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aus+uk / uk.tech.digital-tv / Re: The Good Life

SubjectAuthor
* The Good Lifegareth evans
+* Re: The Good Lifetim...
|`* Re: The Good LifeVir Campestris
| +* Re: The Good LifeMax Demian
| |`* Re: The Good LifeJim Lesurf
| | +* Re: The Good LifeNorman Wells
| | |+* Re: The Good LifeJohn Hall
| | ||`- Re: The Good LifeJava Jive
| | |+* Re: The Good LifeJNugent
| | ||+- Re: The Good LifeJNugent
| | ||`- Re: The Good LifeJim Lesurf
| | |`* Re: The Good LifeNY
| | | +* Re: The Good LifeJava Jive
| | | |`* Re: The Good LifeDavid Woolley
| | | | `* Re: The Good LifeJava Jive
| | | |  +- Re: The Good LifeJava Jive
| | | |  `* Re: The Good Lifegareth evans
| | | |   `* Re: The Good LifeJava Jive
| | | |    `* Re: The Good Lifegareth evans
| | | |     `- Re: The Good LifeJava Jive
| | | +* Re: The Good LifeMax Demian
| | | |`* Re: The Good LifeJim Lesurf
| | | | `* Re: The Good LifeNorman Wells
| | | |  `- Re: The Good LifeJim Lesurf
| | | `* Re: The Good LifeNorman Wells
| | |  +* Re: The Good LifeNY
| | |  |`- Re: The Good LifeJava Jive
| | |  `- Re: The Good LifeJim Lesurf
| | `* Re: The Good LifeJava Jive
| |  `- Re: The Good LifeJim Lesurf
| `- Re: The Good Lifetim...
+* Re: The Good LifeMB
|+- Re: The Good LifeBob Latham
|+- Re: The Good LifeScott
|`* Re: The Good LifeJohn Hall
| +* Re: The Good Lifecharles
| |+* Re: The Good Lifegareth evans
| ||`* Re: The Good LifeMB
| || `- Re: The Good LifeBrightsideS9
| |+- Re: The Good LifeJava Jive
| |+* Re: The Good LifeAlexander
| ||`* Re: The Good Lifetim...
| || `* Re: The Good LifeJohn Hall
| ||  `- Re: The Good Lifetim...
| |+- Re: The Good LifeMark Carver
| |`- Re: The Good LifeIan Jackson
| +- Re: The Good LifeIndy Jess John
| `- Re: The Good LifeOwain Lastname
+- Re: The Good LifeBrian Gaff \(Sofa\)
`* Re: The Good LifeAlexander
 `* Re: The Good LifeMark Carver
  `* Re: The Good LifeAlexander
   `- Re: The Good LifeMark Carver

Pages:123
Re: The Good Life

<596fe00d6anoise@audiomisc.co.uk>

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From: noi...@audiomisc.co.uk (Jim Lesurf)
Subject: Re: The Good Life
Newsgroups: uk.tech.digital-tv
Date: Wed, 22 Sep 2021 10:07:18 +0100
Message-ID: <596fe00d6anoise@audiomisc.co.uk>
References: <sht90r$u5l$1@dont-email.me> <shtc8b$ms6$1@dont-email.me> <si0993$uth$1@dont-email.me> <gLqdnT2EAdMB4dn8nZ2dnUU78RPNnZ2d@brightview.co.uk> <596dd0fa2bnoise@audiomisc.co.uk> <iqof2pFjpe6U1@mid.individual.net> <si760b$4e5$1@dont-email.me> <jridnRA5XIb7otr8nZ2dnUU78b3NnZ2d@brightview.co.uk> <596edac31cnoise@audiomisc.co.uk> <iqtvt0Flm6eU1@mid.individual.net>
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 by: Jim Lesurf - Wed, 22 Sep 2021 09:07 UTC

In article <iqtvt0Flm6eU1@mid.individual.net>, Norman Wells
<hex@unseen.ac.am> wrote:

> There are now at least some provisions concerning such so-called 'orphan
> works':

> https://www.gov.uk/guidance/copyright-orphan-works

Thanks for that. I'll have a read. :-)

Jim

--
Please use the address on the audiomisc page if you wish to email me.
Electronics https://www.st-andrews.ac.uk/~www_pa/Scots_Guide/intro/electron.htm
biog http://jcgl.orpheusweb.co.uk/history/ups_and_downs.html
Audio Misc http://www.audiomisc.co.uk/index.html

Re: The Good Life

<sjhsma$ri3$1@dont-email.me>

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From: timsnew...@gmail.com (tim...)
Newsgroups: uk.tech.digital-tv
Subject: Re: The Good Life
Date: Tue, 5 Oct 2021 16:58:01 +0100
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 by: tim... - Tue, 5 Oct 2021 15:58 UTC

"John Hall" <john_nospam@jhall.co.uk> wrote in message
news:PoMILSBGS2QhFwdQ@jhall_nospamxx.co.uk...
> In message <shv7ti$jqs$1@dont-email.me>, tim... <timsnews99@gmail.com>
> writes
>>
>>
>>"Alexander" <none@nowhere.fr> wrote in message
>>news:shv7os$iui$1@dont-email.me...
>>>
>>> "charles" <charles@candehope.me.uk> wrote in message
>>> news:596cca0f30charles@candehope.me.uk...
>>>>
>>>>> In message <shto6h$ccu$2@dont-email.me>, MB <MB@nospam.net> writes
>>>>> >
>>>>> >I certainly can't imagine watching much of what claims to be present
>>>>> >day "comedy" in 46 years time. Very little of it that I watch now.
>>>>
>>>>
>>>> On the other hand. the "Yes, Minister" repeats on BBC 4 - some of which
>>>> were 40 years old - are justa s topical as they were when they were
>>>> written.
>>>
>>> One way for scriptwriters to achieve this, is by not referencing any
>>> contemporary real world events. Vagueness and lack of specific names and
>>> dates pertaining to the real world, focussing instead on recurring
>>> themes, such as political corruption and/or conspiracy, means the
>>> material won't quickly become outdated.
>>
>>and never mentioning how much things cost
>>
>>
>
> Flanders and Swann fell foul of that in their song "Transport of Delight":
>
> "If tickets cost a pound apiece
> Why should you make a fuss?
> It's worth it just to ride inside
> A London omnibus."
>
> Now a bus fare of one pound would be remarkably cheap. But I don't suppose
> they thought that anyone would still be listening to their songs some
> sixty years after they were written.

just returned from a city where bus fares are (the equivalent of) 20p

Re: The Good Life

<sjhssd$tfb$1@dont-email.me>

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Subject: Re: The Good Life
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 by: tim... - Tue, 5 Oct 2021 16:01 UTC

"Vir Campestris" <vir.campestris@invalid.invalid> wrote in message
news:si0993$uth$1@dont-email.me...
> On 15/09/2021 18:58, tim... wrote:
>> why not
>>
>> I've recently watched a film from 1929
>
> I don't know if it counts but I'm currently (re)reading HG Wells "The
> Sleeper Awakes" written at the end of the 19thC.

It's not quite the same thing because presumably books are re-set using more
modern printing methods

but when watching a 1929 film, you're likely watching a play out from the
original copy

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