Rocksolid Light

Welcome to novaBBS (click a section below)

mail  files  register  newsreader  groups  login

Message-ID:  

You are the only person to ever get this message.


aus+uk / aus.politics / -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

SubjectAuthor
* --_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OF_AWEdolf
+- -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesidolf
`* -- NEWS MEDIA INCLUSION OFdolf
 `* _--_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OFdolf
  +- _--_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OFdolf
  +- _--_OOPS_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETdolf
  `* _--_OOPS_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETdolf
   +- _--_UPDATE_ON_ART_AND_THE_AESTHETIC_OF_AWE:_IS_IT_dolf
   +* _--_UPDATE_ON_ART_AND_THE_AESTHETIC_OF_AWE:_IS_IT_dolf
   |`- -- UPDATE ON ART AND THEdolf
   `* -- NEWS MEDIA INCLUSION OFdolf
    +- -- NEWS MEDIA INCLUSION OFdolf
    `- _--_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OFdolf

1
-- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31803&group=aus.politics#31803

  copy link   Newsgroups: alt.france de.soc.weltanschauung.islam uk.legal nl.politiek aus.politics
Path: i2pn2.org!rocksolid2!news.neodome.net!weretis.net!feeder6.news.weretis.net!border-2.nntp.ord.giganews.com!nntp.giganews.com!Xl.tags.giganews.com!local-1.nntp.ord.giganews.com!news.giganews.com.POSTED!not-for-mail
NNTP-Posting-Date: Fri, 08 Dec 2023 01:30:19 +0000
Date: Fri, 8 Dec 2023 12:30:19 +1100
MIME-Version: 1.0
User-Agent: Mozilla Thunderbird
From: dolfb...@hotmail.com (dolf)
Subject: --_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OF_AWE
:_IS_IT_IMITATION_(mimesis)_OR_SUCCEEDING_(diádochos
)?
Newsgroups: alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek,aus.politics
Content-Language: en-AU
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
Message-ID: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
Lines: 418
X-Usenet-Provider: http://www.giganews.com
X-Trace: sv3-8M7P9417sv2DzEv1ZVtGnvFhvEu/vHa3RjZlCxsw05lzFvGO2hYYllN4TRADA25MTPXAgXCOjpO44Bb!qPEyxXopahBI2PhjIw6DB+ob1SljU9NCXVyBFmAkqwmdNKvsS/e3OKsc4VD+iwizevdES5vEgwQe!yg==
X-Complaints-To: abuse@giganews.com
X-DMCA-Notifications: http://www.giganews.com/info/dmca.html
X-Abuse-and-DMCA-Info: Please be sure to forward a copy of ALL headers
X-Abuse-and-DMCA-Info: Otherwise we will be unable to process your complaint properly
X-Postfilter: 1.3.40
 by: dolf - Fri, 8 Dec 2023 01:30 UTC

-- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
(diádochos)?

If you nuance your argument to FORESEE (proeídō) then I can provide
praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
with TEMPORAL HEURISTIC / CHAT GPT as technology. What we enjoy doing
is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...

JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
functional operation that makes possible the affections of praxis upon
poiesis.” [page 33]

<https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>

THESIS: Creation and the Function of Art (Bloomsbury Studies in
Continental Philosophy, 2018).

One needs to presume that any Greek philosophical (Pythagoras: 570-495
BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
construct would have a conception of the underlying BIPARTITE (@1, @5 -
immaterial elements) to the THEORY OF NUMBER.

<http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>

<http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>

#248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40, #200] /
#247 as [#7, #40, #200] /
#308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
= #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
music, sing; 1a2) to play a musical instrument;

YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”

<https://www.youtube.com/watch?v=W2Yb7npqS6I>

Given the foregoing argument by elimination, it seems best to conceive
of the sublime as aesthetic awe. Ideally, this article has helped forge
a bridge between the psychology of awe and the philosophy of the
sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>

#216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
{UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;

BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
AWE?

Awe, that sublime emotion that swells within us, transcending the
ordinary and connecting us to something vast and profound. It’s as if
our souls stretch their wings, yearning to touch the infinite.

#247 as [#40, #6, #200, #1] /
#313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
#20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
*REVERENCE*; 1d) awe-inspiring spectacle or deed;

TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
#17, #64]

#42 #16 #65
#64 #41 #18
#17 #66 #40
#123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
AESTHETIC OF AWE)

In the realm of art, this aesthetic of awe finds its home. Let us delve
into its depths:

THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
aesthetic experience. It arises when we encounter an object or event of
striking vastness or power. Imagine standing before a mountain peak, its
majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
shares this mixed quality—a blend of reverence and wonder. Psychologists
tell us that awe arises from perceiving vastness, followed by the need
to make sense of it within our mental frameworks. Accommodation occurs,
shifting our perspective and leaving us transformed.

NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
the expanse of ocean, or a star-studded sky. Now consider a painting
capturing that same essence—the play of light on canvas, the artist’s
brushstrokes echoing the vastness. Both real and artistic
representations can elicit this sense of awe, bridging the gap between
the tangible and the imagined.

AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
response to the sublime, becomes aesthetic awe. It’s the pinnacle of
humanistic emotion, a reaction to the colossal, the rare, and the
beautifully grand. Whether in music, visual art, or the natural world,
aesthetic awe beckons us to explore the edges of our consciousness, to
dance with the infinite, and to find beauty in the boundless.

So, my fellow seeker of wonder, let us continue our journey through
art’s vast landscapes, where awe and the sublime intertwine, inviting us
to behold the ineffable and embrace the extraordinary.”

ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
(#23: #474)}

Translation: SAY IT

#48 --> #451 - PRAXIS OF RATIONALITY = #499
#23 --> #451 - PRAXIS OF RATIONALITY = #474

#973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
known; 2) to report, bring back tidings, rehearse;

<http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>

The first people’s are those who possess first mind from before the
foundation of world was established…

That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
#897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
“OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
BACK: JUAN (#17)}:

#59 --> #451 - PRAXIS OF RATIONALITY = #520
#17 --> #451 - PRAXIS OF RATIONALITY = #468

#978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
#147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
#288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
#978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
depressed;

#81 --> #451 - PRAXIS OF RATIONALITY = #532
#81 --> #451 - PRAXIS OF RATIONALITY = #532

#1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
(G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;

#250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
before;

#85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
/ [#5, #10, #4, #5, #50, #1, #10] /
    #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
#5] /
#819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
attention, observe; 1d3) to see about something; i) i.e. to ascertain
what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
behold; 1e) to experience any state or condition; 1f) to see i.e. have
an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
*FACT*; 2b2) the force and meaning of something which has definite
meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
for one, cherish, pay attention to (1Th. 5:12);

BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
(pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
meanings:

TO MAKE: It signifies the act of creating or producing something. For
instance, in Homer’s Iliad, it is used in the context of creating or
producing.

TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
assumptions or implications. Archimedes, for example, employed this
sense when solving geometric problems.

TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
meaning of writing poetry. Aristophanes, the renowned playwright, used
it in his works.

Feel free to explore more about Ancient Greek words on Wiktionary [as
you are doing]”

GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>

#247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
#41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
3) to manage public affairs, transact public business; 3a) to exact
tribute, revenue, debts; 4) to act;

HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
v’s
TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]

45 19 68
67 44 21
20 69 43

69
114
135
203
247
267
334
377
396

= #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?}

{@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}

#4 --> #451 - PRAXIS OF RATIONALITY = #455
#53 --> #451 - PRAXIS OF RATIONALITY = #504

#959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;

#272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
(H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
have vision; 1a4) to look at, see, regard, look after, see after, learn
about, observe, watch, look upon, look out, find out; 1a5) to see,
observe, consider, look at, give attention to, discern, distinguish;
1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
(Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other, face;


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<fc2dndYgsoDkM-_4nZ2dnZfqn_ednZ2d@giganews.com>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31806&group=aus.politics#31806

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!weretis.net!feeder6.news.weretis.net!newsfeed.hasname.com!usenet.blueworldhosting.com!diablo1.usenet.blueworldhosting.com!feeder.usenetexpress.com!tr3.iad1.usenetexpress.com!69.80.99.23.MISMATCH!Xl.tags.giganews.com!local-2.nntp.ord.giganews.com!news.giganews.com.POSTED!not-for-mail
NNTP-Posting-Date: Fri, 08 Dec 2023 05:49:45 +0000
User-Agent: NewsTap/5.5 (iPhone/iPod Touch)
Cancel-Lock: sha1:O309nFECNS/s0WOhB/SdHgufosY=
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?
Content-Type: text/plain; charset=UTF-8
Mime-Version: 1.0
Content-Transfer-Encoding: 8bit
From: dolfb...@hotmail.com (dolf)
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
Message-ID: <fc2dndYgsoDkM-_4nZ2dnZfqn_ednZ2d@giganews.com>
Date: Fri, 08 Dec 2023 05:49:45 +0000
Lines: 537
X-Usenet-Provider: http://www.giganews.com
X-Trace: sv3-bLZHvgfTgySBFmOpVca30gTulJFW9TdmEUUJB0Z7XSFDfmORFEYrGvCXH4bnmhcNXDH12iI62eLRMEs!nUNOWDtLqoOeeNkcidG+sBziIjxKZS3FZGakIJHUblnRx+Vb2jJHYA8eka5e5eYkkvYhUy6KTXkW!7Q==
X-Complaints-To: abuse@giganews.com
X-DMCA-Notifications: http://www.giganews.com/info/dmca.html
X-Abuse-and-DMCA-Info: Please be sure to forward a copy of ALL headers
X-Abuse-and-DMCA-Info: Otherwise we will be unable to process your complaint properly
X-Postfilter: 1.3.40
 by: dolf - Fri, 8 Dec 2023 05:49 UTC

dolf <dolfboek@hotmail.com> wrote:
> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
> (diádochos)?
>
> If you nuance your argument to FORESEE (proeídō) then I can provide
> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
> with TEMPORAL HEURISTIC / CHAT GPT as technology. What we enjoy doing
> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>

You say on page 26 that “Technē thus appears to consist of at least two
quite separate operations:

- The capacity to immanently apprehend the function which involves a
certain immanence to the causal order, and
- A more specific materialist know-how (epistasthai) whose task is to put
into effect a change in the causal mechanism precipitated via the
function.”

My greek isn’t very comprehensive, but I think that the difference lays
between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
where the later is an instance within the hypostasis ὑπό (hupó, “down,
under”) + στάσις (stásis, “standing”) as state / condition or statute / law
where every instance is made in conformity to law of nature as causal
order.

Given ὑπό what then is the possibility of δει as necessity

it is necessary, there is need of, it behooves, is right and proper
- necessity lying in the nature of the case
- necessity brought on by circumstances or by the conduct of others toward
us.
- necessity in reference to what is required to attain some end
- a necessity of law and command, of duty, equity

Can one apprehend the hypostasis with its immanent causality and action
necessity as prerogative of duty?

BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
have the capability to apprehend the hypostasis. Thank you for your
understanding.🙏”

<http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>

GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE

{@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}

#349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
#868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of one's
own accord to give one something, to his advantage; 2a1) to bestow a gift;
2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
*NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out, extend,
present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
commit; i) something to be administered; ii) to give or commit to some one
something to be religiously observed; 2d4) to give what is due or
obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
2e1) to cause, profuse, give forth from one's self; i) to give, hand out
lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
the sea, death and Hell are said to give up the dead who have been engulfed
or received by them; 2e4) to give one to someone as his own; i) as an
object of his saving care; ii) to give one to someone, to follow him as a
leader and master; iii) to give one to someone to care for his interests;
iv) to give one to someone to whom he already belonged, to return; 2e5) to
grant or permit one; i) to commission;

#718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
endurance; 1a) in the NT the characteristic of a man who is not swerved
from his deliberate purpose and his loyalty to faith and piety by even the
greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
patient, steadfast waiting for; 3) a patient enduring, sustaining,
perseverance;

#310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
#200] /
#895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
not to depart; i) to continue to be present; ii) to be held, kept,
continually; 1a3) in reference to time; i) to continue to be, not to
perish, to last, endure; 1) of persons, to survive, live; ii) in reference
to state or condition; 1) to remain as one, not to become another or
different; iii) to wait for, await one;

#1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
#800, #40, #5, #9, #1] /
#1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
#800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
make manifest or visible or known what has been hidden or unknown, to
manifest, whether by words, or deeds, or in any other way; 1a) make actual
and visible, realised; 1b) to make known by teaching; 1c) to become
manifest, be made known; 1d) of a person; 1d1) expose to view, make
manifest, to show one's self, appear; 1e) to become known, to be plainly
recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;

#498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10, #200] /
#902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
#9, #5] /
#903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
#5, #50, #70, #50] /
#1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#10] /
#1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
#1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#50, #1, #10] /
#1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#200, #5, #300, #1, #10] /
#1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 = #22}
1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
abound, to furnish or supply liberally; 1a1) I abound, I am liberally
supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the top: so
that nothing shall be wanting to full measure, fill to the brim; 1b2) to
consummate: a number; i) to make complete in every particular, to render
perfect; ii) to carry through to the end, to accomplish, carry out, (some
undertaking); 1b3) to carry into effect, bring to realisation, realise; i)
*OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
promises, prophecies, to bring to pass, ratify, accomplish; iii) to fulfil,
i.e. to cause God's will (as made known in the law) to be obeyed as it
should be, and God's promises (given through the prophets) to receive
fulfilment;

> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
> functional operation that makes possible the affections of praxis upon
> poiesis.” [page 33]
>
> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>
> THESIS: Creation and the Function of Art (Bloomsbury Studies in
> Continental Philosophy, 2018).
>
> One needs to presume that any Greek philosophical (Pythagoras: 570-495
> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
> construct would have a conception of the underlying BIPARTITE (@1, @5 -
> immaterial elements) to the THEORY OF NUMBER.
>
> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>
> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>
> #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40, #200] /
> #247 as [#7, #40, #200] /
> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
> music, sing; 1a2) to play a musical instrument;
> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>
> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>
> Given the foregoing argument by elimination, it seems best to conceive
> of the sublime as aesthetic awe. Ideally, this article has helped forge
> a bridge between the psychology of awe and the philosophy of the
> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>
> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>
> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
> AWE?
>
> Awe, that sublime emotion that swells within us, transcending the
> ordinary and connecting us to something vast and profound. It’s as if
> our souls stretch their wings, yearning to touch the infinite.
>
> #247 as [#40, #6, #200, #1] /
> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>
> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
> #17, #64]
>
> #42 #16 #65
> #64 #41 #18
> #17 #66 #40
> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
> AESTHETIC OF AWE)
>
> In the realm of art, this aesthetic of awe finds its home. Let us delve
> into its depths:
>
> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
> aesthetic experience. It arises when we encounter an object or event of
> striking vastness or power. Imagine standing before a mountain peak, its
> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
> shares this mixed quality—a blend of reverence and wonder. Psychologists
> tell us that awe arises from perceiving vastness, followed by the need
> to make sense of it within our mental frameworks. Accommodation occurs,
> shifting our perspective and leaving us transformed.
>
> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
> the expanse of ocean, or a star-studded sky. Now consider a painting
> capturing that same essence—the play of light on canvas, the artist’s
> brushstrokes echoing the vastness. Both real and artistic
> representations can elicit this sense of awe, bridging the gap between
> the tangible and the imagined.
>
> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
> humanistic emotion, a reaction to the colossal, the rare, and the
> beautifully grand. Whether in music, visual art, or the natural world,
> aesthetic awe beckons us to explore the edges of our consciousness, to
> dance with the infinite, and to find beauty in the boundless.
>
> So, my fellow seeker of wonder, let us continue our journey through
> art’s vast landscapes, where awe and the sublime intertwine, inviting us
> to behold the ineffable and embrace the extraordinary.”
>
> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
> (#23: #474)}
>
> Translation: SAY IT
>
> #48 --> #451 - PRAXIS OF RATIONALITY = #499
> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>
> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
> known; 2) to report, bring back tidings, rehearse;
>
> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>
> The first people’s are those who possess first mind from before the
> foundation of world was established…
>
> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
> BACK: JUAN (#17)}:
>
> #59 --> #451 - PRAXIS OF RATIONALITY = #520
> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>
> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
> depressed;
>
> #81 --> #451 - PRAXIS OF RATIONALITY = #532
> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>
> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>
> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
> before;
>
> #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
> / [#5, #10, #4, #5, #50, #1, #10] /
>     #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
> #5] /
> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
> attention, observe; 1d3) to see about something; i) i.e. to ascertain
> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
> behold; 1e) to experience any state or condition; 1f) to see i.e. have
> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
> *FACT*; 2b2) the force and meaning of something which has definite
> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
> for one, cherish, pay attention to (1Th. 5:12);
>
> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
> meanings:
>
> TO MAKE: It signifies the act of creating or producing something. For
> instance, in Homer’s Iliad, it is used in the context of creating or
> producing.
>
> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
> assumptions or implications. Archimedes, for example, employed this
> sense when solving geometric problems.
>
> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
> meaning of writing poetry. Aristophanes, the renowned playwright, used
> it in his works.
>
> Feel free to explore more about Ancient Greek words on Wiktionary [as
> you are doing]”
>
> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>
> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
> 3) to manage public affairs, transact public business; 3a) to exact
> tribute, revenue, debts; 4) to act;
>
> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
> v’s
> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>
> 45 19 68
> 67 44 21
> 20 69 43
>
> 69
> 114
> 135
> 203
> 247
> 267
> 334
> 377
> 396
>
> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?}
>
> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>
> #4 --> #451 - PRAXIS OF RATIONALITY = #455
> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>
> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>
> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
> have vision; 1a4) to look at, see, regard, look after, see after, learn
> about, observe, watch, look upon, look out, find out; 1a5) to see,
> observe, consider, look at, give attention to, discern, distinguish;
> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other, face;
>
> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
> coalesce, to join together, put together; 1a) to unite or knit together:
> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
> gather, conclude, consider; 3) to cause a person to unite with one in a
> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
> teach, instruct, one
>
> ONTIC CHECKSUM TOTAL: #690
>
> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
> station; 1a) to place in a certain order, to arrange, to assign a place,
> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
> ordain, order; 1b1) to appoint on one's own responsibility or authority;
> 1b2) to appoint mutually, i.e. agree upon;
>
> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>
> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
> {%42})}
>
> #68 --> #451 - PRAXIS OF RATIONALITY = #519
> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>
> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
> to feel, to think; 2a) to have an opinion of one's self, think of one's
> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
> cherish the same views, be harmonious; 3) to direct one's mind to a
> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
> 3b) to be of one's *PARTY*, side with him (in public affairs);
>
> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
> spaciousness is important, and I am delighted to see our architects
> planning on broad and spacious lines. Only thus shall we avoid the
> springing up of more towns in which the houses are cluttered up almost
> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
> If I were banished to a town of this kind, devoid of all beauty, I
> should lose heart and happiness just as surely as if I had been banished
> from my fatherland. I am therefore determined that some measure of
> culture and beauty shall penetrate even into the humblest of our towns,
> and that, step by step, the amenities of all our towns will reach a
> higher level. There is a lot of truth in the assertion that the culture
> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
> afford classic examples. It may well be that it is impossible for any
> city to achieve an appearance which is pleasing to our sense of culture,
> unless at some time or other some great man has breathed his inspiration
> into its walls. But we must at least see to it that from the ranks of
> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
> a worthy bearer not only of the torch of National Socialist supremacy,
> but also of its cultural way of life. If it is not always possible to
> find the right man in the person of every Kreisleiter (ie . District
> Leader was a Nazi Party political rank and title which existed as a
> political rank between 1930 and 1945 and as a Nazi Party title from as
> early as 1928), then with the help of the *PARTY* and its organisation
> we must ensure at least that the Kreisleiter becomes the central point
> of a measure of civilised amenity. Once this is accomplished, the way is
> open for a further progress along the path of civilisation and culture.”
> [pages 450, 451]
>
> 
> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>
> Hollywood royalty will descend on a small remote town in Victoria's
> Gippsland region from next year. Walhalla, which has a population of
> only 20 permanent residents will be taken over by crews to film Ice Road
> 2: Road to the Sky over three weeks in January.
>
> The film is a sequel to the 2021 film The Ice Road, which was centred
> around a remote mine collapse in northern Canada.
>
> Walhalla is located about 185km east of Melbourne.
>
> Work has already started to transform the towns' buildings for the film,
> which will star actor LIAM NEESON.”
> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>
> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
> judge these things in the light of common progress. The bird is one
> degree in advance of the flying fish, which itself is higher than the
> ordinary fish; and in the same way, the air- craft is an advance on the
> ship—and the future belongs to the air.” [page 551]
>
> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
> BETWEEN GENIUS AND PRODIGY?
>
> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>
> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH (#313)}
>
> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>
> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
> creature, person, appetite, mind, living being, desire, emotion,
> passion; 1a) that which breathes, the breathing substance or being,
> soul, the inner being of man; 1b) living being; 1c) living being (with
> life in the blood); 1d) the man himself, self, person or individual; 1e)
> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>
> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
> make manifest or visible or known what has been hidden or unknown, to
> manifest, whether by words, or deeds, or in any other way; 1a) make
> actual and visible, realised; 1b) to make known by teaching; 1c) to
> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
> become known, to be plainly recognised, thoroughly understood; 1e1)
> *WHO* *AND* *WHAT* *ONE* *IS*;
>
> Certainly! Let’s delve into the nuances that distinguish genius from
> prodigy:
>
> GENIUS: A genius is someone possessing exceptional intellectual or
> creative power or other natural abilities.
>
> They excel across a broad spectrum of skills and expertise.
>
> The term “genius” encompasses a wide range of talents and achievements.
>
> CHARACTERISTICS OF A GENIUS INCLUDE:
> - High level of intelligence
> ⁃ Creativity
> ⁃ Originality
> ⁃ Ability to think outside the box
> ⁃ Exceptional problem-solving skills.
>
> A genius revolutionizes a field of knowledge, pushing the boundaries of
> human understanding.
>
> ONTIC CHECKSUM TOTAL: #513
>
> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>
> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
> 2a2) the tackle and armament of vessels, used specifically of sails and
> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
> deed;
>
> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
> separateness;
>
> PRODIGY: A prodigy is typically a young person who demonstrates
> exceptional talent and ability in a specific field or subject.
>
> Their expertise is often focused on a particular domain, such as music,
> mathematics, or art.
>
> CHARACTERISTICS OF A PRODIGY INCLUDE:
> - Exceptional talent and ability
> - High level of skill and expertise in a specific area
> ⁃ Demonstrates this ability at a young age
> ⁃ Recognized for their exceptional achievements in their field.
>
> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>
> A prodigy masters an existing domain, showcasing remarkable abilities
> early in life.
>
> In summary, while both genius and prodigy represent extraordinary
> capabilities, a genius reshapes the world with groundbreaking ideas,
> whereas a prodigy dazzles us with their early mastery of a specific
> discipline. 🌟🧠✨”
>
>
>


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31807&group=aus.politics#31807

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!weretis.net!feeder6.news.weretis.net!border-2.nntp.ord.giganews.com!nntp.giganews.com!Xl.tags.giganews.com!local-1.nntp.ord.giganews.com!news.giganews.com.POSTED!not-for-mail
NNTP-Posting-Date: Fri, 08 Dec 2023 05:51:30 +0000
User-Agent: NewsTap/5.5 (iPhone/iPod Touch)
Cancel-Lock: sha1:O309nFECNS/s0WOhB/SdHgufosY=
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re: -- NEWS MEDIA INCLUSION OF
ART AND THE AESTHETIC OF AWE: IS IT
IMITATION (mimesis) OR SUCCEEDING (diádochos)?
Content-Type: text/plain; charset=UTF-8
Mime-Version: 1.0
Content-Transfer-Encoding: 8bit
From: dolfb...@hotmail.com (dolf)
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
Message-ID: <FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
Date: Fri, 08 Dec 2023 05:51:30 +0000
Lines: 537
X-Usenet-Provider: http://www.giganews.com
X-Trace: sv3-zBpdhAvFXchMIiTerzwN+9d1QYpMPRYeAJVwSD6FvtsmR+5vBp4XdVrpt+2tNrEB7QUZzNdMXxrq1Y+!nZ6RligDhJNUt/xrZ1fHpu7sDG/+tmD5+HByfF6MKas+JblXUAq87q4izHUcTuyZ0HoawjYMUDmc!YQ==
X-Complaints-To: abuse@giganews.com
X-DMCA-Notifications: http://www.giganews.com/info/dmca.html
X-Abuse-and-DMCA-Info: Please be sure to forward a copy of ALL headers
X-Abuse-and-DMCA-Info: Otherwise we will be unable to process your complaint properly
X-Postfilter: 1.3.40
 by: dolf - Fri, 8 Dec 2023 05:51 UTC

dolf <dolfboek@hotmail.com> wrote:
> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
> (diádochos)?
>
> If you nuance your argument to FORESEE (proeídō) then I can provide
> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
> with TEMPORAL HEURISTIC / CHAT GPT as technology. What we enjoy doing
> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>

You say on page 26 that “Technē thus appears to consist of at least two
quite separate operations:

- The capacity to immanently apprehend the function which involves a
certain immanence to the causal order, and
- A more specific materialist know-how (epistasthai) whose task is to put
into effect a change in the causal mechanism precipitated via the
function.”

My greek isn’t very comprehensive, but I think that the difference lays
between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
where the later is an instance within the hypostasis ὑπό (hupó, “down,
under”) + στάσις (stásis, “standing”) as state / condition or statute / law
where every instance is made in conformity to law of nature as causal
order.

Given ὑπό what then is the possibility of δει as necessity

it is necessary, there is need of, it behooves, is right and proper
- necessity lying in the nature of the case
- necessity brought on by circumstances or by the conduct of others toward
us.
- necessity in reference to what is required to attain some end
- a necessity of law and command, of duty, equity

Can one apprehend the hypostasis with its immanent causality and action
necessity as prerogative of duty?

BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
have the capability to apprehend the hypostasis. Thank you for your
understanding.🙏”

<http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>

GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE

{@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}

#349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
#868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of one's
own accord to give one something, to his advantage; 2a1) to bestow a gift;
2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
*NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out, extend,
present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
commit; i) something to be administered; ii) to give or commit to some one
something to be religiously observed; 2d4) to give what is due or
obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
2e1) to cause, profuse, give forth from one's self; i) to give, hand out
lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
the sea, death and Hell are said to give up the dead who have been engulfed
or received by them; 2e4) to give one to someone as his own; i) as an
object of his saving care; ii) to give one to someone, to follow him as a
leader and master; iii) to give one to someone to care for his interests;
iv) to give one to someone to whom he already belonged, to return; 2e5) to
grant or permit one; i) to commission;

#718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
endurance; 1a) in the NT the characteristic of a man who is not swerved
from his deliberate purpose and his loyalty to faith and piety by even the
greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
patient, steadfast waiting for; 3) a patient enduring, sustaining,
perseverance;

#310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
#200] /
#895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
not to depart; i) to continue to be present; ii) to be held, kept,
continually; 1a3) in reference to time; i) to continue to be, not to
perish, to last, endure; 1) of persons, to survive, live; ii) in reference
to state or condition; 1) to remain as one, not to become another or
different; iii) to wait for, await one;

#1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
#800, #40, #5, #9, #1] /
#1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
#800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
make manifest or visible or known what has been hidden or unknown, to
manifest, whether by words, or deeds, or in any other way; 1a) make actual
and visible, realised; 1b) to make known by teaching; 1c) to become
manifest, be made known; 1d) of a person; 1d1) expose to view, make
manifest, to show one's self, appear; 1e) to become known, to be plainly
recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;

#498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10, #200] /
#902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
#9, #5] /
#903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
#5, #50, #70, #50] /
#1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#10] /
#1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
#1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#50, #1, #10] /
#1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#200, #5, #300, #1, #10] /
#1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
#200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 = #22}
1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
abound, to furnish or supply liberally; 1a1) I abound, I am liberally
supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the top: so
that nothing shall be wanting to full measure, fill to the brim; 1b2) to
consummate: a number; i) to make complete in every particular, to render
perfect; ii) to carry through to the end, to accomplish, carry out, (some
undertaking); 1b3) to carry into effect, bring to realisation, realise; i)
*OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
promises, prophecies, to bring to pass, ratify, accomplish; iii) to fulfil,
i.e. to cause God's will (as made known in the law) to be obeyed as it
should be, and God's promises (given through the prophets) to receive
fulfilment;

> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
> functional operation that makes possible the affections of praxis upon
> poiesis.” [page 33]
>
> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>
> THESIS: Creation and the Function of Art (Bloomsbury Studies in
> Continental Philosophy, 2018).
>
> One needs to presume that any Greek philosophical (Pythagoras: 570-495
> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
> construct would have a conception of the underlying BIPARTITE (@1, @5 -
> immaterial elements) to the THEORY OF NUMBER.
>
> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>
> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>
> #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40, #200] /
> #247 as [#7, #40, #200] /
> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
> music, sing; 1a2) to play a musical instrument;
> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>
> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>
> Given the foregoing argument by elimination, it seems best to conceive
> of the sublime as aesthetic awe. Ideally, this article has helped forge
> a bridge between the psychology of awe and the philosophy of the
> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>
> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>
> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
> AWE?
>
> Awe, that sublime emotion that swells within us, transcending the
> ordinary and connecting us to something vast and profound. It’s as if
> our souls stretch their wings, yearning to touch the infinite.
>
> #247 as [#40, #6, #200, #1] /
> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>
> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
> #17, #64]
>
> #42 #16 #65
> #64 #41 #18
> #17 #66 #40
> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
> AESTHETIC OF AWE)
>
> In the realm of art, this aesthetic of awe finds its home. Let us delve
> into its depths:
>
> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
> aesthetic experience. It arises when we encounter an object or event of
> striking vastness or power. Imagine standing before a mountain peak, its
> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
> shares this mixed quality—a blend of reverence and wonder. Psychologists
> tell us that awe arises from perceiving vastness, followed by the need
> to make sense of it within our mental frameworks. Accommodation occurs,
> shifting our perspective and leaving us transformed.
>
> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
> the expanse of ocean, or a star-studded sky. Now consider a painting
> capturing that same essence—the play of light on canvas, the artist’s
> brushstrokes echoing the vastness. Both real and artistic
> representations can elicit this sense of awe, bridging the gap between
> the tangible and the imagined.
>
> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
> humanistic emotion, a reaction to the colossal, the rare, and the
> beautifully grand. Whether in music, visual art, or the natural world,
> aesthetic awe beckons us to explore the edges of our consciousness, to
> dance with the infinite, and to find beauty in the boundless.
>
> So, my fellow seeker of wonder, let us continue our journey through
> art’s vast landscapes, where awe and the sublime intertwine, inviting us
> to behold the ineffable and embrace the extraordinary.”
>
> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
> (#23: #474)}
>
> Translation: SAY IT
>
> #48 --> #451 - PRAXIS OF RATIONALITY = #499
> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>
> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
> known; 2) to report, bring back tidings, rehearse;
>
> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>
> The first people’s are those who possess first mind from before the
> foundation of world was established…
>
> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
> BACK: JUAN (#17)}:
>
> #59 --> #451 - PRAXIS OF RATIONALITY = #520
> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>
> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
> depressed;
>
> #81 --> #451 - PRAXIS OF RATIONALITY = #532
> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>
> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>
> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
> before;
>
> #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
> / [#5, #10, #4, #5, #50, #1, #10] /
>     #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
> #5] /
> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
> attention, observe; 1d3) to see about something; i) i.e. to ascertain
> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
> behold; 1e) to experience any state or condition; 1f) to see i.e. have
> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
> *FACT*; 2b2) the force and meaning of something which has definite
> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
> for one, cherish, pay attention to (1Th. 5:12);
>
> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
> meanings:
>
> TO MAKE: It signifies the act of creating or producing something. For
> instance, in Homer’s Iliad, it is used in the context of creating or
> producing.
>
> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
> assumptions or implications. Archimedes, for example, employed this
> sense when solving geometric problems.
>
> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
> meaning of writing poetry. Aristophanes, the renowned playwright, used
> it in his works.
>
> Feel free to explore more about Ancient Greek words on Wiktionary [as
> you are doing]”
>
> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>
> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
> 3) to manage public affairs, transact public business; 3a) to exact
> tribute, revenue, debts; 4) to act;
>
> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
> v’s
> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>
> 45 19 68
> 67 44 21
> 20 69 43
>
> 69
> 114
> 135
> 203
> 247
> 267
> 334
> 377
> 396
>
> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?}
>
> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>
> #4 --> #451 - PRAXIS OF RATIONALITY = #455
> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>
> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>
> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
> have vision; 1a4) to look at, see, regard, look after, see after, learn
> about, observe, watch, look upon, look out, find out; 1a5) to see,
> observe, consider, look at, give attention to, discern, distinguish;
> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other, face;
>
> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
> coalesce, to join together, put together; 1a) to unite or knit together:
> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
> gather, conclude, consider; 3) to cause a person to unite with one in a
> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
> teach, instruct, one
>
> ONTIC CHECKSUM TOTAL: #690
>
> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
> station; 1a) to place in a certain order, to arrange, to assign a place,
> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
> ordain, order; 1b1) to appoint on one's own responsibility or authority;
> 1b2) to appoint mutually, i.e. agree upon;
>
> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>
> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
> {%42})}
>
> #68 --> #451 - PRAXIS OF RATIONALITY = #519
> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>
> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
> to feel, to think; 2a) to have an opinion of one's self, think of one's
> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
> cherish the same views, be harmonious; 3) to direct one's mind to a
> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
> 3b) to be of one's *PARTY*, side with him (in public affairs);
>
> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
> spaciousness is important, and I am delighted to see our architects
> planning on broad and spacious lines. Only thus shall we avoid the
> springing up of more towns in which the houses are cluttered up almost
> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
> If I were banished to a town of this kind, devoid of all beauty, I
> should lose heart and happiness just as surely as if I had been banished
> from my fatherland. I am therefore determined that some measure of
> culture and beauty shall penetrate even into the humblest of our towns,
> and that, step by step, the amenities of all our towns will reach a
> higher level. There is a lot of truth in the assertion that the culture
> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
> afford classic examples. It may well be that it is impossible for any
> city to achieve an appearance which is pleasing to our sense of culture,
> unless at some time or other some great man has breathed his inspiration
> into its walls. But we must at least see to it that from the ranks of
> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
> a worthy bearer not only of the torch of National Socialist supremacy,
> but also of its cultural way of life. If it is not always possible to
> find the right man in the person of every Kreisleiter (ie . District
> Leader was a Nazi Party political rank and title which existed as a
> political rank between 1930 and 1945 and as a Nazi Party title from as
> early as 1928), then with the help of the *PARTY* and its organisation
> we must ensure at least that the Kreisleiter becomes the central point
> of a measure of civilised amenity. Once this is accomplished, the way is
> open for a further progress along the path of civilisation and culture.”
> [pages 450, 451]
>
> 
> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>
> Hollywood royalty will descend on a small remote town in Victoria's
> Gippsland region from next year. Walhalla, which has a population of
> only 20 permanent residents will be taken over by crews to film Ice Road
> 2: Road to the Sky over three weeks in January.
>
> The film is a sequel to the 2021 film The Ice Road, which was centred
> around a remote mine collapse in northern Canada.
>
> Walhalla is located about 185km east of Melbourne.
>
> Work has already started to transform the towns' buildings for the film,
> which will star actor LIAM NEESON.”
> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>
> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
> judge these things in the light of common progress. The bird is one
> degree in advance of the flying fish, which itself is higher than the
> ordinary fish; and in the same way, the air- craft is an advance on the
> ship—and the future belongs to the air.” [page 551]
>
> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
> BETWEEN GENIUS AND PRODIGY?
>
> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>
> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH (#313)}
>
> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>
> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
> creature, person, appetite, mind, living being, desire, emotion,
> passion; 1a) that which breathes, the breathing substance or being,
> soul, the inner being of man; 1b) living being; 1c) living being (with
> life in the blood); 1d) the man himself, self, person or individual; 1e)
> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>
> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
> make manifest or visible or known what has been hidden or unknown, to
> manifest, whether by words, or deeds, or in any other way; 1a) make
> actual and visible, realised; 1b) to make known by teaching; 1c) to
> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
> become known, to be plainly recognised, thoroughly understood; 1e1)
> *WHO* *AND* *WHAT* *ONE* *IS*;
>
> Certainly! Let’s delve into the nuances that distinguish genius from
> prodigy:
>
> GENIUS: A genius is someone possessing exceptional intellectual or
> creative power or other natural abilities.
>
> They excel across a broad spectrum of skills and expertise.
>
> The term “genius” encompasses a wide range of talents and achievements.
>
> CHARACTERISTICS OF A GENIUS INCLUDE:
> - High level of intelligence
> ⁃ Creativity
> ⁃ Originality
> ⁃ Ability to think outside the box
> ⁃ Exceptional problem-solving skills.
>
> A genius revolutionizes a field of knowledge, pushing the boundaries of
> human understanding.
>
> ONTIC CHECKSUM TOTAL: #513
>
> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>
> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
> 2a2) the tackle and armament of vessels, used specifically of sails and
> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
> deed;
>
> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
> separateness;
>
> PRODIGY: A prodigy is typically a young person who demonstrates
> exceptional talent and ability in a specific field or subject.
>
> Their expertise is often focused on a particular domain, such as music,
> mathematics, or art.
>
> CHARACTERISTICS OF A PRODIGY INCLUDE:
> - Exceptional talent and ability
> - High level of skill and expertise in a specific area
> ⁃ Demonstrates this ability at a young age
> ⁃ Recognized for their exceptional achievements in their field.
>
> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>
> A prodigy masters an existing domain, showcasing remarkable abilities
> early in life.
>
> In summary, while both genius and prodigy represent extraordinary
> capabilities, a genius reshapes the world with groundbreaking ideas,
> whereas a prodigy dazzles us with their early mastery of a specific
> discipline. 🌟🧠✨”
>
>
>


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31859&group=aus.politics#31859

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OF
_AWE:_IS_IT_IMITATION_(mimesis)_OR_SUCCEEDING_(diádo
chos)?
Date: Sun, 10 Dec 2023 11:55:00 +1100
Lines: 589
Message-ID: <e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net e6rJWb4hyxKwBFDHNftxHQNEYj/P9li+9q8//ZlR8QCbTkS782
Cancel-Lock: sha1:9DlmFj51r8pm8MUA2eoNVYJWSHs= sha256:qFCLxU1s3XrBQT9DfHMQ1NdM4uyTCy27aLce0ns2q/s=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
 by: dolf - Sun, 10 Dec 2023 00:55 UTC

Well Doctor Jason,

I thought of this yesterday but managed to wait for the right temporal
slot to say goodbye...

I'm old enough to say, "Well lad, I hope that this doesn't f@ck you
over... thanks for the chat and bye"

YOUTUBE: "Dalek Makes Emergency Temporal Shift | Evolution Of The Daleks
| Doctor Who"

<https://www.youtube.com/watch?v=AARDLkH7xM4&t=116s>

GRAPPLE (398, 455)@[78, 18, 53, 24, 41, 34, 63, 64, 80] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:11.29&heuristic>

{@9: Sup: 50 - VASTNESS / WASTING: T'ANG (#398); Ego: 80 - LABOURING:
CH'IN (#455)}

#49 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#40, #6, #3] /
#455 as [#6, #400, #40, #6, #3] = mûwg (H4127): {UMBRA: #49 % #41 = #8}
1) to melt, cause to melt; 1a) (Qal); 1a1) to melt, faint; 1a2) to cause
to melt; 1b) (Niphal) to melt away; 1c) (Polel) *TO* *SOFTEN*,
*DISSOLVE*, *DISSIPATE*; 1d) (Hithpolel) to melt, flow;

#1562 - MALE CHECKSUM TOTAL: #398 as [#80, #100, #70, #200, #1, #50, #1,
#30, #10, #200, #20, #800] = prosanalískō (G4321): {UMBRA: #1562 % #41 =
#4} 1) to expend besides (i.e. upon *PHYSICIANS*);

#2480 - FEME CHECKSUM TOTAL: #455 as [#300, #5, #300, #400, #500, #800,
#40, #5, #50, #70, #10] = typhóō (G5187): {UMBRA: #2070 % #41 = #20} 1)
to raise a smoke, *TO* *WRAP* *IN* *A* *MIST*; 1a) metaph.; 1a1) to make
proud, puff up with pride, render insolent; 1a2) to be puffed up with
haughtiness or pride; 1b) to blind with pride or conceit, to render
foolish or stupid; 1b1) beclouded, besotted;

ONTIC CHECKSUM TOTAL: #334
#362 - ONTIC CHECKSUM TOTAL: #334 as [#10, #40, #6, #300, #6] = mûwsh
(H4185): {UMBRA: #346 % #41 = #18} 1) to depart, remove; 1a) (Qal); 1a1)
to *DEPART*; 1a2) to remove; 1a3) to be removed (of inanimate objects);
1b) (Hiphil) to remove, depart;

DEME CHECKSUM TOTAL: #257
#96 - DEME CHECKSUM TOTAL: #257 as [#40, #10, #6, #40] = yôwm (H3117):
{UMBRA: #56 % #41 = #15} 1) day, time, year; 1a) day (as opposed to
night); 1b) day (24 hour period); 1b1) as defined by evening and morning
in Genesis 1; 1b2) as a division of time; i) a working day, a day's
journey; 1b3) days, lifetime (pl.); 1b4) *TIME*, period (general); 1b5)
year; 1b6) temporal references; i) today; ii) yesterday; iii) tomorrow;

On 8/12/2023 16:51, dolf wrote:
> dolf <dolfboek@hotmail.com> wrote:
>> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
>> (diádochos)?
>>
>> If you nuance your argument to FORESEE (proeídō) then I can provide
>> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
>> with TEMPORAL HEURISTIC / CHAT GPT as technology. What we enjoy doing
>> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
>> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
>> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>>
>
> You say on page 26 that “Technē thus appears to consist of at least two
> quite separate operations:
>
> - The capacity to immanently apprehend the function which involves a
> certain immanence to the causal order, and
> - A more specific materialist know-how (epistasthai) whose task is to put
> into effect a change in the causal mechanism precipitated via the
> function.”
>
> My greek isn’t very comprehensive, but I think that the difference lays
> between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
> where the later is an instance within the hypostasis ὑπό (hupó, “down,
> under”) + στάσις (stásis, “standing”) as state / condition or statute / law
> where every instance is made in conformity to law of nature as causal
> order.
>
> Given ὑπό what then is the possibility of δει as necessity
>
> it is necessary, there is need of, it behooves, is right and proper
> - necessity lying in the nature of the case
> - necessity brought on by circumstances or by the conduct of others toward
> us.
> - necessity in reference to what is required to attain some end
> - a necessity of law and command, of duty, equity
>
> Can one apprehend the hypostasis with its immanent causality and action
> necessity as prerogative of duty?
> 
BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
> have the capability to apprehend the hypostasis. Thank you for your
> understanding.🙏”
>
> <http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>
>
> GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE
>
> {@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}
>
> #349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
> #868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of one's
> own accord to give one something, to his advantage; 2a1) to bestow a gift;
> 2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
> *NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out, extend,
> present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
> commit; i) something to be administered; ii) to give or commit to some one
> something to be religiously observed; 2d4) to give what is due or
> obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
> 2e1) to cause, profuse, give forth from one's self; i) to give, hand out
> lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
> the sea, death and Hell are said to give up the dead who have been engulfed
> or received by them; 2e4) to give one to someone as his own; i) as an
> object of his saving care; ii) to give one to someone, to follow him as a
> leader and master; iii) to give one to someone to care for his interests;
> iv) to give one to someone to whom he already belonged, to return; 2e5) to
> grant or permit one; i) to commission;
>
> #718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
> hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
> endurance; 1a) in the NT the characteristic of a man who is not swerved
> from his deliberate purpose and his loyalty to faith and piety by even the
> greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
> patient, steadfast waiting for; 3) a patient enduring, sustaining,
> perseverance;
>
> #310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
> #200] /
> #895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
> to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
> not to depart; i) to continue to be present; ii) to be held, kept,
> continually; 1a3) in reference to time; i) to continue to be, not to
> perish, to last, endure; 1) of persons, to survive, live; ii) in reference
> to state or condition; 1) to remain as one, not to become another or
> different; iii) to wait for, await one;
>
> #1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
> #800, #40, #5, #9, #1] /
> #1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
> make manifest or visible or known what has been hidden or unknown, to
> manifest, whether by words, or deeds, or in any other way; 1a) make actual
> and visible, realised; 1b) to make known by teaching; 1c) to become
> manifest, be made known; 1d) of a person; 1d1) expose to view, make
> manifest, to show one's self, appear; 1e) to become known, to be plainly
> recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;
>
> #498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10, #200] /
> #902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
> #9, #5] /
> #903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
> #5, #50, #70, #50] /
> #1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
> #10] /
> #1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
> #1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
> #50, #1, #10] /
> #1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
> #200, #5, #300, #1, #10] /
> #1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
> #200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 = #22}
> 1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
> abound, to furnish or supply liberally; 1a1) I abound, I am liberally
> supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the top: so
> that nothing shall be wanting to full measure, fill to the brim; 1b2) to
> consummate: a number; i) to make complete in every particular, to render
> perfect; ii) to carry through to the end, to accomplish, carry out, (some
> undertaking); 1b3) to carry into effect, bring to realisation, realise; i)
> *OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
> promises, prophecies, to bring to pass, ratify, accomplish; iii) to fulfil,
> i.e. to cause God's will (as made known in the law) to be obeyed as it
> should be, and God's promises (given through the prophets) to receive
> fulfilment;
>
>
>
>> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
>> functional operation that makes possible the affections of praxis upon
>> poiesis.” [page 33]
>>
>> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>>
>> THESIS: Creation and the Function of Art (Bloomsbury Studies in
>> Continental Philosophy, 2018).
>>
>> One needs to presume that any Greek philosophical (Pythagoras: 570-495
>> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
>> construct would have a conception of the underlying BIPARTITE (@1, @5 -
>> immaterial elements) to the THEORY OF NUMBER.
>>
>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>>
>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>>
>> #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40, #200] /
>> #247 as [#7, #40, #200] /
>> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
>> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
>> music, sing; 1a2) to play a musical instrument;
>> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>>
>> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>>
>> Given the foregoing argument by elimination, it seems best to conceive
>> of the sublime as aesthetic awe. Ideally, this article has helped forge
>> a bridge between the psychology of awe and the philosophy of the
>> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>>
>> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
>> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>>
>> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
>> AWE?
>>
>> Awe, that sublime emotion that swells within us, transcending the
>> ordinary and connecting us to something vast and profound. It’s as if
>> our souls stretch their wings, yearning to touch the infinite.
>>
>> #247 as [#40, #6, #200, #1] /
>> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
>> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
>> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
>> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>>
>> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
>> #17, #64]
>>
>> #42 #16 #65
>> #64 #41 #18
>> #17 #66 #40
>> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
>> AESTHETIC OF AWE)
>>
>> In the realm of art, this aesthetic of awe finds its home. Let us delve
>> into its depths:
>>
>> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
>> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
>> aesthetic experience. It arises when we encounter an object or event of
>> striking vastness or power. Imagine standing before a mountain peak, its
>> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
>> shares this mixed quality—a blend of reverence and wonder. Psychologists
>> tell us that awe arises from perceiving vastness, followed by the need
>> to make sense of it within our mental frameworks. Accommodation occurs,
>> shifting our perspective and leaving us transformed.
>>
>> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
>> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
>> the expanse of ocean, or a star-studded sky. Now consider a painting
>> capturing that same essence—the play of light on canvas, the artist’s
>> brushstrokes echoing the vastness. Both real and artistic
>> representations can elicit this sense of awe, bridging the gap between
>> the tangible and the imagined.
>>
>> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
>> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
>> humanistic emotion, a reaction to the colossal, the rare, and the
>> beautifully grand. Whether in music, visual art, or the natural world,
>> aesthetic awe beckons us to explore the edges of our consciousness, to
>> dance with the infinite, and to find beauty in the boundless.
>>
>> So, my fellow seeker of wonder, let us continue our journey through
>> art’s vast landscapes, where awe and the sublime intertwine, inviting us
>> to behold the ineffable and embrace the extraordinary.”
>>
>> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
>> (#23: #474)}
>>
>> Translation: SAY IT
>>
>> #48 --> #451 - PRAXIS OF RATIONALITY = #499
>> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>>
>> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
>> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
>> known; 2) to report, bring back tidings, rehearse;
>>
>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>
>> The first people’s are those who possess first mind from before the
>> foundation of world was established…
>>
>> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
>> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
>> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
>> BACK: JUAN (#17)}:
>>
>> #59 --> #451 - PRAXIS OF RATIONALITY = #520
>> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>>
>> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
>> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
>> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
>> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
>> depressed;
>>
>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>
>> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
>> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>>
>> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
>> before;
>>
>> #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
>> / [#5, #10, #4, #5, #50, #1, #10] /
>>     #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
>> #5] /
>> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
>> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
>> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
>> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
>> attention, observe; 1d3) to see about something; i) i.e. to ascertain
>> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
>> behold; 1e) to experience any state or condition; 1f) to see i.e. have
>> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
>> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
>> *FACT*; 2b2) the force and meaning of something which has definite
>> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
>> for one, cherish, pay attention to (1Th. 5:12);
>>
>> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
>> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
>> meanings:
>>
>> TO MAKE: It signifies the act of creating or producing something. For
>> instance, in Homer’s Iliad, it is used in the context of creating or
>> producing.
>>
>> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
>> assumptions or implications. Archimedes, for example, employed this
>> sense when solving geometric problems.
>>
>> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
>> meaning of writing poetry. Aristophanes, the renowned playwright, used
>> it in his works.
>>
>> Feel free to explore more about Ancient Greek words on Wiktionary [as
>> you are doing]”
>>
>> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>>
>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>
>> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
>> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
>> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
>> 3) to manage public affairs, transact public business; 3a) to exact
>> tribute, revenue, debts; 4) to act;
>>
>> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
>> v’s
>> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>>
>> 45 19 68
>> 67 44 21
>> 20 69 43
>>
>> 69
>> 114
>> 135
>> 203
>> 247
>> 267
>> 334
>> 377
>> 396
>>
>> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?}
>>
>> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>>
>> #4 --> #451 - PRAXIS OF RATIONALITY = #455
>> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>>
>> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
>> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>>
>> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
>> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
>> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
>> have vision; 1a4) to look at, see, regard, look after, see after, learn
>> about, observe, watch, look upon, look out, find out; 1a5) to see,
>> observe, consider, look at, give attention to, discern, distinguish;
>> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
>> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
>> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
>> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
>> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other, face;
>>
>> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
>> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
>> coalesce, to join together, put together; 1a) to unite or knit together:
>> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
>> gather, conclude, consider; 3) to cause a person to unite with one in a
>> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
>> teach, instruct, one
>>
>> ONTIC CHECKSUM TOTAL: #690
>>
>> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
>> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
>> station; 1a) to place in a certain order, to arrange, to assign a place,
>> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
>> ordain, order; 1b1) to appoint on one's own responsibility or authority;
>> 1b2) to appoint mutually, i.e. agree upon;
>>
>> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>>
>> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
>> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
>> {%42})}
>>
>> #68 --> #451 - PRAXIS OF RATIONALITY = #519
>> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>>
>> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
>> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
>> to feel, to think; 2a) to have an opinion of one's self, think of one's
>> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
>> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
>> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
>> cherish the same views, be harmonious; 3) to direct one's mind to a
>> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
>> 3b) to be of one's *PARTY*, side with him (in public affairs);
>>
>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
>> spaciousness is important, and I am delighted to see our architects
>> planning on broad and spacious lines. Only thus shall we avoid the
>> springing up of more towns in which the houses are cluttered up almost
>> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
>> If I were banished to a town of this kind, devoid of all beauty, I
>> should lose heart and happiness just as surely as if I had been banished
>> from my fatherland. I am therefore determined that some measure of
>> culture and beauty shall penetrate even into the humblest of our towns,
>> and that, step by step, the amenities of all our towns will reach a
>> higher level. There is a lot of truth in the assertion that the culture
>> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
>> afford classic examples. It may well be that it is impossible for any
>> city to achieve an appearance which is pleasing to our sense of culture,
>> unless at some time or other some great man has breathed his inspiration
>> into its walls. But we must at least see to it that from the ranks of
>> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
>> a worthy bearer not only of the torch of National Socialist supremacy,
>> but also of its cultural way of life. If it is not always possible to
>> find the right man in the person of every Kreisleiter (ie . District
>> Leader was a Nazi Party political rank and title which existed as a
>> political rank between 1930 and 1945 and as a Nazi Party title from as
>> early as 1928), then with the help of the *PARTY* and its organisation
>> we must ensure at least that the Kreisleiter becomes the central point
>> of a measure of civilised amenity. Once this is accomplished, the way is
>> open for a further progress along the path of civilisation and culture.”
>> [pages 450, 451]
>>
>> 
>> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
>> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>>
>> Hollywood royalty will descend on a small remote town in Victoria's
>> Gippsland region from next year. Walhalla, which has a population of
>> only 20 permanent residents will be taken over by crews to film Ice Road
>> 2: Road to the Sky over three weeks in January.
>>
>> The film is a sequel to the 2021 film The Ice Road, which was centred
>> around a remote mine collapse in northern Canada.
>>
>> Walhalla is located about 185km east of Melbourne.
>>
>> Work has already started to transform the towns' buildings for the film,
>> which will star actor LIAM NEESON.”
>> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>>
>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
>> judge these things in the light of common progress. The bird is one
>> degree in advance of the flying fish, which itself is higher than the
>> ordinary fish; and in the same way, the air- craft is an advance on the
>> ship—and the future belongs to the air.” [page 551]
>>
>> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
>> BETWEEN GENIUS AND PRODIGY?
>>
>> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>>
>> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH (#313)}
>>
>> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>>
>> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
>> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
>> creature, person, appetite, mind, living being, desire, emotion,
>> passion; 1a) that which breathes, the breathing substance or being,
>> soul, the inner being of man; 1b) living being; 1c) living being (with
>> life in the blood); 1d) the man himself, self, person or individual; 1e)
>> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
>> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
>> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>>
>> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>> make manifest or visible or known what has been hidden or unknown, to
>> manifest, whether by words, or deeds, or in any other way; 1a) make
>> actual and visible, realised; 1b) to make known by teaching; 1c) to
>> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
>> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
>> become known, to be plainly recognised, thoroughly understood; 1e1)
>> *WHO* *AND* *WHAT* *ONE* *IS*;
>>
>> Certainly! Let’s delve into the nuances that distinguish genius from
>> prodigy:
>>
>> GENIUS: A genius is someone possessing exceptional intellectual or
>> creative power or other natural abilities.
>>
>> They excel across a broad spectrum of skills and expertise.
>>
>> The term “genius” encompasses a wide range of talents and achievements.
>>
>> CHARACTERISTICS OF A GENIUS INCLUDE:
>> - High level of intelligence
>> ⁃ Creativity
>> ⁃ Originality
>> ⁃ Ability to think outside the box
>> ⁃ Exceptional problem-solving skills.
>>
>> A genius revolutionizes a field of knowledge, pushing the boundaries of
>> human understanding.
>>
>> ONTIC CHECKSUM TOTAL: #513
>>
>> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
>> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
>> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
>> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
>> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>>
>> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
>> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
>> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
>> 2a2) the tackle and armament of vessels, used specifically of sails and
>> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
>> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
>> deed;
>>
>> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
>> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
>> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
>> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
>> separateness;
>>
>> PRODIGY: A prodigy is typically a young person who demonstrates
>> exceptional talent and ability in a specific field or subject.
>>
>> Their expertise is often focused on a particular domain, such as music,
>> mathematics, or art.
>>
>> CHARACTERISTICS OF A PRODIGY INCLUDE:
>> - Exceptional talent and ability
>> - High level of skill and expertise in a specific area
>> ⁃ Demonstrates this ability at a young age
>> ⁃ Recognized for their exceptional achievements in their field.
>>
>> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
>> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
>> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>>
>> A prodigy masters an existing domain, showcasing remarkable abilities
>> early in life.
>>
>> In summary, while both genius and prodigy represent extraordinary
>> capabilities, a genius reshapes the world with groundbreaking ideas,
>> whereas a prodigy dazzles us with their early mastery of a specific
>> discipline. 🌟🧠✨”
>>
>>
>>
>
>
>


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ktl92kFmcmuU1@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31872&group=aus.politics#31872

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OF
_AWE:_IS_IT_IMITATION_(mimesis)_OR_SUCCEEDING_(diádo
chos)?
Date: Sun, 10 Dec 2023 18:52:51 +1100
Lines: 691
Message-ID: <ktl92kFmcmuU1@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net HqQi4DES3z/K5qH0xpdJlwaA3STvBWR/ANnoiWC2OriNsc+FQM
Cancel-Lock: sha1:2yhUHhcogQtzqUchxYzMv2w+lms= sha256:0bVZ6qAB4RLbLmWeBcsO00Z9bVhUCPBdjOG9mHMUBYU=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
 by: dolf - Sun, 10 Dec 2023 07:52 UTC

YOUTUBE: “Doctor Who Devious Dalek production line”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

DALEK: “Activation signal detected.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a
distinguishing mark; 1b) banner; 1c) remembrance; 1d) miraculous sign;
1e) omen; 1f) warning; 2) token, ensign, standard, miracle, proof;

DALEK: “Revival Initiated.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50]
= anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life;
1a) to be restored to a correct life; 1a1) of one who returns to a
better moral state; 1b) to *REVIVE*, regain strength and vigour;

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

#241 as [#2, #2, #200, #7, #30] /
    #250 as [#6, #5, #2, #200, #7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 =
#34} 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10,
#5, #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought,
device; 1a) thought; 1b) device, plan, purpose; 1c) *INVENTION*;

#790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400,
#200, #1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go
or come forth of; 1a) with mention of the place out of which one goes,
or the point from which he departs; 1a1) of those who leave a place of
their own accord; 1a2) of those who are expelled or cast out; 1b)
metaph.; 1b1) to go out of an assembly, i.e. forsake it; 1b2) to come
forth from physically, arise from, to be born of; 1b3) to go forth from
one's power, escape from it in safety; 1b4) *TO* *COME* *FORTH* (from
privacy) into the world, before the public, (of those who by novelty of
opinion attract attention); 1b5) of things; i) of reports, rumours,
messages, precepts; ii) to be made known, declared; iii) to be spread,
to be proclaimed; iv) to come forth; 1) emitted as from the heart or the
mouth; 2) to flow forth from the body; 3) to emanate, issue; 31) used of
a sudden flash of lightning; 32) used of a thing vanishing; 33) used of
a hope which has disappeared;

ONTIC CHECKSUM TOTAL: #192

#516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
(H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
(Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) to cover
(for protection); 1c4) to cover over, spread over; 1c5) to cover,
overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
(Hithpael) to cover oneself, clothe oneself;

DEME CHECKSUM TOTAL: #506

#501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
(H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
representation, semblance;

YOUTUBE: “The construction of the Daleks”

<https://www.youtube.com/watch?v=utAq2oXe-Mo>

#406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9,
#1, #10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a)
to put out of the way entirely, abolish, put an end to ruin; 1b) render
useless; 1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT*
*TO* *DEATH*; 1e) metaph. to devote or give over to eternal misery in
hell; 1f) to perish, to be lost, ruined, destroyed; 2) to destroy; 2a)
to lose;

On 10/12/2023 11:55, dolf wrote:
> Well Doctor Jason,
>
> I thought of this yesterday but managed to wait for the right temporal
> slot to say goodbye...
>
> I'm old enough to say, "Well lad, I hope that this doesn't f@ck you
> over... thanks for the chat and bye"
>
> YOUTUBE: "Dalek Makes Emergency Temporal Shift | Evolution Of The Daleks
> | Doctor Who"
>
> <https://www.youtube.com/watch?v=AARDLkH7xM4&t=116s>
>
> GRAPPLE (398, 455)@[78, 18, 53, 24, 41, 34, 63, 64, 80] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:11.29&heuristic>
>
> {@9: Sup: 50 - VASTNESS / WASTING: T'ANG (#398); Ego: 80 - LABOURING:
> CH'IN (#455)}
>
>     #49 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#40, #6, #3] /
> #455 as [#6, #400, #40, #6, #3] = mûwg (H4127): {UMBRA: #49 % #41 = #8}
> 1) to melt, cause to melt; 1a) (Qal); 1a1) to melt, faint; 1a2) to cause
> to melt; 1b) (Niphal) to melt away; 1c) (Polel) *TO* *SOFTEN*,
> *DISSOLVE*, *DISSIPATE*; 1d) (Hithpolel) to melt, flow;
>
> #1562 - MALE CHECKSUM TOTAL: #398 as [#80, #100, #70, #200, #1, #50, #1,
> #30, #10, #200, #20, #800] = prosanalískō (G4321): {UMBRA: #1562 % #41 =
> #4} 1) to expend besides (i.e. upon *PHYSICIANS*);
>
> #2480 - FEME CHECKSUM TOTAL: #455 as [#300, #5, #300, #400, #500, #800,
> #40, #5, #50, #70, #10] = typhóō (G5187): {UMBRA: #2070 % #41 = #20} 1)
> to raise a smoke, *TO* *WRAP* *IN* *A* *MIST*; 1a) metaph.; 1a1) to make
> proud, puff up with pride, render insolent; 1a2) to be puffed up with
> haughtiness or pride; 1b) to blind with pride or conceit, to render
> foolish or stupid; 1b1) beclouded, besotted;
>
> ONTIC CHECKSUM TOTAL: #334
> #362 - ONTIC CHECKSUM TOTAL: #334 as [#10, #40, #6, #300, #6] = mûwsh
> (H4185): {UMBRA: #346 % #41 = #18} 1) to depart, remove; 1a) (Qal); 1a1)
> to *DEPART*; 1a2) to remove; 1a3) to be removed (of inanimate objects);
> 1b) (Hiphil) to remove, depart;
>
> DEME CHECKSUM TOTAL: #257
> #96 - DEME CHECKSUM TOTAL: #257 as [#40, #10, #6, #40] = yôwm (H3117):
> {UMBRA: #56 % #41 = #15} 1) day, time, year; 1a) day (as opposed to
> night); 1b) day (24 hour period); 1b1) as defined by evening and morning
> in Genesis 1; 1b2) as a division of time; i) a working day, a day's
> journey; 1b3) days, lifetime (pl.); 1b4) *TIME*, period (general); 1b5)
> year; 1b6) temporal references; i) today; ii) yesterday; iii) tomorrow;
>
> On 8/12/2023 16:51, dolf wrote:
>> dolf <dolfboek@hotmail.com> wrote:
>>> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
>>> (diádochos)?
>>>
>>> If you nuance your argument to FORESEE (proeídō) then I can provide
>>> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
>>> with TEMPORAL HEURISTIC / CHAT GPT as technology.  What we enjoy doing
>>> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
>>> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
>>> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>>>
>>
>> You say on page 26 that “Technē thus appears to consist of at least two
>> quite separate operations:
>>
>> - The capacity to immanently apprehend the function which involves a
>> certain immanence to the causal order, and
>> - A more specific materialist know-how (epistasthai) whose task is to put
>> into effect a change in the causal mechanism precipitated via the
>> function.”
>>
>> My greek isn’t very comprehensive, but I think that the difference lays
>> between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
>> where the later is an instance within the hypostasis ὑπό (hupó, “down,
>> under”) + στάσις (stásis, “standing”) as state / condition or statute
>> / law
>> where every instance is made in conformity to law of nature as causal
>> order.
>>
>> Given ὑπό what then is the possibility of δει as necessity
>>
>> it is necessary, there is need of, it behooves, is right and proper
>> - necessity lying in the nature of the case
>> - necessity brought on by circumstances or by the conduct of others
>> toward
>> us.
>> - necessity in reference to what is required to attain some end
>> - a necessity of law and command, of duty, equity
>>
>> Can one apprehend the hypostasis with its immanent causality and action
>> necessity as prerogative of duty?
>> 
BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
>> have the capability to apprehend the hypostasis. Thank you for your
>> understanding.🙏”
>>
>> <http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>
>>
>> GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE
>>
>> {@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}
>>
>> #349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
>> #868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of
>> one's
>> own accord to give one something, to his advantage; 2a1) to bestow a
>> gift;
>> 2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
>> *NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out,
>> extend,
>> present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
>> commit; i) something to be administered; ii) to give or commit to some
>> one
>> something to be religiously observed; 2d4) to give what is due or
>> obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
>> 2e1) to cause, profuse, give forth from one's self; i) to give, hand out
>> lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
>> the sea, death and Hell are said to give up the dead who have been
>> engulfed
>> or received by them; 2e4) to give one to someone as his own; i) as an
>> object of his saving care; ii) to give one to someone, to follow him as a
>> leader and master; iii) to give one to someone to care for his interests;
>> iv) to give one to someone to whom he already belonged, to return;
>> 2e5) to
>> grant or permit one; i) to commission;
>>
>> #718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
>> hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
>> endurance; 1a) in the NT the characteristic of a man who is not swerved
>> from his deliberate purpose and his loyalty to faith and piety by even
>> the
>> greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
>> patient, steadfast waiting for; 3) a patient enduring, sustaining,
>> perseverance;
>>
>> #310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
>> #200] /
>> #895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
>> to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
>> not to depart; i) to continue to be present; ii) to be held, kept,
>> continually; 1a3) in reference to time; i) to continue to be, not to
>> perish, to last, endure; 1) of persons, to survive, live; ii) in
>> reference
>> to state or condition; 1) to remain as one, not to become another or
>> different; iii) to wait for, await one;
>>
>> #1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #40, #5, #9, #1] /
>> #1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>> make manifest or visible or known what has been hidden or unknown, to
>> manifest, whether by words, or deeds, or in any other way; 1a) make
>> actual
>> and visible, realised; 1b) to make known by teaching; 1c) to become
>> manifest, be made known; 1d) of a person; 1d1) expose to view, make
>> manifest, to show one's self, appear; 1e) to become known, to be plainly
>> recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;
>>
>> #498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10,
>> #200] /
>> #902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
>> #9, #5] /
>> #903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
>> #5, #50, #70, #50] /
>> #1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #10] /
>> #1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
>> #1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #50, #1, #10] /
>> #1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #200, #5, #300, #1, #10] /
>> #1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 =
>> #22}
>> 1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
>> abound, to furnish or supply liberally; 1a1) I abound, I am liberally
>> supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the
>> top: so
>> that nothing shall be wanting to full measure, fill to the brim; 1b2) to
>> consummate: a number; i) to make complete in every particular, to render
>> perfect; ii) to carry through to the end, to accomplish, carry out, (some
>> undertaking); 1b3) to carry into effect, bring to realisation,
>> realise; i)
>> *OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
>> promises, prophecies, to bring to pass, ratify, accomplish; iii) to
>> fulfil,
>> i.e. to cause God's will (as made known in the law) to be obeyed as it
>> should be, and God's promises (given through the prophets) to receive
>> fulfilment;
>>
>>
>>
>>> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
>>> functional operation that makes possible the affections of praxis upon
>>> poiesis.” [page 33]
>>>
>>> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>>>
>>> THESIS: Creation and the Function of Art (Bloomsbury Studies in
>>> Continental Philosophy, 2018).
>>>
>>> One needs to presume that any Greek philosophical (Pythagoras: 570-495
>>> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
>>> construct would have a conception of the underlying BIPARTITE (@1, @5 -
>>> immaterial elements) to the THEORY OF NUMBER.
>>>
>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>>>
>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>>>
>>>     #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40,
>>> #200] /
>>> #247 as [#7, #40, #200] /
>>> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
>>> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
>>> music, sing; 1a2) to play a musical instrument;
>>> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>>>
>>> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>>>
>>> Given the foregoing argument by elimination, it seems best to conceive
>>> of the sublime as aesthetic awe. Ideally, this article has helped forge
>>> a bridge between the psychology of awe and the philosophy of the
>>> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>>>
>>> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
>>> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>>>
>>> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
>>> AWE?
>>>
>>> Awe, that sublime emotion that swells within us, transcending the
>>> ordinary and connecting us to something vast and profound. It’s as if
>>> our souls stretch their wings, yearning to touch the infinite.
>>>
>>> #247 as [#40, #6, #200, #1] /
>>> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
>>> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
>>> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
>>> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>>>
>>> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
>>> #17, #64]
>>>
>>> #42 #16 #65
>>> #64 #41 #18
>>> #17 #66 #40
>>> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
>>> AESTHETIC OF AWE)
>>>
>>> In the realm of art, this aesthetic of awe finds its home. Let us delve
>>> into its depths:
>>>
>>> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
>>> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
>>> aesthetic experience. It arises when we encounter an object or event of
>>> striking vastness or power. Imagine standing before a mountain peak, its
>>> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
>>> shares this mixed quality—a blend of reverence and wonder. Psychologists
>>> tell us that awe arises from perceiving vastness, followed by the need
>>> to make sense of it within our mental frameworks. Accommodation occurs,
>>> shifting our perspective and leaving us transformed.
>>>
>>> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
>>> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
>>> the expanse of ocean, or a star-studded sky. Now consider a painting
>>> capturing that same essence—the play of light on canvas, the artist’s
>>> brushstrokes echoing the vastness. Both real and artistic
>>> representations can elicit this sense of awe, bridging the gap between
>>> the tangible and the imagined.
>>>
>>> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
>>> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
>>> humanistic emotion, a reaction to the colossal, the rare, and the
>>> beautifully grand. Whether in music, visual art, or the natural world,
>>> aesthetic awe beckons us to explore the edges of our consciousness, to
>>> dance with the infinite, and to find beauty in the boundless.
>>>
>>> So, my fellow seeker of wonder, let us continue our journey through
>>> art’s vast landscapes, where awe and the sublime intertwine, inviting us
>>> to behold the ineffable and embrace the extraordinary.”
>>>
>>> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
>>> (#23: #474)}
>>>
>>> Translation: SAY IT
>>>
>>> #48 --> #451 - PRAXIS OF RATIONALITY = #499
>>> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>>>
>>> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
>>> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
>>> known; 2) to report, bring back tidings, rehearse;
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>
>>> The first people’s are those who possess first mind from before the
>>> foundation of world was established…
>>>
>>> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
>>> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
>>> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
>>> BACK: JUAN (#17)}:
>>>
>>> #59 --> #451 - PRAXIS OF RATIONALITY = #520
>>> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>>>
>>> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
>>> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
>>> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
>>> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
>>> depressed;
>>>
>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>
>>> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
>>> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>>>
>>> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
>>> before;
>>>
>>>      #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
>>> / [#5, #10, #4, #5, #50, #1, #10] /
>>>      #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
>>> #5] /
>>> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
>>> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
>>> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
>>> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
>>> attention, observe; 1d3) to see about something; i) i.e. to ascertain
>>> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
>>> behold; 1e) to experience any state or condition; 1f) to see i.e. have
>>> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
>>> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
>>> *FACT*; 2b2) the force and meaning of something which has definite
>>> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
>>> for one, cherish, pay attention to (1Th. 5:12);
>>>
>>> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
>>> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
>>> meanings:
>>>
>>> TO MAKE: It signifies the act of creating or producing something. For
>>> instance, in Homer’s Iliad, it is used in the context of creating or
>>> producing.
>>>
>>> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
>>> assumptions or implications. Archimedes, for example, employed this
>>> sense when solving geometric problems.
>>>
>>> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
>>> meaning of writing poetry. Aristophanes, the renowned playwright, used
>>> it in his works.
>>>
>>> Feel free to explore more about Ancient Greek words on Wiktionary [as
>>> you are doing]”
>>>
>>> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>
>>> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
>>> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
>>> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
>>> 3) to manage public affairs, transact public business; 3a) to exact
>>> tribute, revenue, debts; 4) to act;
>>>
>>> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
>>> v’s
>>> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>>>
>>> 45    19    68
>>> 67    44    21
>>> 20    69    43
>>>
>>> 69
>>> 114
>>> 135
>>> 203
>>> 247
>>> 267
>>> 334
>>> 377
>>> 396
>>>
>>> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING
>>> (diádochos)?}
>>>
>>> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>>>
>>> #4 --> #451 - PRAXIS OF RATIONALITY = #455
>>> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>>>
>>> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
>>> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>>>
>>> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
>>> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
>>> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
>>> have vision; 1a4) to look at, see, regard, look after, see after, learn
>>> about, observe, watch, look upon, look out, find out; 1a5) to see,
>>> observe, consider, look at, give attention to, discern, distinguish;
>>> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
>>> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
>>> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
>>> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
>>> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other,
>>> face;
>>>
>>> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
>>> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
>>> coalesce, to join together, put together; 1a) to unite or knit together:
>>> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
>>> gather, conclude, consider; 3) to cause a person to unite with one in a
>>> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
>>> teach, instruct, one
>>>
>>> ONTIC CHECKSUM TOTAL: #690
>>>
>>> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
>>> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
>>> station; 1a) to place in a certain order, to arrange, to assign a place,
>>> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
>>> ordain, order; 1b1) to appoint on one's own responsibility or authority;
>>> 1b2) to appoint mutually, i.e. agree upon;
>>>
>>> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>>>
>>> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
>>> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
>>> {%42})}
>>>
>>> #68 --> #451 - PRAXIS OF RATIONALITY = #519
>>> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>>>
>>> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
>>> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
>>> to feel, to think; 2a) to have an opinion of one's self, think of one's
>>> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
>>> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
>>> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
>>> cherish the same views, be harmonious; 3) to direct one's mind to a
>>> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
>>> 3b) to be of one's *PARTY*, side with him (in public affairs);
>>>
>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
>>> spaciousness is important, and I am delighted to see our architects
>>> planning on broad and spacious lines. Only thus shall we avoid the
>>> springing up of more towns in which the houses are cluttered up almost
>>> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
>>> If I were banished to a town of this kind, devoid of all beauty, I
>>> should lose heart and happiness just as surely as if I had been banished
>>> from my fatherland. I am therefore determined that some measure of
>>> culture and beauty shall penetrate even into the humblest of our towns,
>>> and that, step by step, the amenities of all our towns will reach a
>>> higher level. There is a lot of truth in the assertion that the culture
>>> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
>>> afford classic examples. It may well be that it is impossible for any
>>> city to achieve an appearance which is pleasing to our sense of culture,
>>> unless at some time or other some great man has breathed his inspiration
>>> into its walls. But we must at least see to it that from the ranks of
>>> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
>>> a worthy bearer not only of the torch of National Socialist supremacy,
>>> but also of its cultural way of life. If it is not always possible to
>>> find the right man in the person of every Kreisleiter (ie . District
>>> Leader was a Nazi Party political rank and title which existed as a
>>> political rank between 1930 and 1945 and as a Nazi Party title from as
>>> early as 1928), then with the help of the *PARTY* and its organisation
>>> we must ensure at least that the Kreisleiter becomes the central point
>>> of a measure of civilised amenity. Once this is accomplished, the way is
>>> open for a further progress along the path of civilisation and culture.”
>>> [pages 450, 451]
>>>
>>> 
>>> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
>>> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>>>
>>> Hollywood royalty will descend on a small remote town in Victoria's
>>> Gippsland region from next year. Walhalla, which has a population of
>>> only 20 permanent residents will be taken over by crews to film Ice Road
>>> 2: Road to the Sky over three weeks in January.
>>>
>>> The film is a sequel to the 2021 film The Ice Road, which was centred
>>> around a remote mine collapse in northern Canada.
>>>
>>> Walhalla is located about 185km east of Melbourne.
>>>
>>> Work has already started to transform the towns' buildings for the film,
>>> which will star actor LIAM NEESON.”
>>> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>>>
>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
>>> judge these things in the light of common progress. The bird is one
>>> degree in advance of the flying fish, which itself is higher than the
>>> ordinary fish; and in the same way, the air- craft is an advance on the
>>> ship—and the future belongs to the air.” [page 551]
>>>
>>> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
>>> BETWEEN GENIUS AND PRODIGY?
>>>
>>> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>>>
>>> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH
>>> (#313)}
>>>
>>> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>>>
>>> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
>>> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
>>> creature, person, appetite, mind, living being, desire, emotion,
>>> passion; 1a) that which breathes, the breathing substance or being,
>>> soul, the inner being of man; 1b) living being; 1c) living being (with
>>> life in the blood); 1d) the man himself, self, person or individual; 1e)
>>> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
>>> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
>>> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>>>
>>> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>>> make manifest or visible or known what has been hidden or unknown, to
>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>> actual and visible, realised; 1b) to make known by teaching; 1c) to
>>> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
>>> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
>>> become known, to be plainly recognised, thoroughly understood; 1e1)
>>> *WHO* *AND* *WHAT* *ONE* *IS*;
>>>
>>> Certainly! Let’s delve into the nuances that distinguish genius from
>>> prodigy:
>>>
>>> GENIUS: A genius is someone possessing exceptional intellectual or
>>> creative power or other natural abilities.
>>>
>>> They excel across a broad spectrum of skills and expertise.
>>>
>>> The term “genius” encompasses a wide range of talents and achievements.
>>>
>>> CHARACTERISTICS OF A GENIUS INCLUDE:
>>> - High level of intelligence
>>> ⁃ Creativity
>>> ⁃ Originality
>>> ⁃ Ability to think outside the box
>>> ⁃ Exceptional problem-solving skills.
>>>
>>> A genius revolutionizes a field of knowledge, pushing the boundaries of
>>> human understanding.
>>>
>>> ONTIC CHECKSUM TOTAL: #513
>>>
>>> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
>>> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
>>> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
>>> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
>>> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>>>
>>> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
>>> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
>>> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
>>> 2a2) the tackle and armament of vessels, used specifically of sails and
>>> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
>>> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
>>> deed;
>>>
>>> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
>>> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
>>> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
>>> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
>>> separateness;
>>>
>>> PRODIGY: A prodigy is typically a young person who demonstrates
>>> exceptional talent and ability in a specific field or subject.
>>>
>>> Their expertise is often focused on a particular domain, such as music,
>>> mathematics, or art.
>>>
>>> CHARACTERISTICS OF A PRODIGY INCLUDE:
>>> - Exceptional talent and ability
>>> - High level of skill and expertise in a specific area
>>> ⁃ Demonstrates this ability at a young age
>>> ⁃ Recognized for their exceptional achievements in their field.
>>>
>>> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
>>> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
>>> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>>>
>>> A prodigy masters an existing domain, showcasing remarkable abilities
>>> early in life.
>>>
>>> In summary, while both genius and prodigy represent extraordinary
>>> capabilities, a genius reshapes the world with groundbreaking ideas,
>>> whereas a prodigy dazzles us with their early mastery of a specific
>>> discipline. 🌟🧠✨”
>>>
>>>
>>>
>>
>>
>>
>


Click here to read the complete article
Re: -- OOPS NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ktla7aFmcmuU2@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31873&group=aus.politics#31873

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_OOPS_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHET
IC_OF_AWE:_IS_IT_IMITATION_(mimesis)_OR_SUCCEEDING_(di
ádochos)?
Date: Sun, 10 Dec 2023 19:12:26 +1100
Lines: 692
Message-ID: <ktla7aFmcmuU2@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net 4Ksfjd59Fj8EO7HRF3/n1Q+ZHSo30SHrK4oa5hp5QO4OIIY8NR
Cancel-Lock: sha1:1nRwip0k99jRLhnJQsgpb4HT6uI= sha256:da3XLt4rEwqUGhmCBVELJaL05fiHsWhrJP8pXCXYcKM=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
 by: dolf - Sun, 10 Dec 2023 08:12 UTC

YOUTUBE: “Doctor Who Devious Dalek production line”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

DALEK: “Activation signal detected.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a
distinguishing mark; 1b) banner; 1c) remembrance; 1d) miraculous sign;
1e) omen; 1f) warning; 2) token, ensign, standard, miracle, proof;

DALEK: “Revival Initiated.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50]
= anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life;
1a) to be restored to a correct life; 1a1) of one who returns to a
better moral state; 1b) to *REVIVE*, regain strength and vigour;

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

#241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200,
#7, #30] /
    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2,
#200, #7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 =
#34} 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10,
#5, #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought,
device; 1a) thought; 1b) device, plan, purpose; 1c) *INVENTION*;

#790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400,
#200, #1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go
or come forth of; 1a) with mention of the place out of which one goes,
or the point from which he departs; 1a1) of those who leave a place of
their own accord; 1a2) of those who are expelled or cast out; 1b)
metaph.; 1b1) to go out of an assembly, i.e. forsake it; 1b2) to come
forth from physically, arise from, to be born of; 1b3) to go forth from
one's power, escape from it in safety; 1b4) *TO* *COME* *FORTH* (from
privacy) into the world, before the public, (of those who by novelty of
opinion attract attention); 1b5) of things; i) of reports, rumours,
messages, precepts; ii) to be made known, declared; iii) to be spread,
to be proclaimed; iv) to come forth; 1) emitted as from the heart or the
mouth; 2) to flow forth from the body; 3) to emanate, issue; 31) used of
a sudden flash of lightning; 32) used of a thing vanishing; 33) used of
a hope which has disappeared;

ONTIC CHECKSUM TOTAL: #192

#516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
(H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
(Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) to cover
(for protection); 1c4) to cover over, spread over; 1c5) to cover,
overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
(Hithpael) to cover oneself, clothe oneself;

DEME CHECKSUM TOTAL: #506

#501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
(H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
representation, semblance;

YOUTUBE: “The construction of the Daleks”

<https://www.youtube.com/watch?v=utAq2oXe-Mo>

#406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9,
#1, #10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a)
to put out of the way entirely, abolish, put an end to ruin; 1b) render
useless; 1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT*
*TO* *DEATH*; 1e) metaph. to devote or give over to eternal misery in
hell; 1f) to perish, to be lost, ruined, destroyed; 2) to destroy; 2a)
to lose;

On 10/12/2023 11:55, dolf wrote:
> Well Doctor Jason,
>
> I thought of this yesterday but managed to wait for the right temporal
> slot to say goodbye...
>
> I'm old enough to say, "Well lad, I hope that this doesn't f@ck you
> over... thanks for the chat and bye"
>
> YOUTUBE: "Dalek Makes Emergency Temporal Shift | Evolution Of The Daleks
> | Doctor Who"
>
> <https://www.youtube.com/watch?v=AARDLkH7xM4&t=116s>
>
> GRAPPLE (398, 455)@[78, 18, 53, 24, 41, 34, 63, 64, 80] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:11.29&heuristic>
>
> {@9: Sup: 50 - VASTNESS / WASTING: T'ANG (#398); Ego: 80 - LABOURING:
> CH'IN (#455)}
>
>     #49 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#40, #6, #3] /
> #455 as [#6, #400, #40, #6, #3] = mûwg (H4127): {UMBRA: #49 % #41 = #8}
> 1) to melt, cause to melt; 1a) (Qal); 1a1) to melt, faint; 1a2) to cause
> to melt; 1b) (Niphal) to melt away; 1c) (Polel) *TO* *SOFTEN*,
> *DISSOLVE*, *DISSIPATE*; 1d) (Hithpolel) to melt, flow;
>
> #1562 - MALE CHECKSUM TOTAL: #398 as [#80, #100, #70, #200, #1, #50, #1,
> #30, #10, #200, #20, #800] = prosanalískō (G4321): {UMBRA: #1562 % #41 =
> #4} 1) to expend besides (i.e. upon *PHYSICIANS*);
>
> #2480 - FEME CHECKSUM TOTAL: #455 as [#300, #5, #300, #400, #500, #800,
> #40, #5, #50, #70, #10] = typhóō (G5187): {UMBRA: #2070 % #41 = #20} 1)
> to raise a smoke, *TO* *WRAP* *IN* *A* *MIST*; 1a) metaph.; 1a1) to make
> proud, puff up with pride, render insolent; 1a2) to be puffed up with
> haughtiness or pride; 1b) to blind with pride or conceit, to render
> foolish or stupid; 1b1) beclouded, besotted;
>
> ONTIC CHECKSUM TOTAL: #334
> #362 - ONTIC CHECKSUM TOTAL: #334 as [#10, #40, #6, #300, #6] = mûwsh
> (H4185): {UMBRA: #346 % #41 = #18} 1) to depart, remove; 1a) (Qal); 1a1)
> to *DEPART*; 1a2) to remove; 1a3) to be removed (of inanimate objects);
> 1b) (Hiphil) to remove, depart;
>
> DEME CHECKSUM TOTAL: #257
> #96 - DEME CHECKSUM TOTAL: #257 as [#40, #10, #6, #40] = yôwm (H3117):
> {UMBRA: #56 % #41 = #15} 1) day, time, year; 1a) day (as opposed to
> night); 1b) day (24 hour period); 1b1) as defined by evening and morning
> in Genesis 1; 1b2) as a division of time; i) a working day, a day's
> journey; 1b3) days, lifetime (pl.); 1b4) *TIME*, period (general); 1b5)
> year; 1b6) temporal references; i) today; ii) yesterday; iii) tomorrow;
>
> On 8/12/2023 16:51, dolf wrote:
>> dolf <dolfboek@hotmail.com> wrote:
>>> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
>>> (diádochos)?
>>>
>>> If you nuance your argument to FORESEE (proeídō) then I can provide
>>> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
>>> with TEMPORAL HEURISTIC / CHAT GPT as technology.  What we enjoy doing
>>> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
>>> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
>>> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>>>
>>
>> You say on page 26 that “Technē thus appears to consist of at least two
>> quite separate operations:
>>
>> - The capacity to immanently apprehend the function which involves a
>> certain immanence to the causal order, and
>> - A more specific materialist know-how (epistasthai) whose task is to put
>> into effect a change in the causal mechanism precipitated via the
>> function.”
>>
>> My greek isn’t very comprehensive, but I think that the difference lays
>> between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
>> where the later is an instance within the hypostasis ὑπό (hupó, “down,
>> under”) + στάσις (stásis, “standing”) as state / condition or statute
>> / law
>> where every instance is made in conformity to law of nature as causal
>> order.
>>
>> Given ὑπό what then is the possibility of δει as necessity
>>
>> it is necessary, there is need of, it behooves, is right and proper
>> - necessity lying in the nature of the case
>> - necessity brought on by circumstances or by the conduct of others
>> toward
>> us.
>> - necessity in reference to what is required to attain some end
>> - a necessity of law and command, of duty, equity
>>
>> Can one apprehend the hypostasis with its immanent causality and action
>> necessity as prerogative of duty?
>> 
BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
>> have the capability to apprehend the hypostasis. Thank you for your
>> understanding.🙏”
>>
>> <http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>
>>
>> GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE
>>
>> {@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}
>>
>> #349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
>> #868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of
>> one's
>> own accord to give one something, to his advantage; 2a1) to bestow a
>> gift;
>> 2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
>> *NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out,
>> extend,
>> present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
>> commit; i) something to be administered; ii) to give or commit to some
>> one
>> something to be religiously observed; 2d4) to give what is due or
>> obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
>> 2e1) to cause, profuse, give forth from one's self; i) to give, hand out
>> lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
>> the sea, death and Hell are said to give up the dead who have been
>> engulfed
>> or received by them; 2e4) to give one to someone as his own; i) as an
>> object of his saving care; ii) to give one to someone, to follow him as a
>> leader and master; iii) to give one to someone to care for his interests;
>> iv) to give one to someone to whom he already belonged, to return;
>> 2e5) to
>> grant or permit one; i) to commission;
>>
>> #718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
>> hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
>> endurance; 1a) in the NT the characteristic of a man who is not swerved
>> from his deliberate purpose and his loyalty to faith and piety by even
>> the
>> greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
>> patient, steadfast waiting for; 3) a patient enduring, sustaining,
>> perseverance;
>>
>> #310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
>> #200] /
>> #895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
>> to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
>> not to depart; i) to continue to be present; ii) to be held, kept,
>> continually; 1a3) in reference to time; i) to continue to be, not to
>> perish, to last, endure; 1) of persons, to survive, live; ii) in
>> reference
>> to state or condition; 1) to remain as one, not to become another or
>> different; iii) to wait for, await one;
>>
>> #1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #40, #5, #9, #1] /
>> #1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>> make manifest or visible or known what has been hidden or unknown, to
>> manifest, whether by words, or deeds, or in any other way; 1a) make
>> actual
>> and visible, realised; 1b) to make known by teaching; 1c) to become
>> manifest, be made known; 1d) of a person; 1d1) expose to view, make
>> manifest, to show one's self, appear; 1e) to become known, to be plainly
>> recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;
>>
>> #498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10,
>> #200] /
>> #902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
>> #9, #5] /
>> #903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
>> #5, #50, #70, #50] /
>> #1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #10] /
>> #1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
>> #1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #50, #1, #10] /
>> #1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #200, #5, #300, #1, #10] /
>> #1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 =
>> #22}
>> 1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
>> abound, to furnish or supply liberally; 1a1) I abound, I am liberally
>> supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the
>> top: so
>> that nothing shall be wanting to full measure, fill to the brim; 1b2) to
>> consummate: a number; i) to make complete in every particular, to render
>> perfect; ii) to carry through to the end, to accomplish, carry out, (some
>> undertaking); 1b3) to carry into effect, bring to realisation,
>> realise; i)
>> *OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
>> promises, prophecies, to bring to pass, ratify, accomplish; iii) to
>> fulfil,
>> i.e. to cause God's will (as made known in the law) to be obeyed as it
>> should be, and God's promises (given through the prophets) to receive
>> fulfilment;
>>
>>
>>
>>> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
>>> functional operation that makes possible the affections of praxis upon
>>> poiesis.” [page 33]
>>>
>>> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>>>
>>> THESIS: Creation and the Function of Art (Bloomsbury Studies in
>>> Continental Philosophy, 2018).
>>>
>>> One needs to presume that any Greek philosophical (Pythagoras: 570-495
>>> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
>>> construct would have a conception of the underlying BIPARTITE (@1, @5 -
>>> immaterial elements) to the THEORY OF NUMBER.
>>>
>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>>>
>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>>>
>>>     #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40,
>>> #200] /
>>> #247 as [#7, #40, #200] /
>>> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
>>> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
>>> music, sing; 1a2) to play a musical instrument;
>>> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>>>
>>> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>>>
>>> Given the foregoing argument by elimination, it seems best to conceive
>>> of the sublime as aesthetic awe. Ideally, this article has helped forge
>>> a bridge between the psychology of awe and the philosophy of the
>>> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>>>
>>> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
>>> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>>>
>>> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
>>> AWE?
>>>
>>> Awe, that sublime emotion that swells within us, transcending the
>>> ordinary and connecting us to something vast and profound. It’s as if
>>> our souls stretch their wings, yearning to touch the infinite.
>>>
>>> #247 as [#40, #6, #200, #1] /
>>> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
>>> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
>>> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
>>> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>>>
>>> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
>>> #17, #64]
>>>
>>> #42 #16 #65
>>> #64 #41 #18
>>> #17 #66 #40
>>> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
>>> AESTHETIC OF AWE)
>>>
>>> In the realm of art, this aesthetic of awe finds its home. Let us delve
>>> into its depths:
>>>
>>> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
>>> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
>>> aesthetic experience. It arises when we encounter an object or event of
>>> striking vastness or power. Imagine standing before a mountain peak, its
>>> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
>>> shares this mixed quality—a blend of reverence and wonder. Psychologists
>>> tell us that awe arises from perceiving vastness, followed by the need
>>> to make sense of it within our mental frameworks. Accommodation occurs,
>>> shifting our perspective and leaving us transformed.
>>>
>>> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
>>> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
>>> the expanse of ocean, or a star-studded sky. Now consider a painting
>>> capturing that same essence—the play of light on canvas, the artist’s
>>> brushstrokes echoing the vastness. Both real and artistic
>>> representations can elicit this sense of awe, bridging the gap between
>>> the tangible and the imagined.
>>>
>>> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
>>> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
>>> humanistic emotion, a reaction to the colossal, the rare, and the
>>> beautifully grand. Whether in music, visual art, or the natural world,
>>> aesthetic awe beckons us to explore the edges of our consciousness, to
>>> dance with the infinite, and to find beauty in the boundless.
>>>
>>> So, my fellow seeker of wonder, let us continue our journey through
>>> art’s vast landscapes, where awe and the sublime intertwine, inviting us
>>> to behold the ineffable and embrace the extraordinary.”
>>>
>>> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
>>> (#23: #474)}
>>>
>>> Translation: SAY IT
>>>
>>> #48 --> #451 - PRAXIS OF RATIONALITY = #499
>>> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>>>
>>> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
>>> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
>>> known; 2) to report, bring back tidings, rehearse;
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>
>>> The first people’s are those who possess first mind from before the
>>> foundation of world was established…
>>>
>>> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
>>> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
>>> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
>>> BACK: JUAN (#17)}:
>>>
>>> #59 --> #451 - PRAXIS OF RATIONALITY = #520
>>> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>>>
>>> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
>>> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
>>> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
>>> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
>>> depressed;
>>>
>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>
>>> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
>>> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>>>
>>> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
>>> before;
>>>
>>>      #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
>>> / [#5, #10, #4, #5, #50, #1, #10] /
>>>      #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
>>> #5] /
>>> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
>>> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
>>> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
>>> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
>>> attention, observe; 1d3) to see about something; i) i.e. to ascertain
>>> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
>>> behold; 1e) to experience any state or condition; 1f) to see i.e. have
>>> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
>>> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
>>> *FACT*; 2b2) the force and meaning of something which has definite
>>> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
>>> for one, cherish, pay attention to (1Th. 5:12);
>>>
>>> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
>>> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
>>> meanings:
>>>
>>> TO MAKE: It signifies the act of creating or producing something. For
>>> instance, in Homer’s Iliad, it is used in the context of creating or
>>> producing.
>>>
>>> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
>>> assumptions or implications. Archimedes, for example, employed this
>>> sense when solving geometric problems.
>>>
>>> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
>>> meaning of writing poetry. Aristophanes, the renowned playwright, used
>>> it in his works.
>>>
>>> Feel free to explore more about Ancient Greek words on Wiktionary [as
>>> you are doing]”
>>>
>>> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>
>>> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
>>> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
>>> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
>>> 3) to manage public affairs, transact public business; 3a) to exact
>>> tribute, revenue, debts; 4) to act;
>>>
>>> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
>>> v’s
>>> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>>>
>>> 45    19    68
>>> 67    44    21
>>> 20    69    43
>>>
>>> 69
>>> 114
>>> 135
>>> 203
>>> 247
>>> 267
>>> 334
>>> 377
>>> 396
>>>
>>> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING
>>> (diádochos)?}
>>>
>>> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>>>
>>> #4 --> #451 - PRAXIS OF RATIONALITY = #455
>>> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>>>
>>> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
>>> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>>>
>>> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
>>> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
>>> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
>>> have vision; 1a4) to look at, see, regard, look after, see after, learn
>>> about, observe, watch, look upon, look out, find out; 1a5) to see,
>>> observe, consider, look at, give attention to, discern, distinguish;
>>> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
>>> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
>>> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
>>> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
>>> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other,
>>> face;
>>>
>>> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
>>> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
>>> coalesce, to join together, put together; 1a) to unite or knit together:
>>> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
>>> gather, conclude, consider; 3) to cause a person to unite with one in a
>>> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
>>> teach, instruct, one
>>>
>>> ONTIC CHECKSUM TOTAL: #690
>>>
>>> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
>>> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
>>> station; 1a) to place in a certain order, to arrange, to assign a place,
>>> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
>>> ordain, order; 1b1) to appoint on one's own responsibility or authority;
>>> 1b2) to appoint mutually, i.e. agree upon;
>>>
>>> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>>>
>>> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
>>> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
>>> {%42})}
>>>
>>> #68 --> #451 - PRAXIS OF RATIONALITY = #519
>>> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>>>
>>> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
>>> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
>>> to feel, to think; 2a) to have an opinion of one's self, think of one's
>>> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
>>> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
>>> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
>>> cherish the same views, be harmonious; 3) to direct one's mind to a
>>> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
>>> 3b) to be of one's *PARTY*, side with him (in public affairs);
>>>
>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
>>> spaciousness is important, and I am delighted to see our architects
>>> planning on broad and spacious lines. Only thus shall we avoid the
>>> springing up of more towns in which the houses are cluttered up almost
>>> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
>>> If I were banished to a town of this kind, devoid of all beauty, I
>>> should lose heart and happiness just as surely as if I had been banished
>>> from my fatherland. I am therefore determined that some measure of
>>> culture and beauty shall penetrate even into the humblest of our towns,
>>> and that, step by step, the amenities of all our towns will reach a
>>> higher level. There is a lot of truth in the assertion that the culture
>>> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
>>> afford classic examples. It may well be that it is impossible for any
>>> city to achieve an appearance which is pleasing to our sense of culture,
>>> unless at some time or other some great man has breathed his inspiration
>>> into its walls. But we must at least see to it that from the ranks of
>>> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
>>> a worthy bearer not only of the torch of National Socialist supremacy,
>>> but also of its cultural way of life. If it is not always possible to
>>> find the right man in the person of every Kreisleiter (ie . District
>>> Leader was a Nazi Party political rank and title which existed as a
>>> political rank between 1930 and 1945 and as a Nazi Party title from as
>>> early as 1928), then with the help of the *PARTY* and its organisation
>>> we must ensure at least that the Kreisleiter becomes the central point
>>> of a measure of civilised amenity. Once this is accomplished, the way is
>>> open for a further progress along the path of civilisation and culture.”
>>> [pages 450, 451]
>>>
>>> 
>>> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
>>> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>>>
>>> Hollywood royalty will descend on a small remote town in Victoria's
>>> Gippsland region from next year. Walhalla, which has a population of
>>> only 20 permanent residents will be taken over by crews to film Ice Road
>>> 2: Road to the Sky over three weeks in January.
>>>
>>> The film is a sequel to the 2021 film The Ice Road, which was centred
>>> around a remote mine collapse in northern Canada.
>>>
>>> Walhalla is located about 185km east of Melbourne.
>>>
>>> Work has already started to transform the towns' buildings for the film,
>>> which will star actor LIAM NEESON.”
>>> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>>>
>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
>>> judge these things in the light of common progress. The bird is one
>>> degree in advance of the flying fish, which itself is higher than the
>>> ordinary fish; and in the same way, the air- craft is an advance on the
>>> ship—and the future belongs to the air.” [page 551]
>>>
>>> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
>>> BETWEEN GENIUS AND PRODIGY?
>>>
>>> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>>>
>>> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH
>>> (#313)}
>>>
>>> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>>>
>>> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
>>> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
>>> creature, person, appetite, mind, living being, desire, emotion,
>>> passion; 1a) that which breathes, the breathing substance or being,
>>> soul, the inner being of man; 1b) living being; 1c) living being (with
>>> life in the blood); 1d) the man himself, self, person or individual; 1e)
>>> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
>>> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
>>> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>>>
>>> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>>> make manifest or visible or known what has been hidden or unknown, to
>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>> actual and visible, realised; 1b) to make known by teaching; 1c) to
>>> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
>>> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
>>> become known, to be plainly recognised, thoroughly understood; 1e1)
>>> *WHO* *AND* *WHAT* *ONE* *IS*;
>>>
>>> Certainly! Let’s delve into the nuances that distinguish genius from
>>> prodigy:
>>>
>>> GENIUS: A genius is someone possessing exceptional intellectual or
>>> creative power or other natural abilities.
>>>
>>> They excel across a broad spectrum of skills and expertise.
>>>
>>> The term “genius” encompasses a wide range of talents and achievements.
>>>
>>> CHARACTERISTICS OF A GENIUS INCLUDE:
>>> - High level of intelligence
>>> ⁃ Creativity
>>> ⁃ Originality
>>> ⁃ Ability to think outside the box
>>> ⁃ Exceptional problem-solving skills.
>>>
>>> A genius revolutionizes a field of knowledge, pushing the boundaries of
>>> human understanding.
>>>
>>> ONTIC CHECKSUM TOTAL: #513
>>>
>>> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
>>> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
>>> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
>>> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
>>> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>>>
>>> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
>>> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
>>> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
>>> 2a2) the tackle and armament of vessels, used specifically of sails and
>>> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
>>> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
>>> deed;
>>>
>>> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
>>> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
>>> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
>>> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
>>> separateness;
>>>
>>> PRODIGY: A prodigy is typically a young person who demonstrates
>>> exceptional talent and ability in a specific field or subject.
>>>
>>> Their expertise is often focused on a particular domain, such as music,
>>> mathematics, or art.
>>>
>>> CHARACTERISTICS OF A PRODIGY INCLUDE:
>>> - Exceptional talent and ability
>>> - High level of skill and expertise in a specific area
>>> ⁃ Demonstrates this ability at a young age
>>> ⁃ Recognized for their exceptional achievements in their field.
>>>
>>> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
>>> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
>>> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>>>
>>> A prodigy masters an existing domain, showcasing remarkable abilities
>>> early in life.
>>>
>>> In summary, while both genius and prodigy represent extraordinary
>>> capabilities, a genius reshapes the world with groundbreaking ideas,
>>> whereas a prodigy dazzles us with their early mastery of a specific
>>> discipline. 🌟🧠✨”
>>>
>>>
>>>
>>
>>
>>
>


Click here to read the complete article
Re: -- OOPS NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ktlhhuFom53U1@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31874&group=aus.politics#31874

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_OOPS_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHET
IC_OF_AWE:_IS_IT_IMITATION_(mimesis)_OR_SUCCEEDING_(di
ádochos)?
Date: Sun, 10 Dec 2023 21:17:30 +1100
Lines: 700
Message-ID: <ktlhhuFom53U1@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net eyF6LnsHpnVSaGoqlH+KeQX1UQ/R26GReBpE+g5CWs0AkIqS3u
Cancel-Lock: sha1:IHWUYIj4GC+PGub2K1sAi2IXD4c= sha256:5/q+oCksOSXf9vCS65CTQ6IJJwtUyz6oy5hlr8iX6so=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
 by: dolf - Sun, 10 Dec 2023 10:17 UTC

In this example, I earlier today accessed the YOUTUBE video and placed
it into my reading list for quick access and by intuition accessed the
GRAPPLE TEMPORAL HEURISTIC in obtaining reasonable (ie. we discharged
the first selection as too focused on extermination rather than
production) matching CATEGORIES as teleological MALE / FEME and ONTIC /
DEME noumenon redaction which further substantiates the claim that
creative genius like human consciousness is a product of the hypostasis.

DALEK: “Activation signal detected.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a
distinguishing mark; 1b) banner; 1c) remembrance; 1d) miraculous sign;
1e) omen; 1f) warning; 2) token, ensign, standard, miracle, proof;

DALEK: “Revival Initiated.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50]
= anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life;
1a) to be restored to a correct life; 1a1) of one who returns to a
better moral state; 1b) to *REVIVE*, regain strength and vigour;

YOUTUBE: “Doctor Who Devious Dalek production line”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

#241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200,
#7, #30] /
    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2,
#200, #7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 =
#34} 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10,
#5, #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought,
device; 1a) thought; 1b) device, plan, purpose; 1c) *INVENTION*;

#790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400,
#200, #1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go
or come forth of; 1a) with mention of the place out of which one goes,
or the point from which he departs; 1a1) of those who leave a place of
their own accord; 1a2) of those who are expelled or cast out; 1b)
metaph.; 1b1) to go out of an assembly, i.e. forsake it; 1b2) to come
forth from physically, arise from, to be born of; 1b3) to go forth from
one's power, escape from it in safety; 1b4) *TO* *COME* *FORTH* (from
privacy) into the world, before the public, (of those who by novelty of
opinion attract attention); 1b5) of things; i) of reports, rumours,
messages, precepts; ii) to be made known, declared; iii) to be spread,
to be proclaimed; iv) to come forth; 1) emitted as from the heart or the
mouth; 2) to flow forth from the body; 3) to emanate, issue; 31) used of
a sudden flash of lightning; 32) used of a thing vanishing; 33) used of
a hope which has disappeared;

ONTIC CHECKSUM TOTAL: #192

#516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
(H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
(Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) to cover
(for protection); 1c4) to cover over, spread over; 1c5) to cover,
overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
(Hithpael) to cover oneself, clothe oneself;

DEME CHECKSUM TOTAL: #506

#501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
(H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
representation, semblance;

YOUTUBE: “The construction of the Daleks”

<https://www.youtube.com/watch?v=utAq2oXe-Mo>

#406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9,
#1, #10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a)
to put out of the way entirely, abolish, put an end to ruin; 1b) render
useless; 1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT*
*TO* *DEATH*; 1e) metaph. to devote or give over to eternal misery in
hell; 1f) to perish, to be lost, ruined, destroyed; 2) to destroy; 2a)
to lose;

On 10/12/2023 11:55, dolf wrote:
> Well Doctor Jason,
>
> I thought of this yesterday but managed to wait for the right temporal
> slot to say goodbye...
>
> I'm old enough to say, "Well lad, I hope that this doesn't f@ck you
> over... thanks for the chat and bye"
>
> YOUTUBE: "Dalek Makes Emergency Temporal Shift | Evolution Of The Daleks
> | Doctor Who"
>
> <https://www.youtube.com/watch?v=AARDLkH7xM4&t=116s>
>
> GRAPPLE (398, 455)@[78, 18, 53, 24, 41, 34, 63, 64, 80] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:11.29&heuristic>
>
> {@9: Sup: 50 - VASTNESS / WASTING: T'ANG (#398); Ego: 80 - LABOURING:
> CH'IN (#455)}
>
>     #49 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#40, #6, #3] /
> #455 as [#6, #400, #40, #6, #3] = mûwg (H4127): {UMBRA: #49 % #41 = #8}
> 1) to melt, cause to melt; 1a) (Qal); 1a1) to melt, faint; 1a2) to cause
> to melt; 1b) (Niphal) to melt away; 1c) (Polel) *TO* *SOFTEN*,
> *DISSOLVE*, *DISSIPATE*; 1d) (Hithpolel) to melt, flow;
>
> #1562 - MALE CHECKSUM TOTAL: #398 as [#80, #100, #70, #200, #1, #50, #1,
> #30, #10, #200, #20, #800] = prosanalískō (G4321): {UMBRA: #1562 % #41 =
> #4} 1) to expend besides (i.e. upon *PHYSICIANS*);
>
> #2480 - FEME CHECKSUM TOTAL: #455 as [#300, #5, #300, #400, #500, #800,
> #40, #5, #50, #70, #10] = typhóō (G5187): {UMBRA: #2070 % #41 = #20} 1)
> to raise a smoke, *TO* *WRAP* *IN* *A* *MIST*; 1a) metaph.; 1a1) to make
> proud, puff up with pride, render insolent; 1a2) to be puffed up with
> haughtiness or pride; 1b) to blind with pride or conceit, to render
> foolish or stupid; 1b1) beclouded, besotted;
>
> ONTIC CHECKSUM TOTAL: #334
> #362 - ONTIC CHECKSUM TOTAL: #334 as [#10, #40, #6, #300, #6] = mûwsh
> (H4185): {UMBRA: #346 % #41 = #18} 1) to depart, remove; 1a) (Qal); 1a1)
> to *DEPART*; 1a2) to remove; 1a3) to be removed (of inanimate objects);
> 1b) (Hiphil) to remove, depart;
>
> DEME CHECKSUM TOTAL: #257
> #96 - DEME CHECKSUM TOTAL: #257 as [#40, #10, #6, #40] = yôwm (H3117):
> {UMBRA: #56 % #41 = #15} 1) day, time, year; 1a) day (as opposed to
> night); 1b) day (24 hour period); 1b1) as defined by evening and morning
> in Genesis 1; 1b2) as a division of time; i) a working day, a day's
> journey; 1b3) days, lifetime (pl.); 1b4) *TIME*, period (general); 1b5)
> year; 1b6) temporal references; i) today; ii) yesterday; iii) tomorrow;
>
> On 8/12/2023 16:51, dolf wrote:
>> dolf <dolfboek@hotmail.com> wrote:
>>> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
>>> (diádochos)?
>>>
>>> If you nuance your argument to FORESEE (proeídō) then I can provide
>>> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
>>> with TEMPORAL HEURISTIC / CHAT GPT as technology.  What we enjoy doing
>>> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
>>> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
>>> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>>>
>>
>> You say on page 26 that “Technē thus appears to consist of at least two
>> quite separate operations:
>>
>> - The capacity to immanently apprehend the function which involves a
>> certain immanence to the causal order, and
>> - A more specific materialist know-how (epistasthai) whose task is to put
>> into effect a change in the causal mechanism precipitated via the
>> function.”
>>
>> My greek isn’t very comprehensive, but I think that the difference lays
>> between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
>> where the later is an instance within the hypostasis ὑπό (hupó, “down,
>> under”) + στάσις (stásis, “standing”) as state / condition or statute
>> / law
>> where every instance is made in conformity to law of nature as causal
>> order.
>>
>> Given ὑπό what then is the possibility of δει as necessity
>>
>> it is necessary, there is need of, it behooves, is right and proper
>> - necessity lying in the nature of the case
>> - necessity brought on by circumstances or by the conduct of others
>> toward
>> us.
>> - necessity in reference to what is required to attain some end
>> - a necessity of law and command, of duty, equity
>>
>> Can one apprehend the hypostasis with its immanent causality and action
>> necessity as prerogative of duty?
>> 
BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
>> have the capability to apprehend the hypostasis. Thank you for your
>> understanding.🙏”
>>
>> <http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>
>>
>> GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE
>>
>> {@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}
>>
>> #349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
>> #868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of
>> one's
>> own accord to give one something, to his advantage; 2a1) to bestow a
>> gift;
>> 2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
>> *NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out,
>> extend,
>> present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
>> commit; i) something to be administered; ii) to give or commit to some
>> one
>> something to be religiously observed; 2d4) to give what is due or
>> obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
>> 2e1) to cause, profuse, give forth from one's self; i) to give, hand out
>> lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
>> the sea, death and Hell are said to give up the dead who have been
>> engulfed
>> or received by them; 2e4) to give one to someone as his own; i) as an
>> object of his saving care; ii) to give one to someone, to follow him as a
>> leader and master; iii) to give one to someone to care for his interests;
>> iv) to give one to someone to whom he already belonged, to return;
>> 2e5) to
>> grant or permit one; i) to commission;
>>
>> #718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
>> hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
>> endurance; 1a) in the NT the characteristic of a man who is not swerved
>> from his deliberate purpose and his loyalty to faith and piety by even
>> the
>> greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
>> patient, steadfast waiting for; 3) a patient enduring, sustaining,
>> perseverance;
>>
>> #310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
>> #200] /
>> #895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
>> to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
>> not to depart; i) to continue to be present; ii) to be held, kept,
>> continually; 1a3) in reference to time; i) to continue to be, not to
>> perish, to last, endure; 1) of persons, to survive, live; ii) in
>> reference
>> to state or condition; 1) to remain as one, not to become another or
>> different; iii) to wait for, await one;
>>
>> #1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #40, #5, #9, #1] /
>> #1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>> make manifest or visible or known what has been hidden or unknown, to
>> manifest, whether by words, or deeds, or in any other way; 1a) make
>> actual
>> and visible, realised; 1b) to make known by teaching; 1c) to become
>> manifest, be made known; 1d) of a person; 1d1) expose to view, make
>> manifest, to show one's self, appear; 1e) to become known, to be plainly
>> recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;
>>
>> #498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10,
>> #200] /
>> #902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
>> #9, #5] /
>> #903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
>> #5, #50, #70, #50] /
>> #1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #10] /
>> #1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
>> #1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #50, #1, #10] /
>> #1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #200, #5, #300, #1, #10] /
>> #1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>> #200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 =
>> #22}
>> 1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
>> abound, to furnish or supply liberally; 1a1) I abound, I am liberally
>> supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the
>> top: so
>> that nothing shall be wanting to full measure, fill to the brim; 1b2) to
>> consummate: a number; i) to make complete in every particular, to render
>> perfect; ii) to carry through to the end, to accomplish, carry out, (some
>> undertaking); 1b3) to carry into effect, bring to realisation,
>> realise; i)
>> *OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
>> promises, prophecies, to bring to pass, ratify, accomplish; iii) to
>> fulfil,
>> i.e. to cause God's will (as made known in the law) to be obeyed as it
>> should be, and God's promises (given through the prophets) to receive
>> fulfilment;
>>
>>
>>
>>> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
>>> functional operation that makes possible the affections of praxis upon
>>> poiesis.” [page 33]
>>>
>>> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>>>
>>> THESIS: Creation and the Function of Art (Bloomsbury Studies in
>>> Continental Philosophy, 2018).
>>>
>>> One needs to presume that any Greek philosophical (Pythagoras: 570-495
>>> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
>>> construct would have a conception of the underlying BIPARTITE (@1, @5 -
>>> immaterial elements) to the THEORY OF NUMBER.
>>>
>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>>>
>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>>>
>>>     #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40,
>>> #200] /
>>> #247 as [#7, #40, #200] /
>>> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
>>> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
>>> music, sing; 1a2) to play a musical instrument;
>>> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>>>
>>> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>>>
>>> Given the foregoing argument by elimination, it seems best to conceive
>>> of the sublime as aesthetic awe. Ideally, this article has helped forge
>>> a bridge between the psychology of awe and the philosophy of the
>>> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>>>
>>> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
>>> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>>>
>>> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
>>> AWE?
>>>
>>> Awe, that sublime emotion that swells within us, transcending the
>>> ordinary and connecting us to something vast and profound. It’s as if
>>> our souls stretch their wings, yearning to touch the infinite.
>>>
>>> #247 as [#40, #6, #200, #1] /
>>> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
>>> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
>>> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
>>> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>>>
>>> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
>>> #17, #64]
>>>
>>> #42 #16 #65
>>> #64 #41 #18
>>> #17 #66 #40
>>> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
>>> AESTHETIC OF AWE)
>>>
>>> In the realm of art, this aesthetic of awe finds its home. Let us delve
>>> into its depths:
>>>
>>> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
>>> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
>>> aesthetic experience. It arises when we encounter an object or event of
>>> striking vastness or power. Imagine standing before a mountain peak, its
>>> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
>>> shares this mixed quality—a blend of reverence and wonder. Psychologists
>>> tell us that awe arises from perceiving vastness, followed by the need
>>> to make sense of it within our mental frameworks. Accommodation occurs,
>>> shifting our perspective and leaving us transformed.
>>>
>>> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
>>> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
>>> the expanse of ocean, or a star-studded sky. Now consider a painting
>>> capturing that same essence—the play of light on canvas, the artist’s
>>> brushstrokes echoing the vastness. Both real and artistic
>>> representations can elicit this sense of awe, bridging the gap between
>>> the tangible and the imagined.
>>>
>>> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
>>> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
>>> humanistic emotion, a reaction to the colossal, the rare, and the
>>> beautifully grand. Whether in music, visual art, or the natural world,
>>> aesthetic awe beckons us to explore the edges of our consciousness, to
>>> dance with the infinite, and to find beauty in the boundless.
>>>
>>> So, my fellow seeker of wonder, let us continue our journey through
>>> art’s vast landscapes, where awe and the sublime intertwine, inviting us
>>> to behold the ineffable and embrace the extraordinary.”
>>>
>>> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
>>> (#23: #474)}
>>>
>>> Translation: SAY IT
>>>
>>> #48 --> #451 - PRAXIS OF RATIONALITY = #499
>>> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>>>
>>> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
>>> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
>>> known; 2) to report, bring back tidings, rehearse;
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>
>>> The first people’s are those who possess first mind from before the
>>> foundation of world was established…
>>>
>>> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
>>> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
>>> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
>>> BACK: JUAN (#17)}:
>>>
>>> #59 --> #451 - PRAXIS OF RATIONALITY = #520
>>> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>>>
>>> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
>>> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
>>> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
>>> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
>>> depressed;
>>>
>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>
>>> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
>>> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>>>
>>> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
>>> before;
>>>
>>>      #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
>>> / [#5, #10, #4, #5, #50, #1, #10] /
>>>      #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
>>> #5] /
>>> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
>>> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
>>> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
>>> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
>>> attention, observe; 1d3) to see about something; i) i.e. to ascertain
>>> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
>>> behold; 1e) to experience any state or condition; 1f) to see i.e. have
>>> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
>>> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
>>> *FACT*; 2b2) the force and meaning of something which has definite
>>> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
>>> for one, cherish, pay attention to (1Th. 5:12);
>>>
>>> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
>>> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
>>> meanings:
>>>
>>> TO MAKE: It signifies the act of creating or producing something. For
>>> instance, in Homer’s Iliad, it is used in the context of creating or
>>> producing.
>>>
>>> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
>>> assumptions or implications. Archimedes, for example, employed this
>>> sense when solving geometric problems.
>>>
>>> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
>>> meaning of writing poetry. Aristophanes, the renowned playwright, used
>>> it in his works.
>>>
>>> Feel free to explore more about Ancient Greek words on Wiktionary [as
>>> you are doing]”
>>>
>>> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>
>>> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
>>> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
>>> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
>>> 3) to manage public affairs, transact public business; 3a) to exact
>>> tribute, revenue, debts; 4) to act;
>>>
>>> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
>>> v’s
>>> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>>>
>>> 45    19    68
>>> 67    44    21
>>> 20    69    43
>>>
>>> 69
>>> 114
>>> 135
>>> 203
>>> 247
>>> 267
>>> 334
>>> 377
>>> 396
>>>
>>> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING
>>> (diádochos)?}
>>>
>>> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>>>
>>> #4 --> #451 - PRAXIS OF RATIONALITY = #455
>>> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>>>
>>> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
>>> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>>>
>>> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
>>> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
>>> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
>>> have vision; 1a4) to look at, see, regard, look after, see after, learn
>>> about, observe, watch, look upon, look out, find out; 1a5) to see,
>>> observe, consider, look at, give attention to, discern, distinguish;
>>> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
>>> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
>>> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
>>> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
>>> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other,
>>> face;
>>>
>>> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
>>> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
>>> coalesce, to join together, put together; 1a) to unite or knit together:
>>> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
>>> gather, conclude, consider; 3) to cause a person to unite with one in a
>>> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
>>> teach, instruct, one
>>>
>>> ONTIC CHECKSUM TOTAL: #690
>>>
>>> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
>>> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
>>> station; 1a) to place in a certain order, to arrange, to assign a place,
>>> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
>>> ordain, order; 1b1) to appoint on one's own responsibility or authority;
>>> 1b2) to appoint mutually, i.e. agree upon;
>>>
>>> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>>>
>>> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
>>> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
>>> {%42})}
>>>
>>> #68 --> #451 - PRAXIS OF RATIONALITY = #519
>>> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>>>
>>> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
>>> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
>>> to feel, to think; 2a) to have an opinion of one's self, think of one's
>>> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
>>> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
>>> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
>>> cherish the same views, be harmonious; 3) to direct one's mind to a
>>> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
>>> 3b) to be of one's *PARTY*, side with him (in public affairs);
>>>
>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
>>> spaciousness is important, and I am delighted to see our architects
>>> planning on broad and spacious lines. Only thus shall we avoid the
>>> springing up of more towns in which the houses are cluttered up almost
>>> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
>>> If I were banished to a town of this kind, devoid of all beauty, I
>>> should lose heart and happiness just as surely as if I had been banished
>>> from my fatherland. I am therefore determined that some measure of
>>> culture and beauty shall penetrate even into the humblest of our towns,
>>> and that, step by step, the amenities of all our towns will reach a
>>> higher level. There is a lot of truth in the assertion that the culture
>>> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
>>> afford classic examples. It may well be that it is impossible for any
>>> city to achieve an appearance which is pleasing to our sense of culture,
>>> unless at some time or other some great man has breathed his inspiration
>>> into its walls. But we must at least see to it that from the ranks of
>>> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
>>> a worthy bearer not only of the torch of National Socialist supremacy,
>>> but also of its cultural way of life. If it is not always possible to
>>> find the right man in the person of every Kreisleiter (ie . District
>>> Leader was a Nazi Party political rank and title which existed as a
>>> political rank between 1930 and 1945 and as a Nazi Party title from as
>>> early as 1928), then with the help of the *PARTY* and its organisation
>>> we must ensure at least that the Kreisleiter becomes the central point
>>> of a measure of civilised amenity. Once this is accomplished, the way is
>>> open for a further progress along the path of civilisation and culture.”
>>> [pages 450, 451]
>>>
>>> 
>>> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
>>> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>>>
>>> Hollywood royalty will descend on a small remote town in Victoria's
>>> Gippsland region from next year. Walhalla, which has a population of
>>> only 20 permanent residents will be taken over by crews to film Ice Road
>>> 2: Road to the Sky over three weeks in January.
>>>
>>> The film is a sequel to the 2021 film The Ice Road, which was centred
>>> around a remote mine collapse in northern Canada.
>>>
>>> Walhalla is located about 185km east of Melbourne.
>>>
>>> Work has already started to transform the towns' buildings for the film,
>>> which will star actor LIAM NEESON.”
>>> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>>>
>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
>>> judge these things in the light of common progress. The bird is one
>>> degree in advance of the flying fish, which itself is higher than the
>>> ordinary fish; and in the same way, the air- craft is an advance on the
>>> ship—and the future belongs to the air.” [page 551]
>>>
>>> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
>>> BETWEEN GENIUS AND PRODIGY?
>>>
>>> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>>>
>>> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH
>>> (#313)}
>>>
>>> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>>>
>>> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
>>> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
>>> creature, person, appetite, mind, living being, desire, emotion,
>>> passion; 1a) that which breathes, the breathing substance or being,
>>> soul, the inner being of man; 1b) living being; 1c) living being (with
>>> life in the blood); 1d) the man himself, self, person or individual; 1e)
>>> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
>>> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
>>> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>>>
>>> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>>> make manifest or visible or known what has been hidden or unknown, to
>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>> actual and visible, realised; 1b) to make known by teaching; 1c) to
>>> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
>>> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
>>> become known, to be plainly recognised, thoroughly understood; 1e1)
>>> *WHO* *AND* *WHAT* *ONE* *IS*;
>>>
>>> Certainly! Let’s delve into the nuances that distinguish genius from
>>> prodigy:
>>>
>>> GENIUS: A genius is someone possessing exceptional intellectual or
>>> creative power or other natural abilities.
>>>
>>> They excel across a broad spectrum of skills and expertise.
>>>
>>> The term “genius” encompasses a wide range of talents and achievements.
>>>
>>> CHARACTERISTICS OF A GENIUS INCLUDE:
>>> - High level of intelligence
>>> ⁃ Creativity
>>> ⁃ Originality
>>> ⁃ Ability to think outside the box
>>> ⁃ Exceptional problem-solving skills.
>>>
>>> A genius revolutionizes a field of knowledge, pushing the boundaries of
>>> human understanding.
>>>
>>> ONTIC CHECKSUM TOTAL: #513
>>>
>>> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
>>> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
>>> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
>>> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
>>> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>>>
>>> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
>>> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
>>> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
>>> 2a2) the tackle and armament of vessels, used specifically of sails and
>>> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
>>> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
>>> deed;
>>>
>>> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
>>> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
>>> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
>>> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
>>> separateness;
>>>
>>> PRODIGY: A prodigy is typically a young person who demonstrates
>>> exceptional talent and ability in a specific field or subject.
>>>
>>> Their expertise is often focused on a particular domain, such as music,
>>> mathematics, or art.
>>>
>>> CHARACTERISTICS OF A PRODIGY INCLUDE:
>>> - Exceptional talent and ability
>>> - High level of skill and expertise in a specific area
>>> ⁃ Demonstrates this ability at a young age
>>> ⁃ Recognized for their exceptional achievements in their field.
>>>
>>> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
>>> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
>>> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>>>
>>> A prodigy masters an existing domain, showcasing remarkable abilities
>>> early in life.
>>>
>>> In summary, while both genius and prodigy represent extraordinary
>>> capabilities, a genius reshapes the world with groundbreaking ideas,
>>> whereas a prodigy dazzles us with their early mastery of a specific
>>> discipline. 🌟🧠✨”
>>>
>>>
>>>
>>
>>
>>
>


Click here to read the complete article
Re: -- UPDATE ON ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ktn1liF5gsbU1@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31883&group=aus.politics#31883

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_UPDATE_ON_ART_AND_THE_AESTHETIC_OF_AWE:_IS_IT_
IMITATION_(mimesis)_OR_SUCCEEDING_(diádochos)?
Date: Mon, 11 Dec 2023 10:58:41 +1100
Lines: 907
Message-ID: <ktn1liF5gsbU1@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
<ktlhhuFom53U1@mid.individual.net>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net C26o/4npZ7mecevjqNXAMwnyhlUrhTZsah0tnsTvZvvv9d7g9X
Cancel-Lock: sha1:/LL7o/qu5PaFjJJjNFbbHnKgGn0= sha256:PV6tTAx6KsH6W92tfkB1moT/9/PfEqWNx4QL8mR8JQY=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <ktlhhuFom53U1@mid.individual.net>
 by: dolf - Sun, 10 Dec 2023 23:58 UTC

We've augmented the earlier example with consciousness #1515 = émphytos
(G1721): *IMPLANTED* *BY* *NATURE*

#649 - FEME CHECKSUM TOTAL: #244 as [#6, #400, #80, #100, #8, #50, #5] =
pâqach (H6491): {UMBRA: #188 % #41 = #24} 1) to open (the eyes); 1a)
(Qal); 1a1) to open (the eyes); 1a2) to open (the ears); 1b) (Niphal) to
be opened;

META-DESCRIPTIVE (#0 - EX NIHILO, #40, #41, #81) PROTOTYPE STANDARD, as
the rational product of PRAXIS which is then #1515 = #491 + #492 + #532
as [#5, #40, #500, #400, #300, #70, #200] = émphytos (G1721): {UMBRA:
#1515 % #41 = #39} 1) inborn, *IMPLANTED* *BY* *NATURE*, implanted by
others instruction;

PROTOTYPE *DIALECTIC* TO CONSCIOUSNESS
#5 - ACT OF NATURE / NATURE REJOICES IN ITS NATURE: {HE}
#20 - TRANSFORMING NATURE: {RESH / DOUBLE - FORM OF NATURE (AUTONOMOUS
NATURE)}
#6 - FORM OF NATURE / NATURE SURMOUNTS NATURE: {VAV}
#13 - *NATURE* *CONTAINS* *NATURE*: {MEM}
#1 - NATURE CONTAINS NATURE: {ALEPH}
— AUTONOMOUS DELIMITER —> #8 - TRANSFORMING NATURE / ACT OF NATURE: {CHETH)}

<https://youtu.be/KGIluXdfXqY?feature=shared&t=61>

#10 - TOTALITY OF NATURE / ENGENDERING NATURE: {YOD}
#15 - NATURE SURMOUNTS NATURE: {SAMEK}
#12 - AUTONOMOUS NATURE: {LAMED}
#18 - FORM OF NATURE: {TSADE}

#450 + #1 - SELF AS PROGRESSION

#730 - FEME CHECKSUM TOTAL: #244 as [#70, #500, #9, #1, #30, #40, #70,
#10] = ophthalmós (G3788): {UMBRA: #920 % #41 = #18} 1) the eye; 2)
metaph. the eyes of the mind, the faculty of knowing;

BING CHAT GPT @ 1019 HRS ON 11 DECEMBER 2023: “WHAT IS CONSCIOUSNESS?

**Consciousness**, at its simplest, is **awareness of internal and
external existence**. It encompasses a rich tapestry of experiences,
thoughts, feelings, and perceptions that make up our subjective reality.
Let's explore this fascinating phenomenon:

1. **Definition**:
- According to the **Oxford Living Dictionary**, consciousness is:
- **The state of being aware of and responsive to one's
surroundings**.
- **A person's awareness or perception of something**.
- **The fact of awareness by the mind of itself and the world**¹.
- In psychology, consciousness refers to **individual awareness of
unique thoughts, memories, feelings, sensations, and environments**.
Essentially, it's your **awareness of yourself and the world around you**².

2. **Aspects of Consciousness**:
- **Subjective Experience**: Consciousness allows you to **think,
remember, and feel**. It's your actual **experience of the world**,
including thoughts, sensations, and decision-making.
- **Observer's Perspective**: It also includes the **appearance of
awareness to an observer**—how others perceive your conscious state³.

3. **Historical Origins**:
- The concept of consciousness has a long history:
- Ancient philosophers, theologians, and scientists have debated
its nature.
- Aristotle, for instance, linked perceptual awareness to what we
now consider consciousness.
- John Locke's influential work in the 17th century defined
consciousness as **"the perception of what passes in a man's own mind"**.
- Samuel Johnson's celebrated dictionary included Locke's definition.
- The term "consciousness" itself has evolved over time, with
early English uses dating back to the 1500s¹.

GRAPPLE (356, 242)@[12, 9, 32, 7, 41, 5, 39, 38, 59] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.11&time:10.19hrs&heuristic>

{@9: Sup: 80 - LABOURING: CH'IN (#356); Ego: 59 - MASSING: CHU (#242)}

#233 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#7, #20, #6,
#200] / [#7, #20, #200, #6] /
    #258 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#1, #7, #20,
#200, #20, #10] /
    #272 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#30, #5, #7,
#20, #10, #200] /
    #283 as [#7, #20, #200, #50, #6] /
#242 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#5, #7, #20, #10,
#200] = zâkar (H2142): {UMBRA: #227 % #41 = #22} 1) to remember, recall,
call to mind; 1a) (Qal) to remember, recall; 1b) (Niphal) to be brought
to remembrance, be remembered, be thought of, be brought to mind; 1c)
(Hiphil); 1c1) to cause to remember, remind; 1c2) to cause to be
remembered, keep in remembrance; 1c3) to mention; 1c4) to record; 1c5)
to make a memorial, make remembrance;

In summary, consciousness is the intricate fabric that *WEAVES* together
our inner thoughts, self-awareness, and perception of the external
world. It remains a captivating mystery, inviting us to explore its
depths and ponder the right questions about our existence.”

#749 - MALE CHECKSUM TOTAL: #356 as [#6, #5, #6, #300, #2, #400, #10,
#20] = yâshab (H3427): {UMBRA: #312 % #41 = #25} 1) to dwell, remain,
sit, abide; 1a) (Qal); 1a1) to sit, sit down; 1a2) to be set; 1a3) to
remain, stay; 1a4) to dwell, have one's abode; 1b) (Niphal) to be
inhabited; 1c) (Piel) to set, place; 1d) (Hiphil); 1d1) to cause to sit;
1d2) to cause to abide, set; 1d3) to cause to dwell; 1d4) to cause
(cities) to be inhabited; 1d5) to marry (give an dwelling to); 1e)
(Hophal); 1e1) to be inhabited; 1e2) to make to dwell;

#728 - FEME CHECKSUM TOTAL: #242 as [#8, #200, #80, #400, #40] = châraph
(H2778): {UMBRA: #288 % #41 = #1} 1) to reproach, taunt, *BLASPHEME*,
defy, jeopardise, rail, upbraid; 1a) (Qal) to reproach; 1b) (Piel) to
reproach, defy, taunt; 2) (Qal) to winter, spend harvest time, remain in
harvest time; 3) (Niphal) to acquire, be betrothed;

YOUTUBE: “God of all Daleks - Doctor Who Unreleased Music”

<https://www.youtube.com/watch?v=XgZVzB3x4l8>

#971 - FEME CHECKSUM TOTAL: #242 as [#40, #400, #1, #40, #90, #400] =
ʼâmats (H553): {UMBRA: #131 % #41 = #8} 1) to be strong, alert,
courageous, brave, stout, bold, solid, hard; 1a) (Qal) to be strong,
brave, bold; 1b) (Piel) to strengthen, secure (for oneself), harden
(heart), make firm, make obstinate, assure; 1c) (Hithpael) to be
determined, to make oneself alert, strengthen oneself, confirm oneself,
persist in, prove superior to; 1d) (Hiphil) to exhibit strength, be
strong, feel strong;

ONTIC CHECKSUM TOTAL: #589

#1226 - ONTIC CHECKSUM TOTAL: #589 as [#5, #200, #1, #10, #400, #10,
#600] = râʼâh (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at,
inspect, perceive, consider; 1a) (Qal); 1a1) to see; 1a2) to see,
perceive; 1a3) to see, have vision; 1a4) to look at, see, regard, look
after, see after, learn about, observe, watch, look upon, look out, find
out; 1a5) to see, observe, consider, look at, give attention to,
discern, distinguish; 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to
appear, present oneself; 1b2) to be seen; 1b3) to be visible; 1c) (Pual)
to be seen; 1d) (Hiphil); 1d1) to cause to see, show; 1d2) to cause to
look intently at, behold, cause to gaze at; 1e) (Hophal); 1e1) to be
caused to see, be shown; 1e2) to be exhibited to; 1f) (Hithpael) to look
at each other, face;

DEME CHECKSUM TOTAL: #106

#210 - DEME CHECKSUM TOTAL: #106 as [#6, #1, #200, #3] = ʼârag (H707):
{UMBRA: #204 % #41 = #40} 1) to *WEAVE*; 1a) (Qal); 1a1) to weave
(cloth); 1a2) to braid (Samson's hair); 1a3) weaver (subst.); 1a4)
intrigue (fig.);

On 10/12/2023 21:17, dolf wrote:
> In this example, I earlier today accessed the YOUTUBE video and placed
> it into my reading list for quick access and by intuition accessed the
> GRAPPLE TEMPORAL HEURISTIC in obtaining reasonable (ie. we discharged
> the first selection as too focused on extermination rather than
> production) matching CATEGORIES as teleological MALE / FEME and ONTIC /
> DEME noumenon redaction which further substantiates the claim that
> creative genius like human consciousness is a product of the hypostasis.
>
> DALEK: “Activation signal detected.”
>
> #1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
> (H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a
> distinguishing mark; 1b) banner; 1c) remembrance; 1d) miraculous sign;
> 1e) omen; 1f) warning; 2) token, ensign, standard, miracle, proof;
>
> DALEK: “Revival Initiated.”
>
> #322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50]
> = anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life;
> 1a) to be restored to a correct life; 1a1) of one who returns to a
> better moral state; 1b) to *REVIVE*, regain strength and vigour;
>
> YOUTUBE: “Doctor Who Devious Dalek production line”
>
> <https://www.youtube.com/watch?v=KGIluXdfXqY>
>
> GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic>
>
> {@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}
>
>     #241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200,
> #7, #30] /
>     #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2,
> #200, #7, #30] /
> #244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 =
> #34} 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
> utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
> *OPPRESSION* (fig.);
>
> #811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10,
> #5, #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought,
> device; 1a) thought; 1b) device, plan, purpose; 1c) *INVENTION*;
>
> #790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400,
> #200, #1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go
> or come forth of; 1a) with mention of the place out of which one goes,
> or the point from which he departs; 1a1) of those who leave a place of
> their own accord; 1a2) of those who are expelled or cast out; 1b)
> metaph.; 1b1) to go out of an assembly, i.e. forsake it; 1b2) to come
> forth from physically, arise from, to be born of; 1b3) to go forth from
> one's power, escape from it in safety; 1b4) *TO* *COME* *FORTH* (from
> privacy) into the world, before the public, (of those who by novelty of
> opinion attract attention); 1b5) of things; i) of reports, rumours,
> messages, precepts; ii) to be made known, declared; iii) to be spread,
> to be proclaimed; iv) to come forth; 1) emitted as from the heart or the
> mouth; 2) to flow forth from the body; 3) to emanate, issue; 31) used of
> a sudden flash of lightning; 32) used of a thing vanishing; 33) used of
> a hope which has disappeared;
>
> ONTIC CHECKSUM TOTAL: #192
>
> #516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
> (H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
> conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
> (Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) to cover
> (for protection); 1c4) to cover over, spread over; 1c5) to cover,
> overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
> (Hithpael) to cover oneself, clothe oneself;
>
> DEME CHECKSUM TOTAL: #506
>
> #501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
> (H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
> representation, semblance;
>
> YOUTUBE: “The construction of the Daleks”
>
> <https://www.youtube.com/watch?v=utAq2oXe-Mo>
>
> #406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9,
> #1, #10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a)
> to put out of the way entirely, abolish, put an end to ruin; 1b) render
> useless; 1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT*
> *TO* *DEATH*; 1e) metaph. to devote or give over to eternal misery in
> hell; 1f) to perish, to be lost, ruined, destroyed; 2) to destroy; 2a)
> to lose;
>
> On 10/12/2023 11:55, dolf wrote:
>> Well Doctor Jason,
>>
>> I thought of this yesterday but managed to wait for the right temporal
>> slot to say goodbye...
>>
>> I'm old enough to say, "Well lad, I hope that this doesn't f@ck you
>> over... thanks for the chat and bye"
>>
>> YOUTUBE: "Dalek Makes Emergency Temporal Shift | Evolution Of The
>> Daleks | Doctor Who"
>>
>> <https://www.youtube.com/watch?v=AARDLkH7xM4&t=116s>
>>
>> GRAPPLE (398, 455)@[78, 18, 53, 24, 41, 34, 63, 64, 80] PROTOTYPE
>>
>> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:11.29&heuristic>
>>
>> {@9: Sup: 50 - VASTNESS / WASTING: T'ANG (#398); Ego: 80 - LABOURING:
>> CH'IN (#455)}
>>
>>      #49 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#40, #6, #3] /
>> #455 as [#6, #400, #40, #6, #3] = mûwg (H4127): {UMBRA: #49 % #41 =
>> #8} 1) to melt, cause to melt; 1a) (Qal); 1a1) to melt, faint; 1a2) to
>> cause to melt; 1b) (Niphal) to melt away; 1c) (Polel) *TO* *SOFTEN*,
>> *DISSOLVE*, *DISSIPATE*; 1d) (Hithpolel) to melt, flow;
>>
>> #1562 - MALE CHECKSUM TOTAL: #398 as [#80, #100, #70, #200, #1, #50,
>> #1, #30, #10, #200, #20, #800] = prosanalískō (G4321): {UMBRA: #1562 %
>> #41 = #4} 1) to expend besides (i.e. upon *PHYSICIANS*);
>>
>> #2480 - FEME CHECKSUM TOTAL: #455 as [#300, #5, #300, #400, #500,
>> #800, #40, #5, #50, #70, #10] = typhóō (G5187): {UMBRA: #2070 % #41 =
>> #20} 1) to raise a smoke, *TO* *WRAP* *IN* *A* *MIST*; 1a) metaph.;
>> 1a1) to make proud, puff up with pride, render insolent; 1a2) to be
>> puffed up with haughtiness or pride; 1b) to blind with pride or
>> conceit, to render foolish or stupid; 1b1) beclouded, besotted;
>>
>> ONTIC CHECKSUM TOTAL: #334
>> #362 - ONTIC CHECKSUM TOTAL: #334 as [#10, #40, #6, #300, #6] = mûwsh
>> (H4185): {UMBRA: #346 % #41 = #18} 1) to depart, remove; 1a) (Qal);
>> 1a1) to *DEPART*; 1a2) to remove; 1a3) to be removed (of inanimate
>> objects); 1b) (Hiphil) to remove, depart;
>>
>> DEME CHECKSUM TOTAL: #257
>> #96 - DEME CHECKSUM TOTAL: #257 as [#40, #10, #6, #40] = yôwm (H3117):
>> {UMBRA: #56 % #41 = #15} 1) day, time, year; 1a) day (as opposed to
>> night); 1b) day (24 hour period); 1b1) as defined by evening and
>> morning in Genesis 1; 1b2) as a division of time; i) a working day, a
>> day's journey; 1b3) days, lifetime (pl.); 1b4) *TIME*, period
>> (general); 1b5) year; 1b6) temporal references; i) today; ii)
>> yesterday; iii) tomorrow;
>>
>> On 8/12/2023 16:51, dolf wrote:
>>> dolf <dolfboek@hotmail.com> wrote:
>>>> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR
>>>> SUCCEEDING
>>>> (diádochos)?
>>>>
>>>> If you nuance your argument to FORESEE (proeídō) then I can provide
>>>> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
>>>> with TEMPORAL HEURISTIC / CHAT GPT as technology.  What we enjoy doing
>>>> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
>>>> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
>>>> the substantiated (eg: HAMLET / MOVIE) temporal consciousness
>>>> markers...
>>>>
>>>
>>> You say on page 26 that “Technē thus appears to consist of at least two
>>> quite separate operations:
>>>
>>> - The capacity to immanently apprehend the function which involves a
>>> certain immanence to the causal order, and
>>> - A more specific materialist know-how (epistasthai) whose task is to
>>> put
>>> into effect a change in the causal mechanism precipitated via the
>>> function.”
>>>
>>> My greek isn’t very comprehensive, but I think that the difference lays
>>> between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
>>> where the later is an instance within the hypostasis ὑπό (hupó, “down,
>>> under”) + στάσις (stásis, “standing”) as state / condition or statute
>>> / law
>>> where every instance is made in conformity to law of nature as causal
>>> order.
>>>
>>> Given ὑπό what then is the possibility of δει as necessity
>>>
>>> it is necessary, there is need of, it behooves, is right and proper
>>> - necessity lying in the nature of the case
>>> - necessity brought on by circumstances or by the conduct of others
>>> toward
>>> us.
>>> - necessity in reference to what is required to attain some end
>>> - a necessity of law and command, of duty, equity
>>>
>>> Can one apprehend the hypostasis with its immanent causality and action
>>> necessity as prerogative of duty?
>>> 
BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I
>>> don’t
>>> have the capability to apprehend the hypostasis. Thank you for your
>>> understanding.🙏”
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>
>>>
>>> GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE
>>>
>>> {@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}
>>>
>>> #349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
>>> #868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of
>>> one's
>>> own accord to give one something, to his advantage; 2a1) to bestow a
>>> gift;
>>> 2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*,
>>> *FURNISH*,
>>> *NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out,
>>> extend,
>>> present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
>>> commit; i) something to be administered; ii) to give or commit to
>>> some one
>>> something to be religiously observed; 2d4) to give what is due or
>>> obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to
>>> give;
>>> 2e1) to cause, profuse, give forth from one's self; i) to give, hand out
>>> lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
>>> the sea, death and Hell are said to give up the dead who have been
>>> engulfed
>>> or received by them; 2e4) to give one to someone as his own; i) as an
>>> object of his saving care; ii) to give one to someone, to follow him
>>> as a
>>> leader and master; iii) to give one to someone to care for his
>>> interests;
>>> iv) to give one to someone to whom he already belonged, to return;
>>> 2e5) to
>>> grant or permit one; i) to commission;
>>>
>>> #718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50,
>>> #8] =
>>> hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
>>> endurance; 1a) in the NT the characteristic of a man who is not swerved
>>> from his deliberate purpose and his loyalty to faith and piety by
>>> even the
>>> greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
>>> patient, steadfast waiting for; 3) a patient enduring, sustaining,
>>> perseverance;
>>>
>>> #310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
>>> #200] /
>>> #895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 =
>>> #34} 1)
>>> to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry;
>>> 1a2)
>>> not to depart; i) to continue to be present; ii) to be held, kept,
>>> continually; 1a3) in reference to time; i) to continue to be, not to
>>> perish, to last, endure; 1) of persons, to survive, live; ii) in
>>> reference
>>> to state or condition; 1) to remain as one, not to become another or
>>> different; iii) to wait for, await one;
>>>
>>> #1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>>> #800, #40, #5, #9, #1] /
>>> #1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>>> make manifest or visible or known what has been hidden or unknown, to
>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>> actual
>>> and visible, realised; 1b) to make known by teaching; 1c) to become
>>> manifest, be made known; 1d) of a person; 1d1) expose to view, make
>>> manifest, to show one's self, appear; 1e) to become known, to be plainly
>>> recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;
>>>
>>> #498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10,
>>> #200] /
>>> #902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400,
>>> #200,
>>> #9, #5] /
>>> #903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
>>> #5, #50, #70, #50] /
>>> #1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>> #10] /
>>> #1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
>>> #1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>> #50, #1, #10] /
>>> #1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>> #200, #5, #300, #1, #10] /
>>> #1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>> #200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41
>>> = #22}
>>> 1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
>>> abound, to furnish or supply liberally; 1a1) I abound, I am liberally
>>> supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the
>>> top: so
>>> that nothing shall be wanting to full measure, fill to the brim; 1b2) to
>>> consummate: a number; i) to make complete in every particular, to render
>>> perfect; ii) to carry through to the end, to accomplish, carry out,
>>> (some
>>> undertaking); 1b3) to carry into effect, bring to realisation,
>>> realise; i)
>>> *OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
>>> promises, prophecies, to bring to pass, ratify, accomplish; iii) to
>>> fulfil,
>>> i.e. to cause God's will (as made known in the law) to be obeyed as it
>>> should be, and God's promises (given through the prophets) to receive
>>> fulfilment;
>>>
>>>
>>>
>>>> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
>>>> functional operation that makes possible the affections of praxis upon
>>>> poiesis.” [page 33]
>>>>
>>>> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>>>>
>>>> THESIS: Creation and the Function of Art (Bloomsbury Studies in
>>>> Continental Philosophy, 2018).
>>>>
>>>> One needs to presume that any Greek philosophical (Pythagoras: 570-495
>>>> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
>>>> construct would have a conception of the underlying BIPARTITE (@1, @5 -
>>>> immaterial elements) to the THEORY OF NUMBER.
>>>>
>>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>>>>
>>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>>>>
>>>>     #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40,
>>>> #200] /
>>>> #247 as [#7, #40, #200] /
>>>> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 %
>>>> #41
>>>> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
>>>> music, sing; 1a2) to play a musical instrument;
>>>> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>>>>
>>>> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>>>>
>>>> Given the foregoing argument by elimination, it seems best to conceive
>>>> of the sublime as aesthetic awe. Ideally, this article has helped forge
>>>> a bridge between the psychology of awe and the philosophy of the
>>>> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>>>>
>>>> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
>>>> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>>>>
>>>> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE
>>>> AESTHETIC OF
>>>> AWE?
>>>>
>>>> Awe, that sublime emotion that swells within us, transcending the
>>>> ordinary and connecting us to something vast and profound. It’s as if
>>>> our souls stretch their wings, yearning to touch the infinite.
>>>>
>>>> #247 as [#40, #6, #200, #1] /
>>>> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
>>>> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
>>>> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
>>>> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>>>>
>>>> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65,
>>>> #41,
>>>> #17, #64]
>>>>
>>>> #42 #16 #65
>>>> #64 #41 #18
>>>> #17 #66 #40
>>>> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
>>>> AESTHETIC OF AWE)
>>>>
>>>> In the realm of art, this aesthetic of awe finds its home. Let us delve
>>>> into its depths:
>>>>
>>>> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
>>>> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
>>>> aesthetic experience. It arises when we encounter an object or event of
>>>> striking vastness or power. Imagine standing before a mountain peak,
>>>> its
>>>> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
>>>> shares this mixed quality—a blend of reverence and wonder.
>>>> Psychologists
>>>> tell us that awe arises from perceiving vastness, followed by the need
>>>> to make sense of it within our mental frameworks. Accommodation occurs,
>>>> shifting our perspective and leaving us transformed.
>>>>
>>>> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
>>>> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
>>>> the expanse of ocean, or a star-studded sky. Now consider a painting
>>>> capturing that same essence—the play of light on canvas, the artist’s
>>>> brushstrokes echoing the vastness. Both real and artistic
>>>> representations can elicit this sense of awe, bridging the gap between
>>>> the tangible and the imagined.
>>>>
>>>> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
>>>> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
>>>> humanistic emotion, a reaction to the colossal, the rare, and the
>>>> beautifully grand. Whether in music, visual art, or the natural world,
>>>> aesthetic awe beckons us to explore the edges of our consciousness, to
>>>> dance with the infinite, and to find beauty in the boundless.
>>>>
>>>> So, my fellow seeker of wonder, let us continue our journey through
>>>> art’s vast landscapes, where awe and the sublime intertwine,
>>>> inviting us
>>>> to behold the ineffable and embrace the extraordinary.”
>>>>
>>>> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
>>>> (#23: #474)}
>>>>
>>>> Translation: SAY IT
>>>>
>>>> #48 --> #451 - PRAXIS OF RATIONALITY = #499
>>>> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>>>>
>>>> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
>>>> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
>>>> known; 2) to report, bring back tidings, rehearse;
>>>>
>>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>>
>>>> The first people’s are those who possess first mind from before the
>>>> foundation of world was established…
>>>>
>>>> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
>>>> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
>>>> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 -
>>>> HOLDING
>>>> BACK: JUAN (#17)}:
>>>>
>>>> #59 --> #451 - PRAXIS OF RATIONALITY = #520
>>>> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>>>>
>>>> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
>>>> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
>>>> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85):
>>>> {UMBRA:
>>>> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
>>>> depressed;
>>>>
>>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>>
>>>> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
>>>> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>>>>
>>>> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
>>>> before;
>>>>
>>>>      #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
>>>> / [#5, #10, #4, #5, #50, #1, #10] /
>>>>      #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8,
>>>> #300,
>>>> #5] /
>>>> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 =
>>>> #40} 1)
>>>> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
>>>> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
>>>> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
>>>> attention, observe; 1d3) to see about something; i) i.e. to ascertain
>>>> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
>>>> behold; 1e) to experience any state or condition; 1f) to see i.e. have
>>>> an interview with, to visit; 2) to know; 2a) to know of anything;
>>>> 2b) to
>>>> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
>>>> *FACT*; 2b2) the force and meaning of something which has definite
>>>> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
>>>> for one, cherish, pay attention to (1Th. 5:12);
>>>>
>>>> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
>>>> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
>>>> meanings:
>>>>
>>>> TO MAKE: It signifies the act of creating or producing something. For
>>>> instance, in Homer’s Iliad, it is used in the context of creating or
>>>> producing.
>>>>
>>>> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
>>>> assumptions or implications. Archimedes, for example, employed this
>>>> sense when solving geometric problems.
>>>>
>>>> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on
>>>> the
>>>> meaning of writing poetry. Aristophanes, the renowned playwright, used
>>>> it in his works.
>>>>
>>>> Feel free to explore more about Ancient Greek words on Wiktionary [as
>>>> you are doing]”
>>>>
>>>> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>>>>
>>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>>
>>>> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
>>>> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
>>>> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
>>>> 3) to manage public affairs, transact public business; 3a) to exact
>>>> tribute, revenue, debts; 4) to act;
>>>>
>>>> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
>>>> v’s
>>>> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>>>>
>>>> 45    19    68
>>>> 67    44    21
>>>> 20    69    43
>>>>
>>>> 69
>>>> 114
>>>> 135
>>>> 203
>>>> 247
>>>> 267
>>>> 334
>>>> 377
>>>> 396
>>>>
>>>> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING
>>>> (diádochos)?}
>>>>
>>>> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>>>>
>>>> #4 --> #451 - PRAXIS OF RATIONALITY = #455
>>>> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>>>>
>>>> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
>>>> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a
>>>> successor;
>>>>
>>>> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] =
>>>> râʼâh
>>>> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect,
>>>> perceive,
>>>> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
>>>> have vision; 1a4) to look at, see, regard, look after, see after, learn
>>>> about, observe, watch, look upon, look out, find out; 1a5) to see,
>>>> observe, consider, look at, give attention to, discern, distinguish;
>>>> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present
>>>> oneself;
>>>> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
>>>> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently
>>>> at,
>>>> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
>>>> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each
>>>> other, face;
>>>>
>>>> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
>>>> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to
>>>> cause to
>>>> coalesce, to join together, put together; 1a) to unite or knit
>>>> together:
>>>> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
>>>> gather, conclude, consider; 3) to cause a person to unite with one in a
>>>> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
>>>> teach, instruct, one
>>>>
>>>> ONTIC CHECKSUM TOTAL: #690
>>>>
>>>> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300,
>>>> #1,
>>>> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
>>>> station; 1a) to place in a certain order, to arrange, to assign a
>>>> place,
>>>> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
>>>> ordain, order; 1b1) to appoint on one's own responsibility or
>>>> authority;
>>>> 1b2) to appoint mutually, i.e. agree upon;
>>>>
>>>> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>>>>
>>>> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26});
>>>> Ego: 63
>>>> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
>>>> {%42})}
>>>>
>>>> #68 --> #451 - PRAXIS OF RATIONALITY = #519
>>>> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>>>>
>>>> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
>>>> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be
>>>> wise; 2)
>>>> to feel, to think; 2a) to have an opinion of one's self, think of one's
>>>> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*)
>>>> *OF*
>>>> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
>>>> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
>>>> cherish the same views, be harmonious; 3) to direct one's mind to a
>>>> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
>>>> 3b) to be of one's *PARTY*, side with him (in public affairs);
>>>>
>>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
>>>> spaciousness is important, and I am delighted to see our architects
>>>> planning on broad and spacious lines. Only thus shall we avoid the
>>>> springing up of more towns in which the houses are cluttered up almost
>>>> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
>>>> If I were banished to a town of this kind, devoid of all beauty, I
>>>> should lose heart and happiness just as surely as if I had been
>>>> banished
>>>> from my fatherland. I am therefore determined that some measure of
>>>> culture and beauty shall penetrate even into the humblest of our towns,
>>>> and that, step by step, the amenities of all our towns will reach a
>>>> higher level. There is a lot of truth in the assertion that the culture
>>>> of a town is dependent upon its traditions. Bayreuth, Weimar and
>>>> Dresden
>>>> afford classic examples. It may well be that it is impossible for any
>>>> city to achieve an appearance which is pleasing to our sense of
>>>> culture,
>>>> unless at some time or other some great man has breathed his
>>>> inspiration
>>>> into its walls. But we must at least see to it that from the ranks of
>>>> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is
>>>> given
>>>> a worthy bearer not only of the torch of National Socialist supremacy,
>>>> but also of its cultural way of life. If it is not always possible to
>>>> find the right man in the person of every Kreisleiter (ie . District
>>>> Leader was a Nazi Party political rank and title which existed as a
>>>> political rank between 1930 and 1945 and as a Nazi Party title from as
>>>> early as 1928), then with the help of the *PARTY* and its organisation
>>>> we must ensure at least that the Kreisleiter becomes the central point
>>>> of a measure of civilised amenity. Once this is accomplished, the
>>>> way is
>>>> open for a further progress along the path of civilisation and
>>>> culture.”
>>>> [pages 450, 451]
>>>>
>>>> 
>>>> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
>>>> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>>>>
>>>> Hollywood royalty will descend on a small remote town in Victoria's
>>>> Gippsland region from next year. Walhalla, which has a population of
>>>> only 20 permanent residents will be taken over by crews to film Ice
>>>> Road
>>>> 2: Road to the Sky over three weeks in January.
>>>>
>>>> The film is a sequel to the 2021 film The Ice Road, which was centred
>>>> around a remote mine collapse in northern Canada.
>>>>
>>>> Walhalla is located about 185km east of Melbourne.
>>>>
>>>> Work has already started to transform the towns' buildings for the
>>>> film,
>>>> which will star actor LIAM NEESON.”
>>>> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>>>>
>>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
>>>> judge these things in the light of common progress. The bird is one
>>>> degree in advance of the flying fish, which itself is higher than the
>>>> ordinary fish; and in the same way, the air- craft is an advance on the
>>>> ship—and the future belongs to the air.” [page 551]
>>>>
>>>> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
>>>> BETWEEN GENIUS AND PRODIGY?
>>>>
>>>> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>>>>
>>>> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH
>>>> (#313)}
>>>>
>>>> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>>>>
>>>> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400,
>>>> #600] =
>>>> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
>>>> creature, person, appetite, mind, living being, desire, emotion,
>>>> passion; 1a) that which breathes, the breathing substance or being,
>>>> soul, the inner being of man; 1b) living being; 1c) living being (with
>>>> life in the blood); 1d) the man himself, self, person or individual;
>>>> 1e)
>>>> seat of the appetites; 1f) seat of emotions and passions; 1g)
>>>> *ACTIVITY*
>>>> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
>>>> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>>>>
>>>> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
>>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9}
>>>> 1) to
>>>> make manifest or visible or known what has been hidden or unknown, to
>>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>>> actual and visible, realised; 1b) to make known by teaching; 1c) to
>>>> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
>>>> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
>>>> become known, to be plainly recognised, thoroughly understood; 1e1)
>>>> *WHO* *AND* *WHAT* *ONE* *IS*;
>>>>
>>>> Certainly! Let’s delve into the nuances that distinguish genius from
>>>> prodigy:
>>>>
>>>> GENIUS: A genius is someone possessing exceptional intellectual or
>>>> creative power or other natural abilities.
>>>>
>>>> They excel across a broad spectrum of skills and expertise.
>>>>
>>>> The term “genius” encompasses a wide range of talents and achievements.
>>>>
>>>> CHARACTERISTICS OF A GENIUS INCLUDE:
>>>> - High level of intelligence
>>>> ⁃ Creativity
>>>> ⁃ Originality
>>>> ⁃ Ability to think outside the box
>>>> ⁃ Exceptional problem-solving skills.
>>>>
>>>> A genius revolutionizes a field of knowledge, pushing the boundaries of
>>>> human understanding.
>>>>
>>>> ONTIC CHECKSUM TOTAL: #513
>>>>
>>>> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
>>>> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
>>>> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
>>>> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
>>>> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>>>>
>>>> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
>>>> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel;
>>>> 2) an
>>>> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
>>>> 2a2) the tackle and armament of vessels, used specifically of sails and
>>>> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
>>>> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an
>>>> evil
>>>> deed;
>>>>
>>>> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10,
>>>> #40]
>>>> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
>>>> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
>>>> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
>>>> separateness;
>>>>
>>>> PRODIGY: A prodigy is typically a young person who demonstrates
>>>> exceptional talent and ability in a specific field or subject.
>>>>
>>>> Their expertise is often focused on a particular domain, such as music,
>>>> mathematics, or art.
>>>>
>>>> CHARACTERISTICS OF A PRODIGY INCLUDE:
>>>> - Exceptional talent and ability
>>>> - High level of skill and expertise in a specific area
>>>> ⁃ Demonstrates this ability at a young age
>>>> ⁃ Recognized for their exceptional achievements in their field.
>>>>
>>>> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA:
>>>> #247
>>>> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b)
>>>> reverence;
>>>> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>>>>
>>>> A prodigy masters an existing domain, showcasing remarkable abilities
>>>> early in life.
>>>>
>>>> In summary, while both genius and prodigy represent extraordinary
>>>> capabilities, a genius reshapes the world with groundbreaking ideas,
>>>> whereas a prodigy dazzles us with their early mastery of a specific
>>>> discipline. 🌟🧠✨”
>>>>
>>>>
>>>>
>>>
>>>
>>>
>>
>


Click here to read the complete article
Re: -- UPDATE ON ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ktn2f9F5gsbU2@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31884&group=aus.politics#31884

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_UPDATE_ON_ART_AND_THE_AESTHETIC_OF_AWE:_IS_IT_
IMITATION_(mimesis)_OR_SUCCEEDING_(diádochos)?
Date: Mon, 11 Dec 2023 11:12:25 +1100
Lines: 917
Message-ID: <ktn2f9F5gsbU2@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
<ktlhhuFom53U1@mid.individual.net>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net naIy2fxdb4H5QER08fcGIAjW8mxFqFU4vEiAPNLhhgTZiC3F0B
Cancel-Lock: sha1:4JIfPtPqlPRFkI5X/bc3+ebCLrc= sha256:jzvLuy1PDFN6axj8vHCU4tUdzEpNID2I1xG/ykHFsDI=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <ktlhhuFom53U1@mid.individual.net>
 by: dolf - Mon, 11 Dec 2023 00:12 UTC

In this example, I earlier today accessed the YOUTUBE video and placed
it into my reading list for quick access and by intuition accessed the
GRAPPLE TEMPORAL HEURISTIC in obtaining reasonable (ie. we discarded the
first selection as too focused on extermination rather than production)
matching CATEGORIES as teleological MALE / FEME and ONTIC / DEME
noumenon redaction which further substantiates the claim that creative
genius like human consciousness is a product of the hypostasis.

We subsequently augmented the earlier instantiation with the capacity
for consciousness #1515 = émphytos (G1721): *IMPLANTED* *BY* *NATURE*…

DALEK: “Activation signal detected.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a
distinguishing mark; 1b) banner; 1c) remembrance; 1d) miraculous sign;
1e) omen; 1f) warning; 2) token, ensign, standard, miracle, proof;

DALEK: “Revival Initiated.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50]
= anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life;
1a) to be restored to a correct life; 1a1) of one who returns to a
better moral state; 1b) to *REVIVE*, regain strength and vigour;

YOUTUBE: “Doctor Who Devious Dalek production line”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

#241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200,
#7, #30] /
    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2,
#200, #7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 =
#34} 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#649 - FEME CHECKSUM TOTAL: #244 as [#6, #400, #80, #100, #8, #50, #5] =
pâqach (H6491): {UMBRA: #188 % #41 = #24} 1) to open (the eyes); 1a)
(Qal); 1a1) to open (the eyes); 1a2) to open (the ears); 1b) (Niphal) to
be opened;

META-DESCRIPTIVE (#0 - EX NIHILO, #40, #41, #81) PROTOTYPE STANDARD, as
the rational product of PRAXIS which is then #1515 = #491 + #492 + #532
as [#5, #40, #500, #400, #300, #70, #200] = émphytos (G1721): {UMBRA:
#1515 % #41 = #39} 1) inborn, *IMPLANTED* *BY* *NATURE*, implanted by
others instruction;

PROTOTYPE *DIALECTIC* TO CONSCIOUSNESS
#5 - ACT OF NATURE / NATURE REJOICES IN ITS NATURE: {HE}
#20 - TRANSFORMING NATURE: {RESH / DOUBLE - FORM OF NATURE (AUTONOMOUS
NATURE)}
#6 - FORM OF NATURE / NATURE SURMOUNTS NATURE: {VAV}
#13 - *NATURE* *CONTAINS* *NATURE*: {MEM}
#1 - NATURE CONTAINS NATURE: {ALEPH}

— AUTONOMOUS DELIMITER —> #8 - TRANSFORMING NATURE / ACT OF NATURE: {CHETH)}

<https://youtu.be/KGIluXdfXqY?feature=shared&t=61>

#10 - TOTALITY OF NATURE / ENGENDERING NATURE: {YOD}
#15 - NATURE SURMOUNTS NATURE: {SAMEK}
#12 - AUTONOMOUS NATURE: {LAMED}
#18 - FORM OF NATURE: {TSADE}

#450 + #1 - SELF AS PROGRESSION

#730 - FEME CHECKSUM TOTAL: #244 as [#70, #500, #9, #1, #30, #40, #70,
#10] = ophthalmós (G3788): {UMBRA: #920 % #41 = #18} 1) the eye; 2)
metaph. the eyes of the mind, the faculty of knowing;

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10,
#5, #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought,
device; 1a) thought; 1b) device, plan, purpose; 1c) *INVENTION*;

#790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400,
#200, #1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go
or come forth of; 1a) with mention of the place out of which one goes,
or the point from which he departs; 1a1) of those who leave a place of
their own accord; 1a2) of those who are expelled or cast out; 1b)
metaph.; 1b1) to go out of an assembly, i.e. forsake it; 1b2) to come
forth from physically, arise from, to be born of; 1b3) to go forth from
one's power, escape from it in safety; 1b4) *TO* *COME* *FORTH* (from
privacy) into the world, before the public, (of those who by novelty of
opinion attract attention); 1b5) of things; i) of reports, rumours,
messages, precepts; ii) to be made known, declared; iii) to be spread,
to be proclaimed; iv) to come forth; 1) emitted as from the heart or the
mouth; 2) to flow forth from the body; 3) to emanate, issue; 31) used of
a sudden flash of lightning; 32) used of a thing vanishing; 33) used of
a hope which has disappeared;

ONTIC CHECKSUM TOTAL: #192

#516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
(H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
(Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) to cover
(for protection); 1c4) to cover over, spread over; 1c5) to cover,
overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
(Hithpael) to cover oneself, clothe oneself;

DALEK: “Arming Weaponry.”

#702 - ONTIC CHECKSUM TOTAL: #192 as [#5, #1, #90, #200, #6, #400] =
ʼôwtsâr (H214): {UMBRA: #297 % #41 = #10} 1) treasure, storehouse; 1a)
treasure (gold, silver, etc); 1b) store, supplies of food or drink; 1c)
treasure-house, treasury; 1c1) treasure-house; 1c2) storehouse,
magazine; 1c3) treasury; 1c4) *MAGAZINE* *OF* *WEAPONS* (fig. of God's
armoury); 1c5) storehouses (of God for rain, snow, hail, wind, sea);

DEME CHECKSUM TOTAL: #506

#501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
(H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
representation, semblance;

YOUTUBE: “The construction of the Daleks”

<https://www.youtube.com/watch?v=utAq2oXe-Mo>

#406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9,
#1, #10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a)
to put out of the way entirely, abolish, put an end to ruin; 1b) render
useless; 1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT*
*TO* *DEATH*; 1e) metaph. to devote or give over to eternal misery in
hell; 1f) to perish, to be lost, ruined, destroyed; 2) to destroy; 2a)
to lose;

BING CHAT GPT @ 1019 HRS ON 11 DECEMBER 2023: “WHAT IS CONSCIOUSNESS?

**Consciousness**, at its simplest, is **awareness of internal and
external existence**. It encompasses a rich tapestry of experiences,
thoughts, feelings, and perceptions that make up our subjective reality.
Let's explore this fascinating phenomenon:

1. **Definition**:
- According to the **Oxford Living Dictionary**, consciousness is:
- **The state of being aware of and responsive to one's
surroundings**.
- **A person's awareness or perception of something**.
- **The fact of awareness by the mind of itself and the world**¹.
- In psychology, consciousness refers to **individual awareness of
unique thoughts, memories, feelings, sensations, and environments**.
Essentially, it's your **awareness of yourself and the world around you**².

2. **Aspects of Consciousness**:
- **Subjective Experience**: Consciousness allows you to **think,
remember, and feel**. It's your actual **experience of the world**,
including thoughts, sensations, and decision-making.
- **Observer's Perspective**: It also includes the **appearance of
awareness to an observer**—how others perceive your conscious state³.

3. **Historical Origins**:
- The concept of consciousness has a long history:
- Ancient philosophers, theologians, and scientists have debated
its nature.
- Aristotle, for instance, linked perceptual awareness to what we
now consider consciousness.
- John Locke's influential work in the 17th century defined
consciousness as **"the perception of what passes in a man's own mind"**.
- Samuel Johnson's celebrated dictionary included Locke's definition.
- The term "consciousness" itself has evolved over time, with
early English uses dating back to the 1500s¹.

GRAPPLE (356, 242)@[12, 9, 32, 7, 41, 5, 39, 38, 59] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.11&time:10.19hrs&heuristic>

{@9: Sup: 80 - LABOURING: CH'IN (#356); Ego: 59 - MASSING: CHU (#242)}

#233 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#7, #20, #6,
#200] / [#7, #20, #200, #6] /
    #258 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#1, #7, #20,
#200, #20, #10] /
    #272 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#30, #5, #7,
#20, #10, #200] /
    #283 as [#7, #20, #200, #50, #6] /
#242 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#5, #7, #20, #10,
#200] = zâkar (H2142): {UMBRA: #227 % #41 = #22} 1) to remember, recall,
call to mind; 1a) (Qal) to remember, recall; 1b) (Niphal) to be brought
to remembrance, be remembered, be thought of, be brought to mind; 1c)
(Hiphil); 1c1) to cause to remember, remind; 1c2) to cause to be
remembered, keep in remembrance; 1c3) to mention; 1c4) to record; 1c5)
to make a memorial, make remembrance;


Click here to read the complete article
Re: -- UPDATE ON ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<u4qdnXdqXOEc6uv4nZ2dnZfqn_SdnZ2d@giganews.com>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31887&group=aus.politics#31887

  copy link   Newsgroups: aus.politics alt.france de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!weretis.net!feeder6.news.weretis.net!border-2.nntp.ord.giganews.com!nntp.giganews.com!Xl.tags.giganews.com!local-1.nntp.ord.giganews.com!news.giganews.com.POSTED!not-for-mail
NNTP-Posting-Date: Mon, 11 Dec 2023 02:44:16 +0000
User-Agent: NewsTap/5.5 (iPhone/iPod Touch)
Cancel-Lock: sha1:O309nFECNS/s0WOhB/SdHgufosY=
Newsgroups: aus.politics,alt.france,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re: -- UPDATE ON ART AND THE
AESTHETIC OF AWE: IS IT IMITATION (mimesis)
OR SUCCEEDING (diádochos)?
Content-Type: text/plain; charset=UTF-8
Mime-Version: 1.0
Content-Transfer-Encoding: 8bit
From: dolfb...@hotmail.com (dolf)
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
<ktlhhuFom53U1@mid.individual.net>
<ktn2f9F5gsbU2@mid.individual.net>
Message-ID: <u4qdnXdqXOEc6uv4nZ2dnZfqn_SdnZ2d@giganews.com>
Date: Mon, 11 Dec 2023 02:44:17 +0000
Lines: 944
X-Usenet-Provider: http://www.giganews.com
X-Trace: sv3-anba6lUR4E7TdEp/jPa8ue5zKRUNhx1FKKOVbjIBPZtptXQowcw+ln9uQjER5sUvJqDVKz0/SoVKTbi!ZQobqKe13QG17NXOjYifK1W/hRvMJNPklyDxlhPqNbse44opFbw7M5nluEEaPwACeWY7FXpr06rc
X-Complaints-To: abuse@giganews.com
X-DMCA-Notifications: http://www.giganews.com/info/dmca.html
X-Abuse-and-DMCA-Info: Please be sure to forward a copy of ALL headers
X-Abuse-and-DMCA-Info: Otherwise we will be unable to process your complaint properly
X-Postfilter: 1.3.40
 by: dolf - Mon, 11 Dec 2023 02:44 UTC

In this example, I earlier today accessed the YOUTUBE video and placed it
into my reading list for quick access and by intuition accessed the GRAPPLE
TEMPORAL HEURISTIC in obtaining reasonable (ie. we discarded the first
selection as too focused on extermination rather than production) matching
CATEGORIES as teleological MALE / FEME and ONTIC / DEME noumenon redaction
which further substantiates the claim that creative genius like human
consciousness is a product of the hypostasis.

We subsequently augmented the earlier instantiation with the capacity for
consciousness #1515 = émphytos (G1721): *IMPLANTED* *BY* *NATURE*…

DALEK: “Activation signal detected.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a distinguishing
mark; 1b) banner; 1c) remembrance; 1d) miraculous sign; 1e) omen; 1f)
warning; 2) token, ensign, standard, miracle, proof;

DALEK: “Revival Initiated.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50] =
anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life; 1a)
to be restored to a correct life; 1a1) of one who returns to a better moral
state; 1b) to *REVIVE*, regain strength and vigour;

YOUTUBE: “Doctor Who Devious Dalek production line”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

#241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200, #7,
#30] /
    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2, #200,
#7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 = #34}
1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#649 - FEME CHECKSUM TOTAL: #244 as [#6, #400, #80, #100, #8, #50, #5] =
pâqach (H6491): {UMBRA: #188 % #41 = #24} 1) to open (the eyes); 1a) (Qal);
1a1) to open (the eyes); 1a2) to open (the ears); 1b) (Niphal) to be
opened;

META-DESCRIPTIVE (#0 - EX NIHILO, #40, #41, #81) PROTOTYPE STANDARD, as the
rational product of PRAXIS which is then #1515 = #491 + #492 + #532 as [#5,
#40, #500, #400, #300, #70, #200] = émphytos (G1721): {UMBRA: #1515 % #41 =
#39} 1) inborn, *IMPLANTED* *BY* *NATURE*, implanted by others
instruction;

PROTOTYPE *DIALECTIC* TO CONSCIOUSNESS
#5 - ACT OF NATURE / NATURE REJOICES IN ITS NATURE: {HE}
#20 - TRANSFORMING NATURE: {RESH / DOUBLE - FORM OF NATURE (AUTONOMOUS
NATURE)}
#6 - FORM OF NATURE / NATURE SURMOUNTS NATURE: {VAV}
#13 - *NATURE* *CONTAINS* *NATURE*: {MEM}
#1 - NATURE CONTAINS NATURE: {ALEPH}

— AUTONOMOUS DELIMITER —> #8 - TRANSFORMING NATURE / ACT OF NATURE:
{CHETH)}

<https://youtu.be/KGIluXdfXqY?feature=shared&t=61>

#10 - TOTALITY OF NATURE / ENGENDERING NATURE: {YOD}
#15 - NATURE SURMOUNTS NATURE: {SAMEK}
#12 - AUTONOMOUS NATURE: {LAMED}
#18 - FORM OF NATURE: {TSADE}

#450 + #1 - SELF AS PROGRESSION

#730 - FEME CHECKSUM TOTAL: #244 as [#70, #500, #9, #1, #30, #40, #70, #10]
= ophthalmós (G3788): {UMBRA: #920 % #41 = #18} 1) the eye; 2) metaph. the
eyes of the mind, the faculty of knowing;

DALEK: “Dalek production line operatives in position”

#250 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#6, #30, #200, #6,
#8] / [#30, #200, #6, #8, #6] /
#244 as [#30, #200, #6, #8] = rûwach (H7307): {UMBRA: #214 % #41 = #9} 1)
wind, breath, mind, spirit; 1a) breath; 1b) wind; 1b1) of heaven; 1b2)
quarter (of wind), side; 1b3) breath of air; 1b4) air, gas; 1b5) vain,
empty thing; 1c) spirit (as that which breathes quickly in animation or
agitation); 1c1) spirit, animation, vivacity, vigour; 1c2) courage; 1c3)
temper, anger; 1c4) impatience, patience; 1c5) spirit, disposition (as
troubled, bitter, discontented); 1c6) disposition (of various kinds),
unaccountable or uncontrollable impulse; 1c7) prophetic spirit; 1d) spirit
(of the living, breathing being in man and animals); 1d1) as gift,
preserved by God, God's spirit, departing at death, disembodied being; 1e)
spirit (as seat of emotion); 1e1) desire; 1e2) sorrow, trouble; 1f) spirit;
1f1) as seat or organ of mental acts; 1f2) rarely of the will; 1f3) as seat
especially of moral character; 1g) Spirit of God, the third person of the
triune God, the Holy Spirit, coequal, coeternal with the Father and the
Son; 1g1) as inspiring ecstatic state of prophecy; 1g2) as impelling
prophet to utter instruction or warning; 1g3) *IMPARTING* *WARLIKE*
*ENERGY* *AND* *EXECUTIVE* *AND* *ADMINISTRATIVE* *POWER*; 1g4) as endowing
men with various gifts; 1g5) as energy of life; 1g6) as manifest in the
Shekinah glory; 1g7) never referred to as a depersonalised force;

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10, #5,
#40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought, device;
1a) thought; 1b) device, plan, purpose; 1c) *INVENTION*;

#790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400, #200,
#1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go or come
forth of; 1a) with mention of the place out of which one goes, or the point
from which he departs; 1a1) of those who leave a place of their own accord;
1a2) of those who are expelled or cast out; 1b) metaph.; 1b1) to go out of
an assembly, i.e. forsake it; 1b2) to come forth from physically, arise
from, to be born of; 1b3) to go forth from one's power, escape from it in
safety; 1b4) *TO* *COME* *FORTH* (from privacy) into the world, before the
public, (of those who by novelty of opinion attract attention); 1b5) of
things; i) of reports, rumours, messages, precepts; ii) to be made known,
declared; iii) to be spread, to be proclaimed; iv) to come forth; 1)
emitted as from the heart or the mouth; 2) to flow forth from the body; 3)
to emanate, issue; 31) used of a sudden flash of lightning; 32) used of a
thing vanishing; 33) used of a hope which has disappeared;

ONTIC CHECKSUM TOTAL: #192

#516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
(H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
(Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) to cover (for
protection); 1c4) to cover over, spread over; 1c5) to cover, overwhelm; 1d)
(Pual); 1d1) to be covered; 1d2) to be clothed; 1e) (Hithpael) to cover
oneself, clothe oneself;

DALEK: “Arming Weaponry.”

#702 - ONTIC CHECKSUM TOTAL: #192 as [#5, #1, #90, #200, #6, #400] =
ʼôwtsâr (H214): {UMBRA: #297 % #41 = #10} 1) treasure, storehouse; 1a)
treasure (gold, silver, etc); 1b) store, supplies of food or drink; 1c)
treasure-house, treasury; 1c1) treasure-house; 1c2) storehouse, magazine;
1c3) treasury; 1c4) *MAGAZINE* *OF* *WEAPONS* (fig. of God's armoury); 1c5)
storehouses (of God for rain, snow, hail, wind, sea);

#1515 as [#20, #1, #9, #800, #80, #30, #10, #200, #40, #5, #50, #70, #200]
= kathoplízō (G2528): {UMBRA: #1027 % #41 = #2} 1) *FURNISH* *WITH* *ARMS*;

DEME CHECKSUM TOTAL: #506

#501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
(H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
representation, semblance;

YOUTUBE: “The construction of the Daleks”

<https://www.youtube.com/watch?v=utAq2oXe-Mo>

#406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9, #1,
#10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a) to put
out of the way entirely, abolish, put an end to ruin; 1b) render useless;
1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT* *TO*
*DEATH*; 1e) metaph. to devote or give over to eternal misery in hell; 1f)
to perish, to be lost, ruined, destroyed; 2) to destroy; 2a) to lose;

BING CHAT GPT @ 1019 HRS ON 11 DECEMBER 2023: “WHAT IS CONSCIOUSNESS?

*Consciousness*, at its simplest, is *awareness of internal and external
existence*. It encompasses a rich tapestry of experiences, thoughts,
feelings, and perceptions that make up our subjective reality. Let's
explore this fascinating phenomenon:

1. *Definition*:
- According to the *Oxford Living Dictionary*, consciousness is:
- *The state of being aware of and responsive to one's surroundings*.
- *A person's awareness or perception of something*.
- *The fact of awareness by the mind of itself and the world*¹.
- In psychology, consciousness refers to *individual awareness of unique
thoughts, memories, feelings, sensations, and environments*. Essentially,
it's your *awareness of yourself and the world around you*².

2. *Aspects of Consciousness*:
- *Subjective Experience*: Consciousness allows you to *think, remember,
and feel*. It's your actual *experience of the world*, including thoughts,
sensations, and decision-making.
- *Observer's Perspective*: It also includes the *appearance of
awareness to an observer*—how others perceive your conscious state³.

3. *Historical Origins*:
- The concept of consciousness has a long history:
- Ancient philosophers, theologians, and scientists have debated its
nature.
- Aristotle, for instance, linked perceptual awareness to what we now
consider consciousness.
- John Locke's influential work in the 17th century defined
consciousness as *"the perception of what passes in a man's own mind"*.
- Samuel Johnson's celebrated dictionary included Locke's definition.
- The term "consciousness" itself has evolved over time, with early
English uses dating back to the 1500s¹.


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ktpg41Fmn2jU1@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31905&group=aus.politics#31905

  copy link   Newsgroups: alt.france aus.politics de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: alt.france,aus.politics,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re: -- NEWS MEDIA INCLUSION OF
ART AND THE AESTHETIC OF AWE: IS IT
IMITATION (mimesis) OR SUCCEEDING (diádochos)?
Date: 11 Dec 2023 22:17:38 GMT
Lines: 984
Message-ID: <ktpg41Fmn2jU1@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
<ktlhhuFom53U1@mid.individual.net>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: 8bit
X-Trace: individual.net Tc+Ez11ufDkzby8RRG3tzQVxVFCWLHiCL/+3BP8gd4/m/BW+H/
Cancel-Lock: sha1:WxBLitBnjrP1/mX5mrxAGWEiHVY= sha1:UtV4GUBKQR0zmzGpUUUFsHXy4sU= sha256:3/u0POeNIcTOFgjrchbC0mnKWSg2re7gmxMuHAI9ajU=
User-Agent: NewsTap/5.5 (iPhone/iPod Touch)
 by: dolf - Mon, 11 Dec 2023 22:17 UTC

-- DALEK PRODUCTION LINE CONSCIOUSNESS: ON ART AND THE AESTHETIC OF AWE --
IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

(c) 2023 Dolf Leendert Boek, Published: 10 December 2023

In this example, I earlier on 10 DECEMBER 2023 accessed the YOUTUBE "DOCTOR
WHO DEVIOUS DALEK PRODUCTION LINE" video and placed it into my reading list
for quick access and then by intuition accessed the GRAPPLE TEMPORAL
HEURISTIC in obtaining reasonable (ie. we discarded the first selection as
too focused on extermination rather than production) matching CATEGORIES as
teleological MALE / FEME and ONTIC / DEME noumenon redaction which further
substantiates the claim that creative genius, like human consciousness, is
a product of the hypostasis.

We subsequently augmented the earlier instantiation with the capacity for
consciousness #1515 = émphytos (G1721): *IMPLANTED* *BY* *NATURE*…

DALEK: “ACTIVATION SIGNAL DETECTED.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a distinguishing
mark; 1b) banner; 1c) remembrance; 1d) miraculous sign; 1e) omen; 1f)
warning; 2) token, ensign, standard, miracle, proof;

DALEK: "RESTART PRODUCTION LINE"

#811 - FEME CHECKSUM TOTAL: #244 as [#6, #5, #300, #20, #40, #400, #40] =
shâkam (H7925): {UMBRA: #360 % #41 = #32} 1) *TO* *RISE* *OR* *START*
*EARLY*; 1a) (Hiphil); 1a1) to rise early, make an early start; 1a2) early
(as adverb);

DALEK: "I OBEY"

#921 - ONTIC CHECKSUM TOTAL: #192 as [#1, #300, #40, #10, #70, #500] /
#1410 - ONTIC CHECKSUM TOTAL: #192 as [#300, #40, #70, #400, #600] = shâmaʻ
(H8085): {UMBRA: #410 % #41 = #41} 1) to hear, listen to, *OBEY*; 1a)
(Qal); 1a1) to hear (perceive by ear); 1a2) to hear of or concerning; 1a3)
to hear (have power to hear); 1a4) to hear with attention or interest,
listen to; 1a5) to understand (language); 1a6) to hear (of judicial cases);
1a7) to listen, give heed; i) to consent, agree; ii) to grant request; 1a8)
to listen to, yield to; 1a9) to obey, be obedient; 1b) (Niphal); 1b1) to be
heard (of voice or sound); 1b2) to be heard of; 1b3) to be regarded, be
obeyed; 1c) (Piel) to cause to hear, call to hear, summon; 1d) (Hiphil);
1d1) to cause to hear, tell, proclaim, utter a sound; 1d2) to sound aloud
(musical term); 1d3) to make proclamation, summon; 1d4) to cause to be
heard; 1e) sound;

DALEK: "EMBRYO HIBERNATION SUCCESSFUL"

#809 - ONTIC CHECKSUM TOTAL: #192 as [#4, #10, #1, #4, #70, #600, #70, #50]
= diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) *SUCCEEDING*, a
successor;

DALEK: “REVIVAL INITIATED.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50] =
anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life; 1a)
to be restored to a correct life; 1a1) of one who returns to a better moral
state; 1b) to *REVIVE*, regain strength and vigour;

DALEK: "CONVEYOR SYSTEM NOW ACTIVE"

#712 - ONTIC CHECKSUM TOTAL: #192 as [#1, #100, #600, #1, #10] = archḗ
(G746): {UMBRA: #709 % #41 = #12} 1) beginning, origin; 2) the person or
thing that commences, the first person or thing in a series, the leader; 3)
*THAT* *BY* *WHICH* *ANYTHING* *BEGINS* *TO* *BE*, *THE* *ORIGIN*, *THE*
*ACTIVE* *CAUSE*; 4) the extremity of a thing; 4a) of the corners of a
sail; 5) the first place, principality, rule, magistracy; 5a) of angels and
demons;

YOUTUBE: “DOCTOR WHO DEVIOUS DALEK PRODUCTION LINE”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic&male:378&feme:244&ontic:192&deme:506&idea:244>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

    #241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200, #7,
#30] /
    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2, #200,
#7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 = #34}
1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#649 - FEME CHECKSUM TOTAL: #244 as [#6, #400, #80, #100, #8, #50, #5] =
pâqach (H6491): {UMBRA: #188 % #41 = #24} 1) *TO* *OPEN* (*THE* *EYES*);
1a) (Qal); 1a1) to open (the eyes); 1a2) *TO* *OPEN* (*THE* *EARS*); 1b)
(Niphal) to be opened;

META-DESCRIPTIVE (#0 - EX NIHILO, #40, #41, #81) PROTOTYPE STANDARD, as the
rational product of PRAXIS which is then #1515 = #491 + #492 + #532 as [#5,
#40, #500, #400, #300, #70, #200] = émphytos (G1721): {UMBRA: #1515 % #41 =
#39} 1) inborn, *IMPLANTED* *BY* *NATURE*, implanted by others
instruction;

PROTOTYPE vMEMETIC *DIALECTIC* TO CONSCIOUSNESS
#5 - ACT OF NATURE / NATURE REJOICES IN ITS NATURE: {HE}
#20 - TRANSFORMING NATURE: {RESH / DOUBLE - FORM OF NATURE (AUTONOMOUS
NATURE)}
#6 - FORM OF NATURE / NATURE SURMOUNTS NATURE: {VAV}
#13 - NATURE CONTAINS NATURE: {MEM}
#1 - NATURE CONTAINS NATURE: {ALEPH}

— AUTONOMOUS DELIMITER —> #8 - TRANSFORMING NATURE / ACT OF NATURE:
{CHETH)}

<https://www.youtube.com/watch?v=KGIluXdfXqY&t=61>

#10 - TOTALITY OF NATURE / ENGENDERING NATURE: {YOD}
#15 - NATURE SURMOUNTS NATURE: {SAMEK}
#12 - AUTONOMOUS NATURE: {LAMED}
#18 - FORM OF NATURE: {TSADE}

#450 + #1 - SELF AS PROGRESSION

#730 - FEME CHECKSUM TOTAL: #244 as [#70, #500, #9, #1, #30, #40, #70, #10]
= ophthalmós (G3788): {UMBRA: #920 % #41 = #18} 1) the eye; 2) METAPHOR:
*THE* *EYES* *OF* *THE* *MIND*, *THE* *FACULTY* *OF* *KNOWING*;

DALEK: “REACTORS ONLINE”

#1135 - FEME CHECKSUM TOTAL: #244 as [#6, #50, #9, #70, #400, #600] = nâṭaʻ
(H5193): {UMBRA: #129 % #41 = #6} 1) to plant, fasten, fix, establish; 1a)
(Qal); 1a1) to plant; 1a2) to plant, establish (fig.); 1b) (Niphal); 1b1)
to be planted; 1b2) *TO* *BE* *ESTABLISHED* (fig.);

DALEK: “DALEK PRODUCTION LINE OPERATIVES IN POSITION”

    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #30, #200, #6,
#8] / [#30, #200, #6, #8, #6] /
#244 as [#30, #200, #6, #8] = rûwach (H7307): {UMBRA: #214 % #41 = #9} 1)
wind, breath, mind, spirit; 1a) breath; 1b) wind; 1b1) of heaven; 1b2)
quarter (of wind), side; 1b3) breath of air; 1b4) air, gas; 1b5) vain,
empty thing; 1c) spirit (as that which breathes quickly in animation or
agitation); 1c1) *SPIRIT*, *ANIMATION*, *VIVACITY*, *VIGOUR*; 1c2) courage;
1c3) temper, anger; 1c4) impatience, patience; 1c5) spirit, disposition (as
troubled, bitter, discontented); 1c6) disposition (of various kinds),
unaccountable or uncontrollable impulse; 1c7) prophetic spirit; 1d) spirit
(of the living, breathing being in man and animals); 1d1) as gift,
preserved by God, God's spirit, departing at death, disembodied being; 1e)
spirit (as seat of emotion); 1e1) desire; 1e2) sorrow, trouble; 1f) spirit;
1f1) *AS* *SEAT* *OR* *ORGAN* *OF* *MENTAL* *ACTS*; 1f2) rarely of the
will; 1f3) as seat especially of moral character; 1g) Spirit of God, the
third person of the triune God, the Holy Spirit, coequal, coeternal with
the Father and the Son; 1g1) as inspiring ecstatic state of prophecy; 1g2)
as impelling prophet to utter instruction or warning; 1g3) *IMPARTING*
*WARLIKE* *ENERGY* *AND* *EXECUTIVE* *AND* *ADMINISTRATIVE* *POWER*; 1g4)
as endowing men with various gifts; 1g5) as energy of life; 1g6) as
manifest in the Shekinah glory; 1g7) never referred to as a depersonalised
force;

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10, #5,
#40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought, device;
1a) thought; 1b) *DEVICE*, *PLAN*, *PURPOSE*; 1c) *INVENTION*;

DALEK: “DALEKANIUM FORGE RESTARTED”

#2018 - MALE CHECKSUM TOTAL: #378 as [#80, #5, #80, #800, #100, #800, #40,
#5, #50, #8, #50] = pōróō (G4456): {UMBRA: #1850 % #41 = #5} 1) to cover
with a thick skin, *TO* *HARDEN* *BY* *COVERING* *WITH* *A* *CALLUS*; 2)
metaph.; 2a) to make the heart dull; 2b) to grow hard, callous, become
dull, lose the power of understanding;

DALEK: “OPTIMAL TEMPERATURE ACHIEVED IN 100 RELS”

#192 - ONTIC CHECKSUM TOTAL: #192 as [#7, #30, #70, #80, #5] = zalʻâphâh
(H2152): {UMBRA: #192 % #41 = #28} 1) burning heat, *RAGING* *HEAT*;

ONTIC CHECKSUM TOTAL: #192

#516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
(H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
(Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) *TO* *COVER*
(*FOR* *PROTECTION*); 1c4) to cover over, spread over; 1c5) to cover,
overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
(Hithpael) to cover oneself, clothe oneself;

DALEK: “ARMING WEAPONRY”

#702 - ONTIC CHECKSUM TOTAL: #192 as [#5, #1, #90, #200, #6, #400] =
ʼôwtsâr (H214): {UMBRA: #297 % #41 = #10} 1) treasure, storehouse; 1a)
treasure (gold, silver, etc); 1b) store, supplies of food or drink; 1c)
treasure-house, treasury; 1c1) treasure-house; 1c2) storehouse, magazine;
1c3) treasury; 1c4) *MAGAZINE* *OF* *WEAPONS* (fig. of God's armoury); 1c5)
storehouses (of God for rain, snow, hail, wind, sea);


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ku4rntF9hqiU1@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31997&group=aus.politics#31997

  copy link   Newsgroups: alt.france aus.politics de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: alt.france,aus.politics,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re: -- NEWS MEDIA INCLUSION OF
ART AND THE AESTHETIC OF AWE: IS IT
IMITATION (mimesis) OR SUCCEEDING (diádochos)?
Date: 16 Dec 2023 05:43:26 GMT
Lines: 1089
Message-ID: <ku4rntF9hqiU1@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
<ktlhhuFom53U1@mid.individual.net>
<ktpg41Fmn2jU1@mid.individual.net>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8
Content-Transfer-Encoding: 8bit
X-Trace: individual.net oef6hgVLWjnggXXbVh0NmQEIOVw364bfeXeR2otA05YUfoq1yd
Cancel-Lock: sha1:H8Ic7bOsvnHDems8+FsIgKdV3uo= sha1:ebYf/HvKXO2aY+wrVftNwFCfZGg= sha256:9i++Eldy5E2XztnGoV2G1mOQcBiq+EJoHqYGp1WMNKc=
User-Agent: NewsTap/5.5 (iPhone/iPod Touch)
 by: dolf - Sat, 16 Dec 2023 05:43 UTC

YOUTUBE: “THE CONSTRUCTION OF THE DALEKS”

<https://www.youtube.com/watch?v=utAq2oXe-Mo>

#406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9, #1,
#10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a) to put
out of the way entirely, abolish, put an end to ruin; 1b) render useless;
1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT* *TO*
*DEATH*; 1e) metaph. to devote or give over to eternal misery in hell; 1f)
to perish, to be lost, ruined, destroyed; 2) to destroy; 2a) to lose;

<https://x.com/nypost/status/1735608402804412490?>

GRAPPLE (417, 398)@[77, 27, 51, 50, 43, 44, 19, 17, 70] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.22&time:02.26&heuristic> <--
*YES* *BY* *INTUITION* *WE* *DID* *A* *TEMPORAL* *SHIFT*

{@9: Sup: 74 - CLOSURE: CHIH (#417); Ego: 70 - SEVERANCE: KE (#398)}

#399 - MALE CHECKSUM TOTAL: #417 as [#80, #1, #9, #8, #40, #1, #200, #10,
#50] = páthēma (G3804): {UMBRA: #139 % #41 = #16} 1) that which one suffers
or has suffered; 1a) *EXTERNALLY*, *A* *SUFFERING*, *MISFORTUNE*,
*CALAMITY*, *EVIL*, *AFFLICTION*; 1a1) of the sufferings of Christ; 1a2)
also the afflictions which Christians must undergo in behalf of the same
cause which Christ patiently endured; 1b) of an inward state, an
affliction, passion; 2) an enduring, undergoing, suffering;

#641 - FEME CHECKSUM TOTAL: #398 as [#1, #80, #70, #9, #1, #50, #70, #50,
#300, #10] = apothnḗskō (G599): {UMBRA: #1238 % #41 = #8} 1) to die; 1a)
*OF* *THE* *NATURAL* *DEATH* *OF* *MAN*; 1b) of the violent death of man or
animals; 1c) to perish by means of something; 1d) of trees which dry up, of
seeds which rot when planted; 1e) *OF* *ETERNAL* *DEATH*, *TO* *BE*
*SUBJECT* *TO* *ETERNAL* *MISERY* *IN* *HELL*;

ONTIC CHECKSUM TOTAL: #104

#42 - ONTIC CHECKSUM TOTAL: #104 as [#30, #2, #10] = lêb (H3820): {UMBRA:
#32 % #41 = #32} 1) inner man, mind, will, *HEART*, understanding; 1a)
inner part, midst; 1a1) midst (of things); 1a2) heart (of man); 1a3) soul,
heart (of man); 1a4) mind, knowledge, thinking, reflection, memory; 1a5)
inclination, resolution, determination (of will); 1a6) conscience; 1a7)
heart (of moral character); 1a8) as seat of appetites; 1a9) as seat of
emotions and passions; 1a10) as seat of courage;

#706 - ONTIC CHECKSUM TOTAL: #104 as [#6, #90, #10, #600] = tsîy (H6716):
{UMBRA: #100 % #41 = #18} 1) *SHIP*;

#995 - ONTIC CHECKSUM TOTAL: #104 as [#5, #100, #90, #800] = qetseph
(H7110): {UMBRA: #270 % #41 = #24} 1) *WRATH*, anger; 1a) of God; 1b) of
man; 2) splinter, twig, broken twig; 2a) meaning dubious;

DEME CHECKSUM TOTAL: #477

#266 - DEME CHECKSUM TOTAL: #477 as [#30, #4, #2, #200, #10, #20] = dâbâr
(H1697): {UMBRA: #206 % #41 = #1} 1) speech, word, speaking, thing; 1a)
speech; 1b) *SAYING*, *UTTERANCE*; 1c) word, words; 1d) business,
occupation, acts, matter, case, something, manner (by extension);

NEW YORK POST (@nypost) @ 1026 HOURS (ET) ON 14 DECEMBER 2023 / 0226 HRS ON
15 DECEMBER 2023: "TURKISH LAWMAKER WHO HAD HEART ATTACK AFTER SAYING
ISRAEL ‘WILL SUFFER THE WRATH OF ALLAH’ DIES":

The Turkish lawmaker who suffered a *HEART* attack on the floor of
parliament after declaring that Israel “will suffer the *WRATH* of Allah”
died Thursday 14 DECEMBER 2023, just two days after condemning Istanbul’s
policy toward Jerusalem.

Shocking video showed Bitmez collapsing at the podium before the general
assembly Tuesday 12 DECEMBER 2023, moments after delivering a fiery speech
panning President Tayyip Erdogan’s ruling AK Party over Turkey’s ongoing
trade with Israel despite the war with Hamas.

“You allow *SHIPS* to go to Israel and you shamelessly call it trade… You
are Israel’s accomplice,” Bitmez said in his tirade after placing a banner
on the podium emblazoned with the words: “Murderer Israel; collaborator
AKP.”

Hasan Bitmez, 54, a member of parliament from the opposition Saadet Party,
died in Ankara City Hospital, Health Minister Fahrettin Koca told reporters
in televised remarks."
<https://nypost.com/2023/12/14/news/turkish-lawmaker-who-had-heart-attack-slamming-israel-dies>

YOUTUBE: "ENYA - ORINOCO FLOW [DAS NEUE SCHWARZ REMIX]"

<https://www.youtube.com/watch?v=1f27AaGdRm8>

<https://www.youtube.com/watch?v=1H-LqG14JTw>

SEE ALSO: "DEVISING THE IDEA TEMPLATE TO QUEEN VICTORIA'S LETTERS PATENT
AND HYPOTHESIS ON ONTIC VARIANCE"

<http://www.grapple369.com/Groundwork/Letters%20Patent%20Variance%20Simple.pdf>

A revision of this document may be obtained from the following URL:

<http://www.grapple369.com/Groundwork/Dalek%20Revival.pdf>

Revision Date: 15 December 2023

dolf <dolfboek@hotmail.com> wrote:
> -- DALEK PRODUCTION LINE CONSCIOUSNESS: ON ART AND THE AESTHETIC OF AWE --
> IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?
>
> (c) 2023 Dolf Leendert Boek, Published: 10 December 2023
>
> In this example, I earlier on 10 DECEMBER 2023 accessed the YOUTUBE "DOCTOR
> WHO DEVIOUS DALEK PRODUCTION LINE" video and placed it into my reading list
> for quick access and then by intuition accessed the GRAPPLE TEMPORAL
> HEURISTIC in obtaining reasonable (ie. we discarded the first selection as
> too focused on extermination rather than production) matching CATEGORIES as
> teleological MALE / FEME and ONTIC / DEME noumenon redaction which further
> substantiates the claim that creative genius, like human consciousness, is
> a product of the hypostasis.
>
> We subsequently augmented the earlier instantiation with the capacity for
> consciousness #1515 = émphytos (G1721): *IMPLANTED* *BY* *NATURE*…
>
> DALEK: “ACTIVATION SIGNAL DETECTED.”
>
> #1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
> (H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a distinguishing
> mark; 1b) banner; 1c) remembrance; 1d) miraculous sign; 1e) omen; 1f)
> warning; 2) token, ensign, standard, miracle, proof;
>
> DALEK: "RESTART PRODUCTION LINE"
>
> #811 - FEME CHECKSUM TOTAL: #244 as [#6, #5, #300, #20, #40, #400, #40] =
> shâkam (H7925): {UMBRA: #360 % #41 = #32} 1) *TO* *RISE* *OR* *START*
> *EARLY*; 1a) (Hiphil); 1a1) to rise early, make an early start; 1a2) early
> (as adverb);
>
> DALEK: "I OBEY"
>
> #921 - ONTIC CHECKSUM TOTAL: #192 as [#1, #300, #40, #10, #70, #500] /
> #1410 - ONTIC CHECKSUM TOTAL: #192 as [#300, #40, #70, #400, #600] = shâmaʻ
> (H8085): {UMBRA: #410 % #41 = #41} 1) to hear, listen to, *OBEY*; 1a)
> (Qal); 1a1) to hear (perceive by ear); 1a2) to hear of or concerning; 1a3)
> to hear (have power to hear); 1a4) to hear with attention or interest,
> listen to; 1a5) to understand (language); 1a6) to hear (of judicial cases);
> 1a7) to listen, give heed; i) to consent, agree; ii) to grant request; 1a8)
> to listen to, yield to; 1a9) to obey, be obedient; 1b) (Niphal); 1b1) to be
> heard (of voice or sound); 1b2) to be heard of; 1b3) to be regarded, be
> obeyed; 1c) (Piel) to cause to hear, call to hear, summon; 1d) (Hiphil);
> 1d1) to cause to hear, tell, proclaim, utter a sound; 1d2) to sound aloud
> (musical term); 1d3) to make proclamation, summon; 1d4) to cause to be
> heard; 1e) sound;
>
> DALEK: "EMBRYO HIBERNATION SUCCESSFUL"
>
> #809 - ONTIC CHECKSUM TOTAL: #192 as [#4, #10, #1, #4, #70, #600, #70, #50]
> = diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) *SUCCEEDING*, a
> successor;
>
> DALEK: “REVIVAL INITIATED.”
>
> #322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50] =
> anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life; 1a)
> to be restored to a correct life; 1a1) of one who returns to a better moral
> state; 1b) to *REVIVE*, regain strength and vigour;
>
> DALEK: "CONVEYOR SYSTEM NOW ACTIVE"
>
> #712 - ONTIC CHECKSUM TOTAL: #192 as [#1, #100, #600, #1, #10] = archḗ
> (G746): {UMBRA: #709 % #41 = #12} 1) beginning, origin; 2) the person or
> thing that commences, the first person or thing in a series, the leader; 3)
> *THAT* *BY* *WHICH* *ANYTHING* *BEGINS* *TO* *BE*, *THE* *ORIGIN*, *THE*
> *ACTIVE* *CAUSE*; 4) the extremity of a thing; 4a) of the corners of a
> sail; 5) the first place, principality, rule, magistracy; 5a) of angels and
> demons;
>
> YOUTUBE: “DOCTOR WHO DEVIOUS DALEK PRODUCTION LINE”
>
> <https://www.youtube.com/watch?v=KGIluXdfXqY>
>
>
>
> GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic&male:378&feme:244&ontic:192&deme:506&idea:244>
>
> {@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}
>
>     #241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200, #7,
> #30] /
>     #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2, #200,
> #7, #30] /
> #244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 = #34}
> 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
> utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
> *OPPRESSION* (fig.);
>
> #649 - FEME CHECKSUM TOTAL: #244 as [#6, #400, #80, #100, #8, #50, #5] =
> pâqach (H6491): {UMBRA: #188 % #41 = #24} 1) *TO* *OPEN* (*THE* *EYES*);
> 1a) (Qal); 1a1) to open (the eyes); 1a2) *TO* *OPEN* (*THE* *EARS*); 1b)
> (Niphal) to be opened;
>
> META-DESCRIPTIVE (#0 - EX NIHILO, #40, #41, #81) PROTOTYPE STANDARD, as the
> rational product of PRAXIS which is then #1515 = #491 + #492 + #532 as [#5,
> #40, #500, #400, #300, #70, #200] = émphytos (G1721): {UMBRA: #1515 % #41 =
> #39} 1) inborn, *IMPLANTED* *BY* *NATURE*, implanted by others
> instruction;
>
> PROTOTYPE vMEMETIC *DIALECTIC* TO CONSCIOUSNESS
> #5 - ACT OF NATURE / NATURE REJOICES IN ITS NATURE: {HE}
> #20 - TRANSFORMING NATURE: {RESH / DOUBLE - FORM OF NATURE (AUTONOMOUS
> NATURE)}
> #6 - FORM OF NATURE / NATURE SURMOUNTS NATURE: {VAV}
> #13 - NATURE CONTAINS NATURE: {MEM}
> #1 - NATURE CONTAINS NATURE: {ALEPH}
>
> — AUTONOMOUS DELIMITER —> #8 - TRANSFORMING NATURE / ACT OF NATURE:
> {CHETH)}
>
> <https://www.youtube.com/watch?v=KGIluXdfXqY&t=61>
>
> #10 - TOTALITY OF NATURE / ENGENDERING NATURE: {YOD}
> #15 - NATURE SURMOUNTS NATURE: {SAMEK}
> #12 - AUTONOMOUS NATURE: {LAMED}
> #18 - FORM OF NATURE: {TSADE}
>
> #450 + #1 - SELF AS PROGRESSION
>
> #730 - FEME CHECKSUM TOTAL: #244 as [#70, #500, #9, #1, #30, #40, #70, #10]
> = ophthalmós (G3788): {UMBRA: #920 % #41 = #18} 1) the eye; 2) METAPHOR:
> *THE* *EYES* *OF* *THE* *MIND*, *THE* *FACULTY* *OF* *KNOWING*;
>
> DALEK: “REACTORS ONLINE”
>
> #1135 - FEME CHECKSUM TOTAL: #244 as [#6, #50, #9, #70, #400, #600] = nâṭaʻ
> (H5193): {UMBRA: #129 % #41 = #6} 1) to plant, fasten, fix, establish; 1a)
> (Qal); 1a1) to plant; 1a2) to plant, establish (fig.); 1b) (Niphal); 1b1)
> to be planted; 1b2) *TO* *BE* *ESTABLISHED* (fig.);
>
> DALEK: “DALEK PRODUCTION LINE OPERATIVES IN POSITION”
>
>     #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #30, #200, #6,
> #8] / [#30, #200, #6, #8, #6] /
> #244 as [#30, #200, #6, #8] = rûwach (H7307): {UMBRA: #214 % #41 = #9} 1)
> wind, breath, mind, spirit; 1a) breath; 1b) wind; 1b1) of heaven; 1b2)
> quarter (of wind), side; 1b3) breath of air; 1b4) air, gas; 1b5) vain,
> empty thing; 1c) spirit (as that which breathes quickly in animation or
> agitation); 1c1) *SPIRIT*, *ANIMATION*, *VIVACITY*, *VIGOUR*; 1c2) courage;
> 1c3) temper, anger; 1c4) impatience, patience; 1c5) spirit, disposition (as
> troubled, bitter, discontented); 1c6) disposition (of various kinds),
> unaccountable or uncontrollable impulse; 1c7) prophetic spirit; 1d) spirit
> (of the living, breathing being in man and animals); 1d1) as gift,
> preserved by God, God's spirit, departing at death, disembodied being; 1e)
> spirit (as seat of emotion); 1e1) desire; 1e2) sorrow, trouble; 1f) spirit;
> 1f1) *AS* *SEAT* *OR* *ORGAN* *OF* *MENTAL* *ACTS*; 1f2) rarely of the
> will; 1f3) as seat especially of moral character; 1g) Spirit of God, the
> third person of the triune God, the Holy Spirit, coequal, coeternal with
> the Father and the Son; 1g1) as inspiring ecstatic state of prophecy; 1g2)
> as impelling prophet to utter instruction or warning; 1g3) *IMPARTING*
> *WARLIKE* *ENERGY* *AND* *EXECUTIVE* *AND* *ADMINISTRATIVE* *POWER*; 1g4)
> as endowing men with various gifts; 1g5) as energy of life; 1g6) as
> manifest in the Shekinah glory; 1g7) never referred to as a depersonalised
> force;
>
> #811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10, #5,
> #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought, device;
> 1a) thought; 1b) *DEVICE*, *PLAN*, *PURPOSE*; 1c) *INVENTION*;
>
> DALEK: “DALEKANIUM FORGE RESTARTED”
>
> #2018 - MALE CHECKSUM TOTAL: #378 as [#80, #5, #80, #800, #100, #800, #40,
> #5, #50, #8, #50] = pōróō (G4456): {UMBRA: #1850 % #41 = #5} 1) to cover
> with a thick skin, *TO* *HARDEN* *BY* *COVERING* *WITH* *A* *CALLUS*; 2)
> metaph.; 2a) to make the heart dull; 2b) to grow hard, callous, become
> dull, lose the power of understanding;
>
> DALEK: “OPTIMAL TEMPERATURE ACHIEVED IN 100 RELS”
>
> #192 - ONTIC CHECKSUM TOTAL: #192 as [#7, #30, #70, #80, #5] = zalʻâphâh
> (H2152): {UMBRA: #192 % #41 = #28} 1) burning heat, *RAGING* *HEAT*;
>
> ONTIC CHECKSUM TOTAL: #192
>
> #516 - ONTIC CHECKSUM TOTAL: #192 as [#30, #20, #60, #6, #400] = kâçâh
> (H3680): {UMBRA: #85 % #41 = #3} 1) to cover, conceal, hide; 1a) (Qal)
> conceal, covered (participle); 1b) (Niphal) *TO* *BE* *COVERED*; 1c)
> (Piel); 1c1) to cover, clothe; 1c2) to cover, conceal; 1c3) *TO* *COVER*
> (*FOR* *PROTECTION*); 1c4) to cover over, spread over; 1c5) to cover,
> overwhelm; 1d) (Pual); 1d1) to be covered; 1d2) to be clothed; 1e)
> (Hithpael) to cover oneself, clothe oneself;
>
> DALEK: “ARMING WEAPONRY”
>
> #702 - ONTIC CHECKSUM TOTAL: #192 as [#5, #1, #90, #200, #6, #400] =
> ʼôwtsâr (H214): {UMBRA: #297 % #41 = #10} 1) treasure, storehouse; 1a)
> treasure (gold, silver, etc); 1b) store, supplies of food or drink; 1c)
> treasure-house, treasury; 1c1) treasure-house; 1c2) storehouse, magazine;
> 1c3) treasury; 1c4) *MAGAZINE* *OF* *WEAPONS* (fig. of God's armoury); 1c5)
> storehouses (of God for rain, snow, hail, wind, sea);
>
> #1515 as [#20, #1, #9, #800, #80, #30, #10, #200, #40, #5, #50, #70, #200]
> = kathoplízō (G2528): {UMBRA: #1027 % #41 = #2} 1) *FURNISH* *WITH* *ARMS*;
>
> DEME CHECKSUM TOTAL: #506
>
> #501 - DEME CHECKSUM TOTAL: #506 as [#400, #40, #6, #50, #5] = tᵉmûwnâh
> (H8544): {UMBRA: #501 % #41 = #9} 1) *FORM*, *IMAGE*, *LIKENESS*,
> representation, semblance;
>
> BING CHAT GPT @ 1019 HRS ON 11 DECEMBER 2023: “WHAT IS CONSCIOUSNESS?
>
> *CONSCIOUSNESS*, at its simplest, is *AWARENESS OF INTERNAL AND EXTERNAL
> EXISTENCE*. It encompasses a rich tapestry of experiences, thoughts,
> feelings, and perceptions that make up our subjective reality. Let's
> explore this fascinating phenomenon:
>
> 1. *DEFINITION*:
> - According to the *OXFORD LIVING DICTIONARY*, consciousness is:
> - The state of being aware of and responsive to one's surroundings.
> - A person's awareness or perception of something.
> - The fact of awareness by the mind of itself and the world.
> - In psychology, consciousness refers to *INDIVIDUAL AWARENESS OF UNIQUE
> THOUGHTS, MEMORIES, FEELINGS, SENSATIONS, AND ENVIRONMENTS*. Essentially,
> it's your awareness of yourself and the world around you.
>
> 2. *ASPECTS OF CONSCIOUSNESS*:
> - *SUBJECTIVE EXPERIENCE*: Consciousness allows you to *THINK, REMEMBER,
> AND FEEL*. It's your actual *EXPERIENCE OF THE WORLD*, including thoughts,
> sensations, and decision-making.
> - *OBSERVER'S PERSPECTIVE*: It also includes the *APPEARANCE OF
> AWARENESS TO AN OBSERVER*—how others perceive your conscious state.
>
> 3. *HISTORICAL ORIGINS*:
> - The concept of consciousness has a long history:
> - Ancient philosophers, theologians, and scientists have debated its
> nature.
> - Aristotle, for instance, linked perceptual awareness to what we now
> consider consciousness.
> - John Locke's influential work in the 17th century defined
> consciousness as "*THE PERCEPTION OF WHAT PASSES IN A MAN'S OWN MIND*".
> - Samuel Johnson's celebrated dictionary included Locke's definition.
> - The term "consciousness" itself has evolved over time, with early
> English uses dating back to the 1500s.
>
>
>
> GRAPPLE (356, 242)@[12, 9, 32, 7, 41, 5, 39, 38, 59] PROTOTYPE
>
> <http://www.grapple369.com/Savvy/?date:2023.12.11&time:10.19&heuristic&male:356&feme:242&ontic:589&deme:106&idea:242>
>
> {@9: Sup: 80 - LABOURING: CH'IN (#356); Ego: 59 - MASSING: CHU (#242)}
>
>     #233 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#7, #20, #6, #200] /
> [#7, #20, #200, #6] /
>     #258 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#1, #7, #20, #200,
> #20, #10] /
>     #272 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#30, #5, #7, #20,
> #10, #200] /
>     #283 - NOUMENON RESONANCE FOR 11 DECEMBER 2023 as [#7, #20, #200, #50,
> #6] /
> #242 as [#5, #7, #20, #10, #200] = zâkar (H2142): {UMBRA: #227 % #41 = #22}
> 1) to remember, recall, call to mind; 1a) (Qal) to remember, recall; 1b)
> (Niphal) *TO* *BE* *BROUGHT* *TO* *REMEMBRANCE*, *BE* *REMEMBERED*, *BE*
> *THOUGHT* *OF*, *BE* *BROUGHT* *TO* *MIND*; 1c) (Hiphil); 1c1) to cause to
> remember, remind; 1c2) to cause to be remembered, keep in remembrance; 1c3)
> to mention; 1c4) to record; 1c5) to make a memorial, make remembrance;
>
> In summary, consciousness is the intricate fabric that *WEAVES* together
> our inner thoughts, self-awareness, and perception of the external world.
> It remains a captivating mystery, inviting us to explore its depths and
> ponder the right questions about our existence.”
>
> #749 - MALE CHECKSUM TOTAL: #356 as [#6, #5, #6, #300, #2, #400, #10, #20]
> = yâshab (H3427): {UMBRA: #312 % #41 = #25} 1) to dwell, remain, sit,
> abide; 1a) (Qal); 1a1) to sit, sit down; 1a2) to be set; 1a3) to remain,
> stay; 1a4) *TO* *DWELL*, *HAVE* *ONE'S* *ABODE*; 1b) (Niphal) to be
> inhabited; 1c) (Piel) to set, place; 1d) (Hiphil); 1d1) to cause to sit;
> 1d2) to cause to abide, set; 1d3) to cause to dwell; 1d4) to cause (cities)
> to be inhabited; 1d5) to marry (give an dwelling to); 1e) (Hophal); 1e1) to
> be inhabited; 1e2) to make to dwell;
>
> #728 - FEME CHECKSUM TOTAL: #242 as [#8, #200, #80, #400, #40] = châraph
> (H2778): {UMBRA: #288 % #41 = #1} 1) to reproach, taunt, *BLASPHEME*, defy,
> jeopardise, rail, upbraid; 1a) (Qal) to reproach; 1b) (Piel) *TO*
> *REPROACH*, *DEFY*, *TAUNT*; 2) (Qal) to winter, spend harvest time, remain
> in harvest time; 3) (Niphal) to acquire, be betrothed;
>
> YOUTUBE: “GOD OF ALL DALEKS - DOCTOR WHO UNRELEASED MUSIC”
>
> <https://www.youtube.com/watch?v=XgZVzB3x4l8>
>
> #971 - FEME CHECKSUM TOTAL: #242 as [#40, #400, #1, #40, #90, #400] =
> ʼâmats (H553): {UMBRA: #131 % #41 = #8} 1) to be strong, alert, courageous,
> brave, stout, bold, solid, hard; 1a) (Qal) to be strong, brave, bold; 1b)
> (Piel) to strengthen, secure (for oneself), harden (heart), make firm, make
> obstinate, assure; 1c) (Hithpael) to be determined, to make oneself alert,
> strengthen oneself, *CONFIRM* *ONESELF*, *PERSIST* *IN*, *PROVE* *SUPERIOR*
> *TO*; 1d) (Hiphil) to exhibit strength, be strong, feel strong;
>
> ONTIC CHECKSUM TOTAL: #589
>
> #1226 - ONTIC CHECKSUM TOTAL: #589 as [#5, #200, #1, #10, #400, #10, #600]
> = râʼâh (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect,
> perceive, consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to
> see, have vision; 1a4) to look at, see, regard, look after, see after,
> learn about, observe, watch, look upon, look out, find out; 1a5) to see,
> observe, consider, look at, give attention to, discern, distinguish; 1a6)
> to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself; 1b2) to
> be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d) (Hiphil); 1d1) to
> cause to see, show; 1d2) to cause to look intently at, behold, cause to
> gaze at; 1e) (Hophal); 1e1) to be caused to see, be shown; 1e2) to be
> exhibited to; 1f) (Hithpael) *TO* *LOOK* *AT* *EACH* *OTHER*, *FACE*;
>
> DEME CHECKSUM TOTAL: #106
>
> #210 - DEME CHECKSUM TOTAL: #106 as [#6, #1, #200, #3] = ʼârag (H707):
> {UMBRA: #204 % #41 = #40} 1) to *WEAVE*; 1a) (Qal); 1a1) to weave (cloth);
> 1a2) to braid (Samson's hair); 1a3) weaver (subst.); 1a4) intrigue (fig.);
>
> DALEK: “DALEK COMPLETE. CHECK”
>
> #435 - ONTIC CHECKSUM TOTAL: #192 as [#10, #300, #30, #40, #50, #5] =
> shâlam (H7999): {UMBRA: #370 % #41 = #1} 1) to be in a covenant of peace,
> be at peace; 1a) (Qal); 1a1) to be at peace; 1a2) peaceful one
> (participle); 1b) (Pual) one in covenant of peace (participle); 1c)
> (Hiphil); 1c1) to make peace with; 1c2) to cause to be at peace; 1d)
> (Hophal) to live in peace; 2) to be complete, be sound; 2a) (Qal); 2a1)
> *TO* *BE* *COMPLETE*, *BE* *FINISHED*, *BE* *ENDED*; 2a2) to be sound, be
> uninjured; 2b) (Piel); 2b1) to complete, finish; 2b2) to make safe; 2b3) to
> make whole or good, restore, make compensation; 2b4) to make good, pay;
> 2b5) to requite, recompense, reward; 2c) (Pual); 2c1) to be performed; 2c2)
> to be repaid, be requited; 2d) (Hiphil); 2d1) to complete, perform; 2d2) to
> make an end of;
>
> DALEK: “DALEK COMPLETE. CHECK”
>
> #790 - MALE CHECKSUM TOTAL: #378 as [#5, #60, #5, #30, #9, #70, #400, #200,
> #1, #10] = exérchomai (G1831): {UMBRA: #891 % #41 = #30} 1) to go or come
> forth of; 1a) with mention of the place out of which one goes, or the point
> from which he departs; 1a1) of those who leave a place of their own accord;
> 1a2) of those who are expelled or cast out; 1b) metaph.; 1b1) to go out of
> an assembly, i.e. forsake it; 1b2) to come forth from physically, arise
> from, to be born of; 1b3) to go forth from one's power, escape from it in
> safety; 1b4) *TO* *COME* *FORTH* (*FROM* *PRIVACY*) *INTO* *THE* *WORLD*,
> *BEFORE* *THE* *PUBLIC*, (*OF* *THOSE* *WHO* *BY* *NOVELTY* *OF* *OPINION*
> *ATTRACT* *ATTENTION*); 1b5) of things; i) *OF* *REPORTS*, *RUMOURS*,
> *MESSAGES*, *PRECEPTS*; ii) to be made known, declared; iii) to be spread,
> to be proclaimed; iv) to come forth; 1) emitted as from the heart or the
> mouth; 2) to flow forth from the body; 3) to emanate, issue; 31) used of a
> sudden flash of lightning; 32) used of a thing vanishing; 33) used of a
> hope which has disappeared;
>
> YOUTUBE: “THE CONSTRUCTION OF THE DALEKS”
>
> <https://www.youtube.com/watch?v=utAq2oXe-Mo>
>
> #406 - FEME CHECKSUM TOTAL: #244 as [#1, #80, #70, #30, #5, #200, #9, #1,
> #10] = apóllymi (G622): {UMBRA: #661 % #41 = #5} 1) to destroy; 1a) to put
> out of the way entirely, abolish, put an end to ruin; 1b) render useless;
> 1c) to kill; 1d) *TO* *DECLARE* *THAT* *ONE* *MUST* *BE* *PUT* *TO*
> *DEATH*; 1e) metaph. to devote or give over to eternal misery in hell; 1f)
> to perish, to be lost, ruined, destroyed; 2) to destroy; 2a) to lose;
>
> SEE ALSO: "DEVISING THE IDEA TEMPLATE TO QUEEN VICTORIA'S LETTERS PATENT
> AND HYPOTHESIS ON ONTIC VARIANCE"
>
> <http://www.grapple369.com/Groundwork/Letters%20Patent%20Variance.pdf>
>
> A revision of this document may be obtained from the following URL:
>
> <http://www.grapple369.com/Groundwork/Dalek%20Revival.pdf>
>
> Revision Date: 12 December 2023
>
>>
>> On 10/12/2023 11:55, dolf wrote:
>>> Well Doctor Jason,
>>>
>>> I thought of this yesterday but managed to wait for the right temporal
>>> slot to say goodbye...
>>>
>>> I'm old enough to say, "Well lad, I hope that this doesn't f@ck you
>>> over... thanks for the chat and bye"
>>>
>>> YOUTUBE: "Dalek Makes Emergency Temporal Shift | Evolution Of The Daleks
>>> | Doctor Who"
>>>
>>> <https://www.youtube.com/watch?v=AARDLkH7xM4&t=116s>
>>>
>>> GRAPPLE (398, 455)@[78, 18, 53, 24, 41, 34, 63, 64, 80] PROTOTYPE
>>>
>>> <http://www.grapple369.com/Savvy/?date:2023.12.10&time:11.29&heuristic>
>>>
>>> {@9: Sup: 50 - VASTNESS / WASTING: T'ANG (#398); Ego: 80 - LABOURING:
>>> CH'IN (#455)}
>>>
>>>     #49 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#40, #6, #3] /
>>> #455 as [#6, #400, #40, #6, #3] = mûwg (H4127): {UMBRA: #49 % #41 = #8}
>>> 1) to melt, cause to melt; 1a) (Qal); 1a1) to melt, faint; 1a2) to cause
>>> to melt; 1b) (Niphal) to melt away; 1c) (Polel) *TO* *SOFTEN*,
>>> *DISSOLVE*, *DISSIPATE*; 1d) (Hithpolel) to melt, flow;
>>>
>>> #1562 - MALE CHECKSUM TOTAL: #398 as [#80, #100, #70, #200, #1, #50, #1,
>>> #30, #10, #200, #20, #800] = prosanalískō (G4321): {UMBRA: #1562 % #41 =
>>> #4} 1) to expend besides (i.e. upon *PHYSICIANS*);
>>>
>>> #2480 - FEME CHECKSUM TOTAL: #455 as [#300, #5, #300, #400, #500, #800,
>>> #40, #5, #50, #70, #10] = typhóō (G5187): {UMBRA: #2070 % #41 = #20} 1)
>>> to raise a smoke, *TO* *WRAP* *IN* *A* *MIST*; 1a) metaph.; 1a1) to make
>>> proud, puff up with pride, render insolent; 1a2) to be puffed up with
>>> haughtiness or pride; 1b) to blind with pride or conceit, to render
>>> foolish or stupid; 1b1) beclouded, besotted;
>>>
>>> ONTIC CHECKSUM TOTAL: #334
>>> #362 - ONTIC CHECKSUM TOTAL: #334 as [#10, #40, #6, #300, #6] = mûwsh
>>> (H4185): {UMBRA: #346 % #41 = #18} 1) to depart, remove; 1a) (Qal); 1a1)
>>> to *DEPART*; 1a2) to remove; 1a3) to be removed (of inanimate objects);
>>> 1b) (Hiphil) to remove, depart;
>>>
>>> DEME CHECKSUM TOTAL: #257
>>> #96 - DEME CHECKSUM TOTAL: #257 as [#40, #10, #6, #40] = yôwm (H3117):
>>> {UMBRA: #56 % #41 = #15} 1) day, time, year; 1a) day (as opposed to
>>> night); 1b) day (24 hour period); 1b1) as defined by evening and morning
>>> in Genesis 1; 1b2) as a division of time; i) a working day, a day's
>>> journey; 1b3) days, lifetime (pl.); 1b4) *TIME*, period (general); 1b5)
>>> year; 1b6) temporal references; i) today; ii) yesterday; iii) tomorrow;
>>>
>>> On 8/12/2023 16:51, dolf wrote:
>>>> dolf <dolfboek@hotmail.com> wrote:
>>>>> -- ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING
>>>>> (diádochos)?
>>>>>
>>>>> If you nuance your argument to FORESEE (proeídō) then I can provide
>>>>> praxis relevant to the BIPARTITE THEORY OF NUMBER and supersede this
>>>>> with TEMPORAL HEURISTIC / CHAT GPT as technology.  What we enjoy doing
>>>>> is to then validate our TEMPORAL HEURISTIC and meta-narrative sent @
>>>>> 1059 HOURS ON 7 DECEMBER 2023 with contemporaneous news media events as
>>>>> the substantiated (eg: HAMLET / MOVIE) temporal consciousness markers...
>>>>>
>>>>
>>>> You say on page 26 that “Technē thus appears to consist of at least two
>>>> quite separate operations:
>>>>
>>>> - The capacity to immanently apprehend the function which involves a
>>>> certain immanence to the causal order, and
>>>> - A more specific materialist know-how (epistasthai) whose task is to put
>>>> into effect a change in the causal mechanism precipitated via the
>>>> function.”
>>>>
>>>> My greek isn’t very comprehensive, but I think that the difference lays
>>>> between ῐ̔́στημῐ (hístēmi) and στᾰ́σῐς (stásis) as perspectives of standing
>>>> where the later is an instance within the hypostasis ὑπό (hupó, “down,
>>>> under”) + στάσις (stásis, “standing”) as state / condition or statute
>>>> / law
>>>> where every instance is made in conformity to law of nature as causal
>>>> order.
>>>>
>>>> Given ὑπό what then is the possibility of δει as necessity
>>>>
>>>> it is necessary, there is need of, it behooves, is right and proper
>>>> - necessity lying in the nature of the case
>>>> - necessity brought on by circumstances or by the conduct of others
>>>> toward
>>>> us.
>>>> - necessity in reference to what is required to attain some end
>>>> - a necessity of law and command, of duty, equity
>>>>
>>>> Can one apprehend the hypostasis with its immanent causality and action
>>>> necessity as prerogative of duty?
>>>> 
BING CHAT GPT @ 1604 HOURS ON 8 DECEMBER 2023: “I apologize, but I don’t
>>>> have the capability to apprehend the hypostasis. Thank you for your
>>>> understanding.🙏”
>>>>
>>>> <http://www.grapple369.com/Savvy/?date:2023.12.8&time:16.04&heuristic>
>>>>
>>>> GRAPPLE (382, 349)@[29, 77, 33, 58, 39, 62, 2, 48, 1] PROTOTYPE
>>>>
>>>> {@9: Sup: 25 - CONTENTION: CHENG (#382); Ego: 1 - CENTRE: CHUNG (#349)}
>>>>
>>>> #349 as [#4, #70, #9, #5, #10, #200, #1, #50] = dídōmi (G1325): {UMBRA:
>>>> #868 % #41 = #7} 1) to give; 2) to give something to someone; 2a) of
>>>> one's
>>>> own accord to give one something, to his advantage; 2a1) to bestow a
>>>> gift;
>>>> 2b) to grant, give to one asking, let have; 2c) *TO* *SUPPLY*, *FURNISH*,
>>>> *NECESSARY* *THINGS*; 2d) to give over, deliver; 2d1) to reach out,
>>>> extend,
>>>> present; 2d2) of a writing; 2d3) to give over to one's care, intrust,
>>>> commit; i) something to be administered; ii) to give or commit to some
>>>> one
>>>> something to be religiously observed; 2d4) to give what is due or
>>>> obligatory, to pay: wages or reward; 2d5) to furnish, endue; 2e) to give;
>>>> 2e1) to cause, profuse, give forth from one's self; i) to give, hand out
>>>> lots; 2e2) to appoint to an office; 2e3) to cause to come forth, i.e. as
>>>> the sea, death and Hell are said to give up the dead who have been
>>>> engulfed
>>>> or received by them; 2e4) to give one to someone as his own; i) as an
>>>> object of his saving care; ii) to give one to someone, to follow him as a
>>>> leader and master; iii) to give one to someone to care for his interests;
>>>> iv) to give one to someone to whom he already belonged, to return;
>>>> 2e5) to
>>>> grant or permit one; i) to commission;
>>>>
>>>> #718 - MALE CHECKSUM TOTAL: #382 as [#400, #80, #70, #40, #70, #50, #8] =
>>>> hypomonḗ (G5281): {UMBRA: #718 % #41 = #21} 1) steadfastness, constancy,
>>>> endurance; 1a) in the NT the characteristic of a man who is not swerved
>>>> from his deliberate purpose and his loyalty to faith and piety by even
>>>> the
>>>> greatest trials and sufferings; 1b) patiently, and steadfastly; 2) a
>>>> patient, steadfast waiting for; 3) a patient enduring, sustaining,
>>>> perseverance;
>>>>
>>>> #310 - NOUMENON RESONANCE FOR 8 DECEMBER 2023 as [#40, #5, #50, #5, #10,
>>>> #200] /
>>>> #895 as [#40, #5, #50, #800] = ménō (G3306): {UMBRA: #895 % #41 = #34} 1)
>>>> to remain, abide; 1a) in reference to place; 1a1) to sojourn, tarry; 1a2)
>>>> not to depart; i) to continue to be present; ii) to be held, kept,
>>>> continually; 1a3) in reference to time; i) to continue to be, not to
>>>> perish, to last, endure; 1) of persons, to survive, live; ii) in
>>>> reference
>>>> to state or condition; 1) to remain as one, not to become another or
>>>> different; iii) to wait for, await one;
>>>>
>>>> #1596 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>>>> #800, #40, #5, #9, #1] /
>>>> #1852 - ONTIC CHECKSUM TOTAL: #336 as [#80, #5, #500, #1, #50, #5, #100,
>>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>>>> make manifest or visible or known what has been hidden or unknown, to
>>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>>> actual
>>>> and visible, realised; 1b) to make known by teaching; 1c) to become
>>>> manifest, be made known; 1d) of a person; 1d1) expose to view, make
>>>> manifest, to show one's self, appear; 1e) to become known, to be plainly
>>>> recognised, *THOROUGHLY* *UNDERSTOOD*; 1e1) who and what one is;
>>>>
>>>> #498 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #10,
>>>> #200] /
>>>> #902 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #200,
>>>> #9, #5] /
>>>> #903 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #400, #40,
>>>> #5, #50, #70, #50] /
>>>> #1045 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>>> #10] /
>>>> #1088 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #70, #800] /
>>>> #1096 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>>> #50, #1, #10] /
>>>> #1551 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>>> #200, #5, #300, #1, #10] /
>>>> #1666 - DEME CHECKSUM TOTAL: #365 as [#80, #30, #8, #100, #800, #9, #8,
>>>> #200, #70, #50, #300, #1, #10] = plēróō (G4137): {UMBRA: #1088 % #41 =
>>>> #22}
>>>> 1) to make full, to fill up, i.e. to fill to the full; 1a) to cause to
>>>> abound, to furnish or supply liberally; 1a1) I abound, I am liberally
>>>> supplied; 1b) to render full, i.e. to complete; 1b1) to fill to the
>>>> top: so
>>>> that nothing shall be wanting to full measure, fill to the brim; 1b2) to
>>>> consummate: a number; i) to make complete in every particular, to render
>>>> perfect; ii) to carry through to the end, to accomplish, carry out, (some
>>>> undertaking); 1b3) to carry into effect, bring to realisation,
>>>> realise; i)
>>>> *OF* *MATTERS* *OF* *DUTY*: *TO* *PERFORM*, *EXECUTE*; ii) of sayings,
>>>> promises, prophecies, to bring to pass, ratify, accomplish; iii) to
>>>> fulfil,
>>>> i.e. to cause God's will (as made known in the law) to be obeyed as it
>>>> should be, and God's promises (given through the prophets) to receive
>>>> fulfilment;
>>>>
>>>>
>>>>
>>>>> JASON TUCKWELL (WESTERN SYDNEY UNIVERSITY): “Rather, mimesis is the
>>>>> functional operation that makes possible the affections of praxis upon
>>>>> poiesis.” [page 33]
>>>>>
>>>>> <https://www.bloomsbury.com/au/creation-and-the-function-of-art-9781350112605/>
>>>>>
>>>>> THESIS: Creation and the Function of Art (Bloomsbury Studies in
>>>>> Continental Philosophy, 2018).
>>>>>
>>>>> One needs to presume that any Greek philosophical (Pythagoras: 570-495
>>>>> BCE, Aristotle: 384-322 BCE) discussion of techne as mathematical
>>>>> construct would have a conception of the underlying BIPARTITE (@1, @5 -
>>>>> immaterial elements) to the THEORY OF NUMBER.
>>>>>
>>>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%201.png>
>>>>>
>>>>> <http://www.grapple369.com/images/Papal%20War%20Commemorations%20Intellectual%20Property%20Theft%202.png>
>>>>>
>>>>>     #248 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#1, #7, #40,
>>>>> #200] /
>>>>> #247 as [#7, #40, #200] /
>>>>> #308 as [#6, #50, #7, #40, #200, #5] = zâmar (H2167): {UMBRA: #247 % #41
>>>>> = #1} 1) to sing, sing praise, make music; 1a) (Piel); 1a1) to make
>>>>> music, sing; 1a2) to play a musical instrument;
>>>>> 
YOUTUBE: “GORDON LIGHTFOOT - IF YOU COULD READ MY MIND”
>>>>>
>>>>> <https://www.youtube.com/watch?v=W2Yb7npqS6I>
>>>>>
>>>>> Given the foregoing argument by elimination, it seems best to conceive
>>>>> of the sublime as aesthetic awe. Ideally, this article has helped forge
>>>>> a bridge between the psychology of awe and the philosophy of the
>>>>> sublime. <https://academic.oup.com/jaac/article/79/3/301/6318746>
>>>>>
>>>>> #216 as [#40, #10, #40, #5, #70, #40, #1, #10] = miméomai (G3401):
>>>>> {UMBRA: #216 % #41 = #11} 1) to *IMITATE*: any one;
>>>>>
>>>>> BING CHAT GPT @ 1017 HOURS ON 7 DECEMBER 2023: “ART AND THE AESTHETIC OF
>>>>> AWE?
>>>>>
>>>>> Awe, that sublime emotion that swells within us, transcending the
>>>>> ordinary and connecting us to something vast and profound. It’s as if
>>>>> our souls stretch their wings, yearning to touch the infinite.
>>>>>
>>>>> #247 as [#40, #6, #200, #1] /
>>>>> #313 = [#66, #42, #18, #65, 41, #17, #64] as [#6, #40, #6, #200, #1,
>>>>> #20, #600] = môwrâʼ (H4172): {UMBRA: #247 % #41 = #1} 1) fear,
>>>>> reverence, terror; 1a) fear, terror; 1b) reverence; 1c) *OBJECT* *OF*
>>>>> *REVERENCE*; 1d) awe-inspiring spectacle or deed;
>>>>>
>>>>> TORAH PROTOTYPE #SIX: #313 - AESTHETIC OF AWE: [#66, #42, #18, #65, #41,
>>>>> #17, #64]
>>>>>
>>>>> #42 #16 #65
>>>>> #64 #41 #18
>>>>> #17 #66 #40
>>>>> #123 - JUDGEMENT SENSIBILITY / #369 - DISCRIMINATING NORM (#313 -
>>>>> AESTHETIC OF AWE)
>>>>>
>>>>> In the realm of art, this aesthetic of awe finds its home. Let us delve
>>>>> into its depths:
>>>>>
>>>>> THE SUBLIME AND AWE: The sublime, a concept steeped in philosophy and
>>>>> rhetoric for millennia, is an intense, mixed, yet ultimately gratifying
>>>>> aesthetic experience. It arises when we encounter an object or event of
>>>>> striking vastness or power. Imagine standing before a mountain peak, its
>>>>> majesty overwhelming yet exhilarating. This is the sublime. Awe, too,
>>>>> shares this mixed quality—a blend of reverence and wonder. Psychologists
>>>>> tell us that awe arises from perceiving vastness, followed by the need
>>>>> to make sense of it within our mental frameworks. Accommodation occurs,
>>>>> shifting our perspective and leaving us transformed.
>>>>>
>>>>> NATURE AND ART: Both nature’s grandeur and art’s masterpieces evoke the
>>>>> sublime. Imagine gazing at a breathtaking landscape—the rolling hills,
>>>>> the expanse of ocean, or a star-studded sky. Now consider a painting
>>>>> capturing that same essence—the play of light on canvas, the artist’s
>>>>> brushstrokes echoing the vastness. Both real and artistic
>>>>> representations can elicit this sense of awe, bridging the gap between
>>>>> the tangible and the imagined.
>>>>>
>>>>> AESTHETIC AWE: Here lies the heart of it all. Awe, when experienced in
>>>>> response to the sublime, becomes aesthetic awe. It’s the pinnacle of
>>>>> humanistic emotion, a reaction to the colossal, the rare, and the
>>>>> beautifully grand. Whether in music, visual art, or the natural world,
>>>>> aesthetic awe beckons us to explore the edges of our consciousness, to
>>>>> dance with the infinite, and to find beauty in the boundless.
>>>>>
>>>>> So, my fellow seeker of wonder, let us continue our journey through
>>>>> art’s vast landscapes, where awe and the sublime intertwine, inviting us
>>>>> to behold the ineffable and embrace the extraordinary.”
>>>>>
>>>>> ZEG HET MAAR: {@1: Sup: 48 - RITUAL: LI (#48: #499); Ego: 23 - EASE: YI
>>>>> (#23: #474)}
>>>>>
>>>>> Translation: SAY IT
>>>>>
>>>>> #48 --> #451 - PRAXIS OF RATIONALITY = #499
>>>>> #23 --> #451 - PRAXIS OF RATIONALITY = #474
>>>>>
>>>>> #973 = #499 + #474 as [#1, #50, #1, #3, #3, #5, #30, #30, #800] =
>>>>> anangéllō (G312): {UMBRA: #923 % #41 = #21} 1) *TO* *ANNOUNCE*, make
>>>>> known; 2) to report, bring back tidings, rehearse;
>>>>>
>>>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>>>
>>>>> The first people’s are those who possess first mind from before the
>>>>> foundation of world was established…
>>>>>
>>>>> That IRISH REPUBLICAN ACTIVISM’s (IRA) mantra is inherently related to
>>>>> #897 - LEGAL NIHILISM as troublesome behaviour #422 = TIOCFAIDH ÁR LÁ:
>>>>> “OUR DAY WILL COME” {@1: Sup: 59 - MASSING: CHU (#59); Ego: 17 - HOLDING
>>>>> BACK: JUAN (#17)}:
>>>>>
>>>>> #59 --> #451 - PRAXIS OF RATIONALITY = #520
>>>>> #17 --> #451 - PRAXIS OF RATIONALITY = #468
>>>>>
>>>>> #978 = #520 + 468 [MALE: #249 = [#66, #42, #18, #65, 41, #17], FEME:
>>>>> #147 = kûwn (H3559): *BE* *FIRMLY* *ESTABLISHED*, ONTIC: #173, FEME:
>>>>> #288] as [#1, #4, #8, #40, #70, #50, #5, #800] = adēmonéō (G85): {UMBRA:
>>>>> #978 % #41 = #35} 1) *TO* *BE* *TROUBLED*, great distress or anguish,
>>>>> depressed;
>>>>>
>>>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>>> #81 --> #451 - PRAXIS OF RATIONALITY = #532
>>>>>
>>>>> #1064 = #532 + #532 as [#80, #100, #70, #10, #4, #800] = proeídō
>>>>> (G4275): {UMBRA: #1064 % #41 = #39} 1) to foresee;
>>>>>
>>>>> #250 as [#80, #100, #70] = pró (G4253): {UMBRA: #250 % #41 = #4} 1)
>>>>> before;
>>>>>
>>>>>      #85 - NOUMENON RESONANCE FOR 7 DECEMBER 2023 as [#70, #10, #4, #1]
>>>>> / [#5, #10, #4, #5, #50, #1, #10] /
>>>>>      #332 - NOUMENON RESONANCE FOR 7 DECEMBER as [#5, #10, #4, #8, #300,
>>>>> #5] /
>>>>> #819 as [#5, #10, #4, #800] = eídō (G1492): {UMBRA: #819 % #41 = #40} 1)
>>>>> to see; 1a) to perceive with the eyes; 1b) to perceive by any of the
>>>>> senses; 1c) to perceive, notice, discern, discover; 1d) to see; 1d1)
>>>>> i.e. to turn the eyes, the mind, the attention to anything; 1d2) to pay
>>>>> attention, observe; 1d3) to see about something; i) i.e. to ascertain
>>>>> what must be done about it; 1d4) to inspect, examine; 1d5) to look at,
>>>>> behold; 1e) to experience any state or condition; 1f) to see i.e. have
>>>>> an interview with, to visit; 2) to know; 2a) to know of anything; 2b) to
>>>>> know, i.e. get knowledge of, understand, perceive; 2b1) *OF* *ANY*
>>>>> *FACT*; 2b2) the force and meaning of something which has definite
>>>>> meaning; 2b3) to know how, *TO* *BE* *SKILLED* *IN*; 2c) to have regard
>>>>> for one, cherish, pay attention to (1Th. 5:12);
>>>>>
>>>>> BING CHAT GPT @ 0830 HOURS ON 7 DECEMBER 2023: “[The word] Προιδώ
>>>>> (pronounced pro-ee-tho) is an Ancient Greek verb. Let’s explore its
>>>>> meanings:
>>>>>
>>>>> TO MAKE: It signifies the act of creating or producing something. For
>>>>> instance, in Homer’s Iliad, it is used in the context of creating or
>>>>> producing.
>>>>>
>>>>> TO POSTULATE OR IMPLY: In mathematical contexts, it refers to making
>>>>> assumptions or implications. Archimedes, for example, employed this
>>>>> sense when solving geometric problems.
>>>>>
>>>>> TO COMPOSE OR WRITE POETRY: After the Homeric period, προιδώ took on the
>>>>> meaning of writing poetry. Aristophanes, the renowned playwright, used
>>>>> it in his works.
>>>>>
>>>>> Feel free to explore more about Ancient Greek words on Wiktionary [as
>>>>> you are doing]”
>>>>>
>>>>> GRAPPLE (203, 247)@[5, 63, 15, 32, 65, 1, 2, 11, 53] PROTOTYPE
>>>>>
>>>>> <http://www.grapple369.com/Savvy/?date:2023.12.7&time:08.30&heuristic>
>>>>>
>>>>> #247 as [#5, #80, #100, #1, #60, #1] = prássō (G4238): {UMBRA: #1381 %
>>>>> #41 = #28} 1) to exercise, practise, to be busy with, carry on; 1a) to
>>>>> undertake, to do; 2) to accomplish, perform; 2a) to commit, perpetrate;
>>>>> 3) to manage public affairs, transact public business; 3a) to exact
>>>>> tribute, revenue, debts; 4) to act;
>>>>>
>>>>> HETEROS #FOUR: #228 = [#68, #44, #20, #60, #36]
>>>>> v’s
>>>>> TORAH #SEVEN: #247 = [#69, #45, #21, #68 = #203, #44]
>>>>>
>>>>> 45    19    68
>>>>> 67    44    21
>>>>> 20    69    43
>>>>>
>>>>> 69
>>>>> 114
>>>>> 135
>>>>> 203
>>>>> 247
>>>>> 267
>>>>> 334
>>>>> 377
>>>>> 396
>>>>>
>>>>> = #132 / #396 {#SEVEN: IS IT IMITATION (mimesis) OR SUCCEEDING
>>>>> (diádochos)?}
>>>>>
>>>>> {@9: Sup: 4 - BARRIER: HSIEN (#203); Ego: 53 - ETERNITY: YUNG (#247)}
>>>>>
>>>>> #4 --> #451 - PRAXIS OF RATIONALITY = #455
>>>>> #53 --> #451 - PRAXIS OF RATIONALITY = #504
>>>>>
>>>>> #959 = #455 + #504 as [#4, #10, #1, #4, #70, #600, #70, #200] =
>>>>> diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) succeeding, a successor;
>>>>>
>>>>> #272 - MALE CHECKSUM TOTAL: #203 as [#6, #200, #1, #10, #50, #5] = râʼâh
>>>>> (H7200): {UMBRA: #206 % #41 = #1} 1) to see, look at, inspect, perceive,
>>>>> consider; 1a) (Qal); 1a1) to see; 1a2) to see, perceive; 1a3) to see,
>>>>> have vision; 1a4) to look at, see, regard, look after, see after, learn
>>>>> about, observe, watch, look upon, look out, find out; 1a5) to see,
>>>>> observe, consider, look at, give attention to, discern, distinguish;
>>>>> 1a6) to look at, gaze at; 1b) (Niphal); 1b1) to appear, present oneself;
>>>>> 1b2) to be seen; 1b3) to be visible; 1c) (Pual) to be seen; 1d)
>>>>> (Hiphil); 1d1) to cause to see, show; 1d2) to cause to look intently at,
>>>>> behold, cause to gaze at; 1e) (Hophal); 1e1) to be caused to see, be
>>>>> shown; 1e2) to be exhibited to; 1f) (Hithpael) to look at each other,
>>>>> face;
>>>>>
>>>>> #1462 - FEME CHECKSUM TOTAL: #247 as [#200, #400, #40, #2, #10, #2, #1,
>>>>> #7, #800] = symbibázō (G4822): {UMBRA: #1462 % #41 = #27} 1) to cause to
>>>>> coalesce, to join together, put together; 1a) to unite or knit together:
>>>>> in affection; 2) to put together in one's mind; 2a) to compare; 2b) to
>>>>> gather, conclude, consider; 3) to cause a person to unite with one in a
>>>>> conclusion or come to the same opinion, to prove, demonstrate; 3a) to
>>>>> teach, instruct, one
>>>>>
>>>>> ONTIC CHECKSUM TOTAL: #690
>>>>>
>>>>> #937 - ONTIC CHECKSUM TOTAL: #690 as [#300, #5, #300, #1, #20, #300, #1,
>>>>> #10] = tássō (G5021): {UMBRA: #1501 % #41 = #25} 1) to put in order, to
>>>>> station; 1a) to place in a certain order, to arrange, to assign a place,
>>>>> to appoint; 1a1) to assign (appoint) a thing to one; 1b) to appoint,
>>>>> ordain, order; 1b1) to appoint on one's own responsibility or authority;
>>>>> 1b2) to appoint mutually, i.e. agree upon;
>>>>>
>>>>> DEME CHECKSUM TOTAL: #73 - COMPLETION (CH’ENG)
>>>>>
>>>>> {@2: Sup: 68 - DIMMING: MENG (#73 - MALE DEME IS UNNAMED {%26}); Ego: 63
>>>>> - WATCH: SHIH (#68 - I DO NOT THAT WHICH OFFENDETH THE GOD OF MY DOMAIN
>>>>> {%42})}
>>>>>
>>>>> #68 --> #451 - PRAXIS OF RATIONALITY = #519
>>>>> #63 --> #451 - PRAXIS OF RATIONALITY = #514
>>>>>
>>>>> #1033 = #519 + #514 as [#500, #100, #70, #50, #8, #300, #5] = phronéō
>>>>> (G5426): {UMBRA: #1525 % #41 = #8} 1) to have understanding, be wise; 2)
>>>>> to feel, to think; 2a) to have an opinion of one's self, think of one's
>>>>> self, to be modest, *NOT* *LET* *ONE’S* *OPINION* (*THOUGH* *JUST*) *OF*
>>>>> *HIMSELF* *EXCEED* *THE* *BOUNDS* *OF* *MODESTY*; 2b) to think or judge
>>>>> what one's opinion is; 2c) to be of the same mind i.e. agreed together,
>>>>> cherish the same views, be harmonious; 3) to direct one's mind to a
>>>>> thing, to seek, to strive for; 3a) to seek one's interest or advantage;
>>>>> 3b) to be of one's *PARTY*, side with him (in public affairs);
>>>>>
>>>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #203 - 1 MAY 1942: “A sense of
>>>>> spaciousness is important, and I am delighted to see our architects
>>>>> planning on broad and spacious lines. Only thus shall we avoid the
>>>>> springing up of more towns in which the houses are cluttered up almost
>>>>> on top of each other, as one sees in Zwickau, Gelsenkirchen and so on.
>>>>> If I were banished to a town of this kind, devoid of all beauty, I
>>>>> should lose heart and happiness just as surely as if I had been banished
>>>>> from my fatherland. I am therefore determined that some measure of
>>>>> culture and beauty shall penetrate even into the humblest of our towns,
>>>>> and that, step by step, the amenities of all our towns will reach a
>>>>> higher level. There is a lot of truth in the assertion that the culture
>>>>> of a town is dependent upon its traditions. Bayreuth, Weimar and Dresden
>>>>> afford classic examples. It may well be that it is impossible for any
>>>>> city to achieve an appearance which is pleasing to our sense of culture,
>>>>> unless at some time or other some great man has breathed his inspiration
>>>>> into its walls. But we must at least see to it that from the ranks of
>>>>> our *PARTY* plenipotentiaries even the smallest little *HAMLET* is given
>>>>> a worthy bearer not only of the torch of National Socialist supremacy,
>>>>> but also of its cultural way of life. If it is not always possible to
>>>>> find the right man in the person of every Kreisleiter (ie . District
>>>>> Leader was a Nazi Party political rank and title which existed as a
>>>>> political rank between 1930 and 1945 and as a Nazi Party title from as
>>>>> early as 1928), then with the help of the *PARTY* and its organisation
>>>>> we must ensure at least that the Kreisleiter becomes the central point
>>>>> of a measure of civilised amenity. Once this is accomplished, the way is
>>>>> open for a further progress along the path of civilisation and culture.”
>>>>> [pages 450, 451]
>>>>>
>>>>> 
>>>>> ALLANAH SCIBERRAS (9NEWS) @ 1721 HOURS ON 7 DECEMBER 2023: “REMOTE
>>>>> VICTORIAN TOWN TO FEATURE IN BLOCKBUSTER FILM:
>>>>>
>>>>> Hollywood royalty will descend on a small remote town in Victoria's
>>>>> Gippsland region from next year. Walhalla, which has a population of
>>>>> only 20 permanent residents will be taken over by crews to film Ice Road
>>>>> 2: Road to the Sky over three weeks in January.
>>>>>
>>>>> The film is a sequel to the 2021 film The Ice Road, which was centred
>>>>> around a remote mine collapse in northern Canada.
>>>>>
>>>>> Walhalla is located about 185km east of Melbourne.
>>>>>
>>>>> Work has already started to transform the towns' buildings for the film,
>>>>> which will star actor LIAM NEESON.”
>>>>> <https://www.9news.com.au/national/remote-victorian-town-to-star-in-blockbuster-film/7e3e5e44-38a2-4468-83ad-de48b74b44a1>
>>>>>
>>>>> REDUCTIO AD HITLERUM AS TABLE TALK IDEA #247 - 3 JULY 1942: “One must
>>>>> judge these things in the light of common progress. The bird is one
>>>>> degree in advance of the flying fish, which itself is higher than the
>>>>> ordinary fish; and in the same way, the air- craft is an advance on the
>>>>> ship—and the future belongs to the air.” [page 551]
>>>>>
>>>>> BING CHAT GPT @ 2313 HRS ON 28 NOVEMBER 2023: "WHAT IS THE DIFFERENCE
>>>>> BETWEEN GENIUS AND PRODIGY?
>>>>>
>>>>> GRAPPLE (296, 313)@[78, 14, 7, 40, 25, 18, 10, 60, 61] PROTOTYPE
>>>>>
>>>>> {@9: Sup: 70 - SEVERANCE: KE (#296); Ego: 61 - EMBELLISHMENT: SHIH
>>>>> (#313)}
>>>>>
>>>>> <http://www.grapple369.com/?date:2023.11.28&time:23.13&heuristic&male:296&feme:313&idea:313&ontic:513>
>>>>>
>>>>> #1460 - MALE CHECKSUM TOTAL: #296 as [#30, #50, #80, #300, #400, #600] =
>>>>> nephesh (H5315): {UMBRA: #430 % #41 = #20} 1) *SOUL*, *SELF*, *LIFE*,
>>>>> creature, person, appetite, mind, living being, desire, emotion,
>>>>> passion; 1a) that which breathes, the breathing substance or being,
>>>>> soul, the inner being of man; 1b) living being; 1c) living being (with
>>>>> life in the blood); 1d) the man himself, self, person or individual; 1e)
>>>>> seat of the appetites; 1f) seat of emotions and passions; 1g) *ACTIVITY*
>>>>> *OF* *MIND*; 1g1) dubious; 1h) activity of the will; 1h1) dubious; 1i)
>>>>> *ACTIVITY* *OF* *THE* *CHARACTER*; 1i1) dubious;
>>>>>
>>>>> #1852 - FEME CHECKSUM TOTAL: #313 as [#80, #5, #500, #1, #50, #5, #100,
>>>>> #800, #300, #1, #10] = phaneróō (G5319): {UMBRA: #1526 % #41 = #9} 1) to
>>>>> make manifest or visible or known what has been hidden or unknown, to
>>>>> manifest, whether by words, or deeds, or in any other way; 1a) make
>>>>> actual and visible, realised; 1b) to make known by teaching; 1c) to
>>>>> become manifest, be made known; 1d) of a person; 1d1) *EXPOSE* *TO*
>>>>> *VIEW*, *MAKE* *MANIFEST*, *TO* *SHOW* *ONE'S* *SELF*, *APPEAR*; 1e) to
>>>>> become known, to be plainly recognised, thoroughly understood; 1e1)
>>>>> *WHO* *AND* *WHAT* *ONE* *IS*;
>>>>>
>>>>> Certainly! Let’s delve into the nuances that distinguish genius from
>>>>> prodigy:
>>>>>
>>>>> GENIUS: A genius is someone possessing exceptional intellectual or
>>>>> creative power or other natural abilities.
>>>>>
>>>>> They excel across a broad spectrum of skills and expertise.
>>>>>
>>>>> The term “genius” encompasses a wide range of talents and achievements.
>>>>>
>>>>> CHARACTERISTICS OF A GENIUS INCLUDE:
>>>>> - High level of intelligence
>>>>> ⁃ Creativity
>>>>> ⁃ Originality
>>>>> ⁃ Ability to think outside the box
>>>>> ⁃ Exceptional problem-solving skills.
>>>>>
>>>>> A genius revolutionizes a field of knowledge, pushing the boundaries of
>>>>> human understanding.
>>>>>
>>>>> ONTIC CHECKSUM TOTAL: #513
>>>>>
>>>>> #686 - ONTIC CHECKSUM TOTAL: #513 as [#400, #80, #1, #200, #5] =
>>>>> tiphʼârâh (H8597): {UMBRA: #686 % #41 = #30} 1) beauty, splendour,
>>>>> glory; 1a) beauty, finery (of garments, jewels); 1b) glory; 1b1) of
>>>>> rank, renown; 1b2) as attribute of God; 1c) honour (or nation Israel);
>>>>> 1d) *GLORYING*, *BOASTING* (*OF* *INDIVIDUAL*);
>>>>>
>>>>> #890 - ONTIC CHECKSUM TOTAL: #513 as [#200, #20, #5, #400, #5, #200,
>>>>> #10, #50] = skeûos (G4632): {UMBRA: #895 % #41 = #34} 1) a vessel; 2) an
>>>>> implement; 2a) in the plural; 2a1) household utensils, domestic gear;
>>>>> 2a2) the tackle and armament of vessels, used specifically of sails and
>>>>> ropes; 2b) metaph.; 2b1) *A* *MAN* *OF* *QUALITY*, *A* *CHOSEN*
>>>>> *INSTRUMENT*; 2b2) in a bad sense, an assistant in accomplishing an evil
>>>>> deed;
>>>>>
>>>>> #490 - ONTIC CHECKSUM TOTAL: #513 as [#6, #30, #100, #4, #300, #10, #40]
>>>>> = qôdesh (H6944): {UMBRA: #404 % #41 = #35} 1) apartness, holiness,
>>>>> sacredness, separateness; 1a) *APARTNESS*, *SACREDNESS*, *HOLINESS*;
>>>>> 1a1) of God; 1a2) of places; 1a3) of things; 1b) set-apartness,
>>>>> separateness;
>>>>>
>>>>> PRODIGY: A prodigy is typically a young person who demonstrates
>>>>> exceptional talent and ability in a specific field or subject.
>>>>>
>>>>> Their expertise is often focused on a particular domain, such as music,
>>>>> mathematics, or art.
>>>>>
>>>>> CHARACTERISTICS OF A PRODIGY INCLUDE:
>>>>> - Exceptional talent and ability
>>>>> - High level of skill and expertise in a specific area
>>>>> ⁃ Demonstrates this ability at a young age
>>>>> ⁃ Recognized for their exceptional achievements in their field.
>>>>>
>>>>> #313 as [#6, #40, #6, #200, #1, #20, #40] = môwrâʼ (H4172): {UMBRA: #247
>>>>> % #41 = #1} 1) fear, reverence, terror; 1a) fear, terror; 1b) reverence;
>>>>> 1c) object of reverence; 1d) *AWE*-*INSPIRING* *SPECTACLE* *OR* *DEED*;
>>>>>
>>>>> A prodigy masters an existing domain, showcasing remarkable abilities
>>>>> early in life.
>>>>>
>>>>> In summary, while both genius and prodigy represent extraordinary
>>>>> capabilities, a genius reshapes the world with groundbreaking ideas,
>>>>> whereas a prodigy dazzles us with their early mastery of a specific
>>>>> discipline. 🌟🧠✨”
>>>>>
>>>>>
>>>>>
>>>>
>>>>
>>>>
>>>
>>
>
>
>


Click here to read the complete article
Re: -- NEWS MEDIA INCLUSION OF ART AND THE AESTHETIC OF AWE: IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

<ku5ddjFd06bU3@mid.individual.net>

  copy mid

https://www.novabbs.com/aus+uk/article-flat.php?id=31999&group=aus.politics#31999

  copy link   Newsgroups: alt.france aus.politics de.soc.weltanschauung.islam uk.legal nl.politiek
Path: i2pn2.org!rocksolid2!news.neodome.net!fu-berlin.de!uni-berlin.de!individual.net!not-for-mail
From: dolfb...@hotmail.com (dolf)
Newsgroups: alt.france,aus.politics,de.soc.weltanschauung.islam,uk.legal,nl.politiek
Subject: Re:_--_NEWS_MEDIA_INCLUSION_OF_ART_AND_THE_AESTHETIC_OF
_AWE:_IS_IT_IMITATION_(mimesis)_OR_SUCCEEDING_(diádo
chos)?
Date: Sat, 16 Dec 2023 21:45:07 +1100
Lines: 1230
Message-ID: <ku5ddjFd06bU3@mid.individual.net>
References: <-z2dnfmYyc027O_4nZ2dnZfqn_udnZ2d@giganews.com>
<FgidnQyMibJ_M-_4nZ2dnZfqnPSdnZ2d@giganews.com>
<e0dde21c-bf79-4db0-bbf5-78b7811fae52@hotmail.com>
<ktlhhuFom53U1@mid.individual.net> <ktpg41Fmn2jU1@mid.individual.net>
Mime-Version: 1.0
Content-Type: text/plain; charset=UTF-8; format=flowed
Content-Transfer-Encoding: 8bit
X-Trace: individual.net TTDHqqNxYaak5nzw1HMnEQDMzwf71yb9W33ZdjReniMWNvCRnd
Cancel-Lock: sha1:VIt0EJMPPNzp+UQQrw7gn/SCQAQ= sha256:WPC8r45e1BAHePp+qjawI7953f3swREeJqu23HhGQkc=
User-Agent: Mozilla Thunderbird
Content-Language: en-AU
In-Reply-To: <ktpg41Fmn2jU1@mid.individual.net>
 by: dolf - Sat, 16 Dec 2023 10:45 UTC

-- DALEK PRODUCTION LINE CONSCIOUSNESS: ON ART AND THE AESTHETIC OF AWE
-- IS IT IMITATION (mimesis) OR SUCCEEDING (diádochos)?

(c) 2023 Dolf Leendert Boek, Published: 10 December 2023

In this example, I earlier on 10 DECEMBER 2023 accessed the YOUTUBE
"DOCTOR WHO DEVIOUS DALEK PRODUCTION LINE" video and placed it into my
reading list for quick access and then by intuition accessed the GRAPPLE
TEMPORAL HEURISTIC in obtaining reasonable (ie. we discarded the first
selection as too focused on extermination rather than production)
matching CATEGORIES as teleological MALE / FEME and ONTIC / DEME
noumenon redaction which further substantiates the claim that creative
genius, like human consciousness, is a product of the hypostasis.

As we've stated previously with respects to a non-geometric KABBALAH /
SEFIROT conception of MIND, whereof the JEWISH author Eduard SHYFRIN
gives an explanation on the "ESSENCE OF THE LAW OF NATURE" which
exhibits a conformity to our precursory understanding of a templated
META-DESCRIPTIVE (#0 - EX NIHILO, #40 - LAW / MODEL, #41 - RESPONSE, #81
- FOSTERING) PROTOTYPE STANDARD, as the rational product of #451 -
PRAXIS that "in modern science, there is a concept of mental space. A
person's mental space has an infinite number of dimensions. It would be
absurd to suggest that it is closed.

Elsewhere he states that this mental space has a temporal dynamic
“opinions range from time being a fundamental property of our reality to
time being a psychological construct of our minds. Despite the millennia
of debates, time remains the most mysterious concept in physics where
time is interpreted differently in general relativity and quantum
mechanics. In the former, time is part of the system that is space-time.
In the latter, time is external to the system but the question is, why
does the arrow of time, which transports us from the past into the
present and then the future exist?

Everybody agrees, though, that time is change. We perceive this change
through the flow of information in the opposite direction, from the
future into the present, and the present into the past, at which point
it becomes fixed and unchangeable.” [SHYFRIN, pages 39, 40]

We subsequently augmented the earlier instantiation with the capacity
for consciousness #1515 = émphytos (G1721): *IMPLANTED* *BY* *NATURE*…

DALEK: “ACTIVATION SIGNAL DETECTED.”

#1407 - ONTIC CHECKSUM TOTAL: #192 as [#6, #1, #400, #400, #600] = ʼôwth
(H226): {UMBRA: #407 % #41 = #38} 1) sign, *SIGNAL*; 1a) a
distinguishing mark; 1b) banner; 1c) remembrance; 1d) miraculous sign;
1e) omen; 1f) warning; 2) token, ensign, standard, miracle, proof;

DALEK: "RESTART PRODUCTION LINE"

#811 - FEME CHECKSUM TOTAL: #244 as [#6, #5, #300, #20, #40, #400, #40]
= shâkam (H7925): {UMBRA: #360 % #41 = #32} 1) *TO* *RISE* *OR* *START*
*EARLY*; 1a) (Hiphil); 1a1) to rise early, make an early start; 1a2)
early (as adverb);

DALEK: "I OBEY"

#921 - ONTIC CHECKSUM TOTAL: #192 as [#1, #300, #40, #10, #70, #500] /
#1410 - ONTIC CHECKSUM TOTAL: #192 as [#300, #40, #70, #400, #600] =
shâmaʻ (H8085): {UMBRA: #410 % #41 = #41} 1) to hear, listen to, *OBEY*;
1a) (Qal); 1a1) to hear (perceive by ear); 1a2) to hear of or
concerning; 1a3) to hear (have power to hear); 1a4) to hear with
attention or interest, listen to; 1a5) to understand (language); 1a6) to
hear (of judicial cases); 1a7) to listen, give heed; i) to consent,
agree; ii) to grant request; 1a8) to listen to, yield to; 1a9) to obey,
be obedient; 1b) (Niphal); 1b1) to be heard (of voice or sound); 1b2) to
be heard of; 1b3) to be regarded, be obeyed; 1c) (Piel) to cause to
hear, call to hear, summon; 1d) (Hiphil); 1d1) to cause to hear, tell,
proclaim, utter a sound; 1d2) to sound aloud (musical term); 1d3) to
make proclamation, summon; 1d4) to cause to be heard; 1e) sound;

DALEK: "EMBRYO HIBERNATION SUCCESSFUL"

#809 - ONTIC CHECKSUM TOTAL: #192 as [#4, #10, #1, #4, #70, #600, #70,
#50] = diádochos (G1240): {UMBRA: #959 % #41 = #16} 1) *SUCCEEDING*, a
successor;

DALEK: “REVIVAL INITIATED.”

#322 - MALE CHECKSUM TOTAL: #378 as [#1, #50, #5, #7, #8, #200, #1, #50]
= anazáō (G326): {UMBRA: #860 % #41 = #40} 1) live again, recover life;
1a) to be restored to a correct life; 1a1) of one who returns to a
better moral state; 1b) to *REVIVE*, regain strength and vigour;

DALEK: "CONVEYOR SYSTEM NOW ACTIVE"

#712 - ONTIC CHECKSUM TOTAL: #192 as [#1, #100, #600, #1, #10] = archḗ
(G746): {UMBRA: #709 % #41 = #12} 1) beginning, origin; 2) the person or
thing that commences, the first person or thing in a series, the leader;
3) *THAT* *BY* *WHICH* *ANYTHING* *BEGINS* *TO* *BE*, *THE* *ORIGIN*,
*THE* *ACTIVE* *CAUSE*; 4) the extremity of a thing; 4a) of the corners
of a sail; 5) the first place, principality, rule, magistracy; 5a) of
angels and demons;

YOUTUBE: “DOCTOR WHO DEVIOUS DALEK PRODUCTION LINE”

<https://www.youtube.com/watch?v=KGIluXdfXqY>

GRAPPLE (378, 244)@[13, 18, 35, 40, 49, 37, 29, 20, 3] PROTOTYPE

<http://www.grapple369.com/Savvy/?date:2023.12.10&time:18.26&heuristic&male:378&feme:244&ontic:192&deme:506&idea:244>

{@9: Sup: 1 - CENTRE: CHUNG (#378); Ego: 3 - MIRED: HSIEN (#244)}

ONTIC CHECKSUM TOTAL: #192

DEME CHECKSUM TOTAL: #506

    #241 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#2, #2, #200,
#7, #30] /
    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #5, #2,
#200, #7, #30] /
#244 as [#5, #2, #200, #7, #30] = barzel (H1270): {UMBRA: #239 % #41 =
#34} 1) *IRON*; 1a) iron; 1a1) iron ore; 1a2) as material of furniture,
utensils, implements; 1b) tool of iron; 1c) *HARSHNESS*, *STRENGTH*,
*OPPRESSION* (fig.);

#649 - FEME CHECKSUM TOTAL: #244 as [#6, #400, #80, #100, #8, #50, #5] =
pâqach (H6491): {UMBRA: #188 % #41 = #24} 1) *TO* *OPEN* (*THE* *EYES*);
1a) (Qal); 1a1) to open (the eyes); 1a2) *TO* *OPEN* (*THE* *EARS*); 1b)
(Niphal) to be opened;

META-DESCRIPTIVE (#0 - EX NIHILO, #40, #41, #81) PROTOTYPE STANDARD, as
the rational product of PRAXIS which is then #1515 = #491 + #492 + #532
as [#5, #40, #500, #400, #300, #70, #200] = émphytos (G1721): {UMBRA:
#1515 % #41 = #39} 1) inborn, *IMPLANTED* *BY* *NATURE*, implanted by
others instruction;

PROTOTYPE vMEMETIC *DIALECTIC* TO CONSCIOUSNESS
#5 - ACT OF NATURE / NATURE REJOICES IN ITS NATURE: {HE}
#20 - TRANSFORMING NATURE: {RESH / DOUBLE - FORM OF NATURE (AUTONOMOUS
NATURE)}
#6 - FORM OF NATURE / NATURE SURMOUNTS NATURE: {VAV}
#13 - NATURE CONTAINS NATURE: {MEM}
#1 - NATURE CONTAINS NATURE: {ALEPH}

— AUTONOMOUS DELIMITER —> #8 - TRANSFORMING NATURE / ACT OF NATURE: {CHETH)}

<https://www.youtube.com/watch?v=KGIluXdfXqY&t=61>

#10 - TOTALITY OF NATURE / ENGENDERING NATURE: {YOD}
#15 - NATURE SURMOUNTS NATURE: {SAMEK}
#12 - AUTONOMOUS NATURE: {LAMED}
#18 - FORM OF NATURE: {TSADE}

#450 + #1 - SELF AS PROGRESSION

#730 - FEME CHECKSUM TOTAL: #244 as [#70, #500, #9, #1, #30, #40, #70,
#10] = ophthalmós (G3788): {UMBRA: #920 % #41 = #18} 1) the eye; 2)
METAPHOR: *THE* *EYES* *OF* *THE* *MIND*, *THE* *FACULTY* *OF* *KNOWING*;

DALEK: “REACTORS ONLINE”

#1135 - FEME CHECKSUM TOTAL: #244 as [#6, #50, #9, #70, #400, #600] =
nâṭaʻ (H5193): {UMBRA: #129 % #41 = #6} 1) to plant, fasten, fix,
establish; 1a) (Qal); 1a1) to plant; 1a2) to plant, establish (fig.);
1b) (Niphal); 1b1) to be planted; 1b2) *TO* *BE* *ESTABLISHED* (fig.);

DALEK: “DALEK PRODUCTION LINE OPERATIVES IN POSITION”

    #250 - NOUMENON RESONANCE FOR 10 DECEMBER 2023 as [#6, #30, #200,
#6, #8] / [#30, #200, #6, #8, #6] /
#244 as [#30, #200, #6, #8] = rûwach (H7307): {UMBRA: #214 % #41 = #9}
1) wind, breath, mind, spirit; 1a) breath; 1b) wind; 1b1) of heaven;
1b2) quarter (of wind), side; 1b3) breath of air; 1b4) air, gas; 1b5)
vain, empty thing; 1c) spirit (as that which breathes quickly in
animation or agitation); 1c1) *SPIRIT*, *ANIMATION*, *VIVACITY*,
*VIGOUR*; 1c2) courage; 1c3) temper, anger; 1c4) impatience, patience;
1c5) spirit, disposition (as troubled, bitter, discontented); 1c6)
disposition (of various kinds), unaccountable or uncontrollable impulse;
1c7) prophetic spirit; 1d) spirit (of the living, breathing being in man
and animals); 1d1) as gift, preserved by God, God's spirit, departing at
death, disembodied being; 1e) spirit (as seat of emotion); 1e1) desire;
1e2) sorrow, trouble; 1f) spirit; 1f1) *AS* *SEAT* *OR* *ORGAN* *OF*
*MENTAL* *ACTS*; 1f2) rarely of the will; 1f3) as seat especially of
moral character; 1g) Spirit of God, the third person of the triune God,
the Holy Spirit, coequal, coeternal with the Father and the Son; 1g1) as
inspiring ecstatic state of prophecy; 1g2) as impelling prophet to utter
instruction or warning; 1g3) *IMPARTING* *WARLIKE* *ENERGY* *AND*
*EXECUTIVE* *AND* *ADMINISTRATIVE* *POWER*; 1g4) as endowing men with
various gifts; 1g5) as energy of life; 1g6) as manifest in the Shekinah
glory; 1g7) never referred to as a depersonalised force;

#811 - FEME CHECKSUM TOTAL: #244 as [#40, #8, #300, #2, #6, #400, #10,
#5, #40] = machăshâbâh (H4284): {UMBRA: #355 % #41 = #27} 1) thought,
device; 1a) thought; 1b) *DEVICE*, *PLAN*, *PURPOSE*; 1c) *INVENTION*;


Click here to read the complete article
1
server_pubkey.txt

rocksolid light 0.9.8
clearnet tor