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aus+uk / aus.politics / -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

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-- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

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From: dolfb...@hotmail.com (dolf)
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Subject: --_ART_AND_THE_AESTHETIC_OF_AWE:_IS_IT_IMITATION_(mim
esis) OR SUCCEEDING (diádochos)?
Date: Thu, 7 Dec 2023 11:00:44 +1100
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 by: dolf - Thu, 7 Dec 2023 00:00 UTC

-- IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

If you nuance your argument to FORESEE (proeídō) then I can provide
praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
with TEMPORAL HEURISTIC / CHAT GPT as technology

JASON TUCKWELL: “Rather, mimesis is the functional operation that makes
possible the affections of praxis upon poiesis.” [page 33]

#248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40, #200] /
#247 as [#7, #40, #200] /
#308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
= #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
music, sing; 1a2) to play a musical instrument;

YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND {HD}”

<https://www.youtube.com/watch?v=W2Yb7npqS6I>

Given the foregoing argument by elimination, it seems best to conceive
of the sublime as aesthetic awe. Ideally, this article has helped forge
a bridge between the psychology of awe and the philosophy of the
sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>

#216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
{UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;

BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
AWE?

Awe, that sublime emotion that swells within us, transcending the
ordinary and connecting us to something vast and profound. It’s as if
our souls stretch their wings, yearning to touch the infinite.

#247 as [#40, #6, #200, #1] /
#313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
#20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
*REVERENCE*; 1d) awe-inspiring spectacle or deed;

TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
#17, #64]

#42 #16 #65
#64 #41 #18
#17 #66 #40
#123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
AESTHETIC OF AWE)

In the realm of art, this aesthetic of awe finds its home. Let us delve
into its depths:

THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
aesthetic experience. It arises when we encounter an object or event of
striking vastness or power. Imagine standing before a mountain peak, its
majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
shares this mixed quality—a blend of reverence and wonder. Psychologists
tell us that awe arises from perceiving vastness, followed by the need
to make sense of it within our mental frameworks. Accommodation occurs,
shifting our perspective and leaving us transformed.

NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
the expanse of ocean, or a star-studded sky. Now consider a painting
capturing that same essence—the play of light on canvas, the artist’s
brushstrokes echoing the vastness. Both real and artistic
representations can elicit this sense of awe, bridging the gap between
the tangible and the imagined.

AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
response to the sublime, becomes aesthetic awe. It’s the pinnacle of
humanistic emotion, a reaction to the colossal, the rare, and the
beautifully grand. Whether in music, visual art, or the natural world,
aesthetic awe beckons us to explore the edges of our consciousness, to
dance with the infinite, and to find beauty in the boundless.

So, my fellow seeker of wonder, let us continue our journey through
art’s vast landscapes, where awe and the sublime intertwine, inviting us
to behold the ineffable and embrace the extraordinary.”

ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
(#23: #474)}

Translation: SAY IT

#48 --> #451 - PRAXIS OF RATIONALITY = #499
#23 --> #451 - PRAXIS OF RATIONALITY = #474

#973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
known; 2) to report, bring back tidings, rehearse;

<http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>

The first people’s are those who possess first mind from before the
foundation of world was established…

That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
#897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
“OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
BACK: JUAN (#17)}:

#59 --> #451 - PRAXIS OF RATIONALITY = #520
#17 --> #451 - PRAXIS OF RATIONALITY = #468

#978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
#147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
#288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
#978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
depressed;

#1064 as [#80, #100, #70, #10, #4, #800] = proeídō (G4275): {UMBRA:
#1064 % #41 = #39} 1) to foresee;

#250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
before;

#85 - NOUMENON RESONANCE FOR 7 DECEMBER as [#70, #10, #4, #1] /
[#5, #10, #4, #5, #50, #1, #10] /
#332 as [#5, #10, #4, #8, #300, #5] /
#819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
attention, observe; 1d3) to see about something; i) i.e. to ascertain
what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
behold; 1e) to experience any state or condition; 1f) to see i.e. have
an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
*FACT*; 2b2) the force and meaning of something which has definite
meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
for one, cherish, pay attention to (1Th. 5:12);

BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
(pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
meanings:

TO MAKE: It signifies the act of creating or producing something. For
instance, in Homer’s Iliad, it is used in the context of creating or
producing.

TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
assumptions or implications. Archimedes, for example, employed this
sense when solving geometric problems.

TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
meaning of writing poetry. Aristophanes, the renowned playwright, used
it in his works.

Feel free to explore more about Ancient Greek words on Wiktionary [as
you are doing]”

GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>

#247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
#41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
3) to manage public affairs, transact public business; 3a) to exact
tribute, revenue, debts; 4) to act;

HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
TORAH #FOUR: #247 = [#69, #45, #21, #68 = #203, #44]

45 19 68
67 44 21
20 69 43

69
114
135
203
247
267
334
377
396

= #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?}

{@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}

#4 --> #451 - PRAXIS OF RATIONALITY = #455
#53 --> #451 - PRAXIS OF RATIONALITY = #504

#959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;

#272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
(H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
have vision; 1a4) to look at, see, regard, look after, see after, learn
about, observe, watch, look upon, look out, find out; 1a5) to see,
observe, consider, look at, give attention to, discern, distinguish;
1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
(Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other, face;

#1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
#7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
coalesce, to join together, put together; 1a) to unite or knit together:
in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
gather, conclude, consider; 3) to cause a person to unite with one in a
conclusion or come to the same opinion, to prove, demonstrate; 3a) to
teach, instruct, one


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