument, but activate as hinted in V.42 at a later date (using Mars for a timing clue), driving the wicked into an Abyss that opens simultaneously in two dimensions, as Charles VIII drove the Savoyards from France to Turin, Italy, circa 1495.
> >
> > So if the Saturnin interval has been properly defined for lunar conjunctions, the Moon subsequently reaching Vesta would be the limiting temporal parameter. The judicial astrology for the remainder of the Saturnin interval in Geneva shows several elements previously observed, however the precise details are unique (using CET):
> >
> > 27 December 2022 6:40 pm - Neptune conjunct Juno;
> >
> > 10:28 pm to 10:39 pm - The Moon and South Node form a Grand Trine with the Part of Fortune;
> >
> > 28 December 2022 12:38 am - Sun at Nadir;
> >
> > 1 am - Upright Grand Trine peaks with Midheaven-Apex, the Moon and South Node trine line forming the horizontal base;
> >
> > 1:47 am - Venus at Nadir, Pallas at Midheaven (their opposition occurred 27 December 2022 8:28 pm) - this could be the cataclysmic onset time -
> >
> > << 28 December 2022 1:47 am CET / 27 December 2022 7:47 pm EST / 4:47 pm PST >>;
> >
> > 1:55 am - Mercury at Nadir, Ouranos conjoined by the Vertex;
> >
> > 3:29 am to 3:32 am - East Point forms a Grand Trine with Pallas and Neptune-Juno;
> >
> > 3:47 am - Saturn at Nadir, South Node at Ascendant;
> >
> > 4:48 am to 4:53 am - Ascendant forms a Grand Trine with Pallas and Neptune-Juno;
> >
> > 5:18 am to 5:28 am - Grand Trine of Moon-Vesta with South Node and the Vertex;
> >
> > 5:30 am - Vesta lunar conjunct (ends Saturnin interval).
> >
> > The Upright Lunar Grand Trine at 1 am CET appears particularly ominous, as though the Upturned Cup (with Venus beneath) and Divine Trinity concepts are visually merged, shortly before Venus reaches the Nadir position, which is technical debasement (X.28); the Moon involved somehow as Neptune consummates its union with Juno demonstrates further perplexity for III.3, beyond the two being in Pisces.
> >
> > The opposition of Venus and Pallas puts the latter at Midheaven, reminding of the theme from II.66 about being trapped from 'Palais' for Pallas.
> >
> > The eight-minute gap between Venus and Mercury reaching the Nadir should be critical, with X.79 calling Mercury Great perhaps ironically for positioning at the Nadir: High-Born Venus would mark the onset, with the massive fatalities occurring by Mercury's time, as the Great Nephew of II.92.
> >
> > The most compelling factor for fixing the date of this double fire-and-water catastrophe at 28 December 2022 is the honoring of Saint Simon of Mount Athos, whose relics exude myrrh: this would complete the Magi Gift Attack scenario, when supplied with the horrific manifestations of Frankincense-like smoke and Golden fire.
> Looking slightly past the Vesta lunar conjunct, while still in 28 December 2022 for the Myrrh connection with Saint Simon of Mount Athos, the Geneva chart shows circumstances potentially complying for the Saturn-Vesta shift applied to their consecutive risings at the Ascendant, when a moment unequivocally focuses a spotlight on planet Venus, in yet another Grand Trine.
>
> Saturn rises 10:47 am CET; Vesta is at the Ascendant later, at 11:33 am CET.
>
> A Venusian Grand Trine forms with conceptual points the Vertex and Fortune acting in tandem at about 11:31 am CET, peaking around 11:35 am CET, then quickly disintegrating, just as Vesta is emerging on the horizon, like an actor making an entrance on cue.
>
> If Saturn and Vesta herald the double cataclysm in this way, the notable feature of the Grand Trine in the chart would point conclusively towards Venus, on the day to complete the Magi Gift theme with Myrrh, and the critical time would be -
>
> << 28 December 2022 11:31 am CET / 5:31 am EST / 2:31 am PST >>
>
> However for the projected Miracle Awareness Day of 3 January 2023, the Mars lunar conjunct under a Venusian Reign has Venus and Mars potentially alright that night for Garabandal.

With the Neptune lunar conjunct on the 28 December 2022 date providing unequivocal perplexity for III.3, on the feast of Saint Simon of Mount Athos for the contribution of Myrrh to the Magi Gift Attack scenario (II.92, V.16), the judicial astrology should be approached with extreme flexibility.

Using CET and Geneva coordinates for that date:

5:30 am - Vesta lunar conjunct;

4:39 pm to 4:44 pm - Vertex in Grand Trine position for Pallas and Neptune, Venus opposing Pallas;

4:51 pm - Dusk brings jump for Fortune from lunar opposition (around 19 degrees Virgo) to nearly 25 degrees Aries;

7:47 pm to 8:14 pm - Fortune moves through positions to form a Grand Trine with Ceres and Pluto - since Venus and Mercury are near Pluto, Venus seems poised beneath the lip of a tipping Cup;

8:44 pm - Saturn reaches the Descendant;

9:21 pm - Pallas lunar trine;

10:35 pm - Vesta at Descendant (X.6);

11:05 pm - Neptune lunar conjunct (III.3);

11:28 pm - Neptune at Descendant;

11:29 pm - Moonset, Fortune in Solar opposition, the Vertex at Vesta;

11:31 pm - Juno at Descendant;

11:32 pm - Saturn trine Midheaven (IX.44), as another 'Oblong Box' presentation appears, having the Ascendant trine Venus, with Pallas and Neptune-Moon also all around 22-23 degrees in their respective signs (II.66);

11:53 pm - Juno lunar conjunct.

Saturn falling at the Descendant precedes by about half an hour Venus joined by the Vertex, then three minutes later the Vertex has moved on to Mercury - yet the Vertex merely conjoining a celestial body appears too minor in itself to play a major role in the denouement of this elaborate scheme.

The Vesta designation of X.6 would remain from its lunar conjunct of 5:30 am CET, until the Neptune lunar conjunct. Since Juno is very close to Neptune, the appearance of the rectangular configuration during the 48-minute gap between their lunar conjunctions appears ominous.

The lunar conjunction sequence of Saturn, Vesta, Neptune may be indicated with isolated warnings for each, muddling things when precise clarity is sought: Saturn was joined by the Moon 26 December 2022 7:20 pm CET. However, the Saturn-Midheaven trine synchronized with the critical time potentially justifies the urgency of the Saturnin warnings on that basis alone. And Vesta falling at the Descendant precedes the critical Neptune-Moonset by less than an hour.

The proximity of Neptune to Juno at the time of its lunar conjunct could provide the implied perplexity of III.3, spotlighting the period of less than an hour until the Moon reaches Juno.

The seer could have created the device of being trapped within the 'Pallas' of II.66 because the Revelation Cup symbolism was too temporally inexact for his illuminated version; the phrasing 'Chief pail of water' in IV.58 supports the theory Saint John's vision has been generically reprocessed. Venus seemed debased by being placed beneath Pallas at her Nadir 28 December 2022 1:47 am CET, as a condition of judicial astrology that should shortly precede the explosive onset, reigning Jupiter placing his wretched daughter Venus (as Mystery Babylon) in the 'Palace Basement Dungeon.'

The Great Mercury of X.79 in this timing context would be the Venus-Mercury conjunct occurring 29 December 2022 2:55 pm CET.

Presuming the Venusian trine with the Ascendant during the Oblong Box for setting Neptune-Moon will be the triggering aspect derives the critical time as

<< 28 December 2022 11:32 pm CET / 5:32 pm ST / 2:32 pm PST >>

The rectangular configuration has proportions very similar to the yellow oblong area seen above The Beatles on their debut album sleeve cover photo, when they leaned over the balcony at EMI headquarters - the image was reprised later circa 1969, tentatively for the Get Back sessions, but was ultimately used for the latter half of the double vinyl career compilation (1966-1970) with a blue border.

https://www.elsewhere.co.nz/culturalelsewhere/9161/angus-mcbean-photographer-the-first-iconic-beatles-album-cover-2019-a-snapper-making-it-snappy/