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Five Medieval Tales That Should Immediately Be Made Into Movies
Preferably with Oscar Isaac, Please
By Matthew Gabriele and David Perry
December 15, 2021

For the most part, medieval Europe seems to be mined for its aesthetics
and not its stories. It’s a setting and atmosphere for fantasy epics,
but not historical epics (Ridley Scott’s latest excepted). But medieval
European sources contain countless stories just begging to be broadcast
on the big screen or dramatized in a prestige TV series. As this
summer’s strange smash hit The Green Knight showed, there’s a hunger for
the paradoxical weirdness and familiarity of the European Middle Ages
that is just waiting to be unpacked. Here we find tales of Arthur and
his knights but also of monsters and romance, excursions in fairyland,
werewolves and nose-biting, betrayals and factions, steamy seductions,
and lots of women with swords.

Here are just five stories taken from medieval texts of a variety of
genres that we would love to see cast with an axe-wielding Charlize
Theron, a stately-bearded Oscar Isaac on a throne, or a Dev Patel
looking like he needs a hug. We picked these five but could’ve picked
many others. They’re all diverse, complex stories that are just a very
small part of what we call The Bright Ages, a millennium that stretches
before us like a vast ocean, terrifying and dangerous, yet wondrous and
alive.

Silence

Le Roman de Silence from the 13th century tells the story of a girl
named Silence, raised as a boy in order to make her eligible to inherit.
She’s beautiful, talented, learns to fight, runs away with minstrels,
and ends up at the court of the king of England. The queen tries to
seduce Silence but fails, accuses her of rape, and various adventures
ensue. At the end, the king orders Silence to capture Merlin, who can
only be caught by “the trick of a woman,” thinking it an impossible
task. But surprise! She captures Merlin, who comes to court and reveals
the whole thing. The queen and her lover—as it happens a man dressed as
a nun—are executed, and Silence, taking up female clothing and identity,
marries the king. This is an adventure story, but one that breaks with
simplistic preconceptions about medieval gender and gender norms,
allowing us moderns to imagine a medieval trans or non-binary
experience, but located authentically in a medieval fantasy landscape.

Alfhild the Pirate

Silence isn’t the only woman who picks a sword. The 12th-century Danish
historian Saxo Grammaticus told the story of Princess Alfhild, who gets
the (bad) advice to flee from court before she has to marry the heroic
Alf. She does, becomes a pirate, gets a fleet of longships, and raids
the northern seas. One day, she encounters Alf in battle and her helmet
gets knocked off. He recognizes her as his long lost love. They hug,
they marry, and she stops wearing armor. The story offers us a chance to
reimagine the Viking past as a more complex space than one of typical
violent horned helmets. It’s not that Vikings weren’t violent, but that
they were complicated. They had polyglot cities packed with goods from
all over the Eurasian world, moving in and out of cities and steppe and
fjord, with men and women alike defying stereotypical gender norms we
have about the Middle Ages. But they were also pirates.

the song of roland
Roland

This one is cheating a little bit, because there is a 1978 movie based
on the 12th-century Song of Roland, but the film’s flaws are exactly why
it needs to come back. The epic centers on a fictionalized account of a
Christian campaign against the Islamic rulers of Iberia. At the climax
of the story, Roland, Charlemagne’s greatest knight, dies in battle
after being betrayed by his own stepfather. But the death turns defeat
for the emperor’s army into victory, as Charlemagne charges back to
vanquish his enemies and conquer the peninsula. But then the traitor
must be punished, his fate determined in a trial by combat. Like Game of
Thrones’ “The Mountain and the Viper,” it looks bad for the good guys
until the very end. Superficially, the poem seems like a good guys
versus bad guys story, but it’s also about politics, nostalgia, and
tragic flaws.

Marie de France

Although Marie de France is the protagonist of Lauen Groff’s new novel
Matrix, there’s still so much more to discover about this shadowy figure
and her lovely Lais. The work itself is a collection of 12 short,
fantastical stories threaded together (loosely) by Marie herself. We
know almost nothing about Marie except what she tells us (little more
than her name) and what we can infer (she lived probably in the late
12th century and was connected in some way to the English royal court).
But her stories contain larger worlds, focusing on brave knights and
magical boats, werewolves and nightingales, kings and castration, and
damsels that rescue themselves. In other words, the Lais showcase not
only the vibrant, colorful world of 12th-century Europe but also what
space was available within that not just to men but women as well.

Nithard

Nithard’s Histories tell the story of the breakup of the 9th-century
Carolingian Empire. This Brüderkrieg (“war of brothers”) erupted in 840,
as the three sons of the emperor Louis the Pious scrambled to take
control for themselves. It’s Game of Thrones but real life. There are
witches and concubines, betrayals on the field of battle that lead to
kings being locked in monasteries, sudden Viking attacks, and ultimately
the crushing disappointment of a dream of empire that falls apart. The
last words of the text, probably written just before Nithard himself was
killed in a Viking raid, talk about a giant spring snowstorm in 843 CE:
“I mention this because rapine and wrongs of every sort were rampant on
all sides, and now the unseasonable weather killed the last hope of any
good to come.” If words ever had disgust, you can feel them there.

_______________________________________________________

THE BRIGHT AGES

Matthew Gabriele and David M. Perry’s The Bright Ages is available from
Harper.

Alfhild the PirateCharlize TheronDev Patelfilm adaptationsLaisLe Roman
de SilenceMarie de FranceMedieval literatureNithardOscar IsaacSaxo
GrammaticussilenceSong of RolandThe Green KnightThe Last DuelVikingsWhat
to Watch

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Matthew Gabriele and David Perry
Matthew Gabriele and David Perry
Matthew Gabriele is a professor of medieval studies and chair of the
department of religion and culture at Virginia Tech. He is the author of
the book An Empire of Memory: The Legend of Charlemagne, the Franks, and
Jerusalem before the First Crusade, many articles on medieval Europe and
the memory of the Middle Ages, and has edited several academic volumes.
His public writing has appeared in numerous newspapers and magazines,
and interviews with him have aired locally, nationally, and internationally.

David Perry is a journalist, medieval historian, and senior academic
advisor in the history department at the University of Minnesota. He was
formerly a professor of history at Dominican University. Perry is the
author of Sacred Plunder: Venice and the Aftermath of the Fourth
Crusade, and his writing on history, disability, politics, parenting,
and other topics has appeared in the New York Times, the Washington
Post, the Nation, the Atlantic, and CNN.com, among others.